Nine Coaches Waiting
Mary Stewart, 1958
Chicago Review Press
352 pp.
ISBN-13: 9781556526183
Summary
A governess in a French chateau encounters an apparent plot against her young charge's life in this unforgettably haunting and beautifully written suspense novel. When lovely Linda Martin first arrives at Chateau Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream.
But a palpable terror is crouching in the shadows. Philippe's uncle, Leon de Valmy, is the epitome of charm, yet dynamic and arrogant—his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him.
To Linda, Raoul is an enigma—though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count. (From the publisher.)
About the Author Bio
• Birth—September 17, 1916
• Where—Durham, England, UK
• Education—Durham University
• Currently—lives in England
Mary Florence Elinor Stewart (nee Rainbow), a popular English novelist, is best known for her series about Merlin, which straddles the boundary between the historical novel and the fantasy genre.
Stewart was born in Sunderland, County Durham, England and graduated from Durham University, from where she received an honorary D.Litt in 2009. She was a lecturer in English Language and Literature there until her marriage in 1945 to Sir Frederick Stewart, former chairman of the Geology Department of Edinburgh University. Sir Frederick died in 2001.
In addition to her five fantasy novels, Stewart is also the author of approximately 20 others: children's books, crime fiction, gothic fiction and romance novels, several of which have been adapted for television and/or film. Several of her books are set in Scotland; others are set in more exotic locations such as Damascus, the Greek islands, Spain, France, or Austria.
She was at the height of her popularity in the 1960s and 1970s when many of her suspense and romantic novels were translated into many languages. Stewart is considered one of the founders of the romantic suspense subgenre, blending romance novels and mystery. Her novels seamlessly combined the two genres, maintaining a full mystery while focusing on the courtship between two people. In her novels, the process of solving the mystery "helps to illuminate" the hero's personality, helping the heroine to fall in love with him (Adapted from Wikipedia.)
Book Reviews
(Older works have few mainstream press reviews online. See Amazon and Barnes & Noble for helpful customer reviews.)
A delightful concoction. A beautifully written mingling of romance and mystery.
Washington Post
A wonderful hue and cry story.... A Mona Lisa tale that beckons you on while suspense builds up.
Boston Herald
Readers will be glued to the complex story in which no one seems truly trustworthy.
Vive Magazine
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Nine Coaches Waiting:
1. What does the title suggest about the kind of story Stewart wants to tell...and the kind of story her readers might expect?
2. What kind of character is Linda Martin? How would you describe her?
3. Why must Linda pretend ignorance of the French language, which she is quite facile at speaking?
3. Talk about young Philippe. How well does Linda relate to him as a charge?
4. What about Uncle Leon as a character? How does he treat his nephew? What might his injury suggest symbolically about him?
5. What makes Linda first suspect that the "accidents" are anything but accidents?
6. What draws Raoul and Linda together? Did you feel their attachment was genuine on both sides?
7. Linda finds herself in the middle of a murder plot and must spirit Philippe away to keep him safe. What will Linda have to sacrifice as she makes her decision? Whom does she suspect ...and whom, at this point, did you suspect?
8. Does this book deliver in terms of its triple objectives: to be a mystery / suspense / and romance in one book? Does Stewart succeed? Did you find yourself quickly turning pages to find out what happens next? Were you surprised by the turn of events, or did you find them predictable? Were you satisfied with the ending of the book? Does it end how you had hoped it would?
9. Loneliness is an underlying theme in this book. How does it evidence itself within the story?
10. Are there other literary heroines of whom Linda reminds you? And if you've read other Mary Stewart works, how does this one compare?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
The Glass Room
Simon Mawer, 2009
Little, Brown & Co.
416 pp.
ISBN-13: 9781590513965
Summary
Honeymooners Viktor and Liesel Landauer are filled with the optimism and cultural vibrancy of central Europe of the 1920s when they meet modernist architect Rainer von Abt. He builds for them a home to embody their exuberant faith in the future, and the Landauer House becomes an instant masterpiece.
Viktor and Liesel, a rich Jewish mogul married to a thoughtful, modern gentile, pour all of their hopes for their marriage and budding family into their stunning new home, filling it with children, friends, and a generation of artists and thinkers eager to abandon old-world European style in favor of the new and the avant-garde.
But as life intervenes, their new home also brings out their most passionate desires and darkest secrets. As Viktor searches for a warmer, less challenging comfort in the arms of another woman, and Liesel turns to her wild, mischievous friend Hana for excitement, the marriage begins to show signs of strain. The radiant honesty and idealism of 1930 quickly evaporate beneath the storm clouds of World War II. As Nazi troops enter the country, the family must leave their old life behind and attempt to escape to America before Viktor's Jewish roots draw Nazi attention, and before the family itself dissolves.
As the Landauers struggle for survival abroad, their home slips from hand to hand, from Czech to Nazi to Soviet possession and finally back to the Czechoslovak state, with new inhabitants always falling under the fervent and unrelenting influence of the Glass Room. Its crystalline perfection exerts a gravitational pull on those who know it, inspiring them, freeing them, calling them back, until the Landauers themselves are finally drawn home to where their story began.
Brimming with barely contained passion and cruelty, the precision of science, the wild variance of lust, the catharsis of confession, and the fear of failure—The Glass Room contains it all. (From the publisher.)
Author Bio
• Birth—1948
• Where—England (UK)
• Education—Oxford University
• Awards—McKitterick Prize for First Novels; Boardman Tasker
Prize for Mountain Literature
• Currently—lives and teaches in Rome, Italy
Simon Mawer is a British author who currently lives in Italy.
Educated at Millfield School in Somerset and at Brasenose College, Oxford, Mawer took a degree in Zoology and has worked as a biology teacher for most of his life.
He published his first novel, Chimera, (1989) at the comparatively late age of thirty-nine. It won the McKitterick Prize for first novels. Mendel's Dwarf followed three works of modest success and established him as a writer of note on both sides of the Atlantic. The New York Times judged it one of the "books to remember" of 1998.
The Gospel of Judas and The Fall followed, with the latter winning the 2003 Boardman Tasker Prize for Mountain Literature. More recently, he published Swimming to Ithaca, a novel partially inspired by his childhood on the island of Cyprus. A book called A Place in Italy (1992), written in the wake of A Year in Provence, recounts the first two years in the village in Italy he went to live in.
He has mounted one other foray into the field of non-fiction, Gregor Mendel: Planting the Seeds of Genetics, which was published in conjunction with the Field Museum of Chicago as a companion volume to the museum's current exhibition of the same name.
In 2009, Mawer published The Glass Room, a novel about a modernist villa built in a Czech city in 1928. Mawer has acknowledged that the book was primarily inspired by the Villa Tugendhat which was designed by architect Ludwig Mies van der Rohe and built in Brno in the Czech Republic in 1928-30. The novel was nominated for the 2009 Man Booker Prize.
Mawer has lived in Italy since 1977, teaching biology at St. George's British International School in Rome. He is married and has two children. (From Wikipedia.)
Book Reviews
[A] stirring new novel...The Glass Room works so effectively because Mawer embeds…provocative aesthetic and moral issues in a war-torn adventure story that's eerily erotic and tremendously exciting.... Mawer, an Englishman living in Italy, has written this novel as though it were a translation, endowing his prose with a patina of Old World formality that sounds all the more romantic. He claims he doesn't know Czech or German, but his characters speak both fluently, and his attention to foreign languages enriches every episode.
Ron Charles - Washington Post
[The Glass Room is] a thing of extraordinary beauty and symmetry... a novel of ideas, yet strongly propelled by plot and characterised by an almost dreamlike simplicity of telling. Comparisons with the work of Michael Frayn would not be misplaced, and there are occasional moments of illuminating brilliance.
The Guardian (UK)
In Mawer's hands [The Glass Room] becomes a means for exploring the way people's hopes for the future become part of their history. This he does beautifully.
Times Literary Supplement (UK)
The Jewish fates of Viktor, Kata and others are lightly handled, which seems just right in this optimistic, joyful but never facile vision of human achievement. Mawer's perfect pacing clinches a wholly enjoyable and moving read.
The Independent (UK)
The Glass Room['s] poetic success is to remind us of two great gilt-edged ironies: that whatever is held to be the height of modernity is already en route to the museum, and that even 'cold' art is the embodiment of its maker's passion—one that can prove contagious.
Financial Times (UK)
Simon Mawer's grasp of period and place achieves what all great novels must: the creation of an utterly absorbing world the reader can scarcely bear to leave. Exciting, profoundly affecting and altogether wonderful.
Daily Mail (UK)
Engrossing.... Mawer explores his themes with a subtle intelligence. A novel of ideas, but one driven by character and story.
Literary Review
The writing, as sensual and sophisticated as its subjects, keeps us firmly within the house's elegant parameters, caught up in the touch and taste and roiling emotions of the characters living through these events. Seeing clearly, Mawer shows us, is never an option, no matter how large and expensive your windows. Every era thinks it has achieved transparency, complete with modern fixtures and sundry decorations. But we can't ever actually see out, because our damned humanity keeps misting up the glass.
Time Out London
The latest from novelist Mawer (The Fall) begins with great promise, as Jewish newlyweds Viktor and Liesel Landauer meet with architect Rainier von Abt, not just an architect but "a poet...of light and space and form," who builds their dream home, a "modern house...adapted to the future rather than the past, to the openness of modern living." World events, however, are about to overtake 1930s Czechoslovakia. Viktor, like most in the community, dismisses rumors of impending pogroms-"The only people who hold the German economy together are the Jews"—but once the signs of Nazi occupation become impossible to ignore, the Landauers must abandon their beloved home. In a bizarre twist of fate, however, Liesel insists on rescuing single mother Katra, unaware that Katra is Viktor's new mistress. As the world spins into chaos, the highly symbolic Landauer house is the only constant; though it shifts identities more than once, the house remains "ageless," a place "that defines the very existence of time." Mawer's writing and characters are rich, but his twisty plot depends too often on unbelievable coincidences, especially in the conclusion.
Publishers Weekly
Discussion Questions
1. Why are the Landauers so devoted to modernity? What makes them so intent on shedding the past, and how is this tied to their country's history or future?
2. What was your first impression of Rainer von Abt? What did you think of his minimalist approach? Why do you think it appealed to Liesel and Viktor?
3. The characters are constantly fluctuating between languages-specifically German and Czech. How do these characters use or manipulate language to express themselves?
4. During the housewarming party at the Glass Room, von Abt speaks of his masterpiece, saying, "A work of art like this demands that the life lived in it be a work of art as well." Do you think this prophecy comes to fruition?
5. Why does Viktor initially approach Kata in Vienna? What is he looking for in her? How is she different from Liesel?
6. The Glass Room takes on many personas throughout the book, moving from a home to a laboratory to a gymnasium to a museum. Does the original concept of the house remain intact through all of its internal transformations? Does the house ever become part of the past?
7. Do you believe that Viktor is in love with both Liesel and Kata? Does he fall for Kata before or after she comes to live with the family? What does the scene at the train station reveal about both him and Liesel?
8. Coincidence plays an important role in the novel. Does the Glass Room encourage it? If so, how?
9. Why do you think Hana agrees to be examined by Stahl and his crew? Why do you think the house is seen as an ideal place for a scientific laboratory?
10. What image or scene within the novel haunted or stayed with you the most?
11. Tomas, much like Viktor, is always looking toward the future. But with yet another love triangle in the Glass Room—this time between Zdenka, Tomas, and Eve—do things really change in this society obsessed with the future? Can history be erased if it is constantly being repeated?
12. What is Hana searching for in all of her love affairs? Do you think she is truly in love with Zdenka? Is it the Glass Room's influence or is Zdenka just a replacement for Liesel?
13. When Hana and Liesel are reunited at the novel's end, both women gloss over the tragedies in their past. Why do you think they hold back?
14. Does The Glass Room tell the story of a house or a family? What story do you think Mawer set out to tell?
15. Mawer constantly shifts the perspective from character to character, often leaving the reader wanting more. Which character's outcome or emotions did you wish you knew more about by the novel's end-Katalin's? Von Abt's? Viktor's? Stahl's? Oskar's?
16. Why do you think Mawer chose to conclude the book with Ottilie and Maria reuniting? What, if anything, does this new generation represent?
(Questions issued by publisher.)
Nights in Rodanthe
Nicholas Sparks, 2003
Grand Central Publishing
240 pp.
ISBN-13: 9780446612708
Summary
Adrienne Willis is forty-five and has been divorced for three years, abandoned by her husband for a younger woman. The trials of raising her teenage children and caring for her sick father have worn her down, but at the request of a friend and in hopes of a respite, she’s gone to the coastal village of Rodanthe in North Carolina’s outer banks to tend the local inn for the weekend. With a major storm brewing, the time away doesn’t look promising…until a guest named Paul Flanner arrives.
At fifty-four, Paul is a successful surgeon but in the previous six months his life has unraveled into something he doesn’t recognize. Estranged from his son and recently divorced, he’s sold his practice and his home and has journeyed to this isolated coastal town in hopes of closing a painful chapter in his past, completely unaware that his life is about to change forever.
Adrienne and Paul come together as the storm gathers strength over Rodanthe, but what begins between them over the weekend will resonate throughout the rest of their lives, intertwining past and future, love and loss. (From the publisher.)
Nights in Rodanthe was adapted to film in 2008, starring Diane Lane and Richard Gere.
Author Bio
• Birth—December 31. 1965
• Where—Omaha, Nebraska, USA
• Education—B.A., University of Notre Dame
• Currently—lives in New Bern, North Carolina
Nicholas Charles Sparks is an American novelist, screenwriter and producer. He has published some 20 novels, plus one non-fiction. Ten have been adapted to films, including Message in a Bottle, A Walk to Remember, The Notebook, Nights in Rodanthe, Dear John, The Last Song, The Lucky One, and most recently The Longest Ride.
Background
Sparks was born to Patrick Michael Sparks, a professor of business, and Jill Emma Marie Sparks (nee Thoene), a homemaker and an optometrist's assistant. He was the middle of three children, with an older brother and a younger sister, "Dana", who died at the age of 33 from a brain tumor. Sparks said that she is the inspiration for the main character in his novel A Walk to Remember.
His father was pursuing graduate studies at University of Minnesota and University of Southern California, and the family moved a great deal, so by the time Sparks was eight, he had lived in Watertown, Minnesota, Inglewood, California, Playa del Rey, California, and Grand Island, Nebraska, which was his mother's hometown during his parents' one year separation.
In 1974 his father became a professor of business at California State University, Sacramento teaching behavioral theory and management. His family settled in Fair Oaks, California, and remained there through Nicholas's high school days. He graduated in 1984 as valedictorian from Bella Vista High School, then enrolled at the University of Notre Dame under a full track and field scholarship. In his freshman year, his team set a record for the 4 x 800 relay.
Sparks majored in business finance and graduated from Notre Dame with honors in 1988. He also met his future wife that year, Cathy Cote from New Hampshire, while they were both on spring break. They married in 1989 and moved to New Bern, North Carolina.
Writing career
While still in school in 1985, Sparks penned his first (never published) novel, The Passing, while home for the summer between freshman and sophomore years at Notre Dame. He wrote another novel in 1989, also unpublished, The Royal Murders.
After college, Sparks sought work with publishers or to attend law school, but was rejected in both attempts. He then spent the next three years trying other careers, including real estate appraisal, waiting tables, selling dental products by phone and starting his own manufacturing business.
In 1990, Sparks co-wrote with Billy Mills Wokini: A Lakota Journey to Happiness and Self-Understanding. The book was published by Random House sold 50,000 copies in its first year.
In 1992, Sparks began selling pharmaceuticals and in 1993 was transferred to Washington, DC. It was there that he wrote another novel in his spare time, The Notebook. Two years later, he was discovered by literary agent Theresa Park, who picked The Notebook out of her agency's slush pile, liked it, and offered to represent him. In October 1995, Park secured a $1 million advance for The Notebook from Time Warner Book Group. The novel was published in 1996 and made the New York Times best-seller list in its first week of release.
With the success of his first novel, he and Cathy moved to New Bern, NC. After his first publishing success, he began writing his string of international bestsellers.
Personal life and philanthropy
Sparks continues to reside in North Carolina with his wife Cathy, their three sons, and twin daughters. A Roman Catholic since birth, he and his wife are raising their children in the Catholic faith.
In 2008, Entertainment Weekly reported that Sparks and his wife had donated "close to $10 million" to start a private Christian college-prep school, The Epiphany School of Global Studies, which emphasizes travel and lifelong learning.
Sparks also donated $900,000 for a new all-weather tartan track to New Bern High School. He also donates his time to help coach the New Bern High School track team and a local club track team as a volunteer head coach.
In addition to track, he funds scholarships, internships and annual fellowship to the Creative Writing Program (MFA) at the University of Notre Dame. (Adapted from Wikipedia.)
Book Reviews
Sparks (A Bend in the Road, etc.) logs more miles on the winding high road of romance with the story of two middle-aged people who meet by chance in the small North Carolina coastal town of Rodanthe. The impassioned but doomed romance seems to owe much to Robert James Waller's The Bridges of Madison County. Once again, a housewife who has focused on everyone but herself indulges in a brief, intense, secret affair with a stranger who changes her life forever. As the story begins, Adrienne Willis is 60, the divorced mother of three grown children. To help her troubled daughter cope with the untimely recent death of her husband, Adrienne tells her the tale of her love affair, which took place 15 years before. At the time, Adrienne was an uptight matron whose ex-husband had just left her for a younger woman. This rejection colors her entire life, and Sparks realistically portrays a vulnerable and isolated woman who throws herself into raising her children to escape her despair. Paul Flanner, her paramour, is a surgeon and an obsessive workaholic with no genuine connection to his wife or son, whose world completely falls apart when one of his patients inexplicably dies. Sparks builds a taut, plausible relationship between his protagonists, but even fans may be irked by the obviousness of their story and the inevitability of their fate.
Publishers Weekly
Sparks...is back at it with his latest mix of love story and pathos. He doesn't disappoint, whipping up plenty of melodrama in the story of two shattered people, both badly scarred by past experiences, who find each other late in life and realize they are soul mates. —Kathleen Hughes
Booklist
A mother unburdens a story of past romance to her troubled daughter for no good reason. Adrienne Willis is a middle-aged mother with three kids who, not surprisingly, finds herself in an emotional lurch after her husband dumps her for a younger, prettier thing. Needing to recharge her batteries, Adrienne takes a holiday, watching over her friend's small bed-and-breakfast in the North Carolina beach town of Rodanthe. Then Dr. Paul Flanner appears, himself a cold fish in need of a little warming up. This is the scene laid out by Adrienne to her daughter, Amanda, in a framing device of unusual crudity from Sparks (A Bend in the Road, 2001, etc.). Amanda's husband has recently died and she hasn't quite gotten around to figuring out how to keep on living. Imagining that nothing is better for a broken heart than somebody else's sad story, Adrienne tells her daughter about the great lost love of her life. Paul came to Rodanthe in order to speak with the bereaved family of a woman who had just died after he had operated on her. Paul, of course, was not to blame, but still he suffers inside. Add to that a recent divorce and an estranged child and the result is a tortured soul whom Adrienne finds absolutely irresistible. Of course, the beach, an impending storm, the fact that there are no other visitors around, a roaring fireplace, and any number of moments that could have been culled from a J. Crew catalogue and a Folgers's commercial make romance just about inevitable. Sparks couldn't be less subtle in this harshly mechanical story that adheres to formula in a way that would make an assembly-line romance writer blush. Short, to the point, and absolutely unremarkable: sure to be another medium-hotromance-lite hit for Sparks, who at the very least can never be accused of overstaying his welcome.
Kirkus Reviews
Discussion Questions
1. In the opening scene, Adrienne decides to tell her daughter about a story from her past about Paul Flanner, a relationship that had obviously ended. Did you realize that he had died, or did you think that the relationship had ended differently? How would the novel have been different had the author decided not to let the reader know the ending in advance? Could the story have been told in another way, as simply a remembrance for instance, and still had the same impact?
2. Amanda lost her husband to cancer, and Adrienne lost Paul to an accident. Adrienne also lost her husband to a younger woman. Yet Adrienne found a way to heal, despite her losses, while Amanda has not. Is this difference a function of age and maturity, or simply the passage of time? If its both, do you believe that Amanda will eventually fall in love again? Is that important to her? What other lessons did she draw from her mother's story?
3. Rodanthe is described in detail. How does the setting play a role in the story? Could this story have occurred in a larger city? Why or why not?
4. The novel deals with the theme love and sacrifice. How did the major characters -- Adrienne, Paul, Amanda and Robert Torrelson -- sacrifice? How did love play a role? What else played a role? Is sacrifice an act, or is sacrifice an on-going process? Explain.
5. In this novel, as in Message in a Bottle, there are scenes that take place in the beach. What is the significance of the beach in this story? How does it play into the theme of the novel? Also in this novel is a storm, just as there was in The Notebook. What is the significance of the storm? How does it play into the theme of the novel?
6. Adrienne never told her children about Paul in the year that followed their relationship in Rodanthe. Think about Adrienne at that point in her life. Why wouldn't she tell the children about him? Is that believable? How do her children remember her from that time? How does Amanda see her mother now, in knowing that she'd kept him a secret?
7. Paul is a wounded character when the novel opens because he feels that all the sacrifices in his life haven't been worth it. His wife has left him, he's estranged from his son, he's sold his medical practice, and has come to Rodanthe to meet Robert Torrelson. Was he a necessary character in this novel? Why or why not? How does Robert Torrelson influence the relationship between Paul and Adrienne? Would you like to read a novel based on the love story between Robert and his wife?
8. Mark plays a central role in letting us get to know Paul Planner. He also writes a letter that lets Adrienne know what had happened. Why did the author choose to use the epistolary method for describing these things? Is the letter more effective than a conversation? Why or why not? What is the relationship between Mark and Paul like in the final moments of Paul's death? How do you think Mark views Paul now? Is this typical of father/son relationships?
9. The inn is described in the opening paragraph of the novel. Why did the author start the novel with a description of an inn? How does the inn play a role in all that happens?
(Questions issued by publisher.)
Summer Blowout
Claire Cook, 2008
Hyperion
256 pp.
ISBN-13: 9781401340957
Summary
A good makeup artist never panics. Bella Shaughnessy knows this. She’s the resident makeup maven in a family of Boston Irish hair salon owners; she has an artful solution to almost every problem. But Bella feels bruised beyond the reach of even the best concealer when her half-sister runs off with her husband. What could she come up with to cover a hurt like that?
Plenty, it turns out. She conceives an invigorating new business idea, and soon meets a cute entrepreneur who can help out. Despite their bickering, they can’t seem to stay away from success—or from each other. (From the publisher.)
Author Bio
• Birth—February 14, 1955
• Where—Alexandria, Virginia, USA
• Education—B.A., Syracuse University
• Currently—Scituate, Massachusetts
Raised on Nancy Drew mysteries, Claire Cook has wanted to write ever since she was a little girl. She majored in theater and creative writing at Syracuse University and immersed herself in a number of artistic endeavors (copywriter, radio continuity director, garden designer, and dance and aerobics choreographer), yet somehow her dreams got pushed to the side for more real-life matters—like marriage, motherhood, and a teaching career. Decades passed, then one day she found herself parked in her minivan at 5 AM, waiting for her daughter to finish swim practice. She was struck with a now-or-never impulse and began writing on the spot. By the end of the season, she had a first draft. Her first novel, Ready to Fall, was published in 2000, when Cook was 45.
Since then, this "late starter" has more than made up for lost time. She struck gold with her second book, Must Love Dogs. Published in 2002, this story of a middle-aged divorcee whose singles ad produces hilariously unexpected results was declared "funny and pitch-perfect" by the Chicago Tribune and "a hoot" by the Boston Globe. (The novel got a second life in 2005 with the release of the feature film starring Diane Lane and John Cusack.) Cook's subsequent novels, with their wry, witty take on the lives of middle-aged women, have become bestsellers and book club favorites.
Upbeat, gregarious, and grateful for her success, Cook is an inspiration for aspiring writers and women in midlife transition. She tours indefatigably for her novels and genuinely enjoys speaking with fans. She also conducts frequent writing workshops, where she dispenses advice and encouragement in equal measure. "I'm extraordinarily lucky to spend my time doing what I love," she has said on countless occasions. "The workshops are a way to say thank you and open doors that I stumbled through to make it easier for writers coming up behind me."
Extras
From a 2004 Barnes & Noble interview:
• I first knew I was a writer when I was three. My mother entered me in a contest to name the Fizzies whale, and I won in my age group. It's quite possible that mine was the only entry in my age group since "Cutie Fizz" was enough to win my family a six-month supply of Fizzies tablets (root beer was the best flavor) and half a dozen turquoise plastic mugs with removable handles. At six I had my first story on the "Little People's Page" in the Sunday paper (about Hot Dog, the family Dachshund) and at sixteen, I had my first front page feature in the local weekly.
• In the acknowledgments of Multiple Choice I say that even though it's probably undignified to admit it, I'm having a blast as a novelist. To clarify that, having a blast as a novelist does not necessarily mean having a blast with the actual writing. The people part—meeting readers and booksellers and librarians and the media—is very social and I'm having lots of fun with that. The writing part is great, too, once you get past the procrastination, the self-doubt, and the feelings of utter despair. It's all of the stuff surrounding the writing that's hard; once you find your zone, your place of flow, or whatever it is we're currently calling it, and lose yourself in the writing, it really is quite wonderful. I've heard writers say it's better than sex, though I'm not sure I'd go that far.
• I love books that don't wrap everything up too neatly at the end, and I think it's a big compliment to hear that a reader is left wanting more. After each novel, I hear from many readers asking for a sequel— they say they just have to find out what will happen to these people next. I think it's wonderful that the characters have come to life for them. But, for now, I think I'll grow more as a writer by trying to create another group of quirky characters. Maybe a few books down the road, I'll feel ready to return to some of them—who knows?
• When asked what book most influenced her life as a writer, here is her answer:
I get asked this question a lot on book tour, and I'm always tempted to say anything by Jane Austen or Alice Munro, just so people will know I'm well read, and sometimes I'm even tempted to say something by Gogol, just so people will think I'm really, really well read. But, alas, ultimately I tell the truth. The Nancy Drew books influenced me the most. I think they taught me a lot about pacing, and about ending chapters in such a way that the reader just can't put the book down and absolutely has to read on to the next chapter. I also think these books are responsible for the fact that I can't, for the life of me, write a chapter that's much longer than ten pages.
There's another variation of this question that I'm asked all the time on book tour: Who are your favorite authors? I always answer it the same way: My favorite authors are the ones who've been nice to me. It's so important for established authors to take emerging authors under their wings. Two who've been particularly generous to me as mentors and friends are Mameve Medwed and Jeanne Ray. Fortunately, they both happen to be very talented—and funny—so if you've somehow missed their books, you should read them immediately. (Author bio and interview from Barnes & Noble.)
Book Reviews
The exuberant and charming Claire Cook (ask anyone who saw her at this spring's Tennessee Williams/New Orleans Literary Festival) is one of the sassiest and funniest creators of contemporary women's fiction.... Summer Blowout, is every bit as much fun as Must Love Dogs and Life's a Beach.
New Orleans Time-Picayune
Nobody does the easy-breezy beach book with a lighter hand than Claire Cook.... In Summer Blowout...you soon find yourself on another of Cook's delightful tours of the funny side of big family life.
Hartford Courant
You won ’t have to don your sunglasses for this sunny delight by the author of Must Love Dogs. Makeup artist Bella Shaughnessy has a thing for lipstick—with names like Catfight, Damaged and Revive—a family that gives new meaning to the expression blended (thanks to a half-sister who’s dating Bella’s ex-husband) and a ban on men (see half-sister). Which is too bad, because she’s just met Sean Ryan, an entrepreneur with sparkling eyes and a proposal, business that is—or is it?—for Bella. As refreshing as an icy drink on a sultry day.
Family Circle
A brisk story, Summer Blowout is primed to become a big-screen romantic comedy. —Hilary Hatton
Booklist
Cook updates the themes of love and disenchantment that drove Life's a Beach and Must Love Dogs in her latest beacher. Bella Shaughnessy, a makeup artist whose solace in times of hardship is finding just the right lipstick to match her mood, gets a divorce and quits men after discovering that her husband of 10 years has been seeing her younger half-sister, Sophia. During a wedding job, she gets stuck with dog-sitting Precious (who "looked kind of like a flying squirrel") and quickly gets so attached that she takes drastic measures to keep the dog. Can other kinds of attachment be far behind, as cute and easygoing Sean Ryan enters the picture? Sufficient comedy and romance keep readers entertained until the last page.
Publishers Weekly
Lipstick rules in this sunny romance tucked inside a Boston family's chain of beauty salons. Recently divorced makeup artist Bella Shaughnessy is going down swinging as she reacts to newcomer Sean Ryan and the gnawing possibility that developers are sabotaging her family's original shop. Cook's (Life's a Beach) ability to make families' foibles ring true—and funny—ensures a delightful read. Snap this one up and enjoy the makeup advice.
Teresa Jacobsen - Library Journal
Cook's fifth, about a family of beauticians, falls as flat as a badly layered mullet. The formulaic chick-lit elements are duly provided: family craziness, brand-name-dropping, egregious infidelity. Lucky Larry Shaughnessy gave Italian names to his five children and to the chain of beauty salons he runs in the Boston area. Why? Well, he's been an "Italiophile" ever since he spent his first honeymoon in Tuscany, and "how much money could you really charge at Salon de Seamus?" Daughter (and narrator) Bella recently lost her husband Craig to her half-sister Sophia. This makes work awkward, since all of Lucky's offspring, along with two of his ex-wives, are employed in the salons. Makeup artist and lipstick addict Bella meets rich, handsome Sean Ryan at a college admission fair where she's providing makeovers and he's test-marketing a "college application survival kit." They exchange wisecracks and snappy comebacks, but not, just yet, bodily fluids. Burned by bad relationships, both have commitment issues. Among the other developments: Bella, assigned to prettify a bridal party, dognaps the bride's neglected tiny terrier, dyes and crops the dog's fur and renames her Cannoli. There are a few funny bits, as when the Shaughnessys, including gay stylist Mario and his spouse Todd, perform a hair intervention to force Lucky to give up his Donald Trump coiffure. But the climactic ensemble scene in Atlanta, where the family congregates for a nephew's wedding, is not the madcap laugh-fest it labors to be. Nor is eminently self-satisfied Bella the sort of wryly self-deprecating protagonist the genre requires. Intense beauty-product placement may be this novel's onlyselling point.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Summer Blowout:
1. Summer Blowout, while not a fount for heavy philosophical discussion, can still yield up some good questions about family, loyalty, trust, and love. So start with Bella's family—what did you find funny about them...or irritating. A fun family to be a part of? Any comparisons to your own family? Family businesses...good idea?
2. Then, of course, there's Bella's sister Sophia. What a b.... um, back-stabber, dating Bella's ex-husband. Do sisters (even half-sisters...why is that important in the story do you think?) really DO that?
3. Talk the about the irony of Bella as a make-up artist, skilled at covering up flaws, bruises, dark spots...etc. How does this apply to her own life? Then, of course, there's the irony of all of Bella's wedding jobs.
4. Sean...see it coming? Predictable?
5. Of course, Blowout is about a woman who surmounts an emotional trauma, changing her life to achieve happiness and fulfillment. A realistic picture of what happens to women (or men) after suffering losses? Is it possible in real life to put all that pain behind us and forge a new life? Or is this the stuff of romance novels, movies, and dreams?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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Unfinished Desires
Gail Godwin, 2010
Random House
432 pp.
ISBN-13: 9780345483218
Summary
From Gail Godwin, three-time National Book Award finalist and acclaimed New York Times bestselling author of Evensong and The Finishing School, comes a sweeping new novel of friendship, loyalty, rivalries, redemption, and memory.
It is the fall of 1951 at Mount St. Gabriel’s, an all-girls school tucked away in the mountains of North Carolina. Tildy Stratton, the undisputed queen bee of her class, befriends Chloe Starnes, a new student recently orphaned by the untimely and mysterious death of her mother. Their friendship fills a void for both girls but also sets in motion a chain of events that will profoundly affect the course of many lives, including the girls’ young teacher and the school’s matriarch, Mother Suzanne Ravenel.
Fifty years on, the headmistress relives one pivotal night, trying to reconcile past and present, reaching back even further to her own senior year at the school, where the roots of a tragedy are buried.
In Unfinished Desires, a beloved author delivers a gorgeous new novel in which thwarted desires are passed on for generations—and captures the rare moment when a soul breaks free. (From the publisher.)
Author Bio
• Birth—June 18, 1937
• Where—Birmingham, Alabama, USA
• Raised—Ashville, North Carolina
• Education—B.A., University of North Carolina, Chapel Hill;
M.A. and Ph.D., University of Iowa, Writers' Workshop
• Currently—lives in Woodstock, New York
Gail Kathleen Godwin, an American novelist and short story writer, has published one non-fiction work, two collections of short stories, and eleven novels, three of which have been nominated for the National Book Award and five of which have made the New York Times Bestseller List.
Personal life
Godwin was born in Birmingham, Alabama but raised in Asheville, North Carolina by her divorced mother and grandmother. She attended Peace College in Raleigh, North Carolina (a women's college founded by Presbyterians in 1857) from 1955 to 1957, but graduated with a B.A. in Journalism from the University of North Carolina at Chapel Hill in 1959. She worked briefly as a reporter for the Miami Herald and married a Herald photographer named Douglas Kennedy. After the job and the marriage finished (by firing and by divorce, respectively), she worked as waitress back home in North Carolina to save money to travel to Europe. In the early 1960s, Godwin worked for the U.S. Travel Service at the U.S. Embassy in London and wrote novels and short stories in her spare time. She returned to the United States and worked briefly as an editorial assistant at the Saturday Evening Post before attending the University of Iowa, earning her M.A. (1968) from the Iowa Writers' Workshop and PhD (1971) in English Literature.
Godwin's body of work has garnered many honors, including three National Book Award nominations, a Guggenheim Fellowship, National Endowment for the Arts grants for both fiction and libretto writing, and the Award in Literature from the American Academy and Institute of Arts and Letters. Five of her novels have been on the New York Times best seller list.
Godwin lives and writes in Woodstock, New York. Her family includes her half-brother Rebel A. Cole and half-sister Franchelle Millender.
Writings
Godwin’s eighteen books have established her as a leading voice in American literature along several currents. Her first few novels, published in the early 1970s, explored the worlds of women negotiating restrictive roles. The Odd Woman (1974) was a National Book Award finalist, as was her fourth novel, Violet Clay (1978), in which she modernized the Gothic novel and explored such themes as villainy and suicide.
A Mother and Two Daughters (1982) marked a turning point in Godwin’s career. It encompassed a community, Mountain City, based on her hometown of Asheville, North Carolina, and carried out her empathetic method of entering many characters’ minds within a fluid narrative. Voted a National Book Award finalist, it also became Godwin’s first best-seller. Between it and her next four best-sellers, Godwin interposed Mr. Bedford and the Muses (1983), her second short story collection after Dream Children (1976).
Dream Children had been Godwin’s offering, with some additions, of work she’d created at the Iowa Writer’s Workshop, studying with advisors Kurt Vonnegut and Robert Coover. It exhibits her early interest in allegory made real on a psychological level. The Iowa years come alive in her edited journals, The Making of a Writer, Journals, 1963-1969 (2010). A previous volume, The Making of a Writer, Journals, 1961-1963 (2006), presents her years in Europe after a do-or-die decision to become a writer. The novella, “Mr. Bedford,” which leads her second story collection, derives from her time in London. Narrated in the first person, it achieves the author’s quest for timelessness through a look into a living room window.
“Last night I dreamed of Ursula DeVane,” begins Godwin’s sixth novel, The Finishing School (1984), again employing a first person reverie, and turning it toward one of Godwin’s fertile interests, the effect of a powerful personality on a developing one. The suspense that tragically ensues relates to her next novel, A Southern Family, which returns to Mountain City, but is darker than A Mother and Two Daughters, as it involves a murder-suicide that sends shock waves and melancholy through a family. All of Godwin’s second three novels were published additionally as mass market paperbacks.
Father Melancholy’s Daughter (1991), also a best-seller, represented Godwin’s independence from the best-seller niche being marketed for her. The daughter of the title navigates her relationships with her father, an Episcopal minister; and with a classic Godwin character, a bewitching theatrical auteur. Theology, and its non-doctrinal meaning in spiritual life, became one of the areas in which Godwin began to act as a leading explorer. The subject is embraced in Evensong, her 1999 sequel to Father Melancholy’s Daughter; and in her 2010 novel, Unfinished Desires. It also informs her non-fiction book, Heart: A Natural History of the Heart-Filled Life (2001), illustrated by stories from her life and from her constant reading.
Godwin ninth novel, The Good Husband (1994), makes use of a form she’d emulated as a 24-year-old in Europe, Lawrence Durrell’s quartet (as in The Alexandria Quartet), by which a story is told through four related characters. Godwin’s new direction—not just in form, but also in choice of characters—did not reach the best-seller list. Evensong, her tenth novel, did; and then she engaged in another literary experiment, "Evenings at Five" (2003), a novella that explores, through a distinctive kind of stream-of-consciousness, the presence that follows the death of a long-term companion. It is based on her relationship with composer Robert Starer, with whom she collaborated on nine libretti. Regarding Evenings at Five, Godwin said she wanted “to write a different kind of ghost story.” The trade paperback edition of the book, with Godwin’s autobiographical “Christina Stories” added, became one of eight works of her fiction published as Ballantine Readers Circle trade paperbacks, with interviews and reader’s guides.
For her twelfth novel, Queen of the Underworld, Godwin fashioned a Bildungsroman, derived from her years as a Miami Herald reporter, 1959-60. Her experience included close familiarity with the Cuban emigre community, with whom, at times, she conversed in Spanish.
Unfinished Desires (2010) exemplified her empathetic method by inhabiting the minds and enunciating the voices of more than a dozen full characters. Set at a girls’ school run by nuns, it makes the connection between religious devotion and artistic seriousness. The novel openly reveals girls in adolescence, as well as their elders, who bequeath them their deep-set issues. Suspense comes from multi-punch power plays, as well as from characters’ struggles to be good. The novel’s original title, "The Red Nun," refers to the statue of a tragic novitiate, whose story becomes the subject of a school play, which in turns becomes an arena for acting out. The play’s the thing, dramatically, metaphorically, and psychologically. (From Wikipedia.)
Book Reviews
Gail Godwin’s reserved yet powerful new novel, Unfinished Desires, is set in a Roman Catholic boarding school in the mountains of North Carolina.... Godwin has created several deeply affecting characters.... The novel’s...theme, played out in almost every major character, is the admonition raised on the first page: “What did you love most? And what have you left undone?” Much has been left undone, and by the end of this tale even more has come undone.
Dominique Browning - New York Times
The novel's structure is odd and original, with multiple time frames and perspectives, and a large cast of characters—difficult to sort out at first. Soon enough, though, clear patterns emerge.... The world of Mount St. Gabriel's is small, but the novel feels sprawling, and, if these women's power struggles are often petty, they are also delicious. Appalling characters are rendered sympathetic as we learn their secrets; good characters are allowed a decency that's surprisingly bracing. Though a where-are-they-now wrap-up section at the end is too long and too summarized, Unfinished Desires is usually brisk and involving.
Valier Sayers - Washington Post
A large, roomy story of love, loss, fidelity, secrets, rivalry and faith in the lives of a charming, flawed troupe of characters.... Provocative and rewarding.
Boston Globe
Tender but clear-eyed...Godwin’s South has always been a place where charm and good manners can barely conceal the emotional drama pulsing beneath the surface.... Recalls the fraught family bonds of Godwin’s best novels.
San Francisco Chronicle
Bestselling author Godwin (Evensong; The Finishing School) brings readers back in time to the early 1950s in this endearing story of Catholic school girls and the nuns who oversee them. As Mother Suzanne Ravenel begins a memoir of her 60-plus years at Mount St. Gabriel's School in Mountain City, N.C., she's forced to re-examine the “toxic year” of 1951–1952, one of her worst at the school—beginning with the arrival of ninth-grade student Chloe Starnes, who's recently lost her mother, and Mother Malloy, a beautiful young nun assigned to the freshman class. Starnes and Malloy's arrivals presage a shift in the ranks of freshman Tildy Stratton's cruel clique, with significant consequences for all involved. Change, when it finally comes, stems from the girls' attempt to revive a play written years before by Ravenel. Godwin captures brilliantly the subtleties of friendships between teenage girls, their ambivalence toward religion and their momentous struggle to define people—especially themselves. Poignant and transporting, this faux memoir makes a convincing, satisfying novel.
Publishers Weekly
She Godwin's latest novel (after Queen of the Underworld) is a convoluted tale of intrigue at a girls' boarding school that spans generations. Mount St. Gabriel, an exclusive academy in the North Carolina mountains, was founded by two nuns at the beginning of the 20th century. The school's sheltered atmosphere promoted rigorous academic and religious education but allowed adolescent jealousies to fester unchecked. The story's major characters attended the school in the early 1950s, when the school's headmistress was the manipulative Mother Ravenel, herself an alumna from the 1920s, as were some of the students' mothers. The story hopscotches in time from the school's founding to the near present, when the elderly Mother Ravenel dictates her memoir and aging classmates reunite to reminisce. It's a chore to keep the many generations of characters straight, especially when so many are superficially drawn. The promise of uncovering Mother Ravenel's involvement in a past incident of seeming import to one of the families lures the reader on, but the denouement, though tragic, reveals little motivation beyond schoolgirl pettiness. —Reba Leiding, James Madison Univ. Libs., Harrisonburg, VA
Library Journal
After a couple of subpar efforts, Godwin (Queen of the Underworld, 2006, etc.) is back in top form with a gripping tale of jealousies and power struggles at a Catholic girls' school. In the year 2001, elderly Mother Suzanne Ravenel tape-records her memories of her 50 years at Mount Saint Gabriel's in the Appalachian mountains of North Carolina. Her worst memories are of the dreadful school year 1951-52, when a turbulent ninth grader provoked an outburst that resulted in the headmistress being sent on a leave of absence. Mother Ravenel's own student years at Mount Saint Gabriel's in the 1930s also figure in the story, as does her fraught friendship with Antonia Tilden. This being the South, the separate generations are connected by blood and grievances. Antonia's orphaned niece Chloe is in that 1951-52 ninth-grade class, and she becomes best friends with manipulative, needy Tildy Stratton, daughter of Antonia's embittered twin Cordelia, who's convinced that Suzanne Ravenel's pushiness led to Antonia abandoning her true vocation as a nun. Cordelia's animosity and malice drive the plot, as Tildy takes up her mother's vendetta against the admittedly bossy, self-righteous Mother Ravenel. Chloe's kind Uncle Henry is the only male character of any significance; the emphasis is on female friendships, especially the adolescent variety, with its gusts of hormonal emotions and intricate maneuvers for position. Bad mothers get a good deal of attention as well (there are quite a few of them), and Godwin elicits our understanding for all her characters without letting them off the hook for bad behavior. She skillfully unfolds fascinatingly tangled motives as she keeps the action bustling along. Moving final scenes show an old nun realizing that mixed motives matter less than a lifetime of service, and two old friends reconnecting after 55 years, matured and seasoned by what they've endured, but not so very different from what they were at 14. A strong story populated by a host of memorable characters-smart, satisfying fiction, one of the author's best in years.
Kirkus Reviews
Discussion Questions
1. In Mother Ravenel’s 2001 reflections on Mount St. Gabriel’s, how does she foreshadow the events that transpire in the “toxic year” of 1951? By the end of Unfinished Desires, do you think she’s reconciled herself to this “year better forgotten”? Does she “prevail”? Does she leave anything “undone”?
2. Who is the Red Nun? How does the myth and tragedy of her origin shape, sustain, and “protect” the Mount St. Gabriel’s community?
3. What is “holy daring” as Mother Elizabeth Wallingford, foundress of Mount St. Gabriel’s, conceived it? Discuss how Mother Ravenel interprets and relates “holy daring” and “a woman’s freedom in God.”
4. How and why does Mother Malloy, at Madeline’s urging, encourage Tildy to keep her “intrepid little soul”? Does her diligent tutoring change Tildy?
5. Why does Mother Ravenel place Tildy in charge of the freshman class revival of the Red Nun play? Does she ultimately regret this decision?
6. What is Agnes’s “mortal mistake”? Do you think she anticipated her own untimely death? Why or why not? Is Chloe really “haunted” by her mother?
7. Tildy understands that “best friends have been known to do hurtful things to each other.” Does this explain why Suzanne Ravenel decides to enter as a postulant without her best friend, Antonia? If not, why did she “jump the gun on [her] vocation”?
8. Do you agree with Tildy that “some girls are just always background” and“some girls just stand out”? How does Chloe counter Tildy’s argument? Why doesn’t Chloe unveil her “masterpiece” to the class?
9. Discuss the impact of Cornelia Stratton’s “dry ice” comments on those she loves. How does her “caustic tongue” influence her daughters? Her sister, Antonia? Mother Ravenel?
10. Consider Tildy and Maud’s friendship from its beginning and from each girl’s perspective. How does their friendship evolve? Is it, like each of them, a “work in progress”? How do their perceptions of each other change? How would you define their relationship at the end of the novel?
11. Reading David Copperfield for Mother Malloy’s class, Maud is introduced to the idea that “someone else’s story, if told a certain way, could make you ache as though it were your own.” Do you identify strongly with one particular character’s story in Unfinished Desires? Which one(s)?
12. Discuss the importance and power of secrets in Unfinished Desires. How do they serve to either unite or isolate those who tell them and those whom they are about? (Questions issued by publisher.)