The Red Garden
Alice Hoffman, 2011
Crown Publishing
270 pp.
ISBN-13: 9780307405975
Summary
The Red Garden introduces us to the luminous and haunting world of Blackwell, Massachusetts, capturing the unexpected turns in its history and in our own lives.
In exquisite prose, Hoffman offers a transforming glimpse of small-town America, presenting us with some three hundred years of passion, dark secrets, loyalty, and redemption in a web of tales where characters' lives are intertwined by fate and by their own actions.
From the town's founder, a brave young woman from England who has no fear of blizzards or bears, to the young man who runs away to New York City with only his dog for company, the characters in The Red Garden are extraordinary and vivid: a young wounded Civil War soldier who is saved by a passionate neighbor, a woman who meets a fiercely human historical character, a poet who falls in love with a blind man, a mysterious traveler who comes to town in the year when summer never arrives.
At the center of everyone’s life is a mysterious garden where only red plants can grow, and where the truth can be found by those who dare to look.
Beautifully crafted, shimmering with magic, The Red Garden is as unforgettable as it is moving. (From the publisher.)
About the Author
• Birth—March 16, 1952
• Where—New York, New York, USA
• Education—B.A., Adelphi Univ.; M.A., Stanford Univ.
• Currently—lives in Boston, Massachusetts
Born in the 1950s to college-educated parents who divorced when she was young, Alice Hoffman was raised by her single, working mother in a blue-collar Long Island neighborhood. Although she felt like an outsider growing up, she discovered that these feelings of not quite belonging positioned her uniquely to observe people from a distance. Later, she would hone this viewpoint in stories that captured the full intensity of the human experience.
After high school, Hoffman went to work for the Doubleday factory in Garden City. But the eight-hour, supervised workday was not for her, and she quit before lunch on her first day! She enrolled in night school at Adelphi University, graduating in 1971 with a degree in English. She went on to attend Stanford University's Creative Writing Center on a Mirrellees Fellowship. Her mentor at Stanford, the great teacher and novelist Albert Guerard, helped to get her first story published in the literary magazine Fiction. The story attracted the attention of legendary editor Ted Solotaroff, who asked if she had written any longer fiction. She hadn't — but immediately set to work. In 1977, when Hoffman was 25, her first novel, Property Of, was published to great fanfare.
Since that remarkable debut, Hoffman has carved herself a unique niche in American fiction. A favorite with teens as well as adults, she renders life's deepest mysteries immediately understandable in stories suffused with magic realism and a dreamy, fairy-tale sensibility. (In a 1994 article for the New York Times, interviewer Ruth Reichl described the magic in Hoffman's books as a casual, regular occurrence — "...so offhand that even the most skeptical reader can accept it.") Her characters' lives are transformed by uncontrollable forces — love and loss, sorrow and bliss, danger and death.
Hoffman's 1997 novel Here on Earth was selected as an Oprah Book Club pick, but even without Winfrey's powerful endorsement, her books have become huge bestsellers — including three that have been adapted for the movies: Practical Magic (1995), The River King (2000), and her YA fable Aquamarine (2001).
Hoffman is a breast cancer survivor; and like many people who consider themselves blessed with luck, she believes strongly in giving back. For this reason, she donated her advance from her 1999 short story collection Local Girls to help create the Hoffman Breast Center at Mt. Auburn Hospital in Cambridge, MA
Extras
From a 2003 Barnes & Noble interview:
• Hoffman has written a number of children's books, including Fireflies: A Winter's Tale (1999), Horsefly (2000), and Moondog (2004).
• Aquamarine was written for Hoffman's best friend, Jo Ann, who dreamed of the freedom of mermaids as she battled brain cancer.
• Here on Earth is a modern version of Hoffman's favorite novel, Wuthering Heights.
• Hoffman has been honored with the Massachusetts Book Award for her teen novel Incantation.
• When asked what books most influenced her life or career, here's what she said:
Edward Eager's brilliant series of suburban magic: Half Magic, Magic by the Lake, Magic or Not, Knight's Castle, The Time Garden, Seven-Day Magic, The Well Wishers. Anything by Ray Bradbury, Shirley Jackson, J. D. Salinger, Grace Paley. My favorite book: Emily Brontë's Wuthering Heights. (Author bio and interview from Barnes & Noble.)
Book Reviews
Hoffman has developed her own brand of magical realism. Lulling and thought-provoking, she conjures soothing places where readers, like the children to whom we tell fairy tales, can learn with pleasure…"A story can still entrance people even while the world is falling apart," Hoffman writes in "The Fisherman's Wife," a story about gossip during the Depression. These tall tales, with their tight, soft focus on America, cast their own spell.
Anne Trubek - Washington Post
Hoffman brings us 200 years in the history of Blackwell, a small town in rural Massachusetts, in her insightful latest.... The result is a certain ethereal detachment as Hoffman's deft magical realism ties one woman's story to the next even when they themselves are not aware of the connection. The prose is beautiful, the characters drawn sparsely but with great compassion.
Publishers Weekly
This collection of interrelated stories from the talented Hoffman chronicles the 300-year history of Blackwell, MA, a mythical town tucked deep in the Berkshire Mountains.... Hoffman has done it again, crafting a poignant, compelling collection of fairy tales suffused with pathos and brightened by flashes of magic. Her fans, as well as those of magical realism in general, will be enchanted. —Jeanne Bogino, New Lebanon Lib., NY
Library Journal
According to the critics, The Red Garden is among Alice Hoffman’s recent best. She can occasionally be melodramatic, her stories overrun by fairy tale syntax. Although the magical abounds here—women become eels—there is little, if anything, that is overdone.
Bookmarks Magazine
(Starred review.) In gloriously sensuous, suspenseful, mystical, tragic, and redemptive episodes, Hoffman subtly alters her language, from an almost biblical voice to increasingly nuanced and intricate prose reflecting the burgeoning social and psychological complexities her passionate and searching characters face in an ever-changing world. —Donna Seaman
Booklist
In 14 freestanding but consecutive stories, Hoffman traces the life of the town of Blackwell, Mass., from its founding in 1750 up to the present as the founders' descendents connect to the land and each other.... Fans of Hoffman's brand of mystical whimsy will find this paean to New England one of her most satisfying.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Red Garden:
1. What is the symbolic significance of the red garden at the center of this collection of stories? And why red? What are all the permutations of the color red which turn up in this story (e.g., the Boston Red Sox on tv)?
2. In its review of Hoffman's book, BookPage says that the author "manages to communicate a yearning interpretation of the life we all live...." What is the yearning that's referred to in the review? How does Hoffman use magical realism to examine yearning, open it up, or fulfill it? How is yearning evidenced in The Red Garden? Or another question: why does Hoffman use magical realism in this novel? What does she use it to express?
3. Consider the town of Blackwell as a character. How is it fleshed out in the book—describe the town's characteristics and the ethos of those who live there, present and past. How does it change over time?
4. What are some of the themes that tie these stories together—the central ideas they share with one another or that are carried from one story to another? Consider, say, love and loss, or connection of the present with the past. How are those—and other—ideas developed?
5. Follow-up to Question 4: What is the idea behind the bear? And how is the idea of the bear transformed, by time and repetition, so that when it's finally uncovered, it has attained a different, larger significance than it had in the initial story?
6. Ghosts play a recurring role in these stories. Explain their presence in each story...and the reasons Hoffman might be using them? What is she getting at?
7. At one point, in the first story, Hallie often "gazed out the window, as if there was someplace she wanted to be, some other life that was more worth living." What makes Hallie long for a different life? Do you ever have a desire similar to Hallie's? What life do you long for?
8. Many of the stories are concerned with the human connection to the natural world. How would you describe that relationship, how does it change over time in this book? Or does it change?
9. What about Hoffman's blending of fictional characters with real historical figures—the appearance of Emily Dickenson and Johnny Appleseed. Why might she have incorporated them into her story? For what purpose?
10. Of the 14 stories, which story do you like most? Which do you find most intriguing ... or magical ... or moving? Do any disappoint you?
11. Alice Hoffman has always been hailed as a remarkable prose stylist. What passages of particular beauty, or keen insight, struck you as you read this book?
Save Me
Lisa Scottoline, 2011
St. Martin's Press
416 pp.
ISBN-13: 9780312380793
Summary
Rose McKenna volunteers as a lunch mom in her daughter Melly’s school in order to keep an eye on Amanda, a mean girl who’s been bullying her daughter. Her fears come true when the bullying begins, sending Melly to the bathroom in tears.
Just as Rose is about to follow after her daughter, a massive explosion goes off in the kitchen, sending the room into chaos. Rose finds herself faced with the horrifying decision of whether or not to run to the bathroom to rescue her daughter or usher Amanda to safety. She believes she has accomplished both, only to discover that Amanda, for an unknown reason, ran back into the school once out of Rose's sight.
In an instance, Rose goes from hero to villain as the small community blames Amanda’s injuries on her. In the days that follow, Rose's life starts to fall to pieces, Amanda’s mother decides to sue, her marriage is put to the test, and worse, when her daughter returns to school, the bullying only intensifies. Rose must take matters into her own hands and get down to the truth of what really happened that fateful day in order to save herself, her marriage and her family.
In the way that Look Again had readers questioning everything they thought they knew about family, Save Me will have readers wondering just how far they would go to save the ones they love. Lisa Scottoline is writing about real issues that resonate with real women, and the results are emotional, heartbreaking and honest. (From the publisher.)
Read an excerpt
Author Bio
• Birth—July 1, 1955
• Where—Philadelphia, Pennsylvania, USA
• Education—B.A., J.D., University of Pennsylvania
• Awards—Edgar Award
• Currently—lives in Philadelphia, Pennsylvania
Lisa Scottoline is the New York Times bestselling author and Edgar award-winning author of some two dozen novels and several nonfiction books. She also writes a weekly column with her daughter Francesca Serritella for the Philadelphia Inquirer titled "Chick Wit" which is a witty and fun take on life from a woman's perspective.
These stories, along with many other never-before-published stories, have been collected in four books including their most recent, Have a Nice Guilt Trip, and the earlier, Meet Me at Emotional Baggage Claim, Best Friends, Occasional Enemies, Why My Third Husband Will Be a Dog, which has been optioned for TV, and My Nest Isn't Empty, It Just Has More Closet Space.
Lisa reviews popular fiction and non-fiction, and her reviews have appeared in the New York Times, Washington Post and Philadelphia Inquirer. Lisa has served as President of Mystery Writers of America and has taught a course she developed, "Justice and Fiction" at The University of Pennsylvania Law School, her alma mater.
Lisa is a regular and much sought after speaker at library and corporate events. Lisa has over 30 million copies of her books in print and is published in over 35 countries. She lives in the Philadelphia area with an array of disobedient pets, and she wouldn't have it any other way.
Lisa's books have landed on all the major bestseller lists including the New York Times, USA Today, Wall Street Journal, Publisher's Weekly, Washington Post, and Los Angeles Times, and Look Again was named "One of the Best Novels of the Year" by the Washington Post, and one of the best books in the world as part of World Book Night 2013.
Lisa's novels are known for their emotionality and their warm and down-to-earth characters, which resonate with readers and reviewers long after they have finished the books. When writing about Lisa’s Rosato & Associates series, Janet Maslin of the New York Times applauds Lisa's books as "punchy, wisecracking thrillers" whose "characters are earthy, fun and self-deprecating" and distinguishes her as having "one of the best-branded franchise styles in current crime writing."
Recognition
Lisa's contributions through her writing has been recognized by organizations throughout the country. She is the recipient of the Edgar Award, the Mystery Writer's of America most prestigious honor, the Fun, Fearless, Fiction Award by Cosmopolitan Magazine, and named a PW Innovator by Publisher's Weekly.
Lisa was honored with AudioFile's Earphones Award and named Voice of the Year for her recording of her non-fiction book, Why My Third Husband Will Be a Dog. The follow up collection, My Nest Isn't Empty, It Just Has More Closet Space has garnered both Lisa and her daughter, Francesca, an Earphones Award as well. In addition, she has been honored with a Distinguished Author Award from Scranton University, and a "Paving the Way" award from the University of Pennsylvania, Women in Business.
Personal
Lisa's accomplishments all pale in comparison to what she considers her greatest achievement, raising, as a single mom, her beautiful (a completely unbiased opinion) daughter, an honors graduate of Harvard, author, and columnist, who is currently working on her first novel.
Lisa believes in writing what you know, and she puts so much of herself into her books. What you may or may not learn about Lisa from her books is that...
♦ she is an incredibly generous person
♦ an engaging and entertaining speaker
♦ a die-hard Eagles fan
♦ a good cook.
♦ She loves the color pink, her Ipod has everything from U2 to Sinatra to 50 Cent, she is proud to be an American, and nothing makes her happier than spending time with her daughter.
Dogs
Lisa is also a softie when it comes to her furry family. Nothing can turn Lisa from a professional, career-minded author, to a mushy, sweet-talking, ball-throwing woman like her beloved dogs. Although she has owned and loves various dog breeds, including her amazing goldens, she has gone crazy for her collection of King Charles Spaniels.
Lisa first fell in love with the breed when Francesca added her Blehneim Cavalier, Pip, to the mix. This prompted Lisa to get her own, and she started with the adorable, if not anatomically correct (Lisa wrote a "Chick Wit" column about this), Little Tony, her first male dog. Little Tony is a black and tan Cavalier King Charles Spaniel.
But Lisa couldn't stop at just one and soon added her little Peach, a Blehneim King Charles Cavalier. Lisa is now beyond thrilled to be raising Peach’s puppies, Daniel Boone and Kit Carson, and for daily puppy pictures, be sure to follow Lisa on Facebook or Twitter. Herding together the entire pack is Lisa’s spunky spit-fire of a Corgi named Ruby. The solitude of writing isn't very quiet with her furry family, but she wouldn't have it any other way.
Cats
Not to be outshined by their canine counterparts, Lisa's cats, Vivi and Mimi, are the princesses of the house, and have no problem keeping the rest of the brood in line. Vivi is a grey and white beauty and is more aloof than her cuddly, black and white partner, Mimi.
When Lisa’s friend and neighbor passed, Lisa adopted his beloved cat, Spunky, a content and beautiful ball of fur.
Chickens
Lisa loves the coziness of her farmhouse, and no farm is complete without chickens. Lisa has recently added a chicken coop and has populated it with chicks of different types, and is overjoyed with each and every colorful egg they produce. Watching over Lisa's chicks are her horses, which gladly welcomed the chicks and all the new excitement they bring. (Author bio adapted from the author's website.)
Visit the author's website.
Follow Lisa on Facebook.
Book Reviews
Scottoline, so attentive to plot, is indifferent to character.... [C]haracters exist chiefly to present Rose with exactly the information she needs just when she needs it. But, in truth, who cares when there is one thrill after another, particularly when the plot moves into the legal and investigative realms where Scottoline excels?
Caroline Leavitt - New York Times Book Review
The Scottoline we love as a virtuoso of suspense, fast action and intricate plot is back in top form in Save Me, manipulating pulse rates and heartstrings with all the ruthlessness she showed in Look Again…Here, as elsewhere in her work, Scottoline is exceptionally good at depicting the feral, pack mentality of public opinion and the impotence of decency and dignity before it.
Katherine A. Powers - Washington Post
In Save Me Lisa Scottoline walks readers into this charged moral dilemma and then takes them on an intense, breathless ride. You won't be able to put this one down.
Jodi Picoult - Author (Sing You Home and House Rules)
An emotionally riveting novel that explores the depths of one mother's love for her daughter.... Powerful, provocative, and page-turning!
Emily Giffin - Author (Heart of the Matter and Something Borrowed)
Heart-pounding! Scottoline provides the perfect combination of explosive action, twisting turns, and genuine emotion in this exciting novel of an ordinary mom going to extraordinary lengths for her daughter. Open up SAVE ME, and save yourself with a great book.
Lisa Gardner - Author (Love You More)
At the start of this gut-wrenching stand-alone from bestseller Scottoline (Think Twice), an explosion rips through the nearly empty cafeteria of Reesburgh, Pa., Elementary School. Lunch mother Rose McKenna leads two girls to safety before racing to rescue her own daughter, Melly, but Rose soon learns that she may face both civil and criminal charges for her heroics because one of the girls she saved was seriously injured in the resulting fire that killed three school staff members. The tension rises as the united front presented by Rose and her lawyer husband, Leo Ingrassia, begins to disintegrate in the face of media demands, legal maneuverings, and social pressures. Rose must also deal with school bullying (Melly has a noticeable facial blemish), difficult legal problems, and her husband's reaction when a secret from her past is revealed. Scottoline melds it all into a satisfying nail-biting thriller sure to please her growing audience.
Publishers Weekly
What begins as an ordinary day for lunch mom volunteer Rose McKenna quickly morphs into a harrowing event that will spiral her life out of control. When a tragedy occurs at her daughter's elementary school, Rose transforms from heroine to villain in a matter of hours after she is forced to make a life-changing moral decision. As the media seeks to vilify her and her community shuns her, Rose continues on an intense weeklong search for the truth. Suspecting foul play led to the tragic event, she dedicates herself to unraveling the mystery. Rose's dogged determination exposes a high-profile scandal and threatens to endanger her life and her family. In another departure (after Look Again) from her Bernie Rosato courtroom thrillers (Think Twice), Scottoline crafts a heartfelt emotional novel with the intensity of a thriller. Verdict: This stand-alone work will mesmerize readers at the first page and hold them spellbound until the final word. Jodi Picoult fans may crown a new favorite author. —Mary Todd Chesnut, Northern Kentucky Univ. Lib., Highland Heights
Library Journal
At the quick pace of a thriller, Scottoline masterfully fits every detail into a tight plot chock-full of real characters, real issues, and real thrills. A story anchored by the impenetrable power of a mother's love, it begs the question, just how far would you go to save your child? —Annie McCormick
Booklist
The creator of Philadelphia lawyer Bennie Rosato (Think Twice, 2010, etc.) pens another white-hot crossover novel about the perils of mother love. One minute catalog model–turned–lunchroom mom Rose McKenna is keeping third-grade bully Amanda Gigot from leaving the Reesburgh Elementary cafeteria while she tells Amanda that she shouldn't make fun of Rose's daughter, Melinda Cadiz, because of the port wine birthmark on her cheek; the next, she's agonizing over which child to save first from an explosion that's ripped through the school cafeteria. Rose's reflexes make what she ends up deciding were the best decisions at the time: She led Amanda and her friends to the door to safety, then went back to look for Melly, who'd hidden in a rest room. But Eileen Gigot and her many friends in the school don't agree. They accuse Rose of detaining Amanda, now lying in a hospital in a coma, then leaving her in the care of another 8-year-old so that she could rescue her own daughter, who's making a full recovery. Rose is stung by shock, then guilt, and finally outrage when she realizes that Eileen may file both civil and criminal actions against her. Worse, she learns that her one ally in Reesburgh Elementary, gifted teacher Kristen Canton, is leaving. Worse still, the hardball litigator her understanding husband, attorney Leo Ingrassia, has dug up for her, is anticipating possible prosecution by taking an aggressive stand on his client's behalf, positioning Rose as exactly the sort of bully she's been trying to protect her daughter from. So when Kurt Rehgard, a carpenter who'd hinted that the explosion was an extremely suspicious accident, is killed together with the contractor friend he'd confided in, Rose parks Melly with some sympathetic neighbors for a few days and takes it upon herself to discover exactly what happened and why. Scottoline, who shifts gears at every curve with the cool efficiency of a NASCAR driver, expertly fuels her target audience's dearest fantasy: "Every mom is an action hero.
Kirkus Reviews
Discussion Questions
1. Save Me explores the mother and child relationship, at its heart. What do you think defines a mother? How is a mother and child relationship different than any other relationship? Look at other forms of culture, like art, for example. How many depictions are there of mother and child? And how many of father and child? Are we discriminating against fathers, or diminishing them, by all this talk of the mother-child bond? And by doing so, do we create a self-fulfilling prophecy?
2. In Save Me, Melly is the victim of bullying because of a birthmark on her face. Do you think bullying is different today than years ago? Do you think that the bullying is getting worse, or are we just hearing more about it because of the Internet? What do you think parents and schools should do to help curb bullying? What kind of punishment do you think is appropriate for the child who is doing the bullying? What about those who watch and say nothing? Are they, or aren’t they, equally as culpable? Do you think that school programs and curricula that build up self-esteem and a sense of community will really make a difference?
3. Rose experienced her own bullying at the hands of the angry parents, which gave her new perspective on what Melly was going through. Do you have any experience with bullying between adults? In what ways are adults better equipped to deal with bullying than children? What impact can bullying have on adults, and what can an adult do if they are faced with a bully? What impact does being a bully, or being a bully as an adult, have on their children?
4. Rose steps in to defend Melly against her bully. Do you think it was a good idea? Why or why not? How do you think a parent's involvement hurts or helps the situation? At what point do you think a parent needs to involve themselves in the situation? What steps would you take to help your child if they were being bullied, and how far would you be willing to go?
5. What impact do you think a physical blemish has on a child, and how do you think it effects their identity, their relationship with their family, and their relationship with the outside world? Take it a step further – like how about physical differences, like a child in a wheelchair? Or learning challenges, that aren’t so visible? Or how about discriminations based on race, religion or sexual orientation? Melly's father reacted very badly to Melly's birthmark. What did his reaction make you feel about him?
6. Many of Lisa's books center on single mothers or blended families. Do you think the love of one great parent is enough to sustain a child through life? Does it take a husband, too? Or a village?
7. As Rose found out, volunteering comes with risks. The book makes clear that this is a problem in the law of many states, maybe even where you live. What do you think of the laws in terms of protecting those who volunteer their time? What changes, if any, would you make to the laws to protect volunteers? Should we expand the Good Samaritan statues to include volunteers and to encourage even more people to volunteer?
8. How did you feel about Rose keeping her secret past from Leo? Did you understand her reasoning? Did you agree or disagree with it? What impact do you think Rose's past will have on her marriage as she moves forward? Do you think she will ever really be able to escape what happened? Will he forgive her not telling him? How do secrets impact intimacy in our lives?
9. Rose was called a "helicopter" parent, a term often used in today's society with a negative connotation. What separates helicopter parenting from good parenting? What kind of parent do you think Rose was? What mistakes do you think she made? Do you think she was a good mother? Do you think she favors Melly, or the baby? Or treats them equally?
10. How did you feel about Amanda in the beginning of the book? How, if at all, did your opinion of her change by the end of the book? What do you think causes children to be bullies? Under what circumstances would you ever feel bad for the bully? In punishing a bully, do you think their personal circumstances should be taken into account?
11. What did you think of Rose's lawyers' strategy? Did you agree or disagree with it? Why or why not? Do you think they were just passing the blame, or do you think the school had a responsibility in what happened? Do you think that litigation is another form of bullying? Do you know anybody who is sue-happy?
(Questions issued by publisher.)
Faith
Jennifer Haigh, 2011
HarperCollins
336 pp.
ISBN-13: 9780060755805
Summary
In the spring of 2002, a perfect storm hits Boston: Trusted priests are accused of the worst possible betrayal. Faith explores the fallout for one devout family.
Estranged from her family, Sheila McGann returns home when her older brother, Art—a popular pastor—finds himself at the center of the maelstrom. Her strict mother is in a state of angry denial. Sheila’s younger brother, Mike, has convicted his brother in his heart. But most disturbing of all is Art himself, who dodges Sheila’s questions and refuses to defend himself.
As secrets begin to surface, Faith explores the corrosive consequences of one family’s history of silence—and the resilience it finds through forgiveness. A suspenseful tale of one woman’s quest for the truth, Faith is a haunting meditation on loyalty and family, doubt and belief. Elegantly crafted, sharply observed, this is Jennifer Haigh’s most ambitious novel to date. (From the publisher.)
Author Bio• Birth—October 16, 1968
• Where—Barnesboro, Pennsylvania, USA
• Education—B.A., Dickenson College; M.F.A., Iowa Writers'
Workshop
• Awards—2002 James A. Michener Fellowship; 2003;
PEN/Hemingway Award for Outstanding First Fiction, Mrs.
Kimble; 2006 PEN/L.L. Winship Award for outstanding book
by a New England author, Baker Towers
• Currently—lives in Boston, Massachusetts
The daughter of a librarian and a high school English teacher, Jennifer Haigh was raised with her older brother in the coal-mining town of Barnesboro, Pennsylvania. Although she began writing as a student at Dickinson College, her undergraduate degree was in French. After college, she moved to France on a Fulbright Scholarship, returning to the U.S. in 1991.
Haigh spent most of the decade working in publishing, first for Rodale Press in Pennsylvania, then for Self magazine in New York City. It was not until her 30th birthday that she was bitten by the writing bug. She moved to Baltimore (where it was cheaper to live), supported herself as a yoga instructor, and began to publish short stories in various literary magazines. She was accepted into the prestigious Iowa Writers' Workshop and enrolled in their two-year M.F.A. program. While she was at Iowa, she completed the manuscript for her first novel, Mrs. Kimble. She also caught the attention of a literary agent scouting the grad school for new talent and was signed to a two-book contract. Haigh was astonished at how quickly everything came together.
Mrs. Kimble became a surprise bestseller when it was published in 2003. Readers and critics alike were bowled over by this accomplished portrait of a "serial marrier" and the three wives whose lives he ruins. The Washington Post raved, "It's a clever premise, backed up by three remarkably well-limned Mrs. Kimbles, each of whom comes tantalizingly alive thanks to the author's considerable gift for conjuring up a character with the tiniest of details." The novel went on to win the PEN/Hemingway Award for Outstanding First Fiction.
Skeptics who wondered if Haigh's success had been mere beginner's luck were set straight when Baker Towers appeared in 2005. A multigenerational saga set in a Pennsylvania coal-mining community in the years following WWII, the novel netted Haigh the PEN/L.L. Winship Award for outstanding book by a New England author. (Haigh lives in Massachusetts.) The New York Times called it "captivating," and Kirkus Reviews described it as "[a]lmost mythic in its ambition, somewhere between Oates and Updike country, and thoroughly satisfying." High praise indeed for a sophomore effort.
In fact, Haigh continues to produce dazzling literary fiction in both its short and long forms, much of it centered on the interwoven lives of families. When asked why she returns so often to this theme, she answers, " In fact, every story is a family story: we all come from somewhere, and it's impossible to write well-developed characters without giving a great deal of thought to their childhood environments, their early experiences, and whose genetic material they're carrying around."
Extras
From a 2003 Barnes & Noble interview:
• All my life I've fantasized about being invisible. I love the idea of watching people when they don't know they're being observed. Novelists get to do that all the time!
• When I was a child, I told my mother I wanted to grow up to be a genie, a gas station attendant, or a writer. I hope I made the right choice.
• When asked what book most influenced her life as a writer, here is her response:
Light Years by James Salter. Probably the most honest book ever written about men and women—sad, gorgeous, unflinching. (Author bio and interview from Barnes & Noble.)
Book Reviews
Haigh brings a refreshing degree of humanity to a story you think you know well, and in chapters both riveting and profound, she catches the avalanche of guilt this tragedy unleashes in one devout family…As a narrator, [Sheila's] fantastic: compassionate, psychologically astute and candid about her own biases and blind spots…Faith certainly isn't a thriller in any conventional sense, but it's an incredibly suspenseful novel.
Ron Charles - Washington Post
Faith is so emotionally rich, and its story so deftly delivered, that we’re absorbed.
Wall Street Journal
Luminous.... The novel has the magnetic, page-turning quality of a detective thriller, but the clues here lead not to objective proof but to insight into a family both vividly specific and astonishingly universal.... Wise.
O Magazine
With an exquisite sense of drama and mystery, Haigh delivers a taut, well-crafted tale.... Indelibly rendered characters, suspenseful pacing, and fearless but sensitive handling of a controversial subject will make this a must-read for book discussion groups.
Booklist
Haigh's The Condition was an especially clear-eyed and sensitive portrait of the alienation wrought by a serious medical issue. So I have high hopes for her handling of the controversy surrounding child abuse by Catholic priests. Estranged from her Irish American family, Sheila McGann nevertheless returns home to Boston when her brother Art, a popular priest, is caught up in the scandal. She wants to defend him, but her oblivious mother, accusatory brother, and Art himself, who remains silent, all conspire against her. A real thought-provoker for book clubs.
Library Journal
A non-sensationalized novel about an inherently sensational event—the abuse of an 8-year-old boy by a priest.... Haigh deals with complex moral issues in subtle ways, and her narrative is beautifully, sometimes achingly poignant.
Kirkus Reviews
Discussion Questions
1. For the epigraph, Jennifer Haigh uses two quotes, one involving sin, the other about living by the Rule. Explain what each quote refers to. How do these quotes reflect the novel's themes?
2. What role does religion play in each of the family members' lives? How do their religious beliefs—or lack of them—define who they are? Is religion a solace for the family or a burden? Are there sins or transgressions that are unforgivable?
3. How do you define faith? What does faith mean to each of the characters, especially the siblings, Art, Sheila, and Mike ? Is this a good title for the novel?
4. Describe the relationships between Sheila and her brothers. How do these siblings compare to each other? What defines their reaction to the scandal and to Art? What were their roles in Art's story, and how did each of their outlooks and actions affect the other? How are each of the family members ultimately transformed by events?
5. Shelia remembers that as a child she saw her priest as "other than human, made of different stuff than the rest of us." Explain what she means. Do you think that view still holds? How have societal views of priests—and other religious leaders—been affected by the abuse scandals? What role does the media play in shaping our views? What do the news stories leave out?
6. Many see doubt in negative terms. But can doubt strengthen our beliefs, our "faith"?
7. How would you describe Art? What did you think of him? Why did he become a priest? 8. Was he a good shepherd? Was he a good man? Did Art fail his faith or did faith fail him?
9. "Love to marriage to home and family: connect those dots, and you get the approximate shape of most people's lives. Take them away, and you lose any hope for connection. You give up your place in the world." Explain the meaning of Art's words to Sheila. How does this reflect his own life? How does it reflect hers?
10. In sharing her brother's past, Sheila reflects, "Art's story is, to me, the story of my family, with all its darts and dodges and mysterious omissions." What do the events of Art's life reveal about the McGanns? What do they reveal about our own lives and modern society? What about the Catholic Church?
11. Shelia recalls that at the entrance of each building at the seminary where Art studied for the priesthood was carved the motto: Vigor in Arduis. "Strength Amid Difficulties." Does this describe Art? What about Sheila and Mike? Would you consider those three words to be a good definition of faith?
12. Talk about Art's relationship with Aidan Conlon and his mother, Kath. Why did Aidan affect Art so deeply? What about Kath? What were her feelings toward Art?
13. Talk about Mike's relationship with Kath. How does it affect his impression of his brother? What is your opinion of Mike's wife, Abby? As a non-Catholic what does she think of the McGanns, of their religious faith, and of Art?
14. Faith explores the dark and light of human nature: deception, belief, doubt, love, loyalty, compassion, anger, forgiveness., loneliness, the need for community, the desire for goodness. Choose one theme and trace it through the experiences of a character or two.
15. Do you think that faith—the adherence to conviction—is misunderstood in modern society? If the Church is a community of faith, what happens to the other when one begins to break down?
16. What did you take away from reading Faith?
top of page (summary)
The Monsters of Templeton
Lauren Groff, 2008
Hyperion
384 pp.
ISBN-13: 9781401340926
Summary
One dark summer dawn, at the exact moment that an enormous monster dies in Lake Glimmerglass, twenty-eight-year-old Willie (nee Wilhemina) Upton returns to her hometown of Templeton, NY in disgrace.
She expects to be able to hide in the place that has been home to her family for generations, but Willie then learns that the story her mom, Vi, had always told her about her father has all been a lie. He wasn't the one-night stand Vi had led her to imagine, but someone else entirely. Someone from this very town.
As Willie digs for the truth about her lineage, voices from the town's past—both sinister and disturbing—rise up around her to tell their sides of the story. In the end, dark secrets come to light, past and present blur, old mysteries are finally put to rest, and the surprising truth about more than one monster is revealed. (From the publisher.)
Author Bio
• Birth—July 23, 1978
• Where—Cooperstown, New York, USA
• Education—B.A., Amherst College; M.F.A., University of Wisconsin-Madison
• Awards—Pushcart Prize
• Currently—lives in Gainesville, Florida
Lauren Groff is an American novelist and short story writer, who was as born and raised in Cooperstown, New York. She graduated from Amherst College and from the University of Wisconsin–Madison with an MFA in fiction.
Novels
Groff is the author of three novels. Her first novel, The Monsters of Templeton (2008), is a contemporary tale about coming home to Templeton, a stand-in for Cooperstown, New York. Interspersed in the book are voices from characters drawn from the town's history, as well as from James from Fenimore Cooper's 1823 The Pioneers, the first book in the Leatherstocking Tales. Fenimore Cooper set his book in a fictionalized Cooperstown which he, too, called Templeton. Groff's debut landed on the New York Times Bestseller list and was shortlisted for the Orange Prize for New Writers.
Groff's second novel, Arcadia (2012), recounts the story of the first child born in a fictional 1960s commune in upstate New York. It, too, became a New York Times Bestseller and received solid reviews and was also named as one of the Best Books of 2012 by the New York Times, Washington Post, Kirkus Reviews, NPR, Vogue, Toronto Globe and Mail, and Christian Science Monitor.
Fates and Furies (2015), Groff's third novel, examines a complicated marriage over the course of 24 years aas told by first the husband, then his wife. Like her previous novels, it, too, was published to wide acclaim, some calling it "brilliant," with Ron Charles of the Washington Post saying that "Lauren Groff just keeps getting better and better."
Stories
Groff has had short stories published in the New Yorker, Atlantic Monthly, Five Points, and Ploughshares, as well as the anthologies Best New American Voices 2008, Pushcart Prize XXXII, and Best American Short Stories—the 2007, 2010 and 2014 editions. Many of her stories appear in her collection Delicate Edible Birds (2009).
Personal
Groff is married with two children and currently lives in Gainesville, Florida. Groff's sister is the Olympic Triathlete Sarah True. (Adapted from Wikipedia. Retrieved 9/22/2015.)
Book Reviews
The Monsters of Templeton, a fascinating first novel by Lauren Groff, is a book with joy in its marrow-fabulous.
San Francisco Chronicle
Lauren Groff hits a home run in her first at-bat, with a novel that is intriguingly constructed and compulsively readable.
Denver Post
At the start of Groff's lyrical debut, 28-year-old Wilhelmina Willie Upton returns to her picturesque hometown of Templeton, N.Y., after a disastrous affair with her graduate school professor during an archeological dig in Alaska. In Templeton, Willie's shocked to find that her once-bohemian mother, Vi, has found religion. Vi also reveals to Willie that her father wasn't a nameless hippie from Vi's commune days, but a man living in Templeton. With only the scantiest of clues from Vi, Willie is determined to untangle the roots of the town's greatest families and discover her father's identity. Brilliantly incorporating accounts from generations of Templetonians—as well as characters borrowed from the works of James Fenimore Cooper, who named an upstate New York town Templeton in The Pioneers—Groff paints a rich picture of Willie's current predicaments and those of her ancestors. Readers will delight in Willie's sharp wit and Groff's creation of an entire world, complete with a lake monster and illegitimate children.
Publishers Weekly
Twenty-eight-year-old Willie Upton has just detonated a promising academic career by her scandalous affair with a married professor. Now pregnant, she slinks home to Templeton, NY, just as an enormous dead monster is pulled from nearby Lake Glimmerglass. There, Willie's mother, a former hippie, admits she has always lied about Willie's paternity and discloses this one clue about her biological father's actual identity: he is a descendant of Judge Marmaduke Temple and currently a prominent member of Templeton. Sound familiar? Pay attention: James Fenimore Cooper is from Cooperstown, NY (as is Groff) and used it as the model for Templeton, NY, setting of The Pioneers. Yes, Groff has daringly used Cooper's Templeton and its inhabitants as the launching pad for Willie's search for her father. Willie takes her mother's clue and pulls on it, following endless strands to get her answer, all the while tormented with indecision about her own pregnancy. Liberally peppered with old photographs, diary entries, letters, and a family tree constantly in need of revision as Willie eliminates one possibility after another spanning more than two centuries of shocking Templeton history, this is an irresistible adventure. Highly recommended.
Beth E. Andersen - Library Journal
Cooperstown, N.Y., and its most famous native son provide first-time novelist Groff with much of the grist for this sprawling tale of a young woman searching for her father. In The Pioneers, James Fenimore Cooper rechristened his (and Groff's) hometown as Templeton; she not only adopts the name, but grafts her protagonist onto the family tree of a character from the novel, Judge Marmaduke Temple. Grad student Willie Upton slinks back into Templeton in the summer of 2002 just as the corpse of a mysterious, 50-foot creature surfaces in Lake Glimmerglass. She's had a disastrous affair with a married professor and isn't sure she can go back to Stanford, Willie tells her feisty single mother. Vi, who always claimed not to know which member of her San Francisco commune knocked her up in 1973, has a surprise of her own. In truth, Willie's father lives in Templeton and doesn't even know he has a daughter. Vi won't tell Willie his name, but (implausibly) drops a big hint. Like Vi, Willie's dad is descended from Judge Temple, who apparently scattered illegitimate children across the 18th-century landscape. As Willie hunts through old documents for clues to her parentage, the voices of generations of Templeton residents mingle with those of such archetypal Cooper creations as Natty Bumppo and Chingachgook in a narrative that winds through 250 years of American history. The secrets uncovered include murder, arson, poisonous intra-family rivalries and the exploitation of slaves and Native Americans. The leviathan pulled out of the lake seems less of a monster than some of Templeton's respectable founders. Willie and other contemporary citizens are far nicer; readers will be pleased when the likable heroine meets her father, reconciles with Vi and forms a tentative new relationship with a decent guy. But there seem to be two novels here, and they don't fit together terribly well. Flawed, but commendably ambitious and stuffed with ideas-many of them not well developed, but inspiring hope for a more disciplined second effort from this talented newcomer.
Kirkus Reviews
Book Club Discussion Questions
1. What did you think of the range of voices and time periods the author employs in The Monsters of Templeton? How would the novel have been different had the story been told from a single point of view, or been set in one era?
2. “As soon as it died, our lives spiraled down,” the Buds lament in Chapter 13, on the death of the Lake Glimmerglass monster (page 151). Why are so many people in Templeton affected by the monster’s death? What did the monster represent to them?
3. Given her conflicted relationship with her mother and, to a lesser extent, with her hometown, why do you think Willie Upton decides to go back to Templeton? What was Willie looking for when she returned to Templeton? Does she find it?
4. In what instances do ghosts make appearances in The Monsters of Templeton? What do the ghosts represent? What other symbols does the author employ in the novel? What do they mean?
5. In the Author’s Note, the author discusses writing about her hometown of Cooperstown, New York, and calling the fictional town Templeton. Do you think that The Monsters of Templeton could have taken place in any other locale? Why is the actual town’s history so important to the book’s present day events? How would the book have changed if she had decided to call the town Cooperstown?
6. For twenty-eight years, Vivienne has told her daughter that Willie was the product of a hippie commune. The day that Willie returns home, she decides to tell her the truth: that her father was a man in Templeton. What would you have done if you were in Willie’s position? Or in Vivienne’s?
7. Of the many characters from the past—Marmaduke Temple, Davey Shipman, Charlotte and Cinnamon, Elizabeth Franklin Temple, to name a few—which one(s) stood out for you? Why?
8. Vivienne’s life is seemingly full of contradictions: she’s a former drug-using hippie with a child out of wedlock who later converts to Christianity and becomes the chaste girlfriend of a minister. Talk about these and other aspects of Vivienne’s character. How are she and Willie different, and similar?
9. What did you think of Willie’s search to uncover her father’s identity? What did each new layer of history teach Willie about her family? Why was it important that Willie learn everything she learned?
10. What was your opinion of Ezekiel Felcher at the beginning of the novel? Did it change as the novel progressed? Did you think that Willie might stay in Templeton to be with him? What do you think she should have done? What do you think she will do in the future?
11. “This is a story of creation,” says Marmaduke Temple in one of the epigrams before the book begins, ostensibly an excerpt from his own storyabout how he founded Templeton. In what other ways is The Monsters of Templeton a story of creation? How can Willie’s story been seen as a story of creation?
12. The Monsters of Templeton ends with a death and a birth. What does this mean in the larger context of the novel? Who—or what—else is born in the book?
13. What does the book’s title mean? Who or what are the “monsters” it refers to? What, exactly, does the word “monster” mean in the context of this book?
(Questions issued by publisher.)
top of page
A Woman's Place
Lynn Austin, 2006
Bethany House
448 pp.
ISBN-13: 9780764228902
Summary
They watched their sons, their brothers, and their husbands enlist to fight a growing menace across the seas. And when their nation asked, they answered the call as well. Virginia longs to find a purpose beyond others' expectations. Helen is driven by a loneliness money can't fulfill. Rosa is desperate to flee her in-laws' rules. Jean hopes to prove herself in a man's world.
Under the storm clouds of destruction that threaten America during the early 1940s, this unlikely gathering of women will experience life in sometimes starling new ways as their beliefs are challenged and they struggle toward a new understanding of what love and sacrifice truly mean. (From the publisher.)
Author Bio
• Birth—N/A
• Where—N/A
• Education—B.A., Southern State Connecticut University;
Southwestern Theological Seminary (graduate work)
• Awards—5 Christie Awards (see below)
• Currently—lives near outside Chicago, Illinois
For many years, Lynn Austin nurtured a desire to write but frequent travels and the demands of her growing family postponed her career. When her husband's work took Lynn to Bogota, Colombia, for two years, she used the B.A. she'd earned at Southern Connecticut State University to become a teacher. After returning to the U.S., the Austins moved to Anderson, Indiana, Thunder Bay, Ontario, and later to Winnipeg, Manitoba.
It was during the long Canadian winters at home with her children that Lynn made progress on her dream to write, carving out a few hours of writing time each day while her children napped. Lynn credits her early experience of learning to write amid the chaos of family life for her ability to be a productive writer while making sure her family remains her top priority.
Extended family is also very important to Austin, and it was a lively discussion between Lynn, her mother, grandmother (age 98), and daughter concerning the change in women's roles through the generations that sparked the inspiration for her novel Eve's Daughters.
Along with reading, two of Lynn's lifelong passions are history and archaeology. While researching her Biblical fiction series, Chronicles of the Kings, these two interests led her to pursue graduate studies in Biblical Backgrounds and Archaeology through Southwestern Theological Seminary. She and her son traveled to Israel during the summer of 1989 to take part in an archaeological dig at the ancient city of Timnah. This experience contributed to the inspiration for her novel Wings of Refuge.
Lynn resigned from teaching to write full-time in 1992. Since then she has published twelve novels. Five of her historical novels, Hidden Places, Candle in the Darkness, Fire by Night, A Proper Pursuit, and Until We Reach Home have won Christy Awards in 2002, 2003, 2004, 2008, and 2009 for excellence in Christian Fiction.
Fire by Night was also one of only five inspirational fiction books chosen by Library Journal for their top picks of 2003, and All She Ever Wanted was chosen as one of the five inspirational top picks of 2005. Lynn's novel Hidden Places has been made into a movie for the Hallmark Channel, starring actress Shirley Jones. Ms Jones received a 2006 Emmy Award nomination for her portrayal of Aunt Batty in the film. (From the author's website.)
Book Reviews
A Woman's Place is not to be confused with a simple read, heartwarming though it is. Readers will be drawn immediately into the setting by Austin's keep ability to weave story with fact, but it is the deep questions each woman must ask that will keep the pages turning.
Christian Retailing
A nice book club read with its conversation starters about racism, gender roles, overcoming a difficult past, and forgiveness.
Cindy Crosby - Faithful Reader.com
A very compelling story, A Woman's Place has found a place on my 'keeper' shelves.
Romance Designs.com
In an engrossing read, three-time Christy Award-winner Austin (All She Ever Wanted; Hidden Places) explores the lives of four women in smalltown Michigan during WWII. The unlikely quartet of heroines a mouthy Italian, a farm girl desperate to go to college, a spinster schoolteacher who's inherited a fortune, and a bored housewife meet and become fast friends when they take Rosie the Riveter jobs at a local factory. On one level, the novel is simply about the bonds that form among the principals, recalling Whitney Otto's How to Make an American Quilt and Lynne Hinton's Friendship Cake. But the subtext, as the title suggests, is about gender roles. Can and should women defy their husbands? What does the Bible say about wifely obedience? Such questions present themselves urgently to each of the four protagonists (and, one imagines, to many of Austin's female evangelical readers). Austin sprinkles some lovely images throughout a newborn's fingernails "like drops of candle wax" and a humorous depiction of inadvertently tipsy church ladies will have readers in stitches. All in all, Austin offers a very enjoyable journey to an earlier wartime America..
Publishers Weekly
Book Club Discussion Questions
1. Which character did you identify with the most: Virginia, Helen, Jean, or Rosa? What about her personality or her life did you relate to?
2. Which character underwent the greatest transformation over the course of the book? What events contributed to that change?
3. How did the historical events in the story act as catalysts for change in these women's lives? Can you recall any historical events in your lifetime that affected your beliefs or your outlook on life? Have events such as 9/11 brought about changes in your life?
4. How have women's roles changed in the past 25 years? The past 50 years? The past 100? Do you see World War II as a defining moment for women? Why or why not?
5. The four women's personalities were all very different. What word would you use to describe each one? Which women grew the closest to each other? Why was that? Do you believe the four will remain friends after the war?
6. How did each woman's faith change in the course of the novel? What events influenced her beliefs? How did they change? Which woman's faith underwent the greatest change?
7. Each of the four women had a man (or men) in her life. Which man (Harold Mitchell, Jimmy Bernard, Meinhard Kesler, Dirk Voorhees, Wolter Voorhees, Russell Benson and Earl Seaborn) did you like the best? Why? Which one did you like the least? Did you change your mind about any of them as the story progressed?
8. Do you think that attitudes toward women have changed since the time when this story took place? In what ways? Have all of these changes been for the better?
9. One of the themes that emerged in the story was the destructive nature of racism. Which characters' lives were impacted by prejudice? How? Did anyone's biases change because of the events of the story?
10. Choose one character and tell what you think will become of her after the war.
(Questions from the author's website.)