The Five People You Meet in Heaven
Mitch Albom, 2003
Hyperion
208 pp.
ISBN-13: 9781401308582
Summary
From the author of the phenomenal #1 New York Times bestseller Tuesdays with Morrie, a novel that explores the unexpected connections of our lives, and the idea that heaven is more than a place; it's an answer.
Eddie is a wounded war veteran, an old man who has lived, in his mind, an uninspired life. His job is fixing rides at a seaside amusement park. On his 83rd birthday, a tragic accident kills him as he tries to save a little girl from a falling cart. He awakes in the afterlife, where he learns that heaven is not a destination. It's a place where your life is explained to you by five people, some of whom you knew, others who may have been strangers.
One by one, from childhood to soldier to old age, Eddie's five people revisit their connections to him on earth, illuminating the mysteries of his "meaningless" life, and revealing the haunting secret behind. (From the publisher.)
Author Bio
• Birth—May 23, 1958
• Raised—Oaklyn, New Jersey
• Education—B.A., Brandeis University; M.J., Columbia
University; M.B.A., Columbia University
• Currently—lives in Detroit, Michigan
Mitchell David "Mitch" Albom is an American best-selling author, journalist, screenwriter, dramatist, radio, television broadcaster and musician. His books have sold over 30 million copies worldwide. Having achieved national recognition for sports writing in the earlier part of his career, he is perhaps best known for the inspirational stories and themes that weave through his books, plays and films.
Early life
Mitch Albom was born May 23, 1958 in Passaic, New Jersey. He lived in Buffalo for a little bit but then settled in Oaklyn, New Jersey which is close to Philadelphia. He grew up in a small, middle-class neighborhood from which most people never left. Mitch was once quoted as saying that his parents were very supportive and always used to say, “Don’t expect your life to finish here. There’s a big world out there. Go out and see it.”
His older sister, younger brother and he himself, all took that message to heart and traveled extensively, His siblings are currently settled in Europe. Albom once mentioned that how his parents presently say, “Great. All our kids went and saw the world and now no one comes home to have dinner on Sundays.”
Sports journalism
While living in New York, Albom developed an interest in journalism. Supporting himself by working nights in the music industry, he began to write during the day for the Queens Tribune, a weekly newspaper in Flushing, New York. His work there helped earn him entry into the Graduate School of Journalism. During his time there, to help pay his tuition he took work as a babysitter. In addition to nighttime piano playing, Albom took a part-time job with SPORT magazine.
Upon graduation, he freelanced in that field for publications such as Sports Illustrated, GEO, and the Philadelphia Inquirer, and covered several Olympic sports events in Europe, paying his own way for travel and selling articles once he was there. In 1983, he was hired as a full-time feature writer for the Fort Lauderdale News and Sun Sentinel, and eventually promoted to columnist. In 1985, having won that year’s Associated Press Sports Editors award for best Sports News Story, Albom was hired as lead sports columnist for the Detroit Free Press.
During his years in Detroit he became one of the most award-winning sports writers of his era; he was named best sports columnist in the nation a record 13 times by the Associated Press Sports Editors, and won best feature writing honors from that same organization a record seven times. No other writer has received the award more than once.
He has won more than 200 other writing honors from organizations including the National Headliner Awards, the American Society of Newspaper Editors, the National Sportscasters and Sportswriters Association, and National Association of Black Journalists. In 2010, Albom was awarded the APSE's Red Smith Award for lifetime achievement, presented at the annual APSE convention in Salt Lake City, Utah. Many of his columns have been collected into a series of four anthologies—the Live Albom books—published from 1988-1995.
Sports books
Albom's first non-anthology book was Bo: Life, Laughs, and the Lessons of a College Football Legend (1998), an autobiography of football coach Bo Schembechler co-written with the coach. The book became Albom's first New York Times bestseller.
Albom's next book was Fab Five: Basketball, Trash Talk, The American Dream (1993), a look into the starters on the University of Michigan men's basketball team who, as freshman, reached the NCAA championship game in 1992 and again as sophomores in 1993. The book also became a New York Times bestseller.
Tuesdays with Morrie
Albom's breakthrough book came about after a friend of his viewed Morrie Schwartz's interview with Ted Koppel on ABC News Nightline in 1995, in which Schwartz, a sociology professor, spoke about living and dying with a terminal disease, ALS (amyotrophic lateral sclerosis, or Lou Gehrig's disease).
Albom, who had been close with Schwartz during his college years at Brandeis, felt guilty about not keeping in touch so he reconnected with his former professor, visiting him in suburban Boston and eventually coming every Tuesday for discussions about life and death. Albom, seeking a way to pay for Schwartz's medical bills, sought out a publisher for a book about their visits. Although rejected by numerous publishing houses, the idea was accepted by Doubleday shortly before Schwartz's death, and Albom was able to fulfill his wish to pay off Schwartz's bills.
The book, Tuesdays with Morrie (1997) is a small volume that chronicles Albom's time spent with his professor. The initial printing was 20,000 copies. Word of mouth grew the book sales slowly and a brief appearance on "The Oprah Winfrey Show" nudged the book onto the New York Times bestseller's list in October 1997. It steadily climbed, reaching the No. 1 position six months later. It remained on the New York Times bestseller list for 205 weeks. One of the top selling memoirs of all time, Tuesdays With Morrie has sold over 14 million copies and been translated into 41 languages.
Oprah Winfrey produced a television movie adaptation by the same name for ABC, starring Hank Azaria as Albom and Jack Lemmon as Morrie. It was the most-watched TV movie of 1999 and won four Emmy Awards. A two-man theater play was later co-authored by Albom and playwright Jeffrey Hatcher and opened Off Broadway in the fall of 2001, starring Alvin Epstein as Morrie and Jon Tenney as Albom.
The Five People You Meet in Heaven
Albom's next foray was in fiction with The Five People You Meet in Heaven (2003). The book was a fast success and again launched Albom onto the New York Times bestseller list, selling over 10 million copies in 35 languages. In 2004, it was turned into a television movie for ABC, starring Jon Voight, Ellen Burstyn, Michael Imperioli, and Jeff Daniels. The film was critically acclaimed and the most watched TV movie of the year, with 18.6 million viewers.
The Five People You Meet in Heaven is the story of Eddie, a wounded war veteran who lives what he believes is an uninspired and lonely life fixing rides at a seaside amusement park. On his 83rd birthday, Eddie is killed while trying to save a little girl from a falling ride. He awakes in the afterlife, where he learns that heaven is not a location but a place in which your life is explained to you by five people who were in, who affected, or were affected by, your life.
Albom has said the book was inspired by his real life uncle, Eddie Beitchman, who, like the character, served during World War II in the Philippines, and died when he was 83. Eddie told Albom, as a child, about a time he was rushed to surgery and had a near-death experience, his soul floating above the bed. There, Eddie said, he saw all his dead relatives waiting for him at the edge of the bed. Albom has said that image of people waiting when you die inspired the book's concept.
For One More Day
Albom's third novel, For One More Day (2006), spent nine months on the New York Times bestseller list after debuting at the top spot. It also reached No. 1 on USA Today and Publishers Weekly bestseller lists. It was the first book to be sold by Starbucks in the launch of the Book Break Program in the fall of 2006. It has been translated into 26 languages. On December 9, 2007, the ABC aired the 2-hour television event motion picture Oprah Winfrey Presents: Mitch Albom's For One More Day, which starred Michael Imperioli and Ellen Burstyn. Burstyn received a Screen Actors Guild Award nomination for her role as Posey Benetto.
For One More Day is “Chick” Benetto, a retired baseball player who, facing the pain of unrealized dreams, alcoholism, divorce, and an estrangement from his grown daughter, returns to his childhood home and attempts suicide. There he meets his long dead mother, who welcomes him as if nothing ever happened. The book explores the question, “What would you do if you had one more day with someone you’ve lost?”
Albom has said his relationship with his own mother was largely behind the story of that book, and that several incidents in For One More Day are actual events from his childhood.
Have a Little Faith
His first nonfiction book since Tuesdays was published, Have a Little Faith (2009) recounts Albom's experiences which led to him writing the eulogy for Albert L. Lewis, a Rabbi from his hometown in New Jersey. The book is written in the same vein as Tuesdays With Morrie, in which the main character, Mitch, goes through several heartfelt conversations with the Rabbi in order to better know and understand the man that he would one day eulogize. Through this experience, Albom writes, his own sense of faith was reawakened, leading him to make contact with Henry Covington, the African-American pastor of the I Am My Brother's Keeper church, in Detroit, where Albom was then living. Covington, a past drug addict, dealer, and ex-convict, ministered to a congregation of largely homeless men and women in a church so poor that the roof leaked when it rained. From his relationships with these two very different men of faith, Albom writes about the difference faith can make in the world.
The Time Keeper
Albom's third work of fiction, The Time Keeper (2012) is fablistic tale about the inventor of the world's first clock who is punished for trying to measure God's greatest gift. He is banished to a cave for centuries and forced to listen to the voices of all who come after him seeking more days, more years. Eventually, with his soul nearly broken, Father Time is granted his freedom, along with a magical hourglass and a mission: a chance to redeem himself by teaching two earthly people the true meaning of time.
The First Phone Call from Heaven
Albom's fourth work of fiction, The First Phone Call from Heaven (2013) tells the story of a small town on Lake Michigan that gets worldwide attention when its citizens start receiving phone calls from the afterlife.
The Magic Strings of Frankie Presto
Told from the point of view of the Spirit of Music, Albom's fifth novel (2015) traces the life of the legendary (and fictional) super guitarist Frankie Presto and his extraordinary impact on the music of his time.
Charity work
Albom has founded a number of charitable organizations whose missions are to aid disadvantaged and homeless people. The groups have raised funds to pay for resuce services, youth programs, beds, kitchen, food, and daycare.
• The Dream Fund at the College for Creative Studies (CCS) was started by Albom in 1992. Its purpose is to provide funding for under-served children to participate in the arts and to instill confidence in our youth. Since its founding, CCS has used the Dream Fund to support visual, performing, summer “Week at a Time” youth scholarships, community art programs, and even the Detroit 300 project in 2001. The Dream Fund has raised over $115,000 in scholarships since its inception.
• S.A.Y. Detroit (which stands for Super All Year Detroit) is an umbrella organization for charities dedicated to improving the lives of the neediest—including A Time to Help, S.A.Y. Detroit Family Health Clinic, and A Hole in the Roof Foundation. S.A.Y. distributes money to shelters in Detroit for projects specifically designed to help the plight of those in need. Its projects to date include the building of a state-of-the-art kitchen at the Michigan Veterans Foundation shelter and a day-care center at COTS for children of homeless women
• A Time To Help was established in 1997 as a means of galvanizing the people of Detroit to volunteer on a regular basis. The group has staged more than 100 monthly projects ranging from building houses, delivering meals, beautifying city streets, running adoption fairs, repairing homeless shelters, packing food, and hosting an annual Christmas party to a shelter for battered women.
• A Hole in the Roof Foundation helps faith groups of any denomination, who care for the homeless, to repair the spaces in which they carry out their work and offer their services. The seed that gave root to the Foundation—and also inspired its name—is the I Am My Brother's Keeper church in Detroit, MI. Here, despite a gaping hole in the roof, and no matter how harsh the weather, the pastor tends to his community to provide spiritual nourishment and a sanctuary for the homeless. (Adapted from Wikiipedia. First retrieved 9/18/2013.)
Book Reviews
Sincere.... A book with the genuine power to stir and comfort its readers.
Janet Maslin - The New York Times
There's much wisdom here.... An earnest meditation on the intrinsic value of human life.
Los Angeles Times
"At the time of his death, Eddie was an old man with a barrel chest and a torso as squat as a soup can," writes Albom, author of the bestselling phenomenon Tuesdays with Morrie, in a brief first novel that is going to make a huge impact on many hearts and minds. Wearing a work shirt with a patch on the chest that reads "Eddie" over "Maintenance," limping around with a cane thanks to an old war injury, Eddie was the kind of guy everybody, including Eddie himself, tended to write off as one of life's minor characters, a gruff bit of background color. He spent most of his life maintaining the rides at Ruby Pier, a seaside amusement park, greasing tracks and tightening bolts and listening for strange sounds, "keeping them safe." The children who visited the pier were drawn to Eddie "like cold hands to a fire." Yet Eddie believed that he lived a "nothing" life—gone nowhere he "wasn't shipped to with a rifle," doing work that "required no more brains than washing a dish." On his 83rd birthday, however, Eddie dies trying to save a little girl. He wakes up in heaven, where a succession of five people are waiting to show him the true meaning and value of his life. One by one, these mostly unexpected characters remind him that we all live in a vast web of interconnection with other lives; that all our stories overlap; that acts of sacrifice seemingly small or fruitless do affect others; and that loyalty and love matter to a degree we can never fathom. Simply told, sentimental and profoundly true, this is a contemporary American fable that will be cherished by a vast readership. Bringing into the spotlight the anonymous Eddies of the world, the men and women who get lost in our cultural obsession with fame and fortune, this slim tale, like Charles Dickens's A Christmas Carol, reminds us of what really matters here on earth, of what our lives are given to us for.... This wonderful title should grace national fiction bestseller lists for a long time.
Publishers Weekly
Sports columnist, radio talk-show host, and author of Tuesdays with Morrie, Albom has written a parable quite different from his best-selling memoir about his old professor but with the potential to follow it as a favorite of the book club circuit. At an oceanside amusement part, 83-year-old maintenance mechanic Eddie is killed while trying to save a little girl. Instead of floating through the cliched tunnel-and-light territory, Eddie meets five people whose lives intersected with his during his time on Earth. The novel comes down firmly on the side of those who feel that life matters, that what we do as individuals matters, and that in the end there will be a quiz. The touchy-feely phobic need not be afraid: this is not judgmental ax-grinding; nor does it favor any religion. Before you finish reading, you can't help thinking about your own life—Albom's whole point, of course. Morrie fans will want to read this first novel, and readers daring to examine their own lives may enjoy as well. For all public libraries. —Mary K. Bird-Guilliams, Wichita P.L., KS.
Library Journal
Discussion Questions
1. At the start of The Five People You Meet in Heaven, Albom says that "all endings are also beginnings." In general, what does this mean? How does it relate to this story in particular? Share something in your life that has begun as another thing ended, and the events that followed.
2. What initially grabs your attention in The Five People You Meet in Heaven? What holds it?
3. How does counting down the final minutes of Eddie's life affect you as a reader? Why does Albom do this? Other storytelling devices Albom uses include moving from past to present by weaving Eddie's birthdays throughout the story. How do these techniques help inform the story? What information do you learn by moving around in time? How effective is Albom's style for this story in particular?
4. What does Eddie look like and what kind of guy is he? Look at and discuss some of the details and descriptions that paint a picture of Eddie and his place of business. What is it about an amusement park that makes it a good backdrop for this story?
5. Consider the idea that "no story sits by itself. Sometimes stories meet at corners and sometimes they cover one another completely, like stones beneath a river." How does this statement relate to The Five People You Meet in Heaven?
6. How does Albom build tension around the amusement park ride accident? What is the significance of Eddie finding himself in the amusement park again after he dies? What is your reaction when Eddie realizes he's spent his entire life trying to get away from Ruby Pier and he is back there immediately after death? Do you think this is important? Why?
7. Describe what Albom's heaven is like. If it differs from what you imagined, share those differences. Who are the five people Eddie meets? Why them? What are their relationships to Eddie? What are the characteristics and qualities that make them the five people for Eddie?
8. Share your reactions and thoughts about the Blue Man's story, his relationship with his father, and his taking silver nitrate. What, if anything, does this have to do with Eddie? Why does he say to Eddie, "This is not your heaven, it's mine"?
9. How does the Blue Man die? What affect does it have on you when you look at the same story from two different points of view—his and Eddie's? Can you share any events that you have been involved in that can be viewed entirely differently, from another's point of view? How aware are we of other's experiences of events that happen simultaneously to us and to them? Why?
10. Discuss what it means that "That there are no random acts. That we are all connected. That you can no more separate one life from another than you can separate a breeze from the wind." Even though Eddie hasn't been reincarnated, consider karma in Eddie's life (where Eddie's actions would affect his reincarnation). If it isn't karma, what is Albom telling us about life, and death?
11. Think about Eddie's war experiences and discuss your reactions to Albom's evocation of war. What did Eddie learn by being in war? How did he "come home a different man"? Why did the captain shoot Eddie? Explore what it means when the captain tells Eddie, "I took your leg to save your life." Why does the captain tell Eddie that sacrifice is not really a loss, but a gain? Examine whether or not Eddie understands this, and the significance of this lesson.
12. Discuss what you might say to Eddie when he asks "why would heaven make you relive your own decay?".
13. Examine whether or not you agree with the old woman when she tells Eddie, "You have peace when you make it with yourself," and why. Consider what she means when she says, "things that happen before you are born still affect you. And people who come before your time affect you as well." How does this relate to Eddie's life? Who are some who have come before you that have affected your own life?
14. What is Eddie's father's response each time Eddie decides to make an independent move, away from working at the pier? Examine how Eddie's father's choices and decisions actually shape Eddie's life. Why does Eddie cover for his father at the pier when his father becomes ill? What happens then? Share your own experience of a decision your own parents made that affected your life, for better or for worse.
15. Who tells Eddie that "we think that hating is a weapon that attacks the person who harmed us. But hatred is a curved blade. And the harm we do we do to ourselves"? What is the significance of this particular person in Eddie's life? Why is this important for Eddie to understand? Is it important for all of us to understand? Why? Discuss whether or not you agree that, "all parents damage their children. It cannot be helped." How was Eddie damaged?
16. Why does Marguerite want to be in a place where there are only weddings? How does this relate to her own life, and to her relationship and life with Eddie?
17. Discuss why Eddie is angry at his wife for dying so young. Examine what Marguerite means when she says, "Lost love is still love. It takes a different form. You can't see their smile or bring them food or tousle their hair or move them around on the dance floor. But when these senses waken, another heightens. . . . Life has an end. Love doesn't." Why does she say this to Eddie? Do you think he gets it? Discuss whether or not you agree with her, and why.
18. Why does Eddie come upon the children in the river? What does Tala mean when she says "you make good for me"? Discuss whether or not Eddie's life is a penance, and why. What is the significance of Tala pulling Eddie to safety after he dies? Why is it Tala that pulls him to heaven and not one of the other four?
19. What would you say to Eddie when he laments that he accomplished nothing with his life? Discuss what has he accomplished.
20. Briefly recall the five lessons Eddie learns. How might these be important for all of us? Share which five people might meet you in heaven, and what additional or different lessons might be important to your life. Discuss how Albom's The Five People You Meet in Heaven has provided you with a different perspective of your life.
(Questions issued by publisher.)
The Secret Life of CeeCee Wilkes
Diane Chamberlain, 2006
Harlequin
528 pp.
ISBN-13: 9780778312956
Summary
An unsolved murder.
A missing child.
A lifetime of deception.
In 1977, pregnant Genevieve Russell disappeared. Twenty years later, her remains are discovered and Timothy Gleason is charged with murder. But there is no sign of the unborn child.
CeeCee Wilkes knows how Genevieve Russell died, because she was there. And she also knows what happened to the missing infant, because two decades ago she made the devastating choice to raise the baby as her own. Now Timothy Gleason is facing the death penalty, and she has another choice to make. Tell the truth, and destroy her family. Or let an innocent man die in order to protect a lifetime of lies... (From the publisher.)
More
Eve Elliot is a successful therapist to troubled students, a loving wife, a mother deeply invested in her family. But her happiness is built on a lie. When she was a lonely, vulnerable young woman, a single decision made in innocence led to a dark night of unimaginable consequences. Now, forced to confront her past, she faces another terrible choice: reveal to her family that she is not who she seems, or allow a man to take the blame for a crime she knows he did not commit. If the choice affected only her life, Eve is certain she would do what is right. But though inaction means condemning an innocent man, it also means protecting her family from the mistakes of her past.
Corinne Elliot has always known she was different: the only redhead in a family of brunettes, the paralyzing shyness that contrasts with her sister's vivaciousness, the many fears—of highways, of bridges, of public spaces—that constrict her daily life. Still, with a new job possibility and a baby on the way, she's found some measure of happiness-until the day she turns on the television and finds her mother's image on screen.
Now, as the past explodes into the present, Corinne must confront the secrets she has always intuited, and find answers from the one person who knows the truth of what happened over two decades ago-CeeCee Wilkes. (With permission from the author's website. Retrieved 6/6/2014.)
Author Bio
• Birth—1950
• Raised—Plainfield, New Jersey, USA
• Education—B.A., M.A., San Diego State University
• Awards—RITA Award for
• Currently—lives in North Carolina
Diane Chamberlain is the bestselling American author of some 30 novels, primarily surrounding family relationships, love, and forgiveness. Her works have been published in 20 languages. Her best-known books include The Silent Sister (2014), Necessary Lies (2013), and The Secret Life of CeeCee Wilkes (2006).
In her own words:
I was an insatiable reader as a child, and that fact, combined with a vivid imagination, inspired me to write. I penned a few truly terrible "novellas" at age twelve, then put fiction aside for many years as I pursued my education.
I grew up in Plainfield, New Jersey and spent my summers at the Jersey Shore, two settings that have found their way into my novels.
In high school, my favorite authors were the unlikely combination of Victoria Holt and Sinclair Lewis. I loved Holt's flair for romantic suspense and Lewis's character studies as well as his exploration of social values, and both those authors influenced the writer I am today.
I attended Glassboro State College in New Jersey as a special education major before moving to San Diego, where I received both my bachelor's and master's degrees in social work from San Diego State University. After graduating, I worked in a couple of youth counseling agencies and then focused on medical social work, which I adored. I worked at Sharp Hospital in San Diego and Children's Hospital in Washington, D.C. before opening a private psychotherapy practice in Alexandria, Virginia, specializing in adolescents. I reluctantly closed my practice in 1992 when I realized that I could no longer split my time between two careers and be effective at both of them.
It was while I was working in San Diego that I started writing. I'd had a story in my mind since I was a young adolescent about a group of people living together at the Jersey Shore. While waiting for a doctor's appointment one day, I pulled out a pen and pad began putting that story on paper. Once I started, I couldn't stop. I took a class in fiction writing, but for the most part, I "learned by doing." That story, Private Relations, took me four years to complete. I sold it in 1986, but it wasn't published until 1989 (three very long years!), when it earned me the RITA award for Best Single Title Contemporary Novel. Except for a brief stint writing for daytime TV (One Life to Live) and a few miscellaneous articles for newspapers and magazines, I've focused my efforts on book-length fiction and am currently working on my nineteenth novel.
My stories are often filled with mystery and suspense, and–I hope–they also tug at the emotions. Relationships – between men and women, parents and children, sisters and brothers – are always the primary focus of my books. I can't think of anything more fascinating than the way people struggle with life's trials and tribulations, both together and alone.
In the mid-nineties, I was diagnosed with rheumatoid arthritis, a challenging disease to live with. Although my RA is under good control with medication and I can usually type for many hours a day, I sometimes rely on voice recognition technology to get words on paper. I’m very grateful to the inventor of that software! I lived in Northern Virginia until the summer of 2005, when I moved to North Carolina, the state that inspired so many of my stories and where I live with my significant other, photographer John Pagliuca. I have three grown stepdaughters, three sons-in-law, three grandbabies, and two shelties named Keeper and Jet.
For me, the real joy of writing is having the opportunity to touch readers with my words. I hope that my stories move you in some way and give you hours of enjoyable reading. (From the author's website)
Book Reviews
(Some books have few, if any, mainstream press reviews online. See Amazon and Barnes & Noble for helpful customer reviews.)
Discussion Questions
1. CeeCee made a terrible mistake as a teenager, yet that mistake gave her a beloved daughter in Corinne. Did you do anything in your younger years that you deeply regret? (You don’t need to reveal what it was!) Did anything good come from it, and if so, how does that impact your feeling of regret?
2. CeeCee was smart and level headed. What elements conspired to allow her to help Tim in his plot to kidnap Genevieve Russell? Was there any point in your life when you might have been similarly seduced?
3. Did you feel sympathy toward CeeCee as a teenager? What other emotions did you feel toward her and why?
4. How did you feel about CeeCee’s mother leaving the letters for her?
5. Discuss CeeCee’s (and young Eve’s) self-esteem issues. What do you think created them and how do they play into her actions?
6. How would you describe Eve as a mother of the infant Cory? Of the adult Cory?
7. How do you feel about Jack as a husband and father? What did you like about him? Dislike?
8. Corinne had many fears and phobias. What do you think was the genesis of those fears?
9. Why do you think Eve made the choice she did when she learned of Tim’s conviction? Would you have made the same choice? Why or why not?
10. How would you have felt in Corinne’s place when she learned of her mother’s deception?
11. How do you feel about family secrets? Would the big secrets in this family–Eve’s actual identity and Corinne’s kidnapping–have been better left alone?
(Questions from the author's website.)
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Death at Wentwater Court
Carola Dunn, 1994
Kensington Publishing
256 pp.
ISBN-13: 9780758216007
Summary
No stranger to sprawling country estates, wealthy Daisy Dalrymple is breaking new ground at this particular manor house, having scandalously traded silver spoon for pen and camera to cover a story for Town and Country magazine. But her planned interviews with the inhabitants of Wentwater Court give way to interrogation when suave Lord Stephen Astwick meets a dire fate on the tranquil skating pond.
Armed with evidence that his fate was anything but accidental, Daisy joins forces with Scotland Yard to examine an esteemed collection of suspects—and see that the unlikely culprit doesn’t slip through their fingers just as the unfortunate Astwick slipped through the ice.
In the first installment of this cozy mystery series, Carola Dunn transports readers back to the bygone era of 1923 Britain, where unflappable flapper and would-be journalist Daisy Dalrymple daringly embarks on her first writing assignment—and promptly stumbles across a corpse. (From the publisher.)
Author Bio
• Birth—November 14, 1946
• Where—London, England, UK
• Education—B.A., Manchester University
• Currently—lives in Eugene, Oregan, USA
Although born in London, Carola Dunn grew up in the Buckinghamshire village of Jordans, known to Americans only as the burial place of William Penn (over whose gravestone, along with Penn's wives, Carola and her siblings played leapfrog). At 11 years of age, she attended a Friends boarding school, Saffron Waldon, and eventually headed to Manchester University, where she received her B.A. degree.
After university, Dunn set off to travel around the world, making it as far as Samoa and Fiji, then to Southern California in the US to be married. Her first book appeared in 1979 after varied careers in childcare, market research, construction, building design, writing definitions for a sciene and technology dictionary. Dunn now lives in Eugene, Oregon, with her Black Lab/German Shepherd, Willow, who walks Carola along the Willemette River every morning. She is close to her grown son and two grandchildren.
Carola Dunn, best known for her Daisy Dalrymple mystery series—numbering 17 (as of 2008)—is the author of 50 books, including her Regencies series and a new Cornish mystery series. (Adapted from the author's website.)
Book Reviews
A murder-of-manners (if there is such a thing)...neat and sharp... This one is heaven for those who miss Allingham and Sayers—a country house puzzle par excellence with a setting that cries out for the BBC to film it... Perfect hammock reading that never insults your intelligence or twists your brain—a neat trick to pull off...a portrait under glass of another era.
Courier-Gazette, Rockland, Maine
This polished cozy...hits all the bases and has a good time doing it...excellent characters...a vivid picture of life ...in post WWI Britain.
The Oregonian
This lively mystery debut introduces the Honorable Daisy Dalrymple, who has taken a job to ensure her independence—an unusual step for the daughter of a viscount in 1922. Her first assignment for Town and Country takes her to Wentwater Court at Christmastime to write about the Wentwater family. Her visit is disrupted by unwelcome guest and—according to Lady Josephine—"utter cad" Lord Stephen Astwick. When Astwick's body is found floating under the ice in the estate's lake, attractive Scotland Yard Chief Inspector Alec Fletcher arrives on the scene. Daisy's photos of the victim, showing ax marks in the ice, suggest the death is murder and prompt Fletcher to enlist her as his stenographer during his investigations. With the entire family, from the earl to his grandchildren, under suspicion, Daisy takes on the role of liaison between landed and working classes. Astwick's indiscretions come to light and disclose more motives for murder at Wentwater Court. Inquisitive and sympathetic, Daisy identifies the murderer, suggests a solution pleasing to most of the family and secures the possibility of romance in her future.
Publishers Weekly
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Death at Wentworth Court:
1. Mystery stories are all about withholding information from the reader in order to deliver a surprise at the end. Were you surprised by the ending...in other words, did Carola Dunn deliver a good mystery?
2. It's fun in to trace the clues, which authors drop surreptitiously, like bread crumbs, along the way. What are the clues Dunn provides? In other words, as a reader, what do you know...and when do you know it?
3. Good mysteries also dish out red herrings—false clues to divert attention from the real solution. What are the red-herrings in Wentwater Court...and did you fall for them?
4. Readers find Daisy a particluarly likeable herion. Do you agree; if so, what makes her such a delightful character?
5. Do you find the other characters believable? Are they well-developed, complex personalities?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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The Known World
Edward P. Jones, 2003
HarperCollins
416 pp.
ISBN-13: 9780061159176
Summary
Winner, 2004 Pulitzer Prize
The Known World tells the story of Henry Townsend, a black farmer and former slave who falls under the tutelage of William Robbins, the most powerful man in Manchester County, Virginia. Making certain he never circumvents the law, Townsend runs his affairs with unusual discipline.
But when death takes him unexpectedly, his widow, Caldonia, can't uphold the estate's order, and chaos ensues. Jones has woven a footnote of history into an epic that takes an unflinching look at slavery in all its moral complexities. (From the publisher.)
Author Bio
• Birth—October 5, 1950
• Where—Washington, D.C.
• Education—B.A., College of the Holy Cross; M.F.A., University of Virginia
• Awards—PEN-Hemingway Foundation Award, 1992; Pulitzer Prize, 2004
• Currently—lives in Washington, D.C.
Edward P. Jones, the New York Times bestselling author, has been awarded the Pulitzer Prize for fiction, the National Book Critics Circle Award, the International IMPAC Dublin Literary Award, and the Lannan Literary Award for The Known World; he also received a MacArthur Fellowship in 2004. His first collection of short stories, Lost in the City, won the PEN/Hemingway Award and was short-listed for the National Book Award. He has taught fiction writing at a range of universities, including Princeton. He lives in Washington, D.C.
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Edward P. Jones grew up in Washington, D.C., where his mother worked as a dishwasher and hotel maid to support Jones and his brother and sister. Though she couldn't read or write herself, Jones's mother encouraged her son to study, and eventually a Jesuit priest who knew Jones suggested he apply for a scholarship at the College of the Holy Cross in Massachusetts. There, Jones discovered the odd fact that in the antebellum South, there had been free black people who owned black slaves.
"It was a shock that there were black people who would take part in a system like that," he later told a Boston Globe interviewer. "Why didn't they know better?" That question stayed with Jones for more than 20 years and would eventually inspire his first novel, The Known World.
After graduating from Holy Cross with a degree in English, Jones moved back to Washington, D.C., and began writing short stories, aiming to create a portrait of his city in the mode of James Joyce's Dubliners. He attended writing seminars, then earned an M.F.A. in creative writing from the University of Virginia, but he felt that neither writing nor teaching was a reliable enough source of income. He took a day job as a business writer for an Arlington, Virgina, nonprofit, and held it for almost 19 years — during which he published his first short-story collection, Lost in the City, which was nominated for a National Book Award. He also began planning his first novel, composing and revising chapters entirely in his head. Jones had just taken a five-week vacation to start writing the book when he found out he was being laid off, so he lived on severance pay and unemployment during the few months it took him to finish his first draft.
The Known World was published in 2003, 11 years after Lost in the City. "With hard-won wisdom and hugely effective understatement, Mr. Jones explores the unsettling, contradiction-prone world of a Virginia slaveholder who happens to be black," wrote Janet Maslin in The New York Times Book Review. Jonathan Yardley of the Washington Post Book World called the book "the best new work of American fiction to cross my desk in years."
Though some reviewers have praised the author's impressive research, Jones insists he made almost everything up. During the 10 years he spent thinking about his novel, he accumulated shelves full of books about slavery, but ultimately he read none of them, choosing instead to write the book that had already taken shape in his mind. The depth and detail of Jones's fictional Manchester County has been compared with William Faulkner's Yoknapatawpha County; Martha Woodroof of National Public Radio also noted similarities to Dickens, in that Jones spins "a densely populated, sprawling story built around a morally bankrupt institution."
Despite all the attention he's earned, Jones seems unwilling to assume the role of celebrity writer. "If you write a story today, and you get up tomorrow and start another story, all the expertise that you put into the first story doesn't transfer over automatically to the second story," he explained in an online chat on Washingtonpost.com . "You're always starting at the bottom of the mountain. So you're always becoming a writer. You're never really arriving."
Extras
• Unable to find a full-time job after college, Jones was on the verge of borrowing $15 from his sister for a bus ticket to Brooklyn, where she lived, when he got word that Essence magazine was publishing his first story for $400. A job at the American Association for the Advancement of Science enabled him to stay in Washington, D.C., where he continued writing the stories for his collection Lost in the City.
• Jones has never owned a car, commuting instead by public transportation. "I don't want to own something that you can't take into your apartment at night," he explained in an interview with the Washington Post.
• When asked in a 2006 Barnes & Noble interview what book had influenced his career as writer, here is his response:
I don't believe that there is any particular book that influenced any "career" I might have. There are books that have meant something to me, like Who Killed Stella Pomeroy. This was the first real book that I ever read. I had long been reading funny (comic) books and books of fairy and folk tales; the latter had all been illustrated with at least one drawing or painting. But Stella was the first without any pictures, only the words of the author. I read it when I was 13, and what struck me was that after years and years of reading funny books and folk tales with pictures, I was reading a book and was able to create a world — this one was Britain in the 1920s and/or 1930s — based simply on the author writing that it was so — the landscape, the people and their words, the mystery situation. (Author bio from Barnes & Noble.)
Book Reviews
At the end of Edward P. Jones's stunning new antebellum novel, an artist recreates the book's plantation setting as "a map of life made with every kind of life man has ever thought to represent himself." One of the characters says, "It is what God sees when He looks down." and family, all in a most unusual setting. With hard-won wisdom and hugely effective understatement, Mr. Jones explores the unsettling, contradiction-prone world of a Virginia slaveholder who happens to be black.
Janet Maslin - New York Times
The bizarre world of American slavery has been the subject of much fiction, some of it uncommonly good, from Harriet Beecher Stowe to William Faulkner to Toni Morrison. This extraordinary novel — the best new work of American fiction to cross my desk in years — takes as its subject one of the most peculiar anomalies of that endlessly provocative and troubling subject: In the antebellum South, where whites systematically enslaved blacks, there were free blacks who themselves owned black slaves.
Jonathan Yardley - Washington Post
On a small plantation in Manchester County, Virginia, in the eighteen-fifties, a freed black man named Henry Townsend lives with his wife and the thirty-three slaves he has bought, some with the help of his former owner. This kaleidoscopic first novel depicts daily life for Henry and his friends (“members of a free Negro class that, while not having the power of some whites, had been brought up to believe that they were rulers waiting in the wings”); for the plantation’s slaves, one of whom believes that he, too, will be transformed into an owner after Henry’s death; and for the county’s white inhabitants, who coexist uneasily with their slaves and their emancipated black neighbors. Jones has written a book of tremendous moral intricacy: no relationship here is left unaltered by the bonds of ownership, and liberty eludes most of Manchester County’s residents, not just its slaves.
The New Yorker
In a crabbed, powerful follow-up to his National Book Award-nominated short story collection (Lost in the City), Jones explores an oft-neglected chapter of American history, the world of blacks who owned blacks in the antebellum South. His fictional examination of this unusual phenomenon starts with the dying 31-year-old Henry Townsend, a former slave-now master of 33 slaves of his own and more than 50 acres of land in Manchester County, Va.—worried about the fate of his holdings upon his early death. As a slave in his youth, Henry makes himself indispensable to his master, William Robbins. Even after Henry's parents purchase the family's freedom, Henry retains his allegiance to Robbins, who patronizes him when he sets up shop as a shoemaker and helps him buy his first slaves and his plantation. Jones's thorough knowledge of the legal and social intricacies of slaveholding allows him to paint a complex, often startling picture of life in the region. His richest characterizations-of Robbins and Henry-are particularly revealing. Though he is a cruel master to his slaves, Robbins is desperately in love with a black woman and feels as much fondness for Henry as for his own children; Henry, meanwhile, reads Milton, but beats his slaves as readily as Robbins does. Henry's wife, Caldonia, is not as disciplined as her husband, and when he dies, his worst fears are realized: the plantation falls into chaos. Jones's prose can be rather static and his phrasings ponderous, but his narrative achieves crushing momentum through sheer accumulation of detail, unusual historical insight and generous character writing. Agent, Eric Simonoff. (Sept.) Forecast: This is a new tack for Jones, whose collection Lost in the City was set in Washington, D.C., in the 1960s and '70s. Amistad is sending the novel off with a bang-a 10-city author tour, a 20-city national radio campaign-and it should attract considerable review attention
Publishers Weekly
This ambitious first novel by National Book Award nominee Jones (Lost in the City: Stories) looks at slavery from an unusual angle. Henry Townsend is a former slave who was purchased and freed by his own father. Through hard work, he has acquired 50 acres of farmland in Virginia. Given the slave-based agricultural economy, Townsend believes that the logical (and legal) way to work the land is with slaves, and, eventually, he owns more than 30. Although he is less brutal than his neighbors, most of his slaves dream of escaping north. When they try, Townsend must pay the white patrollers to return them or be seen as irresponsible. But as rumors of bloody slave rebellions spread through the South, unscrupulous bounty hunters begin to round up free blacks, Native Americans, and white orphans along with the escapees. By focusing on an African American slaveholder, Jones forcefully demonstrates how institutionalized slavery jeopardized all levels of civilized society so that no one was really free. A fascinating look at a painful theme, this book is an ideal choice for book clubs. Highly recommended. —Edward B. St. John, Loyola Law Sch. Lib., Los Angeles, CA
Library Journal
Slave-owning by free blacks in antebellum America is the astonishingly rich subject of this impressively researched, challenging novel debut by Faulkner Award-winning Jones (stories: Lost in the City, 1992). Set mostly in the period 1830-50, many nested and interrelated stories revolve around the death of black Virginia farmer and slaveholder Henry Townsend, himself a former slave who had purchased his own freedom, as was—and did—his father Augustus, a gifted woodcarver. Jones's flexible narrative moves from the travail of Augustus and his wife Mildred through Henry's conflicted life as both servant and master, to survey as well the lives of Armstrong slaves, from their early years on to many decades after Henry's passing. The first hundred pages are daunting, as the reader struggles to sort out initially quickly glimpsed characters and absorb Jones's handling of historical background information (which virtually never feels obtrusive or oppressive, thanks to his eloquent prose and palpable high seriousness). The story steadily gathers overpowering momentum, as we learn more about such vibrant figures as Henry's introspective spouse Caldonia, his wily overseer Moses, the long-suffering mutilated slave Elias and his crippled wife Celeste, the brutal "patrollers" charged with hunting down runaways (one of whom, duplicitous Harvey Travis, is a villain for the ages), and county sheriff John Skiffington, a decent man who nevertheless cannot shrug off "responsibilities" with which his culture has provisioned, and burdened, him. The particulars and consequences of the "right" of humans to own other humans are dramatized with unprecedented ingenuity and intensity, in a harrowing tale that scarcely ever raises its voice-even during a prolonged climax when two searches produce bitter results and presage the vanishing of a "known world" unable to isolate itself from the shaping power of time and change. This will mean a great deal to a great many people. It should be a major prize contender, and it won't be forgotten.
Kirkus Reviews
Discussion Questions
1. The Known World seamlessly weaves the lives of the freed and the enslaved, whites, blacks, and Indians, and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery.
2. Why is the character of Moses significant to the novel? How would you characterize his relationship with Henry and Caldonia Townsend? What about with his wife and child?
3. What is the significance of the title, The Known World? What "known world" is charted in John Skiffington's map in the jail? What world is charted in "The Creation" described by Calvin in his letter to his sister Caldonia? What role does the land and its borders play in this book?
4. Who is William Robbins and how does he impact the lives of blacks on neighboring plantations? Did you find his relationships with Henry, Augustus, and Mildred Townsend, and Philomena, Dora, and Louis compelling?
5. What is the significance of the Augustus Townsend character? In what ways is Augustus a victim of attitudes about slavery in the South? In what ways is he a victor? How did you respond to his captivity and its outcome?
6. How would you characterize Jebediah Dickinson? What explains his sudden appearance at the Elston farm? When Fern says of Jebediah: "With him there...I feel as if I belong to him, that I am his property," what does she mean?
7. Were relationships between parents and children notably different during the era of slavery than in the present day? Consider Caldonia, Calvin, and Maude; William Robbins, Patience, and Dora; and Augustus, Mildred, and Henry in your evaluations.
(Questions issued by publisher.)
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Pay It Forward
Catherine Ryan Hyde, 1999
Simon & Schuster
320 pp.
ISBN-13: 9781439170403
Summary
Pay It Forward is a wondrous and moving story about Trevor McKinney, a twelve-year-old boy in a small California town who accepts the challenge that his teacher gives his class, a chance to earn extra credit by coming up with a plan to change the world for the better—and to put that plan into action.
The plan that Trevor comes up with is so simple—and so naive—that when others learn of it they are dismissive. Even Trevor himself begins to doubt when his pay it forward plan seems to founder on a combination of bad luck and the worst of human nature.
What is his idea? Trevor chooses three people for whom he will do a favor, and then when those people thank him and ask how they might pay him back, he will tell them that instead of paying him back they should each pay it forward by choosing three people for whom they can do favors, and in turn telling those people to Pay it Forward. It's nothing less than a human chain letter of kindness and good will. But will it work?
In the end, Pay It Forward is the story of seemingly ordinary people made extraordinary by the simple faith of a child. In the tradtion of the successful and inspirational television show Touched by an Angel, and the phenomenally successful novel and film Forrest Gump, Pay It Forward is a work of charm, wit, and remarkable inspriation, a story of hope for today and for many tomorrows to come. (From the publisher.)
Author Bio
• Birth—1955
• Where—N/A
• Education—N/A
• Currently—lives in Cambria, California
Catherine Ryan Hyde is the author of the best selling novel Pay It Forward and numerous short stories, including the collection Earthquake Weather. She lives in Cambria, California. (From the publisher.)
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Catherine Ryan Hyde s an American novelist and short story writer, whose novels have enjoyed bestseller status in both the US and UK, and whose short stories have won many awards and honors.
Hyde is the author of the novel Funerals for Horses (1997), a collection of short fiction, Earthquake Weather (1998), the novels Pay it Forward (1999), Electric God (2000), and Walter’s Purple Heart (2002). More recent novels include Becoming Chloe (2006), Love in the Present Tense (2006), The Year of My Miraculous Reappearance (2007), Chasing Windmills (2008) and The Day I Killed James 2008).
The 1999 novel, Pay It Forward, has been translated into 20 languages for publication in more than 30 countries, and chosen among the Best Books for Young Adults 2001 by the American Library Association. Its 2000 film adaptation starred Kevin Spacey, Helen Hunt and Haley Joel Osment.
Her 2006 novel, Love in the Present Tense, enjoyed bestseller status in the UK, where it broke the top ten, spent five weeks on the list, was reviewed on a major TV book club, and shortlisted for a Best Read of the Year award at the British Book Awards.
More than 45 of her short stories have been published in The Antioch Review, Michigan Quarterly Review, Virginia Quarterly Review, The Sun, Ploughshares, Glimmer Train, and many other journals. Her story "Bloodlines" was reprinted in the bestselling anthology Dog is my Co-Pilot (2003).
Two of her stories have been honored in the Raymond Carver Short Story Contest. She received second place in the 1997 Bellingham Review Tobias Wolff Award for Fiction. Nearly a dozen of her stories have been nominated for Best American Short Stories, The O’Henry Award and The Pushcart Prize. Three have been cited in Best American Short Stories anthologies.
She has served on the 1998 fiction fellowship panel of the Arizona Commission on the Arts, and on the editorial staff of the Santa Barbara Review and Central Coast Magazine. She teaches workshops at the Santa Barbara, La Jolla and Central Coast Writers Conferences.
She is founder and president of the Pay It Forward Foundation. As a professional public speaker she has addressed the National Conference on Education, twice spoken at Cornell University, and met with Americorps members at the White House. (From Wikipedia.)
Book Reviews
The story is a quick read, told with lean sentences and an edge.... Hyde pulls off a poignant, gutsy ending without bathos.
Los Angeles Times
The philosophy behind the book is so intriguing, and the optimism so contagious, that the reader is carried along with what turns out to be a book that lingers long after the last page is turned.
Denver Post
Eighth-grader Trevor is challenged by his social-studies teacher to do something that will change the world. And he does. His rule is to do one very good deed for three different people, telling them that rather than paying him back, they are to "pay it forward" to three others. When the numbers grow exponentially, The Movement starts and the world is changed. Hyde uses a variety of writing styles and techniques to present the story: a first-person account by Chris, the journalist who writes about The Movement; excerpts from his books; transcripts of his interviews; entries from Trevor's diary; and a third-person narration. The central character changes in these chapters as the story moves forward but these shifts are clear enough that most readers should not be confused. A short, unsavory sexual episode results in a violent, sacrificial ending that is softened somewhat through foreshadowing. (Young Adults) —Claudia Moore, W. T. Woodson High School, Fairfax, VA
School Library Journal
An ordinary boy engineers a secular miracle in Hyde's winning second novel, set in small-town 1990s California. Twelve-year-old Trevor McKinney, the son of Arlene, a single mom working two jobs, and Ricky, a deadbeat absentee dad, does not seem well-positioned to revolutionize the world. But when Trevor's social studies teacher, Reuben St. Clair, gives the class an extra-credit assignment, challenging his students to design a plan to change society, Trevor decides to start a goodwill chain. To begin, he helps out three people, telling each of them that instead of paying him back, they must "pay it forward" by helping three others. At first, nothing seems to work out as planned, not even Trevor's attempt to bring Arlene and Reuben together. Granted, Trevor's mother and his teacher are an unlikely couple: she is a small, white, attractive, determined but insecure recovering alcoholic; he is an educated black man who lost half his face in Vietnam. But eventually romance does blossom, and unbeknownst to Trevor, his other attempts to help do "pay forward," yielding a chain reaction of newsworthy proportions. Reporter Chris Chandler is the first to chase down the story, and Hyde's narrative is punctuated with excerpts from histories Chandler publishes in later years (Those Who Knew Trevor Speak and The Other Faces Behind the Movement), as well as entries from Trevor's journal. Trevor's ultimate martyrdom, and the extraordinary worldwide success of his project, catapult the drama into the realm of myth, but Hyde's simple prose rarely turns preachy. Her [Frank] Capra-esque theme, that one person can make a difference, may be sentimental, but for once, that's a virtue.
Publishers Weekly
It started with a school assignment that a 12-year-old boy embraced, and it changed everything. When Reuben St. Clair wrote on the blackboard "Think of an Idea for World Change, and Put It Into Action," Trevor McKinney (who understood the concept of compounding) came up with the idea of Paying Forward. That is, he'll do something really good for three people, who, instead of paying him back, will be asked to pay it forwardAby aiding someone else. (And so on, and so on.) But hard as he tries, Trevor's projects seem to fail: a down-and-out stranger, financed by Trevor's paper route money, buys drink and drugs; widowed Mrs. Greenberg, whose beloved garden Trevor tends, dies; and Trevor's attempts at matchmaking his lonely teacher with his feisty single mother sparks then fizzles. But then, things take a turn for the better: provisions in Mrs. Greenberg's will keep the movement going and saving lives, and then a tenacious reporter tells the story. Even if the seed for this concept came from Lloyd Douglas's Magnificent Obsession, Hyde's (Earthquake Weather) book is still an uplifting, tear-jerking, and inspiring modern fable, with an extremely appealing young protagonist. For all reading audiences. —Michele Leber, Fairfax Cty. P.L., VA
Library Journal
The buzz is big for this heartwarming, funny, and bittersweet story from Hyde (Funerals for Horses, not reviewed) about a teenager's plan to better the world. It all starts with a man and a boy. The man, Reuben St. Clair, a social-studies teacher who believes in positive thinking but whos also a badly disfigured, black Vietnam vet struggling daily with the way people look at him, assigns the following for extra credit: "Think of an idea for world change, and put it into action." The boy, Trevor McKinney, takes the assignment to heart, not only because his mother, Arlene, is battling with alcohol and his father's gone missing, but also because he likes Reuben and begins to think maybe his mom would too. Trevor develops a pyramid payback scheme of good deeds, with the flow of payment reversed, and starts by finding three people he believes he can help, each of whom pledges to help three others. The first, a homeless addict/mechanic, receives Trevor's paper-route earnings and a place to shower before a job interview, but then blows his first paycheck on cocaine and ends up in jail. The second, an elderly woman on the paper route, receives all the yard- and garden-work she needs for free, but later dies in her sleep. The third, Reuben and Arlene considered together as a dysfunctional unit, are brought together by Trevor so they can help each other out of loneliness and just maybe give him a dad in the bargain, but they mix like oil and water. Apparently negative results prove to be just the opposite, however, and, unbeknownst to Trevor, his project snowballs into a national phenomenon with no end in sight. Invited to Washington to be honored by President Clinton, Trevor decides to do one more good deed, a selfless act that again succeeds beyond his wildest expectations. A quiet, steady masterpiece, with an incandescent ending.
Kirkus Reviews
Discussion Questions
1. When Trevor first presents his Pay-It-Forward plan—as a way to change the world for the better—many dismiss it. Why? What does their dismissal say about Trevor's plan and what does it say about those wrote it off? Would you have dismissed Pay-It-Forward? (Be objective—pretend you've just learned of Trevor's project for the first time. What would have been your initial reaction?)
2. Eventually, Pay-It-Forward begins to work, creating a chain reaction and becoming a Movement. Why does the concept take hold? What is it about the plan that inspires people? Describe its basic idea and give it another name (rather than pay-it-forward).
3. Talk about Reuben St. Claire. What kind of teacher is he...and what kind of human being? Why might the author have created a character with a severe facial disfigurement? And what's the irony behind the name, St. Claire? Does he live up to his name?
4. What about Arlene, Trevor's mother? What kind of character is she? What does Trevor see in her that makes him believe, at heart, that she's a worthy individual who deserves better than she's got.
5. The story is told through various point-of-view devices: first- and third-person narrators, book excerpts, interview transcripts, journal entries, and central character shifts. Do Hyde's narrative techniques work? Do they enhance the story or make it confusing? Why might she have chosen to structure the novel in the way she did?
6. What about the book's ending? Sad, yes, but satisfying? Does Trevor become a martyr? Would you have preferred a different ending?
7. The figure of Chris, the journalist, and his role in the Movement is curious. Given our media culture, would Trevor's Pay-it-Forward plan have become a Movement without media attention? Will people recognize the inherent goodness of something, give it significance, unless it's surrounded by hype or media saturation? (A cynical, but perhaps an important, question.) Can you find examples either way?
8. If you were asked to come up with a project to make the world a better place...what ideas would you come up with?
9. Do you personally follow the Pay-it-Forward philosophy? Does this book inspire you—make you more aware of what you, individually, or all of us, collectively, could do—to improve the world?
10. Is this a religious book?
(Questions issued by publisher.)
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