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How to Read the Air 
Dinaw Mengestu, 2010
Penguin Group USA
320 pp.
ISBN-13: 9781594487705

In Brief 
Dinaw Mengestu's first novel, The Beautiful Things That Heaven Bears, earned him comparisons to Bellow, Fitzgerald, and Naipaul, and garnered ecstatic critical praise for its haunting depiction of the immigrant experience in America. Now he enriches the themes that defined his debut in a novel that follows two generations of an immigrant family.

One September afternoon, Yosef and Mariam, Ethiopian immigrants who have spent all but their first year of marriage apart, set off on a road trip from their home in Peoria, Illinois, to Nashville, Tennessee, in search of a new identity as an American couple. Just months later, their son, Jonas, is born in Illinois.

Thirty years later, Yosef has died, and Jonas is desperate to make sense of the volatile generational and cultural ties that have forged him. How can he envision his future without knowing what has come before?

Leaving behind his marriage and his job in New York, Jonas sets out to retrace his parents' trip and, in a stunning display of imagination, weaves together a family history that takes him from the war-torn Ethiopia of his parents' youth to a brighter vision of his life in the America of today, a story—real or invented—that holds the possibility of reconciliation and redemption. (From the publisher.)

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About the Author 

Birth—1978
 Where—Addis Ababa, Ethiopa
Raised—USA
Education—B.A., Georgetown University; M.F.A., Columbia
   University
Awards— (see below)
Currently—lives in New York City


Dinaw Mengestu was born in Addis Ababa, Ethiopia, in 1978. In 1980, he and his family came to the United States. A graduate of Georgetown University and Columbia University’s MFA program in fiction, he lives in New York City. (From the publisher.)

Awards
Guardian First Book Award: Winner 2007
National Book Foundation's "5 Under 35" Award
New York Times Notable Book
Dylan Thomas Prize Shortlist
Los Angeles Times Book Prize
Lannan Literary Fellowship
Prix du Premier Roman
Young Lions Fiction Award Finalist
NAACP Image Award Finalist
(From the publisher.)


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Critics Say . . . 
[D]eeply thought out, deliberate in its craftsmanship and in many parts beautifully written.... In How to Read the Air, [Mengestu] has forged something meaningful from his cultural perspective. The book lingers in the mind as personal—not in the characters' specifics, but in their frustrated dislocation in the world.
Miguel Syjuco - New York Times Book Review


[Mengestu]makes us rethink the tropes of immigrant literature .... At a time when some of our most powerful, and popular, stories are narrated by foreigners (and some of our most contentious public debates concern foreigners' rights to be in this country), Mengestu's novel keenly explores our complicated relationship with the idea of the immigrant experience.
Newsweek


[Q]uiet and beautiful.... [T]hanks to uncanny empathy and a deep understanding of history, Mengestu transcends heartbreak and offers up the hope that despite all obstacles, love can survive.
O, The Oprah Magazine


(Starred review) Mengestu (The Beautiful Things That Heaven Bears) stunningly illuminates the immigrant experience across two generations. Jonas Woldemariam's parents, near strangers when they marry in violence-torn Ethiopia, spend most of the early years of their marriage separated, eventually reuniting in America, but their ensuing life together devolves into a mutual hatred that forces a contentious divorce. Three decades later, Jonas, himself moving toward a divorce, retraces his parents' fateful honeymoon road trip from Peoria, Ill., to Nashville in an attempt to understand an upbringing that turned him into a man who has "gone numb as a tactical strategy" and become a fluent and inveterate liar—a skill that comes in handy at his job at an immigration agency, where he embellishes African immigrants' stories so that they might be granted asylum. Mengestu draws a haunting psychological portrait of recent immigrants to America, insecure and alienated, striving to fit in while mourning the loss of their cultural heritage and social status. Mengestu's precise and nuanced prose evokes characters, scenes, and emotions with an invigorating and unparalleled clarity.
Publishers Weekly


The characters in Mengestu's triumphant second novel (after the award-winning The Beautiful Things That Heaven Bears) are forever having what one of them calls a "leaving experience." Ethiopian immigrant Yosef passed many borders before arriving in America; wife Miriam continually walks away from her abusive husband (even leaving their wrecked car in a ditch) before finally achieving permanent escape; and their diffident son, Jonas, the story's narrator, leaves dreams unfulfilled and eventually leaves his marriage—though, says his wife, he was never really there in the first place. The well-constructed narrative parallels Jonas's story and that of his parents, deftly cutting from the slow fizzle of Jonas's marriage to his parents' troubled lives to their iconic car trip from Peoria to Nashville before he was born. After his marriage ends, Jonas reconstructs that trip—a device that frames the novel, though it's really the emotional journey that matters. Verdict: In authoritative prose that flows like liquid gold, Mengestu tells an absorbing story of how we learn that simply going forward is in fact to triumph. Highly recommended. —Barbara Hoffert
Library Journal

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Book Club Discussion Questions 

1. Should Mariam and Yosef have stayed married to each other? Can a relationship survive a long separation?

2. Who is more responsible for the failure of Jonas and Angela's marriage, Jonas or Angela?

3. Was it wrong of Jonas to lie to the board member? Or was it more wrong of him to invent a story for his students? Do you agree or disagree with the school's handling of his fabrications?

4. Do you think reenacting his parents' trip will help Jonas?

5. Jonas is mostly estranged from his father before he dies, and mostly estranged from his mother before the end of this novel. Is there ever a reason to cut family members out of your life, or is it better to maintain close relationships whenever possible?

6. Given all she had suffered at the hands of Yosef, was Mariam justified in causing the car accident in Missouri? Why or why not? Is there ever an instance in which violence should be answered with violence? How did the violent episodes in Jonas's parents' marriage shape him?

7. Why did Jonas lie to Angela about his position at the academy?

8. Why does Jonas get so swept away with rewriting the personal statements of the immigrants seeking asylum? In what other ways does he reimagine his world and the world around him? Does this tendency help him cope, or does it hurt him?

9. Where do you think Jonas's trip takes him in the end? What kind of future do you see for him?
(Questions issued by publisher.)

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