Chance: A Novel
Kem Nunn, 2014
Scribner
336 pp.
ISBN-13: 9780743289245
Summary
From the Los Angeles Times Book Prize–winning author comes a suspenseful and mind-bending novel about Eldon Chance, a forensic neuropsychiatrist at the end of his rope.
A dark tale involving psychiatric mystery, sexual obsession, fractured identities, and terrifyingly realistic violence—Chance is set amid the back streets of California’s Bay Area, far from the cleansing breezes of the ocean. Dr. Eldon Chance, a neuropsychiatrist, is a man primed for spectacular ruin.
Into Dr. Chance’s blighted life walks Jaclyn Blackstone, the abused, attractive wife of an Oakland homicide detective, a violent and jealous man. Jaclyn appears to be suffering from a dissociative identity disorder. In time, Chance will fall into bed with her—or is it with her alter ego, the voracious and volatile Jackie Black? The not-so-good doctor, despite his professional training, isn’t quite sure—and thereby hangs his fascination with her.
Meanwhile, Chance also meets a young man named D, a self-styled, streetwise philosopher skilled in the art of the blade. It is around this trio of unique and dangerous individuals that long guarded secrets begin to unravel, obsessions grow, and the doctor’s carefully arranged life comes to the brink of implosion.
Amid San Francisco’s fluid, ever-shifting fog, in the cool, gray city of love, Dr. Chance will at last be forced to live up to his name. Chance is a twisted, harrowing, and impossible-to-put-down head trip through the fun house of fate, mesmerizing until the very last page. (From the publisher.)
Author Bio
• Birth—1948
• Raised—Pomona, California, USA
• Education—M.F.A., University of California, Irvine
• Currently—lives in southern California
Kem Nunn is an American fiction novelist, surfer, magazine and television writer from California. His novels have been described as "surf-noir" for their dark themes, political overtones and surf settings. He is the author of five novels, including his seminal surf novel Tapping the Source and, more recently, Chance. According to the San Diego Union Tribune:
He remembers being mesmerized the first time he saw surfers while camping with his parents at Salt Creek near Dana Point.
Although Nunn was a skinny, not-so-athletic kid who didn't swim very well, the allure of being propelled by waves was irresistible. His first rides were on air mats and crude homemade surfboards. He merely dabbled with surfing as a youth. It wasn't until he was deep into his 20s that he became immersed in the surfer's life.
He drifted from his teens into his 20s, turning underachieving into an art decades before eternal slacking became fashionable with Generation X.
"My 20s were a lost decade. I didn't do much of anything," he said.
—Terry Rodgers, San Diego Union Tribune, August 17, 2004
Nunn has collaborated with producer David Milch on the HBO Western drama series Deadwood. Milch and Nunn co-created the HBO series John from Cincinnati, a surfing series set in Imperial Beach, California which premiered in 2007.
Kem Nunn grew up in Pomona and Northern California. In addition to Tapping the Source (1984), he also wrote Dogs of Winter (1997), Unassigned Territory (1986), Pomona Queen (1992), Tijuana Straits (2004), and Chance (2014). He received an MFA in creative writing from UC Irvine. (Adapted from Wikipedia. Retrieved 5/15/2014 .)
Book Reviews
Kem Nunn's crafty new novel…Chance takes place in the twilit world of noir, where people and things are never what they seem. But this book isn't a tragic noir like Vertigo or Out of the Past, whose cunning femme fatale Jaclyn/Jackie sometimes brings to mind. It's a farce, of an unusually violent and dark-spirited kind…Nunn, a connoisseur of slippery slopes, just gives his uptight protagonist a gentle shove and watches him go down, every bump and stumble duly noted with a sort of dry relish
Terrence Rafferty - New York Times Book Review
Is it too much to compare Kem Nunn to Raymond Chandler? Like Chandler, Nunn’s great subject is what lies beneath the surface, the desolation that infuses us at every turn.... The power of this disturbing and provocative novel is that it leaves us unmoored among the signposts of a morally ambiguous universe in which, even after we have finished reading, it is uncertain who has been feeding whom.
Los Angeles Times
Sentence by sentence Nunn achieves a muscular eloquence—I almost wrote elegance—unusual in what at first appears to be a genre novel. There hasn't been fiction this good about a San Francisco medical professional gone off the rails over a woman since Frank Norris' deluded dentist in the 1899 novel McTeague.
Alan Cheuse - San Francisco Chronicle
The book could be considered a pulp masterpiece. It has everything from a femme fatale to a dystopian setting where the California sun is blotted out by a black-ash fog from wildfires burning around the Bay. Chance is the kind of everyman whose bad choices are noir staples. But calling it pulp would undersell the sheer genius of the writing, which uses the convention of mystery-thrillers to create a psychological allegory of Freud’s construct, id, ego and superego at war with themselves.
Arizona Republic
(Starred review.) [A] brilliant and cerebral psychological thriller. The quiet, ordered life of Dr. Eldon Chance, a recently divorced Bay Area forensic neuropsychiatrist, begins to unravel when he makes a series of ill-fated decisions.... [A]surprising conclusion.
Publishers Weekly
Psychiatrist Eldon Chance, who makes his living providing testimony in court cases, is appalled to see the life he had so carefully constructed for himself break apart.... Nunn...excels at creating complicated, flawed characters with fascinating backstories. This gritty, twisted tale will be of prime interest to noir fans. —Joanne Wilkinson
Booklist
[G]ritty.... Nunn, a writer with a gift for subtlety and wordplay, spins a story that is both mesmerizing and a bit confusing. Readers will find Nunn's story well-written for the most part but not always engaging. Lovers of Nunn's previous novels may discover in Chance a less than creditable antihero.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
(We'll add specific questions if and when they're made available by the publisher.)
The Pink Suit
Nicole Mary Kelby, 2014
Little, Brown & Co.
288 pp.
ISBN-13: 9780316235655
Summary
A novel based on the true story behind Jacqueline Kennedy's iconic pink suit.
On November 22, 1963, the First Lady accompanied her husband to Dallas, Texas dressed in a pink Chanel-style suit that was his favorite. Much of her wardrobe, including the pink suit, came from the New York boutique Chez Ninon where a young seamstress, an Irish immigrant named Kate, worked behind the scenes to meticulously craft the memorable outfits.
While the two never met, Kate knew every tuck and pleat needed to create the illusion of the First Lady's perfection. And when the pink suit becomes infamous, Kate's already fragile world—divided between the excess and artistry of Chez Ninon and the traditional values of her insular neighborhood—threatens to rip apart.
The Pink Suit is a fascinating look at politics, fashion, and some of the most glamorous women in history, seen through the eyes of a young woman caught in the midst of an American breed of upstairs/downstairs class drama. (From the publisher.)
Author Bio
• Birth—ca. 1955-56
• Raised—Tampa, Florida, USA
• Education—N/A
• Currently—lives in St. Paul, Minnesota
N. M.Kelby (Nicole Mary Kelby) is an American short-story and novel writer. She was born in Toledo, Ohio, to a Polish-American father and French-born mother. When they divorced, her mother moved the family to Tampa, Florida. At 17 she begain interning at the St. Petersburg Times, saying years later in an interview...
I knew I wanted to be a writer, but the job market wasn’t great down there. I’d also been writing poetry, and you know what a fabulous, lucrative job that is. Somehow I heard about...the lively arts community in Minneapolis [Minn.]. I moved up here, got involved with The Loft, and that’s how my writing career started. I got jobs in PR, I worked as a food journalist, wrote for Skyway News, Where Magazine, I was a reporter and anchor for Fox 9 News, I was executive director of the cable access station in St. Paul.
Writing
She began her writing career as a playwright but later turned to novels and short stories. She is the author of The Pink Suit (2014), White Truffles in Winter (2011), Murder at the Bad Girl’s Bar and Grill (2008), Whale Season (2006), Theater of the Stars (2005), and In the Company of Angels (2001).
Her short stories have appeared in many publications including Zoetrope All-Story Extra, One Story, Minnesota Monthly, Verb, and Mississippi Review. One was recorded by actress Joanne Woodward for the NPR CD Travel Tales, and included in New Stories from the South: Best of 2006.
Kelby has been the recipient of a Bush Artist Fellowship in Literature, the Heekin Group Foundation’s James Fellowship for the Novel, both a Florida and Minnesota State Arts Board Fellowship in fiction, two Jerome Travel Study Grants, and a Jewish Arts Endowment Fellowship. She was named "Outstanding Southern Artist" by The Southern Arts Federation and her work has been translated into several languages. She has been a Pirate’s Alley Faulkner Award finalist for fiction three times and placed twice in the Nelson Algren Award for the Short Story.
Kelby took part in a month-long cultural exchange at Tyrone Guthrie Centre in County Monaghan, Ireland and will be the Artist-in-Residence at the Santa Fe Art Institute in May 2008. (From .)
Book Reviews
Kelby’s brilliant idea for a novel is inspired by history but is not a mirror image of it, and much like off-the-rack clothing, The Pink Suit won’t fit everyone’s taste. Part of the problem is that the author has trouble balancing the two aspects of the story. Although her prose is runway ready when she’s talking about couture, the book stumbles when it roams into Kate’s life in Upper Manhattan. Kelby captures the "Mad Men"-era struggles of women torn between marriage and work, but her description of Kate’s life simply isn’t as elegant as her deconstruction of the suit.
Carol Memmott - Washington Post
The Pink Suit, built around the Garment District back story of that now-famous outfit, is sure to catapult the writer's career straight from pret-a-porter to haute couture.... Kate gets an insider's glimpse into the rarefied world of high-society matrons and wealthy socialites so often cloaked in mystery to outsiders. So do we... The Minnesota author herself seems poised to reach rosy new career heights with the publication of this carefully tailored novel.
Minneapolis Star Tribune
While the novel is filled with politics, history and lots of insider views of designer fashion, Kate remains grounded... It's a look at an ordinary woman and how she played a small role in an extraordinary time.
Fort Worth Star Telegram
Terrific!
Entertainment Weekly
An engaging and moving work of historical fiction.
Harper’s Bazaar (UK)
Kelby cleverly combines historical fact with fiction in this engaging tale of a talented seamstress and her quest to find love and happiness. Kate is an Irish immigrant living in 1960s New York and working as a seamstress at Chez Ninon.... Kelby excels brilliantly at imbuing the reader with the ability to see the beauty of fabric and design... [and] feel the depths of emotion in Kate's difficult life choices.
Publishers Weekly
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
(We'll add specific questions if and when they're made available by the publisher.)
The Girl in the Blue Beret
Bobbie Ann Mason, 2011
Random House
384 pp.
ISBN-13: 9780812978872
Summary
Inspired by the wartime experiences of her father-in-law, Bobbie Ann Mason has crafted the haunting and profoundly moving story of an American World War II pilot shot down in Occupied Europe, and his wrenching odyssey of discovery, decades later, as he uncovers the truth about those who helped him escape in 1944.
At twenty-three, Marshall Stone was a confident, cocksure U.S. flyboy stationed in England, with several bombing raids in a B-17 under his belt. But when enemy fighters forced his plane to crash-land in a Belgian field during a mission to Germany, Marshall had to rely solely on the kindness of ordinary Belgian and French citizens to help him hide from and evade the Nazis.
Decades later, restless and at the end of his career as an airline pilot, Marshall returns to the crash site and finds himself drawn back in time, unable to stop thinking about the people who risked their lives to save Allied pilots like him. Most of all, he is obsessed by the girl in the blue beret, a courageous young woman who protected and guided him in occupied Paris.
Framed in spellbinding, luminous prose, Marshall’s search for her gradually unfolds, becoming a voyage of discovery that reveals truths about himself and the people he knew during the war. Deeply beautiful and impossible to put down, The Girl in the Blue Beret is an unforgettable story—intimate, affecting, exquisite—of memories, second chances, and one intrepid girl who risked it all for a stranger. (From the publisher.)
Author Bio
• Birth—May 1, 1940
• Where—Mayfield, Kentucy, USA
• Education—B.A., University of Kentucky; M.A.,
State University of New York, Binghamton;
Ph.D., University of Connecticut
• Awards—Ernest Hemingway Foundation Award
• Currently—lives in Kentucky
Bobbie Ann Mason is an American novelist, short story writer, essayist, and literary critic from Kentucky.
With four siblings Mason grew up on her family's dairy farm outside of Mayfield, Kentucky. As a child she loved to read, so her parents, Wilburn and Christina Mason, always made sure she had books. These books were mostly popular fiction about the Bobbsey Twins and the Nancy Drew mysteries. She would later write a book about these books that she loved to read as an adolescent titled The Girl Sleuth: A feminist guide to the Bobbsey Twins, Nancy Drew, and Their Sisters.
After high school, Mason went on to major in English at the University of Kentucky. After graduating in 1962, she took several jobs in New York City with various movie magazines, writing articles about various stars who were in the spotlight. She wrote about Annette Funicello, Troy Donahue, Fabian, and other teen stars.
She earned her master’s degree at the State University of New York at Binghamton in 1966. Next she went to graduate school at the University of Connecticut, where she subsequently received her Ph.D. in literature with a dissertation on Vladimir Nabokov's Ada in 1972. Her dissertation was published in paperback form as Nabokov's Garden two years later.
Stories
By the time she was in her later thirties, Bobbie Ann started to write short stories. In 1980 The New Yorker published her first story.
It took me a long time to discover my material. It wasn't a matter of developing writing skills, it was a matter of knowing how to see things. And it took me a very long time to grow up. I'd been writing for a long time, but was never able to see what there was to write about. I always aspired to things away from home, so it took me a long time to look back at home and realize that that's where the center of my thought was.
Mason went on to write a collection, Shiloh and Other Stories, which appeared in 1982 and won the 1983 Ernest Hemingway Foundation Award for outstanding first works of fiction. Later story collections include Love and Live (1989), Midnight Magic (1998), Zigzagging Down a Wild Trail (2002), and Nancy Culpepper (2006). Over the years, her stories have appeared in Atlantic Monthly, Mother Jones, New Yorker, and Paris Review.
Mason writes about the working-class people of Western Kentucky, and her short stories have contributed to a renaissance of regional fiction in America creating a literary style that critics have labeled "shopping mall realism."
Novels and memoir
Mason wrote her first novel, In Country, in 1985. It is often cited as one of the seminal literary works of the 1980s with a protagonist who attempts to come to terms with important generational issues, ranging from the Vietnam War to consumer culture. A film version was produced in 1989, starring Emily Lloyd as the protagonist and Bruce Willis as her uncle.
She followed In Country with another novel in 1988, Spence and Lila. She has since published others: Feather Crowns (1993), An Atomic Romance (2005), and The Girl in the Blue Beret (2011).
Mason also published her memoir Clear Springs in 1999.
Mason has received a National Endowment for the Arts Fellowship and a Guggenheim Fellowship. She is currently the writer in residence at the University of Kentucky. (Adapted from Wikipedia. Retrieved 5/13/2014.)
Book Reviews
Mason has given us a portrait of a man from a generation whose members were uncertain about the protocols of letting oneself feel. And she has lovingly captured the tone of bluff assertion still shared by veterans of that war. Marshall’s banality has the ring of truth; his awkwardness reveals much….The Girl in the Blue Beret is a work of remarkable empathy.
Daniel Swift - New York Times Book Review
Mason has long been considered one of the finest writers of regional fiction—Kentucky is her home and inspiration—but her affecting new novel takes place in France, and she’s just as comfortable and insightful there…once again, Mason has plumbed the moral dimensions of national conflict in the lives of individual participants and produced a deeply moving, relevant novel.
Washington Post
The new novel from best-selling author Bobbie Ann Mason will send you dashing to the shelves to devour everything else she's ever written—it's that good.… Mason weaves a spellbinding tale of war, love and survival. … The Girl in the Blue Beret is not only a remarkable work of historical fiction, it's also storytelling at its best.
Associated Press
Ushering her readers back and forth across the decades, she perfectly weaves history with fiction. In many ways the book is a tribute to these unsung civilians whose heroism often was never acknowledged by those they helped. [A] near-perfect war story.
USA Today
To Curl Up with: A pilot shot down over France returns years later to search for the jeunne fille who rescued him. Mason’s lovely tale, drawn from her [father-in-law’s] wartime experience, will resonate for many.
Good Housekeeping
The Girl in the Blue Beret is an impressive novel. Mason writes with confidence about integrity, memory, love, the war in Europe—and a likeable man.… Recommended for all historical fiction readers.
Historical Novels Review
"[An] impressive, impassioned new novel. The unforgettable story, based on the author’s father-in-law’s wartime experiences, is a gripping tale of redemption." –Miami Herald
[A] touching novel about love, loss, war, and memory. Shot down over France during WWII, Marshall Stone takes the controls and lands the plane, helping as many of his surviving airmen to safety as he can.... [F]ascinating and intensely intimate.
Publishers Weekly
[A] haunting novel [Mason's ] late father-in-law's wartime experiences, and the rich setting, detail, and intimate character nuances ring true. Verdict: Great crossover appeal for fans of the award-winning author, World War II fiction, and novels with French settings. Highly recommended. —Jenn B. Stidham, Houston Community Coll.-Northeast, TX
Library Journal
Mason may surprise fans of her Appalachian stories with this historical novel about a World War II pilot who returns to France to find the families who helped him survive after his plane was shot down 36 years earlier.... Like Marshall himself, the novel maintains a reserved, laconic, even pedantic tone—off-putting at times yet often moving
Kirkus Reviews
Discussion Questions
1. Discuss the special bond between Allied aviators and their European helpers. Why did it take so long for many of them to reunite after the war?
2. What does flying mean to Marshall? Discuss Marshall’s failed B-17 mission and the effect it had on his life.
3. Re-read and discuss the images of flight throughout the novel. How does the final sentence tie in with these?
4. What is Marshall’s feeling about the young man he remembers as Robert? Does Marshall romanticize him? Why is finding Robert so important to Marshall?
5. Love and war. There are two main love stories in this novel—the younger couple, Annette and Robert, and the mature couple, Annette and Marshall. How are these relationships different from each other? What does war do to love and romance?
6. Why is Marshall so unprepared for what Annette reveals to him? How does he deal with her story? What possibilities lie ahead for him?
7. The name Annette Vallon is inspired by a historical figure, a woman who was William Wordsworth’s lover during the French Revolution and the mother of his illegitimate child. What suggestions are being made by the use of the name here? What else can you learn about Annette Vallon from further research?
8. What do you make of the epigraph by William Wordsworth? Is it appropriate? How does it connect with the use of Annette Vallon’s name?
9. What do mountains mean to Marshall? Trace the importance of mountains at different stages of his life.
10. How does Marshall look back on his war experience? How does his perspective change during the course of the novel?
11. How do the experiences in the book compare with your own experiences of war? Have you ever known anyone captured during wartime?
12. What is meant by second chances in the context of this book?
(Questions issued by the publisher.)
The Things We Cherished
Pam Jenoff, 2010
Doubleday
304 pp.
ISBN-13: 9780307742421
Summary
Charlotte Gold is shocked when her ex-fiance Brian appears on the doorstep of her law office with a troubling case. Roger Dykmans, a wealthy financier and the brother of a Holocaust hero, has been accused of World War II-era war crimes, including the betrayal of his brother and the Jews he tried to save. All Charlotte needs to do is travel to Munich and help Brian’s estranged brother Jack prove Roger’s innocence.
Despite her misgivings, Charlotte agrees, but the case is soon hindered by the client himself. Roger refuses to help with his own defense, revealing only that proof of his innocence lies inside an intricate timepiece last seen in Nazi Germany.
As Jack and Charlotte track the anniversary clock through the past century, they learn of Roger’s love for his brother’s Jewish wife, Magda, and the tragic decisions he had to make to save her—all the while fighting a growing attraction of their own. (From the publisher.)
Author Bio
• Birth—N/A
• Where—Silver Spring, Maryland, USA
• Education—B.A., George Washington University; M.A., Cambridge University; J.D., University of Pennsylvania
• Currently—lives in Cherry Hill, New Jersey
Pam Jenoff was born in Maryland and raised outside Philadelphia. She attended George Washington University in Washington, D.C., and Cambridge University in England.
Upon receiving her master's in history from Cambridge, she accepted an appointment as Special Assistant to the Secretary of the Army. The position provided a unique opportunity to witness and participate in operations at the most senior levels of government, including helping the families of the Pan Am Flight 103 victims secure their memorial at Arlington National Cemetery, observing recovery efforts at the site of the Oklahoma City bombing and attending ceremonies to commemorate the fiftieth anniversary of World War II at sites such as Bastogne and Corregidor.
Following her work at the Pentagon, Pam moved to the State Department. In 1996 she was assigned to the U.S. Consulate in Krakow, Poland. It was during this period that Pam developed her expertise in Polish-Jewish relations and the Holocaust. Working on matters such as preservation of Auschwitz and the restitution of Jewish property in Poland, Pam developed close relations with the surviving Jewish community.
Pam left the Foreign Service in 1998 to attend law school and graduated from the University of Pennsylvania. She worked for several years as a labor and employment attorney both at a firm and in-house in Philadelphia and now teaches law school at Rutgers.
Pam is the author of The Kommandant's Girl, which was an international bestseller and nominated for a Quill award, as well as The Diplomat's Wife, The Ambassador's Daughter, Almost Home, A Hidden Affair and The Things We Cherished.
She lives outside Philadelphia with her husband and three children. (From the publisher.)
Book Reviews
Opens a provocative window onto the continuing effort to bring Nazi war criminals to justice, and the complexities involved in making legal and moral judgments decades later.... At once a historical mystery, a legal thriller, and a romance.
Philadelphia Inquirer
A bittersweet story of loves old and new, of men and women trying to survive in perilous times.
Richmond Times-Dispatch
Provocative.... A story of human emotion, physical necessity, love and hate. The author conveys the pain of a period none can forget, and the feelings we have that can be all too painful.
Baltimore Jewish Times
[U]ndeniable intrigue.
Jewish Chronicle
Jenoff weaves an intriguing and intelligent story with a delicacy that is captivating.
Kate Furnivall - author of The Russian Concubine
Unlike much romantic historical suspense, this is quiet and credible—even the surprise twists—further cementing Jenoff's reputation for adeptly using the harsh realities of WWII Europe as a context for a timeless love story.
Publishers Weekly
A powerful novel rich in period detail, The Things We Cherished is a fascinating contemporary and historical drama, a unique glimpse into a disappearing world, and a reminder that past and present often come together in unexpected ways.
Booklist
A skillfully rendered tale of undying love, unthinkable loss and the relentless grip of the past on the present.
Kirkus Reviews
Discussion Questions
1. Why do you think Charlotte agreed to help Brian and take on the case? Do you agree with her decision?
2. Do you think the ends that Roger was seeking (saving Magda and her daughter) justified the means of his choices and actions? Did you find him likeable despite these choices?
3. What do you think drew Roger and Magda together so powerfully? How did their dynamic change throughout the book?
4. What do you think Magda really wanted?
5. What role does the clock play throughout the book? Are there commonalities in the way it touches people’s lives? Differences?
6. The relationships between the brothers in the book (Brian and Jack, Sol and Jake, Roger and Hans) are fraught with both affection and acrimony. What is it about sibling relationships that makes them so complex? Is it different when the siblings are the same sex versus the opposite?
7. Charlotte initially dislikes Jack. When does she begin to feel differently about him? What conflicts develop between them, and are they things that can be overcome? Is the fact that they’re both attorneys an advantage or a detriment to their romantic relationship?
8. How do you think Charlotte’s personal and professional lives influenced one another at the beginning of the book? Did that change?
9. With whom in the book does Charlotte most closely identify/relate? Why?
10. were you surprised at the way in which Johann, the farmer, went on to live his life after Rebecca died? How so?
11. Which character in the book was most tested by circumstance? Which was most transformed?
12. Did you think the events in the characters’ lives were driven by fate? Chance?
13. What do you think of Sol's perception that he was the lucky one because he got to remain in Berlin after Jake was forced to flee?
14. Where do you think Charlotte winds up one month after the end of the book? One year? Five years?
(Questions courtesy of the author.)
Amy and Isabelle
Elizabeth Strout, 1998
Knopf Doubleday
320 pp.
ISBN-13: 9780375705199
Summary
In her stunning first novel, Amy and Isabelle, Elizabeth Strout evokes a teenager's alienation from her distant mother—and a parent's rage at the discovery of her daughter's sexual secrets.
In most ways, Isabelle and Amy are like any mother and her 16-year-old daughter, a fierce mix of love and loathing exchanged in their every glance. And eating, sleeping, and working side by side in the gossip-ridden mill town of Shirley Falls doesn't help matters.
But when Amy is discovered behind the steamed-up windows of a car with her math teacher, the vast and icy distance between mother and daughter becomes unbridgeable. As news of the scandal reaches every ear, it is Isabelle who suffers from the harsh judgment of Shirley Falls, intensifying her shame about her own secret past.
And as Amy seeks comfort elsewhere, she discovers the fragility of human happiness through other dramas, from the horror of a missing child to the trials of Fat Bev, the community peacemaker. Witty and often profound, Amy and Isabelle confirms Elizabeth Strout as a powerful new talenta. (From the publisher.)
Author Bio
• Birth—January 6, 1956
• Where—Portland, Maine, USA
• Education—B.A., Bates College; J.D. and Certificate of Gerontology, Syracuse University
• Awards—Pulitzer Prize
• Currently—lives in Brooklyn, New York, and in Maine.
Elizabeth Strout is an American writer of fiction. She was born in Portland, Maine, and raised in small towns in Maine and New Hampshire. Her father was a science professor, and her mother taught high school. After graduating from Bates College, she spent a year in Oxford, England, followed by studies at law school for another year. In 1982 she graduated with honors, and received both a law degree from the Syracuse University College of Law and a Certificate of Gerontology from the Syracuse School of Social Work. That year her first story was published in New Letters magazine.
Strout moved to New York City, and continued to write stories that were published in literary magazines, as well as in Redbook and Seventeen. It took her six or seven years to write Amy and Isabelle, which when published was shortlisted for the 2000 Orange Prize and nominated for the 2000 PEN/Faulkner Award for fiction. The novel was made into a television movie starring Elisabeth Shue and produced by Oprah Winfrey's studio, Harpo Films.
She was a NEH (National Endowment for the Humanities) professor at Colgate University during the Fall Semester of 2007, where she taught creative writing at both the introductory and advanced level. She was also on the faculty of the MFA program at Queens University of Charlotte in Charlotte, North Carolina.
In 2009 Strout was honored with a Pulitzer Prize for Fiction for Olive Kitteridge (2008), a collection of connected short stories about a woman and her immediate family and friends on the coast of Maine. In 2010, Italian booksellers voted Olive Kitteridge and Strout as the winner of the Premio Bancarella award in the medieval Piazza della Repubblica in Pontremoli, Italy. Her new book, The Burgess Boys, was published in 2013.
Strout is married to former Maine Attorney General James Tierney, who currently serves as the Director of the National State Attorney General Program at Columbia Law School. She divides her time between New York and Maine. (From Wikipedia.)
Extras
From a 2006 Barnes & Noble interview:
• My first job was when I was about 12, cleaning houses in the afternoons for different elderly women in town. I hated it. I would be so bored scrubbing at some kitchen tile, that my mind would finally float all over the place, to the beach, to a friend's house...all this happened in my mind as I scrubbed those tiles, so it was certainly good for my imagination. But I did hate it."
• Without a doubt my mother was an inspiration for my writing. This is true in many ways, but mostly because she is a wonderful storyteller, without even knowing it. I would listen, as a child, when some friend of hers came to visit, and they would gossip about the different people they knew. My mother had the most fascinating stories about people's families, murderers, mental illnesses, babies abandoned, and she delivered it all in a matter-of-fact way that was terribly compelling. It made me believe that there was nothing more interesting than the lives of people, their real hidden lives, and this of course can lead one down the path of becoming a fiction writer.
• Later, in college, one of my favorite things was to go into town and sit at the counter at Woolworth's (so tragic to have them gone!) and listen to people talking; the waitresses and the customers — I loved it. I still love to eavesdrop, but mostly I like the idea of being around people who are right in the middle of their lives, revealing certain details to each other — leaving the rest for me to make up.
• I love theater. I love sitting in an audience and having the actors right there, playing out what it means to be a human being. There is something about the actual relationship that is going on between the audience and the actors that I just love. I love seeing the sets and costumes, the decisions that have been made about the staging...it's a place for the eye and the ear to be fully involved. I have always loved theater."
• I also like cell phones. What I mean by that is I hear many people complain about cell phones; they can't go anywhere without hearing someone on a cell phone, etc. But I love that chance to hear half a conversation, even if the person is just saying, ‘Hi honey, I'll be home in ten minutes, do you want me to bring some milk?' And I'm also grateful to have a cell phone, just to know it's there if I need it when I'm out and about. So I'm a cell phone fan.
• I don't especially like to travel, not the way many people do. I know many people that love to go to far-off and different places, and I've never been like that. I seem to get homesick as quickly as a child. I may like being in some new place for a few days, but then I want to go home and return to my routine and my familiar corner stores. I am a real creature of habit, without a doubt.
• When asked what book most inluenced her life as a writer, she answered:
Perhaps the book that had the greatest influence on my career as a writer was The Journals of John Cheever. Of course many, many books had influenced me before I read that, but there was something about the honesty found in Cheever's journals that gave me courage as a writer. And his ability to turn a phrase, to describe in a breath the beauty of a rainstorm or the fog rising off the river... all this arrived in my life as a writer at a time when I seemed ready to absorb his examples of what a sentence can do when written with the integrity of emotion and felicity of language.
Book Reviews
Evocative...one of those rare, invigorating books that take an apparently familiar world and peer into it with ruthless intimacy, revealing a strange and startling place.
Suzanne Berne - New York Times Book Review
Unflaggingly engaging...What a pleasure to gain entry into the world of this book.
New Yorker
Amy and Isabelle is an impressive debut....with an expansiveness and inventiveness that is the mark of a true storyteller.
Philadelphia Inquirer
This first-time novelist is destined for great things....Stunning.
San Francisco Chronicle
[A]n impresive debut novel....Strout writes with abundant warmth.
Laura Jamison - People Magazine
[I]n Strout's sure hands, [the central revelatory] truth isn't awful but, in fact, revelatory.
Vanessa V. Friedman - Entertainment Weekly
Strout's insights into the complex psychology between [mother and daughter] result in a poignant tale about two comings of age.
Time
Lovely, powerful.
Jeff Giles - Newsweek
Stories of young women who suffer the sexual advances of an authority figure (in this case, a high school math teacher) seem ubiquitous these days. But in Strout's gently powerful, richly satisfying debut, the damage shows less within the heart of the teenaged girl in question than in the wreckage of the previously tranquil relationship she had enjoyed with her mother.
Publishers Weekly
This mother-daughter novel tells the story of how Isabelle Goodrow escaped her past and moved to a small town with her daughter, telling everyone her husband and family were dead..... [Strout's] attention to the detail of everyday life resembles that of Alice Munro and Anne Tyler. —Nancy Ives, SUNY at Geneseo
Library Journal
A lyrical, closely observant first novel, charting the complex, resilient relationship of a mother and daughter..... Matters come to a head when Amy [the daughter] and her teacher are discovered in compromising circumstances.... In less sure hands, all of this would seem merely melodramatic.
Kirkus Reviews
Discussion Questions
1. Isabelle comes to Shirley Falls in order to start a new life. How does her desire to re-create herself affect the way she is perceived by other people? How does it influence the way she raises Amy?
2. Why is Amy so attracted to Fat Bev? What does the atmosphere at the mill offer her that she finds neither at home nor at school?
3. What role does Isabelle's "crush" on Avery Clark play in her life? How do her fantasies about being a loving wife to Avery compare to the way she treats Amy and runs their home? Which is the "real" Isabelle?
4. Before you know the reason for the estrangement between Amy and Isabelle, where do your sympathies lie? What insights do their brunch in the restaurant and window-shopping spree [pp. 54-56], as well as their uncomfortable encounter with Barbara Rawley at the grocery store [p. 57] give you into the nature of their relationship before the crisis?
5. At first Mr. Robertson appears to be a motivational teacher. Are his teaching methods appropriate and effective? Are his questions and comments to Amy and the other students commonplace, or unusual for a math teacher? Is it possible for a high school teacher to be "cool" without overstepping the boundaries between student and teacher? Why do you think he was drawn to Amy? At what point do Mr. Robertson's attentions toward her become unacceptable?
6. Why doesn't Amy tell Isabelle about Mr. Robertson at the beginning of their friendship? Why does Amy feel "as though something dark and wobbly sat deep within her chest" [p.78] after her as yet still innocent afternoons with Mr. Robertson?
7. What impact does Isabelle'sprotectiveness have on Amy's character and her sense of self? How did Isabelle's own childhood [p. 185] shape her character, not only as a mother, but as a woman?
8. Why does Strout choose Madame Bovary as the first serious book to engage Isabelle's passionate interest and attention? What parallels, if any, does Isabelle draw between Emma Bovary's life and her own? What other similarities exist between the two women?
9. Why does her conversation with Amy so quickly take a wrong turn when Isabelle hears about Amy and Mr. Robertson [p.159]? Why does Amy's accusation that Isabelle doesn't "know what the world is like" [p. 161] hurt her so deeply? Is Amy's outburst crueler than Isabelle's own impulse to shout at Amy "You weren't even supposed to be born" [p. 162]?
10. Why does Amy insist that she initiated the physical relationship? Is she only trying to protect Mr. Robertson, or does she have other reasons for taking the responsibility for what happened?
11. Mr. Robertson's seduction of Amy and his absolute disregard for the consequences of his act shock Isabelle. After her confrontation with him, why does she say that "in the end, he 'won.' In the end he had retained his sense of dignity and managed to destroy hers" [p. 166.]? Do you think that Isabelle mishandles the situation or is Mr. Robertson incapable feeling shame or remorse?
12. Why is Isabelle satisfied with Mr. Robertson's promise to leave town? Are her motives entirely unselfish? What would have been the consequences for both Amy and Isabelle if the scandal had been made public? Why did Isabelle react so differently to Amy's actions than Stacey's parents did to their daughter's pregnancy?
13. How accurate is Amy's belief that her mother is angry because Amy found someone to love her? What would make Amy think that? "It was not...the fact that she had been lying to Isabelle for so many months nor did Isabelle hate Amy for having taken up all the space in her life. She hated Amy because the girl had been enjoying the sexual pleasures of a man, while she herself had not" [p. 206]. Are Isabelle's feelings natural?
Why or why not?
14. Amy and Isabelle's conflict is presented within the context of small town life. How do the events in the lives of the women at the mill—like the break-up of Dottie Brown's marriage—and the revelations about Dr. Burrow's affair with Peg Dunlap and the secret relationship between the high school principal and the Spanish teacher, enhance the book?
15. Do you think the novel would have unfolded differently if Amy and Isabelle had lived in a large city? In what ways does the story about the abduction of a teenage girl in the neighboring town mirror what is happening in Amy's and Isabelle's lives?
16. What is the significance of Amy's relationship with Paul Bellows? What purpose do they serve in each other's lives?
17. Is Isabelle's reaction to Amy's involvement with Mr. Robertson justified after she reveals her own past to Dottie and Bev? Were both Amy and Isabelle particularly vulnerable because they lived in fatherless homes? How/why was this incident the impetus for Isabelle to confront her own past and to help Amy find hers?
18. Why does Strout describe the changing seasons in such detail throughout the book? What parallels are there between the rhythms of the natural world and the rhythms of life in the town? Does this add to the flow and structure of the book or did you feel it was unnecessary or even intrusive?
(Questions issued by the publisher.)