True Colors
Kristin Hannah, 2009
St. Martin's Press
544 pp.
ISBN-13: 9780312606121
Summary
The Grey sisters have always been close. After their mother’s death, the girls banded together, becoming best friends. Their stern, disapproving father cares less about his children than about his reputation. To Henry Grey, appearances are everything, and years later, he still demands that his daughters reflect his standing in the community.
Winona, the oldest, needs her father’s approval most of all. An overweight bookworm who never felt at home on the sprawling horse ranch that has been in her family for three generations, she knows that she doesn’t have the qualities her father values. But as the best lawyer in town, she’s determined to someday find a way to prove her worth to him.
Aurora, the middle sister, is the family peacemaker. She brokers every dispute and tries to keep them all happy, even as she hides her own secret pain.
Vivi Ann is the undisputed star of the family. A stunningly beautiful dreamer with a heart as big as the ocean in front of her house, she is adored by all who know her. Everything comes easily for Vivi Ann, until a stranger comes to town.
In a matter of moments, everything will change. The Grey sisters will be pitted against one another in ways that none could have imagined. Loyalties will be tested and secrets revealed, and a terrible, shocking crime will shatter both their family and their beloved town.
With breathtaking pace and penetrating emotional insight, True Colors is an unforgettable novel about sisters, rivalry, forgiveness, redemption—and ultimately, what it means to be a family. (From the publisher.)
Author Bio
• Birth—September, 1960
• Where—Southern California, USA
• Reared—Western Washington State
• Education—J.D., from a school in Washington (state)
• Awards—Golden Heart Award; Maggie Award; National Reader's Choice
• Currently—lives on Bainbridge Island, Washington
I was born in September 1960 in Southern California and grew up at the beach, making sand castles and playing in the surf. When I was eight years old, my father drove us to Western Washington where we called home.
After working in a trendy advertising agency, I decided to go to law school. "But you're going to be a writer" are the prophetic words I will never forget from my mother. I was in my third-and final-year of law school and my mom was in the hospital, facing the end of her long battle with cancer. I was shocked to discover that she believed I would become a writer. For the next few months, we collaborated on the worst, most cliched historical romance ever written.
After my mom's death, I packed up all those bits and pieces of paper we'd collected and put them in a box in the back of my closet. I got married and continued practicing law.
Then I found out I was pregnant, but was on bed rest for five months. By the time I'd read every book in the house and started asking my husband for cereal boxes to read, I knew I was a goner. That's when my darling husband reminded me of the book I'd started with my mom. I pulled out the boxes of research material, dusted them off and began writing. By the time my son was born, I'd finished a first draft and found an obsession.
The rejections came, of course, and they stung for a while, but each one really just spurred me to try harder, work more. In 1990, I got "the call," and in that moment, I went from a young mother with a cooler-than-average hobby to a professional writer, and I've never looked back. In all the years between then and now, I have never lost my love of, or my enthusiasm for, telling stories. I am truly blessed to be a wife, a mother, and a writer. (From the author's website .)
Book Reviews
Deliciously romantic and often heartbreaking, this is a book you'll want to climb inside of and stay as long as possible.
People
In her 17th novel, bestseller Hannah portrays the delicate and enduring bonds of sisterhood. The story of the Grey sisters is set in a small Washington town and follows Winona, Aurora and Vivi Ann from the time of their mother's death, when they are young teens in 1979, on through adulthood, cataloguing their trials and the men who typically come bearing them, beginning with Luke, Winona's high school best friend and secret crush. But when he falls in love with Vivi Ann, who later cheats on him with farmhand Dallas, it leads a jealous Winona to betray her sister. Vivi Ann and Dallas get married, have a baby and run the Grey family farm, but Dallas is eventually arrested for murder, and lawyer Winona refuses to take his case, seemingly killing her relationship with Vivi Ann. Dallas is convicted and things look bleak for Vivi Ann and her son, but Winona's late-breaking friendship with her nephew paves the way for the happy ending. Though Hannah boldly embraces over-the-top drama, she really knows what women—her characters and her audience—want.
Publishers Weekly
As Hannah explores the deep, emotional connection between sisters, she creates a beautiful and captivating story of love and rivalry, family and community, that readers will happily devour.
Booklist
Teenage sisters Winona, Aurora, and Vivi Ann are shattered when their mother dies, but what comes close to destroying their relationship is the reaction of their father, a hard man who dotes on his youngest daughter, Vivi Ann, disparages Winona, the eldest, and ignores Aurora, who tries hard to keep peace in the family. Flash-forward 13 years, and Winona is still desperate for her father's approval and increasingly jealous of Vivi Ann. When Luke Connelly, the man Winona has always loved, begins dating an oblivious Vivi Ann, events are set in motion that will hurt everyone involved and come close to destroying one sister's life. It is difficult to care for the self-righteous Winona, the novel's central character, but Hannah, a former romance writer (Once in Every Life) and prolific novelist (Firefly Lane), does a lovely job of handling the relationship between Vivi Ann and her husband. An engrossing, fast-paced story that will appeal to readers of Barbara Delinsky and fans of women's fiction.
Library Journal
Discussion Questions
1. In the novel’s opening scene, Henry pits one daughter against the other by simply handing one a lead rope. Winona realizes the impact of his action and knows that from then on, something in their family is changed. Does her realization change the outcome or solidify it? How does this scene reflect the central conflict in the novel? How do Henry’s choices set in motion the difficulties that lie ahead?
2. The epigraph at the start of the novel is about passion. Why do you think the author chose this quote? How does passion, in all its many forms, lie at the very heart of True Colors?
3. Winona, Aurora, and Vivi Ann have similar and idealized perceptions of their mother. How has her absence affected them, separately and collectively? Conversely, each sister has a radically different perception of Henry. Who is the real Henry? Which sister has the most accurate understanding of who he is? Is Henry’s antipathy toward his daughters subject to interpretation or is he as cold and uncaring as he appears?
4. There is obviously a symbiotic relationship between person and place in this novel. What part does the small town setting play in the novel? Could this story have taken place in a big city? What would have played out differently, in your opinion? What would have remained the same? How does the setting reflect the differences between Vivi Ann and Winona? Certainly it appears at first glance that Vivi Ann is more rooted at Water’s Edge and in Oyster Shores than Winona. Is this really true?
5. The Grey sisters would have said that they were happy before Dallas came to town. Is that true? Or was Winona right at fifteen when she observed that “from then on, jealousy had become an undercurrent, swirling beneath their lives”? Was Dallas actually the cause of their troubles? Was Luke? Or was the disintegration of the family inevitable? Who is most to blame for the bad things that happen to the Grey family?
6. How do Winona’s weaknesses and vulnerabilities play into the story? How do her strengths? Do you see her as a likeable character? A good sister?
7. How about Vivi Ann? In what way is she really the architect of her own life? How do her strengths and weaknesses allow for all of the good and bad things in the novel to happen? How would this story have been changed by honesty between the sisters from the beginning?
8. There are several moments in the story when Winona makes difficult choices. Was she right to tell Luke about Vivi Ann’s affair? Should she have represented Dallas at his first trial? Did she deny the case for personal or professional reasons?
9. Noah becomes the first true catalyst for change in the Grey family. Like Vivi Ann, Aurora, and Winona, he has grown up in the shadow of loss. He is a fatherless boy; they are motherless girls. How has Vivi Ann’s parenting hurt Noah and set him on his self destructive path? Is Vivi Ann’s downfall understandable? Regrettable? Unacceptable? If she had been your sister, what would you have done to help her deal with Dallas’s imprisonment?
10. Do you understand Dallas? Or did he remain enigmatic throughout the story? Did your belief in his guilt or innocence change throughout the course of the novel? How much did he contribute to his own legal problems? How did Vivi Ann contribute to them? When did he fall in love with Vivi Ann, and why?
11. Prejudice is an important component of the story. In small, close-knit communities like Oyster Shores, it can often be difficult to be perceived as an outsider. How much of Dallas’s arrest depends upon prejudice? Would he have been arrested as quickly if he’d been “one of them?” What if he had been white? How much did his own bad reputation in town work against him?
12. Eyewitness testimony is often unreliable. This is especially true for minorities and people of color. Why do you think this is? What should we, as a society, do about it? Was Myrtle mistaken in her testimony? Did she lie? Did she simply see what she expected to see?
13. Was Vivi Ann wrong to give up on Dallas? Was Dallas right to ask it of her?
14. Discuss Henry. Does he change over the course of the story? Does he love his daughters? How did the loss of his wife contribute to the father he has become? Would he change if he could?
15. Think about the future. How is the Grey family changed by all that they have endured? Where do they go from here? Do Vivi, Noah, and Dallas stay at Water’s Edge? What about Winona? How has she been changed by the journey she has undertaken? Is she still jealous of her sister? Desperate for her father’s love? Will she stay in Oyster Shores? Should she? Will she and Luke make a future together? And what about Noah? For most of his life he’s been able to blame his bad behavior on someone else. What will his life be like now that his father is home?
(Questions issued by publisher.)
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The Likeness (Dublin Murder Squad 2)
Tana French, 2008
Penguin Group USA
480 pp.
ISBN-13: 9780143115625
Summary
Six months after the events of In the Woods, Detective Cassie Maddox is still trying to recover.
She's transferred out of the murder squad and started a relationship with Detective Sam O'Neill, but she's too badly shaken to make a commitment to him or to her career.
Then Sam calls her to the scene of his new case: a young woman found stabbed to death in a small town outside Dublin. The dead girl's ID says her name is Lexie Madison—the identity Cassie used years ago as an undercover detective—and she looks exactly like Cassie.
With no leads, no suspects, and no clue to Lexie's real identity, Cassie's old undercover boss, Frank Mackey, spots the opportunity of a lifetime. They can say that the stab wound wasn't fatal and send Cassie undercover in her place to find out information that the police never would and to tempt the killer out of hiding.
At first Cassie thinks the idea is crazy, but she is seduced by the prospect of working on a murder investigation again and by the idea of assuming the victim's identity as a graduate student with a cozy group of friends.
As she is drawn into Lexie's world, Cassie realizes that the girl's secrets run deeper than anyone imagined. Her friends are becoming suspicious, Sam has discovered a generations-old feud involving the old house the students live in, and Frank is starting to suspect that Cassie's growing emotional involvement could put the whole investigation at risk.
Another gripping psychological thriller featuring the headstrong protagonist we've come to love, from an author who has proventhat she can deliver. (From the publisher.)
Author Bio
• Birth—1973
• Where—Vermont, USA
• Education—B.A., Trinity College (Dublin)
• Awards—Edgar Award, Macavity Award, Barry Award
• Currently—lives in Dublin, Ireland
Tana French is an Irish novelist and theatrical actress. Her debut novel In the Woods (2007), a psychological mystery, won the Edgar, Anthony, Macavity, and Barry awards for best first novel. She is a liaison of the Purple Heart Theatre Company and also works in film and voiceover.
French was born in the U.S. to Elena Hvostoff-Lombardi and David French. Her father was an economist working in resource management for the developing world, and the family lived in numerous countries around the globe, including Ireland, Italy, the US, and Malawi.
French attended Trinity College, Dublin, where she was trained in acting. She ultimately settled in Ireland. Since 1990 she has lived in Dublin, which she considers home, although she also retains citizenship in the U.S. and Italy. French is married and has a daughter with her husband.
Dublin Murder Squad series
In the Woods - 2007
The Likeness - 2008
Faithful Place - 2010
Broken Harbor - 2012
The Secret Places - 2014
The Trespasser - 2016
Stand-alone mystery
The Witch Elm - 2018
(Bio adapted from Wikipedia. Retrieved 9/2/2014.)
Book Reviews
Ms. French resists genre conventions defiantly enough to have written a long, rambling book, one that is more interested in character revelations than in “Aha!” moments about the plot. She could have achieved the same effects much more succinctly in a more tightly edited version of this same story. But Cassie herself remains a strong enough character to sustain interest, even if many of her observations...have a vague, hazy quality. All she needs is a sparring match with Frank, and Cassie quickly returns to the land of the living—and to the subtle demands of her perilous, suspenseful masquerade.
Janet Maslin - New York Times
The Likeness [is] a book even better than the first, which was very good indeed.... The suspense is gut-grinding.... A wonderful book.
New York Daily News
[French’s] already signature blend of psychological insight, beautiful writing and wry humor is on display once more in The Likeness.”
Baltimore Sun
[Tana French] aces her second novel. The Likeness [is a] nearly pitch- perfect follow-up to her 2007 debut thriller, In the Woods.
Entertainment Weekly
Suspense writing is clearly French's forte. Rather than employing cliff-hanger tactics, such as ending chapters with striking discoveries, French relies on more delicate revelations to engage readers all along.
Rocky Mountain News
The Likeness has everything: memorable characters, crisp dialogue, shrewd psychological insight, mounting tension, a palpable sense of place, and wonderfully evocative, painterly prose. In the Woods was an Edgar Award finalist; this one just might go one step further. —Thomas Gaughan
Booklist
Stunning…. French cleverly subverts the conventions of the locked room mystery, ratcheting up the tension at every turn with her multidimensional characters. Readers looking for a new name in psychological suspense need look no further than this powerful new Irish voice.
Publishers Weekly
French creates remarkably complex characters while gradually unpeeling the layers of her story in this rich and insightful psychological thriller. A stunner.
Library Journal
The discovery of her murdered doppelganger leads a Dublin detective to insert herself into the victim's life.… Police procedures, psychological thrills and gothic romance beautifully woven into one stunning story.
Kirkus Reviews
Discussion Questions
1. Early on in the book, Cassie Maddox says that "all the best undercovers have a dark thread woven into them, somewhere." What is hers?
2. For Cassie, going undercover is almost a compulsion. What drives her to accept Frank's offer and take on Operation Mirror?
3. The rule at Whitethorn House is "no pasts," yet the house is seeped in history and artifacts from earlier eras. How does the house help its inhabitants avoid their own histories?
4. Undercover, Cassie slowly gets drawn into life at Whitethorn House and develops a fondness for Lexie's idiosyncratic housemates. What is it about this world that is so enchanting for her?
5. Cassie says this is Lexie Madison's story, not hers, yet she tells it like it's her own. Whose story do you think it is?
6. Commitment is an issue for Cassie, as she can't seem to settle down with a desk job or her boyfriend. At the same time, she has chosen to work undercover and devote her every hour to this case—a very serious commitment of a different kind. Is this a contradiction in her personality, or are they complementary behaviors?
7. Daniel, Abby, Rafe, Justin, and Lexie's relationship is a fascinating study of group dynamics and each character plays a distinct role. Just as Lexie did before her, Cassie can home in on who she needs to be to fit in. Do you think this is something most people do in social situations or is it a special skill?
8. What does posing as Lexie teach Cassie about herself? What are the differences between the two characters and where does Cassie draw the line?
9. Cassie wonders if Frank Mackey may have had a stronger hunch about the killer than he was admitting all along. Do you think he knew who the killer was?
10. French leaves the story of what happened the night of the stabbing somewhat open. What do you think really happened to Lexie and who was truly responsible?
(Questions issued by publisher.)
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Prayers for Sale
Sandra Dallas
St. Martin's Press
352 pp.
ISBN-13: 9780312385194
Summary
From the critically acclaimed author of Tallgrass comes a powerful novel about an unlikely friendship between two women and the secrets they’ve kept in order to survive life in a rugged Colorado mining town.
It’s 1936 and the Great Depression has taken its toll. Up in the high country of the snow-covered Rocky Mountains, eighty-six-year-old Hennie Comfort has lived in Middle Swan, Colorado, since before it was Colorado. When she first meets seventeen-year-old Nit Spindle, Hennie is drawn to the grieving young girl.
Nit and her husband have come to this small mining town in search of work, but the loneliness and loss Nit feels are almost too much to bear. One day she notices an old sign that reads prayers for sale in front of Hennie’s house. Hennie doesn’t actually take money for her prayers, never has, but she invites the skinny girl in anyway. The harsh conditions of life that each has endured create an instant bond, and a friendship is born, one in which the deepest of hardships are shared and the darkest of secrets are confessed.
Sandra Dallas has created an unforgettable tale of a friendship between two women, one with surprising twists and turns, and one that is ultimately a revelation of the finest parts of the human spirit. (From the publisher.)
Author Bio
• Birth—June 11, 1939
• Where—N/A
• Education—B.A., University of Denver
• Awards—numerous, see below
• Currently—lives in Denver, Colorado, USA
Award-winning author Sandra Dallas was dubbed “a quintessential American voice” by Jane Smiley, in Vogue magazine. Sandra’s novels with their themes of loyalty, friendship, and human dignity have been translated into a dozen foreign languages and have been optioned for films.
A journalism graduate of the University of Denver, Sandra began her writing career as a reporter with Business Week. A staff member for twenty-five years (and the magazine’s first female bureau chief,) she covered the Rocky Mountain region, writing about everything from penny-stock scandals to hard-rock mining, western energy development to contemporary polygamy. Many of her experiences have been incorporated into her novels.
While a reporter, she began writing the first of ten nonfiction books. They include Sacred Paint, which won the National Cowboy Hall of Fame Western Heritage Wrangler Award, and The Quilt That Walked to Golden, recipient of the Independent Publishers Assn. Benjamin Franklin Award.
Turning to fiction in 1990, Sandra has published eight novels. She is the recipient of the Women Writing the West Willa Award for New Mercies, and two-time winner of the Western Writers of America Spur Award, for The Chili Queen and Tallgrass. In addition, she was a finalist for the Colorado Book Award, the Mountain and Plains Booksellers Assn. Award, and a four-time finalist for the Women Writing the West Willa Award.
The mother of two daughters—Dana is an attorney in New Orleans and Povy is a photographer in Golden, Colorado—Sandra lives in Denver with her husband, Bob.
Her Own Words:
• Because of my interest in the West—I wrote nine nonfiction books about the West before I turned to fiction—I’m a sucker for women’s journals of the westward movement. I wanted The Diary of Mattie Spenser to have the elements of a novel but to read as much like a 19th century journal as possible. Mattie is a woman of her time, not a current-day heroine dressed in a long skirt, and the language is faithful to the Civil War era.
• I added dialogue to keep the diary entries from being too stilted for contemporary readers. Making the diary believable has had an unforeseen consequence: Many readers believe it is an actual journal. They’ve asked where the diary is kept and what happened to the characters after the journal ended. One reader accused me of rewriting some of Mattie’s entries because she recognized my style. Another sent me a copy of an early Denver photograph, asking if the man in the picture was one of the characters in the book. (Author bio from the author's website.)
Book Reviews
Despite its flaws...Prayers for Sale is as bighearted as Hennie herself, who hands out stout winter coats to miners' wives, saying they're hand-me-downs when, in fact, they're brand-new, ordered in secret from the Sears catalogue.
Caroline Preston - Washington Post
In her charming new novel, Dallas (The Persian Pickle Club; Tallgrass; etc.) offers up the unconventional friendship between Hennie Comfort, a natural storyteller entering the twilight of her life, and Nit Spindle, a naïve young newlywed, forged in the isolated mining town of Middle Swan, Colo., in 1936. When the two meet, Hennie recognizes her younger self in Nit, and she's immediately struck with a desire to nurture and guide Nit, who is lonely and adrift in her new hometown and her brand-new marriage. As Hennie regales Nit with stories and advice, the two become inseparable and pass several seasons huddled around their quilting with the other women of Middle Swan. Even though Hennie maintains an air of c'est la vie as she unravels her life story, Nit and the reader soon realize there are tragedies and secrets hidden behind Hennie's tranquil demeanor. This satisfying novel will immediately draw readers into Hennie and Nit's lives, and the unexpected twists will keep them hooked through to the bittersweet denouement.
Publishers Weekly
Dallas (Tallgrass, 2007, etc.) offers another of her signature western heartwarmers, complete with knitting circle, this time set in a Colorado gold-mining town. In 1936, Hennie Comfort, who has lived in Middle Swan for 70 years, befriends newcomer Nit Spindle, whose husband has just been hired on a local dredge boat (the work is brutal and dangerous). Octogenarian Hennie feels an immediate kinship with 17-year-old Nit. Both are from Southern border states, both married as teens and both lost a child-Nit is currently mourning the loss of her stillbirth daughter; Hennie's birth daughter drowned as a toddler. They both quilt and Hennie, a founding member of the Ten-Mile Quilters, invites Nit to join the circle. Since Hennie will be leaving Middle Swan soon to live with her adopted daughter in Iowa, she decides to pass on to Nit all of her stories about the various characters who have inhabited Middle Swan. The 1936 plot—the two women's evolving friendship, Nit's new pregnancy, Hennie's romance with an old friend, even her forgiveness of a man who did her wrong long ago—is not much more than a backdrop for the stories Hennie tells about the past. Hennie's own history comes in pieces: Orphaned and then cheated out of her inheritance as a young girl, she married her beloved Billy at 14. After Billy was forced to go off to fight for the Confederacy against his will, a local bully terrorized Hennie and inadvertently caused her baby's death. After the Civil War ended, leaving Hennie a widow, a newly married friend invited her to Colorado for a very long-distance blind date with the man who became Hennie's beloved if imperfect second husband, Jake. While traveling west, Hennie found an abandoned baby she and Jake raised as their own daughter, Mae. Despite a few surprise coincidences, the book offers little suspense, yet readers will be glad Dallas's likable heroines get their happy endings. Forgiveness and redemption are the themes of this gentle novel about hardscrabble lives.
Kirkus Reviews
Discussion Questions
1. The sign outside Hennie’s house says “Prayers for Sale,” yet she doesn’t sell prayers. Why does Hennie keep the sign?
2. Although they’re decades apart in age, 86-year-old Hennie and 17-year-old Nit become fast friends. What qualities do they have in common? What makes them compatible?
3. As Hennie begins her story for Nit, she says, “Back then, I wasn’t Hennie Comfort. In those days, I was called by the name of Ila Mae Stubbs.” What other transformations has Hennie made in the intervening years? What about her has stayed the same?
4. As in her previous novels, Sandra Dallas did extensive research on the dialects and period details of the era in which Prayers for Sale is set. Did the rich evocation of a gold-mining town and the quilting lore, for instance, contribute to your interest in Hennie and Nit’s relationship?
5. Hennie’s voice drives the novel, and is filled with phrases and expressions uncommon today. What does Dallas’s commitment to verbal authenticity add to her portrait of Hennie? What expressions did you find especially memorable?
6. Quilting plays a central role in fostering Nit and Hennie’s friendship. Towards the end of the book, Nit says, “Quilts are like lives. They’re made up of a lot of little pieces.” Do you think this is true? Does the structure of the book reflect this perspective?
7. Were you surprised by the book’s final scene? What would you have done, if you were in Hennie’s shoes? Would Hennie’s life have been different if she had done so earlier?
8. Have you read other novels by Sandra Dallas? Which characters do you recognize from her previous books?
(Questions issued by publisher.)
Turtle Moon
Alice Hoffman, 1992
Penguin Group USA
291 pp.
ISBN-13: 9780425161289
Summary
Turtle Moon transports the listener to Verity, Florida, a place where anything can happen during the month of May, when migrating sea turtles come to town, mistaking the glow of the streetlights for the moon.
A young single mother is murdered in her apartment and her baby is gone. Keith, a 12-year-old boy in the same apartment building—the self-styled "meanest boy" in town—also disappears. In pursuit of the baby, the boy and the killer, are Keith's divorced mother and a cop who himself was once considered the meanest boy in town.
Their search leads them down the humid byways of a Florida populated almost exclusively by people from somewhere else; emotional refugees seeking sanctuary along the swampy coast. (From the publisher.)
Author Bio
• Birth—March 16, 1952
• Where—New York, New York, USA
• Education—B.A., Adelphi Univ.; M.A., Stanford Univ.
• Currently—lives in Boston, Massachusetts
Born in the 1950s to college-educated parents who divorced when she was young, Alice Hoffman was raised by her single, working mother in a blue-collar Long Island neighborhood. Although she felt like an outsider growing up, she discovered that these feelings of not quite belonging positioned her uniquely to observe people from a distance. Later, she would hone this viewpoint in stories that captured the full intensity of the human experience.
After high school, Hoffman went to work for the Doubleday factory in Garden City. But the eight-hour, supervised workday was not for her, and she quit before lunch on her first day! She enrolled in night school at Adelphi University, graduating in 1971 with a degree in English. She went on to attend Stanford University's Creative Writing Center on a Mirrellees Fellowship. Her mentor at Stanford, the great teacher and novelist Albert Guerard, helped to get her first story published in the literary magazine Fiction. The story attracted the attention of legendary editor Ted Solotaroff, who asked if she had written any longer fiction. She hadn't — but immediately set to work. In 1977, when Hoffman was 25, her first novel, Property Of, was published to great fanfare.
Since that remarkable debut, Hoffman has carved herself a unique niche in American fiction. A favorite with teens as well as adults, she renders life's deepest mysteries immediately understandable in stories suffused with magic realism and a dreamy, fairy-tale sensibility. (In a 1994 article for the New York Times, interviewer Ruth Reichl described the magic in Hoffman's books as a casual, regular occurrence — "...so offhand that even the most skeptical reader can accept it.") Her characters' lives are transformed by uncontrollable forces — love and loss, sorrow and bliss, danger and death.
Hoffman's 1997 novel Here on Earth was selected as an Oprah Book Club pick, but even without Winfrey's powerful endorsement, her books have become huge bestsellers—including three that have been adapted for the movies: Practical Magic (1995), The River King (2000), and her YA fable Aquamarine (2001).
Hoffman is a breast cancer survivor; and like many people who consider themselves blessed with luck, she believes strongly in giving back. For this reason, she donated her advance from her 1999 short story collection Local Girls to help create the Hoffman Breast Center at Mt. Auburn Hospital in Cambridge, MA
Extras
From a 2003 Barnes & Noble interview:
• Hoffman has written a number of children's books, including Fireflies: A Winter's Tale (1999), Horsefly (2000), and Moondog (2004).
• Aquamarine was written for Hoffman's best friend, Jo Ann, who dreamed of the freedom of mermaids as she battled brain cancer.
• Here on Earth is a modern version of Hoffman's favorite novel, Wuthering Heights.
• Hoffman has been honored with the Massachusetts Book Award for her teen novel Incantation.
• When asked what books most influenced her life or career, here's what she said:
Edward Eager's brilliant series of suburban magic: Half Magic, Magic by the Lake, Magic or Not, Knight's Castle, The Time Garden, Seven-Day Magic, The Well Wishers. Anything by Ray Bradbury, Shirley Jackson, J. D. Salinger, Grace Paley. My favorite book: Emily Brontë's Wuthering Heights. (Author bio and interview from Barnes & Noble.)
Book Reviews
True to form, Ms. Hoffman relates [the novel's] events with such easy fluency that the reader is quickly enveloped in her story; it's like sinking into a rocking chair and being gently seduced by the movement and rhythm. Ms. Hoffman's facility as a writer, however, only temporarily disguises the highly contrived nature of a plot propelled by implausible coincidences. These developments—combined with a series of cute, supernatural events that are never organically integrated into the overall narrative—eventually undermine the novel's emotional power: the reader finishes the book feeling vaguely manipulated, and hence detached from the characters' fates. The result is a book that's entertaining enough to read, but lacking in significant emotional afterlife.
Michiko Kakutani - New York Times
Once charmed into one of Ms. Hoffman's stories about the intersection of wounded people who seek to learn where and how to give their love, the reader can't help searching for a happy ending as eagerly as Alice Hoffman's characters labor to achieve it.... In Turtle Moon, her latest work, Ms. Hoffman writes quite wonderfully about the magic in our lives and in the battered, indifferent world. I don't know that she's written better.
Frederick Busch - New York Times Book Review
Combining aspects of a suspense thriller and a romance, and including such surefire elements as an abandoned baby, a youngster on the verge of juvenile delinquency who is reformed, two dogs and a supernatural character who provides the requisite touch of fantasy, Hoffman's new novel has commercial success written all over it. But some readers will fail to find the enchantment provided in such previous works as Illumination Night and Seventh Heaven. The town of Verity, Fla., starts to steam up in May, when the humidity and temperature soar. (Among the things readers must accept is the dreadful, oppressive May heat; one is tempted to ask, if it's so unbearable in May, how do people live through the summer?) Verity is full of divorcees, and when one of them is murdered, Keith Rosen, "Verity's meanest 12-year-old," finds her baby, who was in fact the object of an aborted kidnapping, and runs away, instinctively hiding the threatened child. This development brings together Keith's divorced mother, Lucy, and the town's surly policeman, Julian Cash, a loner with a tragedy in his past. Despite the murder and a stalking assassin, this is really a fairy tale: Keith bonds with the baby and tames a vicious dog ("No one has ever known him the way this dog does"); a ghost/angel falls in love and brings redemption to Julian, and several people begin new lives. Hoffman lards her slick plot with ponderously sentimental observations, the kind of bromides that could be embroidered on a pillow. But she knows how to manipulate suspense and tug the heartstrings; with its cinematic flow and larger-than-life characters, her novel will make a wonderful movie.
Publishers Weekly
A mix of murder and magic in the Florida sunshine as only Hoffman (Seventh Heaven, 1990, etc.) could conjure it. Verity, Florida, once known for live alligators, is now better known for alligator salads (a mix of spinach, peppers, avocado and chopped eggs, tinted green), as well as for having more divorced women from New York than any other town in the state of Florida. Lucy Rosen is one of those women. She has recently moved to Verity, and what she doesn't know yet is that in May, when the turtles come out and crawl across the roads, anything can happen. People go crazy. Dogs bite. Ficus hedges burst into flame. This particular May, a woman in Lucy's condo complex is murdered, her baby is missing, and Lucy's own son, Keith, has vanished as well. With the assistance of Julian Cash, a reclusive Verity policeman, Lucy sets out to find out who committed the murder and what has become of the missing children. The fact that the ultimate resolution of these mysteries is only partly plausible doesn't really matter in the end. Because Hoffman's strength is that she deals in dreams. She knows all about the everyday things that defy simple explanations—lovers who suddenly turn cold, turtles who mistake streetlights for the moon. The Florida she paints here is not the one promoted by any chamber of commerce. With a climate that is both mesmerizing and malignant, it is a place where dragonflies' wings catch fire and strangler plums drop down from trees, leaving dents in parked cars. It is a place where rattlesnakes crawl into telephone booths and angels lurk outside the Burger King. It's a place where anything might happen. And, naturally, it does. Pure Hoffman: her take on the tropics is haunting, hypnotic, and hot as a fever dream.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Turtle Moon:
1. Hoffman presents us with two deeply troubled males, 12-year-old Keith and adult Julian. What do they have in common? What has caused Keith's anger and Julian's anguish? Is history destiny for these two people—for all of us?
2. Why does Keith run off with the baby?
3. Talk about Lucy Rosen. What kind of woman is she? Why can't she seem to penetrate her son's anger? Why has she left her husband in New York, and what is she seeking in Verity? In fact, what are all the divorced women in Verity seeking or running from?
4. Talk about the characters—both major and minor ones. Whom do you find especially appealing or sympathetic?
5. Whose ghost is in the tree outside Burger King? Why is it there? And how does it eventually bring redemption to Julian?
6. Hoffman believes in a magical world and wants her readers to experience it. Talk about what Hoffman means by "magic" and how she injects it into this novel. What role do signs and wonders play in the book; in other words, how do they affect characters and events? Do you enjoy her use of the fantastic...or find it off-putting? Either way, why?
7. Hoffman has said that the landscape and weather of Florida, inspired her to write Turtle Moon—the fictional Verity became the first character in her novel. What might she mean—how can setting be character?
8. Talk about the role of the dogs in this story? Why is Arrow important to Keith? What do you think about the finale, especially Arrow's fate?
9. Find and discuss passages in the book that you feel express some truth or poignancy or humor. These, for instance:
There is, after all, strong brown soap for poison ivy, iodine for cuts and bruises, mud for bee stings, honey for sore throats, chalky white casts for broken bones. But where is the cure for meanness of spirit?
The air all around the town limits is so thick that sometimes a soul cannot rise and instead attaches itself to a stranger, landing right between the shoulder blades with a thud that carries no more weight than a hummingbird.
He cried so hard that when he finished there was a pile of tiny pebbles at his feet.
10. What is the thematic significance of the book's title? What do turtles mistaking street lights for the moon have to do with the events of the novel? In other words, how do the turtles' movements express an underlying meaning of the novel?
11. How about the ending—what do characters learn by the end, how do they bind up their wounds? Is the ending satisfying or not?
12. If you've read other books by Alice Hoffman, how does this one compare?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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The Lucky One
Nicholas Sparks, 2008
Grand Central Publishing
400 pp.
ISBN-13: 9780446618328
Summary
A photograph found by chance; a chain of events that lead inexorably to the woman it portrays: The Lucky One traces a path so ephemeral and artful that we would know that Nicholas Sparks had written even if his name did not appear on the title page. This story about a man whose scrape with death leads to his one true love will keep you up at night and then make you sleep more soundly. Inimitable storytelling. (From Barnes & Noble.)
Author Bio
• Birth—December 31. 1965
• Where—Omaha, Nebraska, USA
• Education—B.A., University of Notre Dame
• Currently—lives in New Bern, North Carolina
Nicholas Charles Sparks is an American novelist, screenwriter and producer. He has published some 20 novels, plus one non-fiction. Ten have been adapted to films, including Message in a Bottle, A Walk to Remember, The Notebook, Nights in Rodanthe, Dear John, The Last Song, The Lucky One, and most recently The Longest Ride.
Background
Sparks was born to Patrick Michael Sparks, a professor of business, and Jill Emma Marie Sparks (nee Thoene), a homemaker and an optometrist's assistant. He was the middle of three children, with an older brother and a younger sister, "Dana", who died at the age of 33 from a brain tumor. Sparks said that she is the inspiration for the main character in his novel A Walk to Remember.
His father was pursuing graduate studies at University of Minnesota and University of Southern California, and the family moved a great deal, so by the time Sparks was eight, he had lived in Watertown, Minnesota, Inglewood, California, Playa del Rey, California, and Grand Island, Nebraska, which was his mother's hometown during his parents' one year separation.
In 1974 his father became a professor of business at California State University, Sacramento teaching behavioral theory and management. His family settled in Fair Oaks, California, and remained there through Nicholas's high school days. He graduated in 1984 as valedictorian from Bella Vista High School, then enrolled at the University of Notre Dame under a full track and field scholarship. In his freshman year, his team set a record for the 4 x 800 relay.
Sparks majored in business finance and graduated from Notre Dame with honors in 1988. He also met his future wife that year, Cathy Cote from New Hampshire, while they were both on spring break. They married in 1989 and moved to New Bern, North Carolina.
Writing career
While still in school in 1985, Sparks penned his first (never published) novel, The Passing, while home for the summer between freshman and sophomore years at Notre Dame. He wrote another novel in 1989, also unpublished, The Royal Murders.
After college, Sparks sought work with publishers or to attend law school, but was rejected in both attempts. He then spent the next three years trying other careers, including real estate appraisal, waiting tables, selling dental products by phone and starting his own manufacturing business.
In 1990, Sparks co-wrote with Billy Mills Wokini: A Lakota Journey to Happiness and Self-Understanding. The book was published by Random House sold 50,000 copies in its first year.
In 1992, Sparks began selling pharmaceuticals and in 1993 was transferred to Washington, DC. It was there that he wrote another novel in his spare time, The Notebook. Two years later, he was discovered by literary agent Theresa Park, who picked The Notebook out of her agency's slush pile, liked it, and offered to represent him. In October 1995, Park secured a $1 million advance for The Notebook from Time Warner Book Group. The novel was published in 1996 and made the New York Times best-seller list in its first week of release.
With the success of his first novel, he and Cathy moved to New Bern, NC. After his first publishing success, he began writing his string of international bestsellers.
Personal life and philanthropy
Sparks continues to reside in North Carolina with his wife Cathy, their three sons, and twin daughters. A Roman Catholic since birth, he and his wife are raising their children in the Catholic faith.
In 2008, Entertainment Weekly reported that Sparks and his wife had donated "close to $10 million" to start a private Christian college-prep school, The Epiphany School of Global Studies, which emphasizes travel and lifelong learning.
Sparks also donated $900,000 for a new all-weather tartan track to New Bern High School. He also donates his time to help coach the New Bern High School track team and a local club track team as a volunteer head coach.
In addition to track, he funds scholarships, internships and annual fellowship to the Creative Writing Program (MFA) at the University of Notre Dame. (Adapted from Wikipedia.)
Book Reviews
U.S. Marine Logan Thibault carries a picture of a woman he's never met because it brings him good luck. But when he sets out to find the woman, he is met with unexpected circumstances surrounding his new love and his shrouded past. Though not Sparks's most original tale, the story flows well and narrator John Bedford Lloyd delivers a solid performance. Lloyd's deep bass tone is perfectly suited for Thibault, a manly man if ever there was one. Lloyd's supporting characters are rich and interesting in their own right, some speaking in comical Southern drawls, others with a raw reality. The final result is quite touching without much over-the-top sentimentality on Lloyd's part.
Publishers Weekly
While stationed in Iraq, U.S. Marine Logan Thibault finds a picture of a mystery woman whom he tracks down on his return home. Sparks's (nicholassparks.com) novel can be predictable, but his strong, determined characters make this an excellent piece of escapist lit. Narrator John Bedford Lloyd (A King's Ransom) handles the Southern accents with ease, believably voicing characters of both genders. Romance fans will enjoy this.
Johannah Genett - Library Journal
Discussion Questions
1. After Thibault finds the photo of a girl wearing a shirt that says lucky lady across the front, his best friend Victor convinces him that the photo is his lucky charm. Do you believe in lucky charms? Do you think the photo is Thibault’s lucky charm, or is his good luck just a coincidence?
2. Do you find it odd that Thibault walked across the country to find the girl in the photograph, a woman he knew next to nothing about? Why is Thibault so compelled to find this woman?
3. Thinking about how difficult marriage is, Beth remembers her grandmother’s saying: “Stick two different people with two different sets of expectations under one roof and it ain’t always going to be shrimp and grits on Easter.” Do you agree? Do you think marriage is worth the hardship that often accompanies it?
4. Compare the main male characters in the novel—Thibault, Clayton and Drake. How are they different and how are they similar?
5. Thibault, we learn, was a soldier in the Iraq war, but when we meet him he looks and acts nothing like a soldier. How has the war affected Thibault and in what ways are his actions in this novel determined by his time spent in Iraq?
6. Victor seems to think that Thibault is in love with Beth even before he’s met her. Do you think it is true that Thibault fell in love with Beth before he ever met her?
7. Beth is somewhat guarded and she doesn’t allow herself to fall in love with Thibault easily. What, besides her past romantic failures, makes her initially wary of Thibault?
8. What role does Nana play in bringing Thibault and Beth together?
9. Why doesn’t Thibault reveal the truth about himself to Beth earlier? Do you think he acted dishonestly and do you think Beth is right to be upset when he finally tells her the truth? Should she have forgiven him?
10. Do you think Thibault and Beth are destined to be together? Do you believe in fate?
11. What do you make of Clayton? Do you dislike him? Do you understand why he behaves the way he does? Is he a good father to Ben? Does your own opinion of him change by the end of the book?
12. What role does Zeus play in this story?
13. Describe Ben and Thibault’s relationship. How does Ben change as he and Thibault become close?
(Questions issued by publisher.)