Mercy Train
Rae Meadows, 2012
St. Martin's Press
288 pp.
ISBN-13: 9781250009180
Summary
A rich, luminous novel of three remarkable women connected across a century by a family secret and by the fierce brilliance of their love
Samantha’s mother has been dead almost a year when the box arrives on her doorstep. In it, she finds recipe cards, keepsakes, letters—relics of her mother Iris’s past. But as Sam sifts through these family treasures, she uncovers evidence that her grandmother, Violet, had a much more difficult childhood then she could have ever imagined.
And Sam, a struggling new mother herself, begins to see her own burdens in a completely different light. Moving from the tempered calm of contemporary Madison, Wisconsin to the seedy underbelly of early twentieth century New York, we come face to face with a haunting piece of America’s past: From 1854 to 1929 orphan trains from New York transported 150,000 to 200,000 destitute, orphaned or abandoned children across the country to find homes on farms in the Midwest.
Rae Meadows takes us on our own journey of discovery in Mercy Train (originally published as Mothers & Daughters), an affecting and wonderfully woven novel about three generations of motherhood, family, and the surprising sacrifices we make for the people we love. (From the publisher.)
Author Bio
Rae Meadows is the author of Mercy Train; Calling Out, which received the 2006 Utah Book Award for fiction; and No One Tells Everything, a Poets & Writers Notable Novel. She lives with her husband and two daughters in Minneapolis, Minnesota. (From the publisher.)
Book Reviews
Wonderful.... A perfect book-club pick…. It will prime conversations about your own choices, which may change your whole sense of self, or at least make you feel not so alone
Minneapolis Star Tribune
A poignant look at three generations struggling with loss and love.
Good Housekeeping
A book you’ll want to sit and read straight through.... It will have you considering your own choices and those of your mother: What has she chosen not to tell you? What happened before you? What do you want to know?
Bookpage
[Mercy Train] showcases Meadow’s ability to create generations of fully formed women as they navigate life-defining moments…This is the story of how much we often don’t know about the people who raise us.
Bookslut
Discussion Questions
1. How much did you know about orphan trains before reading this novel? What touched you most about Violet’s story? Did reading Mercy Train make you want to learn more?
2. We are introduced to Violet as a rambunctious young girl living with an adventurous zeal for life—that is, until she is sent off on the orphan train. In what ways has Violet changed from a little girl to the older woman Iris remembers as her mother? Why do you think she has changed? How has she remained the same?
3. Which mother/daughter relationship resonated most with you? Why?
4. Has there ever been a time in your life when you’ve been forced to make a hard decision regarding a loved one’s health like Sam is? What do you think of the decision she ultimately made?
5. Do you think each of the mothers in this book represents her particular generation? What about them is specific to the environment in which they grew up?
6. Iris tells Sam that women don’t know what they will be like as mothers. Why do you think she tells her this? Do you think this is true? Do women really have no control over the mothers they become?
7. There is a running theme of identity and self throughout the novel. Iris feels that she put up a façade as a mother. Samantha loses her will to create art after having Ella. Is losing one’s identity part of becoming a mother? Do the women in this novel think that motherhood is worth the sacrifice?
8. There are a lot of secrets that are kept by the women in the novel (eg., Violet’s abandonment by her mother; Iris’s trip to the Drake Hotel; Sam’s abortion). Why do you think they keep these secrets—even from those closest to them?
9. Are there any questions that this book brought up that you’ve ever wanted to ask your mother but couldn’t? What are they?
10. Iris’s reading played a big role in this novel. Are there any books that you and your mother or children have connected over? Why?
11. Did reading this novel make you think about your own family history? What memories did it bring up? Did it make you want to learn more about your family’s past?
12. Violet chooses her path and suggests being sent on the orphan train. “She wanted what her mother could never give her.” Do you think she made the right decision? How would her life have been different?
13. How are Violet, Iris, and Sam similar? How are they different? What do you think Ella’s inheritance will be from the family?
(Questions issued by publisher.)
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The Survivor
Gregg Hurwitz, 2012
St.Martin's Press
384 pp.
ISBN-13: 9780312625511
Summary
One morning in Los Angeles, Nate Overbay—a divorced former solider suffering from PTSD and slowly dying from ALS — goes to an eleventh-floor bank, climbs out of the bathroom window onto the ledge, and gets ready to end it all.
But as he’s steeling himself, a crew of robbers bursts into the bank and begins to viciously shoot employees and customers. With nothing to lose, Nate confronts the robbers, taking them out one-by-one. The last man standing leaves Nate with a cryptic warning.
Nate soon learns what that message meant. He is kidnapped by Pavlo, a savage Russian mobster and mastermind of the failed heist. Unable to break back into the bank to get the critical item inside, Pavlo gives Nate an ultimatum—break in and get what he needs or watch Pavlo slowly kill the one thing Nate loves most—his ex-wife Janie and his teenaged daughter Cielle—both lost when he came back from Iraq broken and confused. Now he’s got one last chance to protect the people he loves, even if it’s the last thing he is able to do. (From the publisher.)
See the video (Lee Childs reads The Survivor).
Author Bio
• Birth—ca. 1973
• Where—near San Francisco, California, USA
• Education—B.A., Harvard University; M.F.A., Oxford
University
• Currently—lives in Los Angeles, California
Gregg Hurwitz is the author of a number of critically acclaimed thrillers, including They’re Watching, Trust No One, The Crime Writer and Troubleshooting. International bestsellers, his novels have been finalists for several awards, including the Crime Writers of America Ian Fleming Steel Dagger and the ITW Best Novel of the Year awards.
In addition to his novels, he has also written comic books and screenplays, developed television series for Warner Brothers and Lakeshore, published scholarly articles on Shakespeare, and is currently a consulting producer on ABC’s “V.” He has taught fiction at the University of Southern California and guest lectured for UCLA and Harvard. Hurwitz grew up in the Bay Area and earned his B.A. from Harvard and a master’s from Trinity College at Oxford. He lives in Los Angeles, California. (From the publisher.)
Book Reviews
Hurwitz takes you on a rollercoaster ride from masked gunmen to an escaped killer. Guaranteed to have you so enthralled miss your stop on the bus.
Rolling Stone
A very entertaining thriller writer in the mould of Harlan Coben...grabs the reader by the throat and does not relinquish its grip. The story hurtles along and the suspense does not let up until the final gunshot
Sunday Canberra Times (Australia)
Hurwitz’s hair-raising stand-alone stars an unlikely hero, 36-year-old Nate Overbay. Diagnosed with Lou Gehrig’s disease nine months earlier, Nate is about to leap off an 11th-floor ledge of a bank building in Santa Monica, Calif., when he notices a robbery in progress through the window next to where he’s standing. Nate climbs back in the window undetected, grabs a handgun a masked man has conveniently set down, and, thanks to his ROTC firearms training, succeeds in shooting dead five of the six robbers. In revenge, the thwarted theft’s mastermind, a notorious Ukrainian mobster, vows to brutally kill Nate and his teenage daughter unless Nate can retrieve the robbery’s objective: an envelope stored in one of the bank’s safe deposit boxes. In between tight, compelling action scenes, Hurwitz (You’re Next) sensitively depicts Nate’s struggles with ALS. While Nate’s exploits may be a little beyond his skill set at times, thriller fans won’t let this one gather any dust on the nightstand.
Publishers Weekly
Divorced and terminally ill, vet Nate Overbay stands 11 stories up on the ledge of a bank building, ready to end it all. When robbers break into the bank, he rushes down to save the day but is later kidnapped by the Russian mobster behind the break-in. He's got a job Nate had better do—or his ex-wife and daughter will suffer. Hurwitz's You're Next was an LJ Best Thriller of 2011.
Library Journal
Hurwitz demonstrates his mastery of the thriller genre. Nate Overbay...overcomes his suicide plan as he looks through the bank window and witnesses a robbery in progress. He climbs back inside, shoots five criminals dead and saves the day...become[ing] an unwilling hero. He suffers from ALS and simply wants to spare himself the agonizing end that is only months away. The trouble is, now he has angered Pavlo, the Ukrainian mobster who had directed the heist.... Hurwitz's writing is crisp and economical, and he steers clear of hackneyed phrases and one-dimensional characters.... A fine thriller that succeeds on every level. How often do you read about a hero who just wants to die in peace?
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
We will add specific Discussion Questions when they become available from the publisher.
Kill You Twice (Archie Sheridan and Gretchen Lowell #5)
Chelsea Cain, 2012
St. Martin's Press
336 pp.
ISBN-13: 9780312619787
Summary
Nothing makes Portland detective Archie Sheridan happier than knowing that Gretchen Lowell—the serial killer whose stunning beauty is belied by the gruesome murders she’s committed—is locked away in a psych ward. Archie can finally heal from the near-fatal physical and emotional wounds she’s inflicted on him and start moving on with his life.
To this end, Archie throws himself into the latest case to come across his desk: A cyclist has discovered a corpse in Mount Tabor Park on the eastern side of Portland. The man was gagged, skinned, and found hanging by his wrists from a tree. It’s the work of a killer bold and clever enough to torture his victim for hours on a sunny summer morning in a big public park and yet leave no trace.
And then Archie gets a message he can’t ignore—Gretchen claims to have inside knowledge about this grisly murder. Archie finally agrees to visit Gretchen, because he can’t risk losing his only lead in the case. At least, that’s what he tells himself...but the ties between Archie and Gretchen have always been stronger, deeper, and more complex than he’s willing to admit, even to himself. What game is she playing this time? And even more frightening, what long-hidden secrets from Gretchen’s past have been dredged up that someone would kill to protect?
At once terrifying and magnetic, “Beauty Killer” Gretchen Lowell returns with a vengeance in Kill You Twice, Chelsea Cain’s latest razor-sharp psychological thriller. (From the publisher.)
See the video.
Author Bio
• Birth—ca. 1972
• Raised—Bellingham, Washington, USA
• Education—B.A., University of California, Irvine;
M.F.A., Univeristy of Iowa
• Currently—lives in Portland, Oregon
Chelsea Cain is the New York Times bestselling author of The Night Season, Evil at Heart, Sweetheart, and Heartsick. Both Heartsick and Sweetheart were listed in Stephen King’s Top Ten Books of the Year in Entertainment Weekly. Chelsea lived the first few years of her life on an Iowa commune, then grew up in Bellingham, WA, where the infamous Green River killer was “the boogieman” of her youth. The true story of the Green River killer’s capture was the inspiration for the story of Gretchen and Archie. Cain lives in Portland with her husband and daughter. (From the publisher.)
Book Reviews
(Starred review.)Despite being locked away in the Oregon State Hospital, serial killer Gretchen Lowell still looms large in Det. Archie Sheridan’s life in bestseller Cain’s utterly engrossing fifth thriller featuring the pair (after 2011’s The Night Season). When Gretchen claims that the Portland police detective’s two latest murder victims—one found flayed in a local park and another burned to a crisp atop the iconic city sign—are the work of killer Ryan Motley, Archie knows better than to take Gretchen at her word, but he’s intrigued when she mentions having a child, a new twist. Meanwhile, Susan Ward, now working as a freelance reporter, is following both the current murder case and the developing situation with Gretchen, going so far as to interview her at the state hospital, where Gretchen divulges tidbits of her early life, previously uncharted territory. That blood oozes off practically every page is never in doubt. But neither is Cain’s skill in creating riveting character drama between two damaged souls.
Publishers Weekly
She's back. Gretchen Lowell, the exquisitely beautiful serial killer who has held readers in thrall, returns in the fifth installment (after The Night Season) of this popular series. Though Gretchen is locked up, she's still haunting Archie Sheridan, the detective she tortured and almost killed. Archie is working on his latest grisly murder case when Susan Ward, a journalist and sometimes friend, calls. She's been in touch with Gretchen, who claims a guy named Ryan Motley is the killer Archie seeks. She also dangles another clue, a victim whom the cops know nothing about. Verdict: Series fans will enjoy this latest book as they learn more about Gretchen. While still cagey and dangerous, Gretchen's persona deepens as Cain reveals details about her early life and relationships. Archie, still damaged by her influence, shows glimmers of hope that he may be able to move on to a new life where he has the power. A sure bet for vacation reads. —Robin Nesbitt, Columbus Metropolitan Lib., OH
Library Journal
(Starred review.) Utterly fresh and compelling. . .Cain hits the narrative throttle with all cylinders firing. Like the best thriller writers, though, she knows how to ease off the throttle, too, making room for subtle and satisfying character interplay but at the same time building tension as we wait for the narrative to burst into overdrive once again. Masterful on every level.
Booklist
A fourth match—a fifth, if you count The Night Season (2011), in which she's limited to a cameo—between Gretchen Lowell, the Beauty Killer, and Archie Sheridan, the Portland cop who alternates between locking her up and having sex with her. Gretchen claims over 200 murder victims, but how could she have killed Jake Kelly, the philanthropist who volunteered at the Life Works Center for Young Women? ...Cain's abiding determination to outdo the suspense, plot twists and gore of each previous outing is both perverse and awe-inspiring.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
We will add specific Discussion Questions when they are made available by the publisher.
Close Your Eyes
Iris Johansen & Roy Johansen, 2012
St. Martin's Press
368 pp.
ISBN-13: 9780312611613
Summary
Blind for the first twenty years of her life, Kendra Michaels honed her other senses to almost superhuman perfection—and unintentionally became a secret weapon for the FBI. Her uncanny ability to pick up the most subtle audio, olfactory, and tactile cues in the world around her made her a law-enforcement legend. Today, her expertise is called for once again.
When Kendra is approached by a dubious source about a serial murder investigation, her instincts tell her to steer clear. This time, however, the case is personal: The next name to turn up on the killer’s hit list is Kendra’s own ex-lover, an FBI agent who disappeared without a trace. Now it’s up to Kendra to pick up the trail—or close her eyes again…forever. (From the publisher.)
See the video.
Author Bio
Iris Johansen is the New York Times bestselling author of Eight Days to Live, Shadow Zone, Blood Game, Deadlock, Dark Summer, Silent Thunder (with Roy Johansen), Pandora’s Daughter, Quicksand, Killer Dreams, On the Run, Countdown, Firestorm, Fatal Tide, Dead Aim, No One to Trust, and more.
Johansen began writing after her children left home for college. She first achieved success in the early 1980s writing category romances. In 1991, Johansen began writing suspense historical romance novels, starting with the publication of The Wind Dancer. In 1996 Johansen switched genres, turning to crime fiction, with which she has had great success. She had seventeen consecutive New York Times bestsellers as of November 2006.
Johansen and her husband live near Atlanta, Georgia. Her son, Roy Johansen, is an Edgar Award-winning screenwriter and novelist. Her daughter, Tamara, serves as her research assistant. (From the author's website.)
Book Reviews
Bestseller Johansen and son’s gripping fourth collaborative effort (after 2010’s Shadow Zone) stars Dr. Kendra Michaels, a music therapist with some amazing talents. Born blind, Kendra developed her other senses to an extraordinary degree until her sight was restored at age 20. As a modern-day Sherlock Homes, Kendra is invaluable to the FBI, who pull her into the case of six fatal stabbings in the San Diego area in 45 days that was earlier investigated by her former lover, Jeff Stedler, who’s gone missing. All six victims had the same as yet unidentified substance in their bodies. Despite not being a team player and friction with her co-worker, Adam Lynch, Kendra picks up some almost invisible clues that put them on the right track. Now someone is determined to kill her. The authors combine idiosyncratic yet fully realized characters with dry wit and well-controlled suspense that builds to a satisfying conclusion.
Publishers Weekly
Mind-blowing…The scenes with Adam and Kendra ooze sexual tension, making this thriller a titillating delight.
Booklist
Johansen and her son, Roy, team up for their fourth collaborative effort (Shadow Zone, 2010, etc.). Dr. Kendra Michaels, a music therapist, doesn't seem like your average crime fighter, but Kendra's track record is impressive.... [W]hen someone starts killing random people, former FBI agent Adam Lynch, who is now investigative freelancing, ropes her into helping the feds find the killer.... The law enforcement agents are all either corrupt or inept, and the supposed heat that builds between Kendra and Adam is tepid and uninteresting. While the foray into music therapy is compelling, the writers strain credulity with the premise that any federal agency would put up with someone as unpleasant and rude as Kendra, much less let her call the shots. A not-so-thrilling thriller that leaves readers wishing that the bad guys were better shots.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
We will add specific Discussion Questions when they are made available by the publisher.
The Kingmaker's Daughter (Cousins' War, 4)
Philippa Gregory, 2012
Simon & Schuster
432 pp.
ISBN-13: 9781451626070
Summary
In The Kingmaker’s Daughter, #1 New York Times bestselling author Philippa Gregory presents a novel of conspiracy and a fight to the death for love and power at the court of Edward IV of England.
The Kingmaker’s Daughter is the gripping story of the daughters of the man known as the “Kingmaker,” Richard Neville, Earl of Warwick: the most powerful magnate in fifteenth-century England. Without a son and heir, he uses his daughters Anne and Isabel as pawns in his political games, and they grow up to be influential players in their own right.
In this novel, her first sister story since The Other Boleyn Girl, Philippa Gregory explores the lives of two fascinating young women.
At the court of Edward IV and his beautiful queen, Elizabeth Woodville, Anne grows from a delightful child to become ever more fearful and desperate when her father makes war on his former friends. Married at age fourteen, she is soon left widowed and fatherless, her mother in sanctuary and her sister married to the enemy.
Anne manages her own escape by marrying Richard, Duke of Gloucester, but her choice will set her on a collision course with the overwhelming power of the royal family and will cost the lives of those she loves most in the world, including her precious only son, Prince Edward. Ultimately, the kingmaker’s daughter will achieve her father’s greatest ambition. (From the publisher.)
Author Bio
• Birth—January 9, 1954
• Where—Nairobi, Kenya
• Raised—Bristol, England, UK
• Education—B.A., Sussex University; Ph.D., Edinburgh University
• Currently—lives in the North York Moors, Yorkshire, England
Philippa Gregory is a British historical novelist, writing since 1987. The best known of her works is The Other Boleyn Girl (2001), which in 2002 won the Romantic Novel of the Year Award from the Romantic Novelists' Association.
Early life and academic career
Philippa Gregory was in Nairobi, Kenya, the second daughter of Elaine (Wedd) and Arthur Percy Gregory, a radio operator and navigator for East African Airways. When she was two years old, her family moved to Bristol, England.
She was a "rebel" at Colston's Girls' School where she obtained a B grade in English and two E grades in History and Geography at A-level. She then went to journalism college in Cardiff and spent a year as an apprentice with the Portsmouth News before she managed to gain a place on an English literature degree course at the University of Sussex, where she switched to a history course.
She worked in BBC radio for two years before attending the University of Edinburgh, where she earned her doctorate in 18th-century literature. Gregory has taught at the University of Durham, University of Teesside, and the Open University, and was made a Fellow of Kingston University in 1994.
Private life
Gregory wrote her first novel Wideacre while completing a PhD in 18th-century literature and living in a cottage on the Pennine Way with first husband Peter Chislett, editor of the Hartlepool Mail, and their baby daughter, Victoria. They divorced before the book was published.
Following the success of Wideacre and the publication of The Favoured Child, she moved south to near Midhurst, West Sussex, where the Wideacre trilogy was set. Here she married her second husband Paul Carter, with whom she has a son. She divorced for a second time and married Anthony Mason, whom she had first met during her time in Hartlepool.
Gregory now lives on a 100-acre (0.40 km2) farm in the North York Moors national park, with her husband, children and stepchildren (six in all). Her interests include riding, walking, skiing, and gardening.
Writing
She has written novels set in several different historical periods, though primarily the Tudor period and the 16th century. Reading a number of novels set in the 17th century led her to write the bestselling Lacey trilogy — Wideacre, which is a story about the love of land and incest, The Favoured Child and Meridon. This was followed by The Wise Woman. A Respectable Trade, a novel of the slave trade in England, set in 18th-century Bristol, was adapted by Gregory for a four-part drama series for BBC television. Gregory's script was nominated for a BAFTA, won an award from the Committee for Racial Equality, and the film was shown worldwide.
Two novels about a gardening family are set during the English Civil War: Earthly Joys and Virgin Earth. She has also written contemporary fiction—Perfectly Correct; Mrs Hartley And The Growth Centre; The Little House; and Zelda's Cut. She has also written for children.
Some of her novels have won awards and have been adapted into television dramas. The most successful of her novels has been The Other Boleyn Girl, published in 2002 and adapted for BBC television in 2003 with Natascha McElhone, Jodhi May and Jared Harris. In the year of its publication, The Other Boleyn Girl also won the Romantic Novel of the Year and has subsequently spawned sequels—The Queen's Fool, The Virgin's Lover, The Constant Princess, The Boleyn Inheritance, and The Other Queen. Miramax bought the film rights to The Other Boleyn Girl and produced a film of the same name starring Scarlett Johansson as Mary Boleyn and co-starring Natalie Portman as Anne Boleyn, Eric Bana as Henry Tudor, Juno Temple as Jane Parker, and Kristin Scott Thomas as Elizabeth Boleyn. It was filmed in England and generally released in 2008.
Gregory has also published a series of books about the Plantagenets, the ruling houses that preceded the Tudors, and the Wars of the Roses. Her first book The White Queen (2009), centres on the life of Elizabeth Woodville the wife of Edward IV. The Red Queen (2010) is about Margaret Beaufort the mother of Henry VII and grandmother to Henry VIII. The Lady of the Rivers (2011) is the life of Jacquetta of Luxembourg, mother of Elizabeth Woodville, first married to John of Lancaster, 1st Duke of Bedford, younger brother of Henry the Fifth. The Kingmaker's Daughter (2012) is the story of Anne Neville, the daughter of the Earl of Warwick, the wife of Richard III. The next book, The White Princess (2013), centres on the life of Elizabeth of York, wife of Henry VII and the mother of Henry VIII.
Controversy
In her novel The Other Boleyn Girl, her portrayal of Henry VIII's second wife Anne Boleyn drew criticism. The novel depicts Anne as cold and ruthless, as well as heavily implying that the accusations that she committed adultery and incest with her brother were true, despite it being widely accepted that she was innocent of the charges. Novelist Robin Maxwell refused on principle to write a blurb for this book, describing its characterisation of Anne as "vicious, unsupportable." Historian David Starkey, appearing alongside Gregory in a documentary about Anne Boleyn, described her work as "good Mills and Boon" (a publisher of romance novels), adding that: "We really should stop taking historical novelists seriously as historians. The idea that they have authority is ludicrous." Susan Bordo criticized Gregory's claims to historical accuracy as "self-deceptive and self-promoting chutzpah", and notes that it is not so much the many inaccuracies in her work as "Gregory’s insistence on her meticulous adherence to history that most aggravates the scholars."
Media
Gregory is a frequent contributor to magazines and newspapers, with short stories, features and reviews. She is also a frequent broadcaster and a regular contestant on Round Britain Quiz for BBC Radio 4 and the Tudor expert for Channel 4's Time Team. She won the 29 December 2008 edition of Celebrity Mastermind on BBC1, taking Elizabeth Woodville as her specialist subject.
Charity work
Gregory also runs a small charity building wells in school gardens in The Gambia. Gardens for The Gambia was established in 1993 when Gregory was in The Gambia, researching for her book A Respectable Trade.
Since then the charity has dug almost 200 low technology, low budget and therefore easily maintained wells, which are on-stream and providing water to irrigate school and community gardens to provide meals for the poorest children and harvest a cash crop to buy school equipment, seeds and tools.
In addition to wells, the charity has piloted a successful bee-keeping scheme, funded feeding programmes and educational workshops in batik and pottery and is working with larger donors to install mechanical boreholes in some remote areas of the country where the water table is not accessible by digging alone. (From Wikipedia. Retrieved 9/22/2013.)
Book Reviews
The bonds of sisterhood infuse Gregory’s latest in the Cousin’s War series (after The Lady of the Rivers). The stakes are high as Anne and Isabel Neville, daughters of the earl of Warwick (“The Kingmaker”), vie for their father’s favor and a chance at the throne. The earl has long mentored the young King Edward and Edward’s brothers George and Richard in hopes of marrying his daughters into royalty. But when Edward weds the commoner Elizabeth Woodville, the Kingmaker arranges a secret marriage between Isabel and George, and launches an uprising that will result in the earl’s death, leaving Isabel entangled in a dangerous political web and Anne—having recently married—already a widow. However, Richard—a tough soldier who honors family obligations while his brothers sell out—soon comes to Anne’s rescue. In addition to Gregory handling a complicated history, she convincingly details women’s lives in the 1400s and the competitive love between sisters. By the book’s end, Anne and Richard have ascended the throne, but the War of the Roses has yet to be won, setting the stage for a sequel showdown.
Publishers Weekly
In the next entry (after The Lady of the Rivers) in Gregory's historical series about the War of the Roses...the Earl of Warwick, who put Edward of York on the throne after battling the Lancasters....uses his daughters as pawns in the fluid political situation [of the royal court].... Verdict: Gregory delivers another vivid and satisfying novel of court intrigue, revenge, and superstition. Gregory's many fans as well as readers who enjoy lush, evocative writing, vividly drawn characters, and fascinating history told from a woman's point of view will love her latest work. —Kristen Stewart, Pearland Lib., Brazoria Cty. Lib. Syst., TX
Library Journal
The latest of Gregory's Cousins' War series debunks—mostly—the disparaging myths surrounding Richard III and his marriage to Anne Neville. Anne and her sister Isabel are both used without hesitation as political bargaining chips by their father, Richard, Earl of Warwick. True to his sobriquet, "Kingmaker," Warwick engineered the downfall of the Lancastrian King Henry VI...and supplanted him with Edward IV.... The chief threat to the realm is not Richard but Queen Elizabeth: A reputed witch with a grudge against Warwick's daughters (Warwick killed her father and brother), she will not be happy until Isabel, Anne and their progeny (and if necessary her brothers-in-law) are dead. Although their fates are known, Gregory creates suspense by raising intriguing questions about whether her characters will transcend their historical reputations.
Kirkus Reviews
Discussion Questions
1.Anne, only eight years old when the novel begins, grows up over the course of the book’s twenty-year span. In what major ways does her voice change from the beginning of the novel to the end? At what point in the novel do you feel she makes a real transition from a young girl to a woman, and why?
2.Consider the major turning points in Anne and Isabel’s relationship. How does their relationship progress as they grow up, marry, become mothers, and vie for power? At what point are they closest, and at what point are they the most distant? How do their views of each other change?
3.If The Kingmaker’s Daughter was narrated by Isabel instead of Anne, in what major ways do you think the tone of the novel would change? How might the main characters be portrayed differently from Isabel’s point of view?
4.Anne’s feelings toward Elizabeth Woodville grow colder as the novel progresses. Consider the below quotations from the beginning of the book, and discuss: What might the Queen Anne presented in the novel’s final pages have to say about her earlier words?
- She is breathtaking: the most beautiful woman I have ever seen in my life. At once I understand why the king stopped his army at the first sight of her, and married her within weeks.
- We don’t like the queen.
- I cannot see the queen as my enemy, because I cannot rid myself of the sense that she is in the right and we are in the wrong.
5.“You can go very high and you can sink very low, but you can rarely turn the wheel at your own bidding." The tarot card the Wheel of Fortune is a theme that runs throughout the novel. Discuss the Wheel of Fortune and its implications for each of the main characters. Does fortune favor any character in particular? Do you feel that the characters are at the mercy of fortune, or do they make or choose their own fates?
6.Isabel is forever changed when she gives birth to a stillborn baby boy in a storm at sea. Anne notes that many people blame the tragedy on witchcraft, or an evil curse. Do you think Isabel agrees with their assessment? Who do you think Isabel, in her heart, blames for the death of her son: Her father? Herself? Anne? Who do you think is ultimately to blame, and why?
7.It is clear that the men in the novel play a large part in shaping the destiny of the women around them—but what major decisions do the women in the novel make for themselves? Which female character do you feel is the most in control of herself and her path? Consider that character’s status in the novel; do you think her power, or lack of it, at court contributes to the power she holds over her own life?
8.What role do the mothers in the novel play? Discuss how they are viewed and treated by their children, their daughters- and sons-in-law, and their husbands; do you think they are deserving of the treatment they receive? Also consider what it means to be a mother during the time period in which the novel takes place; what are a mother’s main responsibilities, and which mother in the novel do you think fulfills her responsibilities most successfully?
9.Anne learns how to be a queen from both Margaret of Anjou and Elizabeth Woodville. What virtues do each of these queens teach her, whether directly or indirectly, and how does she employ those virtues when she finally becomes the Queen of England? Ultimately, which queen do you feel had the stronger impact on Anne’s regal style?
10.“I see Richard’s warmth toward her and I wonder again, what is courting and what is charade?” Consider the relationship that develops between Richard and young Elizabeth. How much of it do you think is truly a calculated political move by Richard to discredit her betrothal to Henry Tudor, as he protests, and how much of it is for his own pleasure? Further, how does his relationship with Elizabeth change his feelings for Anne? By the end of the novel, how has their love changed?
11.Anne and Isabel’s father, the powerful and ruthless Earl of Warwick, is known throughout England as a powerful Kingmaker—yet, he is not the only “kingmaker” in the novel. Which other characters might you consider to be a maker of kings, and why? Which kingmaker do you feel is the most successful?
12.Consider the different Kings and Queens who take the throne during the events of the novel. Who are feared by those around them? Who are liked? Who are respected? Of these three values—fear, love, and respect—which do you feel is the most important for a royal family to command from their subjects, and why?
(Questions issued by publisher.)