In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
Erik Larson, 2011
Crown Publishing
464 pp.
ISBN-13: 9780307408846
Summary
Erik Larson has been widely acclaimed as a master of narrative non-fiction, and in his new book, the bestselling author of Devil in the White City turns his hand to a remarkable story set during Hitler’s rise to power.
The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels.
But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming—yet wholly sinister—Goebbels, In the Garden of Beastslends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror. (From the publisher.)
Author Bio
• Birth—January 3, 1954
• Where—Brooklyn, New York, USA
• Raised—Freeport (Long Island), New York
• Education—B.A., University of Pennsylvania; M.S., Columbia University
• Awards—Edgar Award for Best Fact Crime, 2004
• Currently—lives in New York City and Seattle, Washington
Erik Larson is an American journalist and nonfiction author. Although he has written several books, he is particularly well-know for three: The Devil in the White City (2003), a history of the 1893 World's Columbian Exposition and serial killer H. H. Holmes, In the Garden of Beasts: Love, Terror, and An American Family in Hitler's Berlin (2011), a portrayal of William E. Dodd, the first American ambassador to Nazi Germany, and his daughter Martha, and Dead Wake: The Last Crossing of the Lusitania (2015).
Early life
Born in Brooklyn, Larson grew up in Freeport, Long Island, New York. He studied Russian history at the University of Pennsylvania and graduated summa cum laude in 1976. After a year off, he attended the Columbia University Graduate School of Journalism, graduating in 1978.
Journalism
Larson's first newspaper job was with the Bucks County Courier Times in Levittown, Pennsylvania, where he wrote about murder, witches, environmental poisons, and other "equally pleasant" things. He later became a features writer for the Wall Street Journal and Time magazine, where he is still a contributing writer. His magazine stories have appeared in The New Yorker, Atlantic Monthly, Harper's, and other publications.
Books
Larson has also written a number of books, beginning with The Naked Consumer: How Our Private Lives Become Public Commodities (1992), followed by Lethal Passage: The Story of a Gun (1995). Larson's next books were Isaac's Storm (1999), about the experiences of Isaac Cline during the Galveston Hurricane of 1900, and The Devil in the White City (2003), about the 1893 World's Columbian Exposition in Chicago and a series of murders by H. H. Holmes that were committed in the city around the time of the Fair.
The Devil in the White City won the 2004 Edgar Award in the Best Fact Crime category. Next, Larson published Thunderstruck (2006), which intersperses the story of Hawley Harvey Crippen with that of Guglielmo Marconi and the invention of radio. His next book, In the Garden of Beasts (2011), concerns William E. Dodd, the first American ambassador to Nazi Germany and his daughter. Dead Wake, published in 2015, is an account of the sinking of the Lusitania, which led to America's intervention in World War I.
Teaching and public speaking
Larson has taught non-fiction writing at San Francisco State University, the Johns Hopkins Writing Seminars, and the University of Oregon, and he has spoken to audiences from coast to coast.
Personal
Larson and his wife have three daughters. They reside in New York City, but maintain a home in Seattle, Washington. (From Wikipedia. Retrieved 2/17/2015.)
Book Reviews
In this mesmerizing portrait of the Nazi capital, Larson plumbs a far more diabolical urban cauldron than in his bestselling The Devil in the White City. He surveys Berlin, circa 1933 1934, from the perspective of two American naïfs: Roosevelt's ambassador to Germany, William Dodd, an academic historian and Jeffersonian liberal who hoped Nazism would de-fang itself (he urged Hitler to adopt America's milder conventions of anti-Jewish discrimination), and Dodd's daughter Martha, a sexual free spirit who loved Nazism's vigor and ebullience. At first dazzled by the glamorous world of the Nazi ruling elite, they soon started noticing signs of its true nature: the beatings meted out to Americans who failed to salute passing storm troopers; the oppressive surveillance; the incessant propaganda; the intimidation and persecution of friends; the fanaticism lurking beneath the surface charm of its officialdom. Although the narrative sometimes bogs down in Dodd's wranglings with the State Department and Martha's soap opera, Larson offers a vivid, atmospheric panorama of the Third Reich and its leaders, including murderous Nazi factional infighting, through the accretion of small crimes and petty thuggery. Photos.
Publishers Weekly
Best-selling author Larson (The Devil in the White City) turns his considerable literary nonfiction skills to the experiences of U.S. ambassador to Germany William E. Dodd and his family in Berlin in the early years of Hitler's rule. Dodd had been teaching history at the University of Chicago when he was summoned by FDR to the German ambassadorship. Larson, using lots of archival as well as secondary-source research, focuses on Dodd's first year in Berlin and, using Dodd's diary, chillingly portrays the terror and oppression that slowly settled over Germany in 1933. Dodd quickly realized the Nazis' evil intentions; his daughter Martha, in her mid-20s, was initially smitten by the courteous SS soldiers surrounding her family, but over time she, too, became disenchanted with the brutality of the regime. Along the way Larson provides portraits based on primary-source impressions of Hermann Göring, Joseph Goebbels, Heinrich Himmler, and Hitler himself. He also traces the Dodds' lives after their time in Germany. Verdict: Larson captures the nuances of this terrible period. This is a grim read but a necessary one for the present generation. Those who wish to study Dodd further can read Robert Dallek's Democrat & Diplomat. —Ed Goedeken, Iowa State Univ. Lib., Ames
Library Journal
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for In the Garden of Beasts:
1. William Dodd went to Germany believing that Hitler would have a positive influence on Germany. Why were so many at first enamored of Nazism and willing "to give Hitler everything he wants"?
2. How would you describe German society at the time of the Dodd Family's arrival in Berlin? Talk about the ways in which Germany appeared to be a modern, civilized society...and, of course, the way in which that appearance was at odds with reality.
3. What was it that made Dodd begin to suspect the rumors he had been hearing about Nazi brutality were true?
4. Why did Dodd's—and numerous others'—warnings about Hitler fall on indifferent ears in the US? What was the primary concern of the US in its relationship with Germany? Was the US stance one of purposeful ignorance...or of sheer disbelief?
5. Did America's own anti-semitism play any role in dismissing the growing chorus of concern ?
6. What do you think of William Dodd? What about him do you find admirable? Were you mildly amused or impressed by his sense of frugality?
7. What was Dodd's reputation among the "old hands" at the State Department? What role does class play in how he was viewed by his diplomatic peers?
8. What about Martha? What do you find in her character to admire...or not? Did she purposely allow herself to be blinded by Udet and Rudolf Diels...or was she truly dazzled by their charms? Her promiscuity could have made her a serious liability. Were you surprised that her parents seemed untroubled by her multiple love affairs, or that they didn't try to reign in her behavior?
9. How does Erik Larson portray Hitler in his book? Does he humanize him...or present him as a monster? How does he depict Goebbels and Goering...and other higher-ups in the Nazi party?
10. How does the fact that you know the eventual outcome of Nazi Germany affect the way you experience the book? Does foreknowledge heighten...or lessen the story's suspense. Either way...why?
11. What were events/episodes you find most chilling in Larson's account of the rise of Nazism?
12. What have learned about the period leading up the World War II that you hadn't known? What surprised you? What confirmed things you already knew?
13. Is this a good read? If you've read other books by Larson, how does this compare?
(Questions issued by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
top of page
Girl Meets God: A Memoir
Lauren F. Winner, 2002
Random House
320 pp.
ISBN-13: 9780812970807
Summary
Like most of us, Lauren Winner wants something to believe in. The child of a reform Jewish father and a lapsed Southern Baptist mother, she chose to become an Orthodox Jew. But as she faithfully observes the Sabbath rituals and studies Jewish laws, she finds herself increasingly drawn to Christianity. Taking a courageous step, she leaves behind what she loves and converts. Now the even harder part: How does one reinvent a religious self? How does one embrace the new without abandoning the old? How does a convert become spiritually whole.
In Girl Meets God, this appealingly honest young woman takes us through a year in her search for a religious identity. Despite her conversion, she finds that her world is still shaped by her Jewish experiences. Even as she rejoices in the holy days of the Christian calendar, she mourns the Jewish rituals she still holds dear. Attempting to reconcile the two sides of her religious self, Winner applies the lessons of Judaism to the teachings of the New Testament, hosts a Christian seder, and struggles to fit her Orthodox friends into her new religious life. Ultimately she learns that faith takes practice and belief is an ongoing challenge. Like Anne Lamott's, Winner's journey to Christendom is bumpy, but it is the rocky path itself that makes her a perfect guide to exploring spirituality in today's complicated world. Her engaging approach to religion in the twenty-first century is illuminating, thought-provoking, and most certainly controversial. (From the publisher.)
Author Bio
• Birth—October 13, 1976
• Where—Asheville, North Carolina, USA
• Education—B.A., Columbia University; M.A., Cambridge
University
• Currently—lives in Charlottesville, Virginia
The child of a Jewish father and a lapsed Southern Baptist mother, Lauren F. Winner chose to become an Orthodox Jew. But even as she was observing Sabbath rituals and studying Jewish law, Lauren was increasingly drawn to Christianity. Courageously leaving what she loved, she eventually converted. (From the publisher.)
More
(From a 2003 Barnes & Noble interview)
Q: What was the book that most influenced your life or your career as a writer?
A: Fear and Loathing in Las Vegas by Hunter S. Thompson. This had something of a cult following when I was in high school, and I read it at the urging of my then beau. It didn't lead me to take up gonzo journalism, but it was the book that taught me that being a writer didn't mean necessarily writing fiction. I'd heard of "creative non-fiction" before I read Thompson, but I didn't have a sense of what it was, or how it worked.
Q: What are your favorite books, and what makes them special to you?
A: Ashley Warlick's first novel The Distance from the Heart of Things—Gorgeous prose. Also, encouraging for young writers. Warlick wrote The Distance from the Heart of Things in her early 20s. And yet she is wise and believable and masterful.
• Kristen Lavransdatter by Sigird Undset—I didn't discover Kristen till last year. A lot of my friends read this as girls, when they were reading Anne of Green Gables and Little House on the Prairie. But they missed out! It is worth reading, or rereading, as an adult, not least so that you can read Tina Nunnally's marvelous new translation.
• Mystery and Manners by Flannery O'Connor—She's known, of course, for her fiction, but this summer I reread the occasional essays in Mystery and Manners and thought—as brilliant as her fiction is, her prose is even more transparent; deadlier.
• Home Comforts by Cheryl Mendelson—This is no mere collection of household hints. I wish I could write like Mendelson. Her prose does not suffer fools.
• The Strange Career of Jim Crow by C. Vann Woodward—Not merely one of the most influential American history books of the twentieth century. Strange Career is also a lesson in why history matters in the present day. And, like Mendelson, Woodward suffers no fools.
• M.F.K Fisher's The Art of Eating and Supper of the Lamb by Robert Capon. What is there more pleasing to the senses than good food writing?
• W H Auden's poetry. Yes, I admit it, I was turned on to Auden by the reading of "Funeral Blues" in Four Weddings and a Funeral, but I subsequently discovered the wide wonderful Auden world.
• Lately, I have been reading that wonderful sub-genre of mysteries, The Cozy— My favorites are Murder at the PTA Luncheon by Valerie Wolzien, and, most recently, the Hemlock Falls mysteries by Claudia Bishop.
Q: What are some of your favorite films, and what makes them unforgettable to you?
A: I am not a big film buff. I think this is a negative comment on me, not a comment on films! Somehow they don't hold my attention as books do. I could, however, happily watch a Maggie Smith film every day.
Q: What types of music do you like? Is there any particular kind you like to listen to when you're writing?
A: I'm pretty eclectic when it comes to music. I like ragtime, and folk, and choral music. If I were sent to a desert island with just one genre, though, it would be chamber music. Specifically string quartets.
Q: If you had a book club, what would it be reading—and why?
A: Sometimes I think I am the only woman in Charlottesville who is not in a book club. This is a very book club-ish town—I have often thought of starting a book club at my church. I'd like to read books that are not explicitly "Christian," and then discuss them through the lenses of Christianity. That might mean reading The Lobster Chronicles or Sophia Peabody Hawthorne's 19th-century travel writing, or...practically anything!
Q: What are your favorite kinds of books to give—and get—as gifts?
A: There is no more satisfying feeling than giving the perfect book to the perfect person. This Christmas, I'll be giving several people Vinita Hampton Wright's new novella, The Winter Seeking, and I'll also be giving several special folks Marguerite Yourcenar's novel Memoirs of Hadrian. I think I've given away more copies of Hadrian than any other single book.
Q: Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
A: I am incredibly disorganized, so my computer just barely carves out space on my des—it keeps good company with heaps of papers and books. This fall, my mother was dying, so my writing schedule got fairly knocked out of whack, but in a good, theoretical universe, I start writing at 4 in the morning. Otherwise, I am too easily distracted by incoming email and ringing phones! Only folks on the other side of the world (and I don't know that many) email me at 4:00 a.m.
Q: Many writers in the Discover program are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes
A: My most thorough writing training came in academia. My dissertation advisor is one of the best writers going, and if I've learned 1/10 of what she knows about crafting prose, I'm doing well. But it still has been quite a process to turn away from the rules of academic prose and write more fun, more popular books (it's even harder to turn back and finish the aforementioned dissertation, but that's another story).
Q: If you could choose one new writer to be "discovered," who would it be—and why?
A: The novelist Nancy Lemann. I feel a little absurd saying that she needs to be "discovered," because she certainly has more acclaim than I. But I am always stunned when my friends let slip that they have not read her. She is a poet who writes in prose, and her prose sounds like what it describes— the decadence of New Orleans. Her first novel, The Lives of the Saints, is hard to beat. (From Barnes & Noble.)
Book Reviews
A passionate and thoroughly engaging account of a continuing spiritual journey within two profoundly different faiths.
New York Times Book Review
A charming, humorous, and sometimes abrasive recollection of a religious coming-of-age.... A compelling journey from Judaism to Christianity.
Atlanta Journal-Constitution
A book to savor.... Winner is an all-too-human believer, and the rest of us can see our own struggles, theological and otherwise, in hers.
Fort Worth Star-Telegram
Raised by a lapsed Baptist mother and secular Jewish father, Winner feels a drive toward God as powerful as her drives toward books and boys. Twice she has attempted to read her way into religion to Orthodox Judaism her freshman year at Columbia, and then four years later at Cambridge to Anglican Christianity. Twice she has discovered that a religion's actual practitioners may not measure up to its theoretical proponents. (Invariably the boyfriends or their mothers disappoint.) It is easier to say what this book is not than what it is. It is not a conversion memoir: Winner's movement in and out of religious frames, but does not tell, her tale. It is not a defense of either faith (there is something here to offend every reader); and Winner, a doctoral candidate in the history of religion, is in her 20s young for autobiography. Because most chapters, though loosely related to the Christian church year, could stand alone, it resembles a collection of essays; but the ensemble is far too unified to deserve that label. Clearly it is memoir, literary and spiritual, sharing Anne Lamott's self-deprecating intensity and Stephen J. Dubner's passion for authenticity. Though Winner does not often scrutinize her motives, she reveals herself through abundant, concrete and often funny descriptions of her life, inner and outer. Winner's record of her own experience so far is a page-turning debut by a young writer worth watching.
Publishers Weekly
A senior writer for Christianity Today and an essayist whose works have appeared in the New York Times Book Review, Winner is a recently converted Episcopalian and former Orthodox Jew. The daughter of a lapsed Southern Baptist mother and secular Jewish father, this young writer offers a fresh perspective on the ways religion relates to the lives of Gen Xers (born between 1965 and 1976). She has structured her spiritual autobiography as linked reflections based on annual religious festivals, beginning with a chapter titled "Sukkot" and followed by essays based on the names of Christian celebrations. The book is a humorous, sexually frank portrait of a deeply engaged faith shopper, "stumbling her way towards God." The memoir focuses on her undergraduate years (when she converted to Judaism and then to Christianity) and her life as a doctoral student in religious history at Columbia University. One has a sense that Winner's head is still spinning and that she is still catching up with her changes of heart. The turbulent narrative is at first hard to follow, but its disorder becomes a delight as the author's gentle, self-effacing humor emerges. Winner offers a rare perspective, connecting Christian and Jewish traditions in unexpected ways. Recommended for larger public libraries. —Joyce Smothers, M.L.S., Princeton Theological Seminary, NJ
Library Journal
I have spent my whole life since middle school, and actually even before that, seeking God. In this collection of biographical and theological musings, structured around Jewish festivals and the seasons of the Christian liturgical year, Winner considers her path from Reform Jew to Orthodoxy to self-described evangelical Episcopalian. Frank, often funny, sometimes sexy, and disarmingly honest, her story is far from the "how I found Jesus" tract one might expect. Sophisticated, well-educated with degrees from Columbia and Cambridge, and the child of a secular Jewish father and a lapsed Baptist mother, Winner at age twenty-something is very much a modern, worldly wise young woman. Her spiritual self-examination could almost be a caricature of the self-absorption sometimes considered characteristic of GenX'ers. Her writing what amounts to an autobiography while still in her twenties might be considered premature. How, the reader wonders, does one know that she will not go off to become a Buddhist next year, but she even addresses this question. The book's appeal lies in Winner's sincerity and her willingness to share her struggle to be honest and faithful to God. Many young seekers fumbling their way to faith will appreciate the example of someone who is not a stereotypical, good-girl Sunday schooler but whose belief is heartfelt and hard-won. Her well-written, absorbing account provides an important validation for those readers who may not be ready for Kathleen Norris or Anne Lamott, but who share their bumpy paths to spirituality. Better than most, marred only by occasional lapses.
Kathleen Beck - VOYA
In her debut memoir, Christianity Today senior writer Winner recounts her two religious conversions, first to Orthodox Judaism, then to Evangelical Christianity. The author's Southern Baptist mother and Jewish father agreed to raise their children within Judaism, although according to religious law the girls were not officially Jews. A bookworm who loved studying and practicing the ins and outs of tradition, Lauren decided to officially convert as soon as she began her undergraduate education at Columbia University. Despite her wholehearted efforts, however-6 a.m. study sessions, her commitment to observe the laws of kashrut-she couldn't ignore the fact that just two years after her conversion, Jesus seemed to be calling her. How? There was the dream about being captured by mermaids, Winner writes, and there was the undeniable appeal of the mass-market, Christian-themed Mitford novels by Jan Karon. As a child of divorce, she may have been seeking the most stable, familial religion, Winner acknowledges, although that argument ignores a central fact: "Conversion is complicated.... It is about family, and geography, and politics, and psychology, and economics. [But] it is also about God." When pondering the author's double conversion, one could also consider the fact that Winner was raised in the Christian South by a Christian mother. This is all secondary, however, to her narrative's real strength, which is its addictive readability combined with the author's deep knowledge of, delight in, and nuanced discussion of both Christian and Jewish teachings. Loosely structured around the progression of the Christian calendar, Winner's text weaves together meditations on the meanings of theholidays, different modes of observance, and the day-to-day difficulties of switching teams and convincing people that this time she means it. Intriguing, absorbing, puzzling, surprisingly sexy, and very smart.
Kirkus Reviews
Discussion Questions
1. A major theme in Girl Meets God is friendship. Who are some of Lauren's friends, and what role do they play in her spiritual journey? Do friends play a similarly important role in your own life?
2. Fidelity is a motif in Girl Meets God. How does Lauren respond to her friend Hannah's infidelity? Why is infidelity such a poignant and pointed topic for her?
3. Two different chapters in this book have the title "Conversion Stories." Why do they have the same title? Do they tell similar or different stories about religious conversion?
4. Lauren's book is structured according to the Jewish and Christian calendars–it is organized around liturgical seasons and holidays like Sukkot and Advent. Why is the book structured this way? What effect does it have on you, the reader?
5. Lauren suggests that "ruptures are the most interesting part of any text, that in the ruptures we learn something new." (p. 8) How is Lauren's story marked by ruptures, and what do we learn from them?
6. Upon converting to Christianity, Lauren gives up all things Jewish–she even says that "trading my Hebrew prayer book for an Episcopal Book of Common Prayer felt exactly like filing for divorce." (p. 9) Is divorce an apt metaphor for Lauren's relationship with Judaism? Does she eventually recover some of her Jewish practice?
7. What is the plot of Girl Meets God? Is it a coming-of-age story? A story of a quest? Does it present clear questions at the outset, and, if so, does it offer tidy answers to those questions at the end? When Lauren is a teenager, a woman from her synagogue gives her a poem that instructs "Return with us, return to us, /be always coming home." (p. 34) Is Girl Meets God a story of homecoming?
8. Lauren says that the "very first thing I liked about Christianity, long before it ever occurred to me to go to church or say the creed or call myself a Christian, was the Incarnation." (p. 51) What is appealing to Lauren about the Christian story of the Incarnation?
9. Lauren's story is one of spiritual change and conversion, or making and remaking her spiritual self. In what ways is the story of reinvention a distinctively American story? Have you experienced an analogous remaking or reinvention of self?
10. Geography and place play a central role in Lauren's narrative. To what extent do the landscapes of the American South and New York City shape her experiences?
11. Lauren readily admits to being a bookworm. What role do books and reading play in her spiritual development? How have books been important in your own life?
12. Memoir, as a genre, involves the author presenting a particular self to her audience. To what extent does Lauren suggest she has "arrived" as a Christian? Does she readily admit to spiritual failings, or is she eager to present herself as someone with all the answers?
(Questions from the publisher.)
The Omnivore's Dilemma: A Natural History of Four Meals
Michael Pollan, 2006
Penguin Group USA
464 pp.
ISBN-13: 9780143038580
In Brief
A New York Times bestseller that has changed the way readers view the ecology of eating, this revolutionary book by award winner Michael Pollan asks the seemingly simple question: What should we have for dinner?
Tracing from source to table each of the food chains that sustain us — whether industrial or organic, alternative or processed — he develops a portrait of the American way of eating. The result is a sweeping, surprising exploration of the hungers that have shaped our evolution, and of the profound implications our food choices have for the health of our species and the future of our planet. (From the publisher.)
Author Bio
• Birth—February 6, 1955
• Where—Raised in Long Island, New York, USA
• Education—N/A
• Awards—California Book Award; James Beard Award, 2000
and 2006; Reuters-IUCN Global Award-Environmental
Journalism.
• Currently—lives in Berkeley, California
Few writers have done more to revitalize our national conversation about food and eating than Michael Pollan, an award-winning journalist and bestselling author whose witty, offbeat nonfiction shines an illuminating spotlight on various aspects of agriculture, the food chain, and man's place in the natural world
Pollan's first book, Second Nature: A Gardener's Education (1991), was selected by the American Horticultural Society as one of the 75 best books ever written about gardening. But it was Botany of Desire, published a full decade later, that put him on the map. A fascinating look at the interconnected evolution of plants and people, Botany... was one of the surprise bestsellers of 2001. Five years later, Pollan produced The Omnivore's Dilemma, a delightful, compulsively readable "ecology of eating" that was named one the ten best books of the year by the New York Times and Washington Post. And in 2008, came In Defense of Food.
A professor of journalism at the University of California at Berkeley, Pollan is a former executive editor for Harper's and a contributing writer for the New York Times, where he continues to examine the fascinating intersections between science and culture. (From the publisher.)
Book Reviews
Every time you go into a grocery store you are voting with your dollars, and what goes into your cart has real repercussions on the future of the earth. But although we have choices, few of us are aware of exactly what they are. Michael Pollan's beautifully written book could change that. He tears down the walls that separate us from what we eat, and forces us to be more responsible eaters. Reading this book is a wonderful, life-changing experience.
Ruth Reichl - Gourmet Magazine
Thoughtful, engrossing ... You're not likely to get a better explanation of exactly where your food comes from.
New York Times
His book is an eater's manifesto, and he touches on a vast array of subjects, from food fads and taboos to our avoidance of not only our food's animality, but also our own. Along the way, he is alert to his own emotions and thoughts, to see how they affect what he does and what he eats, to learn more and to explain what he knows. His approach is steeped in honesty and self-awareness. His cause is just, his thinking is clear, and his writing is compelling.
Bunny Crumpacker - Washington Post
Michael Pollan has perfected a tone—one of gleeful irony and barely suppressed outrage—and a way of inserting himself into a narrative so that a subject comes alive through what he's feeling and thinking. He is a master at drawing back to reveal the greater issues.
Los Angeles Times
Pollan examines what he calls "our national eating disorder" (the Atkins craze, the precipitous rise in obesity) in this remarkably clearheaded book. It's a fascinating journey up and down the food chain, one that might change the way you read the label on a frozen dinner, dig into a steak or decide whether to buy organic eggs. You'll certainly never look at a Chicken McNugget the same way again. Pollan approaches his mission not as an activist but as a naturalist: "The way we eat represents our most profound engagement with the natural world." All food, he points out, originates with plants, animals and fungi. "[E]ven the deathless Twinkie is constructed out of... well, precisely what I don't know offhand, but ultimately some sort of formerly living creature, i.e., a species. We haven't yet begun to synthesize our foods from petroleum, at least not directly." Pollan's narrative strategy is simple: he traces four meals back to their ur-species. He starts with a McDonald's lunch, which he and his family gobble up in their car. Surprise: the origin of this meal is a cornfield in Iowa. Corn feeds the steer that turns into the burgers, becomes the oil that cooks the fries and the syrup that sweetens the shakes and the sodas, and makes up 13 of the 38 ingredients (yikes) in the Chicken McNuggets. Indeed, one of the many eye-openers in the book is the prevalence of corn in the American diet; of the 45,000 items in a supermarket, more than a quarter contain corn. Pollan meditates on the freakishly protean nature of the corn plant and looks at how the food industry has exploited it, to the detriment of everyone from farmers to fat-and-getting-fatter Americans. Besides Stephen King, few other writers have made a corn field seem so sinister. Later, Pollan prepares a dinner with items from Whole Foods, investigating the flaws in the world of "big organic"; cooks a meal with ingredients from a small, utopian Virginia farm; and assembles a feast from things he's foraged and hunted. This may sound earnest, but Pollan isn't preachy: he's too thoughtful a writer, and too dogged a researcher, to let ideology take over. He's also funny and adventurous. He bounces around on an old International Harvester tractor, gets down on his belly to examine a pasture from a cow's-eye view, shoots a wild pig and otherwise throws himself into the making of his meals. I'm not convinced I'd want to go hunting with Pollan, but I'm sure I'd enjoy having dinner with him. Just as long as we could eat at a table, not in a Toyota.
Publishers Weekly
Pollan defines the Omnivore's Dilemma as the confusing maze of choices facing Americans trying to eat healthfully in a society that he calls "notably unhealthy." He seeks answers to this dilemma by taking readers through the industrial, organic, and hunter-gatherer stages of the food chain. Focusing on corn as the keystone plant in the industrial stage, Pollan describes its role in feeding cattle and in food processing as well as its ultimate destination in the products we consume at fast-food restaurants. The organic, or pastoral, stage offers a pure and chemical-free eating environment for animals and humans. In the hunter-gatherer stage, omnivores hunt animals and gather the plant foods that comprise all or part of their diets. Pollan explains how a framework of environmental, biological, and cultural factors determines what and how we eat. Although a bit long and sometimes redundant, this folksy narrative provides a wealth of information about agriculture, the natural world, and human desires. Recommended for all omnivores. —Irwin Weintraub, Brooklyn Coll. Lib., New York
Library Journal
The dilemma—what to have for dinner when you are a creature with an open-ended appetite—leads Pollan (The Botany of Desire, 2001, etc.) to a fascinating examination of the myriad connections along the principal food chains that lead from earth to dinner table. The author identifies three: the one controlled by agribusiness; the pastoral, organic industry that has sprung up as an alternative to it; and the very short food chain Pollan calls "neo-Paleolithic," in which he assumes the role of modern-day hunter-gatherer. He demonstrates the dependence of the agribusiness system on a single grain, corn, as it passes from farm to feedlot and processing plant. The meal that concludes this section is takeout from McDonald's and includes among other foods a serving of Chicken McNuggets. Of the 38 ingredients that make up McNuggets, 13, he notes, are derived from corn. This fact bolsters an earlier, startling statistic: Each of us is personally responsible for consuming a ton of corn each year. Pollan's exploration of the pastoral food chain takes two roads. Investigating "industrial organic," he assembles a meal composed entirely of ingredients from a Whole Foods supermarket. But he also visits a single, relatively small farm in Virginia's Shenandoah Valley, where grass, not corn, is the basis of production, and cattle, chickens and pigs are raised through management of the natural ecosystem. Pollan joins in the farm work and is clearly impressed by what he learns, observes and eats here. In the final section, he learns how to shoot a wild pig and how to scavenge for forest mushrooms. The author's extraordinarily labor-intensive final meal provides a perfect contrast to the fast-food takeout of Part I. Pollan combines ecology, biology, history and anthropology with personal experience to present fascinating multiple perspectives. Revelations about how the way we eat affects the world we live in, presented with wit and elegance.
Kirkus Reviews
Discussion Questions
1. Michael Pollan approaches eating as an activity filled with ethical issues. Do you agree that the act of eating is as morally weighty as he says it is? What questions concern you most about the way you eat or the way your food is created?
2. Some readers might argue that Pollan’s ethics do not go far enough, perhaps because he does not urge us all to become vegetarians or possibly because of the zeal with which he pursues the feral pig that he kills toward the end of The Omnivore’s Dilemma. Did you find yourself quarreling with any of Pollan’s ethical positions, and why?
3. Pollan argues that capitalism is a poor economic model to apply to the problems of food production and consumption. Do you agree or disagree, and why?
4. Pollan also shows a number of instances in which government policies have apparently worsened the crisis in our food culture. What do you think should be the proper role of government in deciding how we grow, process, and eat our food?
5. How has Michael Pollan changed the way you think about food?
6. At the end of In Defense of Food, Pollan offers a series of recommendations for improved eating. Which, if any, do you intend to adopt in your own life?
7. Which of Pollan’s recommendations would you be least likely to accept, and why?
8. Do you think that the way Americans eat reveals anything about our national character and broader shared values? How is Pollan’s writing a statement not only about American eating, but about American culture and life?
9. In both The Omnivore’s Dilemma and In Defense of Food, Pollan quotes the words of Wendell Berry: “Eating is an agricultural act.” What does Berry mean by this, and why is his message so important to Pollan’s writing?
10. In each part of The Omnivore’s Dilemma, Michael Pollan has a particular friend to help him understand the food chain he is investigating: George Naylor in Iowa, Joel Salatin at Polyface, and Angelo Garro in northern California. Which of these men would you most like to know personally, and why?
11. What, in the course of his writing, does Michael Pollan reveal about his own personality? What do you like about him? What, if anything, rubs you the wrong way?
12. If Michael Pollan were coming to your place for dinner, what would you serve him and why? [Or would you finally come to your senses...and cancel? —ed., LitLovers]
(Questions issued by publisher.)
Stolen Innocence: My Story of Growing Up in a Polygamous Sect, Becoming a Teenage Bride, and Breaking Free of Warren Jeffs
Elissa Wall, 2008
HarperCollins
448 pp.
ISBN-13: 9781616839499
Summary
In September 2007, a packed courtroom in St. George, Utah, sat hushed as Elissa Wall, the star witness against polygamous sect leader Warren Jeffs, gave captivating testimony of how Jeffs forced her to marry her first cousin at age fourteen. This harrowing and vivid account proved to be the most compelling evidence against Jeffs, showing the harsh realities of this closed community and the lengths to which Jeffs went in order to control the sect's women.
Now, in this courageous memoir, Elissa Wall tells the incredible and inspirational story of how she emerged from the confines of the Fundamentalist Church of Latter Day Saints (FLDS) and helped bring one of America's most notorious criminals to justice. Offering a child's perspective on life in the FLDS, Wall discusses her tumultuous youth, explaining how her family's turbulent past intersected with her strong will and identified her as a girl who needed to be controlled through marriage. Detailing how Warren Jeffs's influence over the church twisted its already rigid beliefs in dangerous new directions, Wall portrays the inescapable mind-set and unrelenting pressure that forced her to wed despite her repeated protests that she was too young.
Once she was married, Wall's childhood shattered as she was obligated to follow Jeffs's directives and submit to her husband in "mind, body, and soul." With little money and no knowledge of the outside world, she was trapped and forced to endure the pain and abuse of her loveless relationship, which eventually pushed her to spend nights sleeping in her truck rather than face the tormentor in her bed.
Yet even in those bleak times, she retained a sliver of hope that one day she would find a way out, and one snowy night that came in the form of a rugged stranger named Lamont Barlow. Their chance encounter set in motion a friendship and eventual romance that gave her the strength she needed to break free from her past and sever the chains of the church.
But though she was out of the FLDS, Wall would still have to face Jeffs—this time in court. In Stolen Innocence, she delves into the difficult months on the outside that led her to come forward against him, working with prosecutors on one of the biggest criminal cases in Utah's history, so that other girls still inside the church might be spared her cruel fate.
More than a tale of survival and freedom, Stolen Innocence is the story of one heroic woman who stood up for what was right and reclaimed her life. (From the publisher.)
Author Bio
Elissa Wall is a former member of the Fundamentalist Church of Latter-Day Saints (FLDS) who was forced into marriage at age fourteen. She left the FLDS at age eighteen and currently resides in Utah with her two children and her husband, Lamont. (From the publisher.)
Book Reviews
Wall’s story couldn’t be more timely. Her descriptions of the polygamous sect’s rigidity are shocking, but what’s most fascinating is the immensely likeable author’s struggle to reconcile her longing for happiness with her terror of it’s consequences.
People
(Audio version.) Elissa Wall tells of her escape from the controversial polygamist sect the Fundamentalist Church of Latter Day Saints (FLDS) and its totalitarian leader, Warren Jeffs. After much soul-searching, Wall was instrumental in getting Jeffs imprisoned for his involvement in the marriages of underage girls, including her own forced marriage at the age of 14. Narrator Renee Raudman speaks in an immature-sounding voice as one would read to a child. Her soft and sometimes whispered tones contrast with the horrific experiences being described. Assuming the role of the young girl, Raudman recounts traumatic psychological insults such as familial dismemberments and the sexual violation of children. The juxtaposition of Raudman's narrative equanimity and the young girl's shocking experiences creates an arresting audio experience.
AudioFile
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Stolen Innocence:
1. If you've read Escape by Carolyn Jessop, compare the experiences of the two women in the FLDS.
2. One of the reasons women stay in the FLDS is because they are told from birth that the wicked will be destroyed and that only those who are members will be saved. Additionaly, should they die before the final apocalypse, the only path to heaven and eternal life is to be invited by their husband—who must have at least three wives. While this may seem outrageous to non-believers, consider your own relgious beliefs. Are there beliefs that those outside your faith might find difficult to accept?
3. Polygamy is outlawed in the US, yet accepted in other countries around the world as part of a religious practice. Should our government be involved in regulating marriage—between consenting adults—even if it is polygamous? Why...or why not?
4. After the publication of Stolen Innocence, some members of the FLDS have said that Walls was not as "innocent" as she claims in the memoir. According to Wall's own admissions, they say, she listened to rock music, watched TV, snuck out of the house, slept in her truck without the permission of her husband, and attended beer parties. She also became pregnant by someone other than her husband. How might those charges affect your understanding of the book? Is Walls' account overly self-serving, or does her book achieve credible objectivity?
5. What is your opinion of Sharon, Elissa's mother? Are you sympathetic to her...or not? Were she to write one, what do you think Sharon's memoir would contain?
6. What about Elissa's father, who was never fully committed to the church or her family? Why might he have remained in FLDS?
7. Although many members of the FLDS left the church, many devoted followers remain, fully believing in the teachings. Is it fair to require the sect to live by laws that their faith does not necessarily adhere to? How does living in a non-FDLS culture affect their religious beliefs?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
top of page
Slow Love: How I Lost My Job, Put on My Pajamas, and Found Happiness
Dominique Browning
Atlas & Co.
271 pp.
ISBN-13:
Summary
In November 2007, former editor in chief of House & Garden magazine Dominique Browning experienced what thousands have since experienced. She lost her job.
Overnight, her driven, purpose-filled days vanished. With her children leaving home and a long relationship ending, the structure of her days disappeared. She fell into a panic of loss but found humor despite everything, discovering a deeper joy than any she had ever known. It was a life she had not sought, but one that offered pleasures and surprises she didn’t know she lacked.
Slow Love is about wearing your pajamas to the farmers’ market, packing up a beloved home and moving to a more rural setting, making time to play the piano and go kayaking, reinventing yourself, and not cutting corners when it comes to love, muffins, or gardening. This elegant, graceful—and yet funny—book inspires us to dance in the kitchen and seize new directions. (From the publisher.)
Author Bio
Dominique Browning was the last editor-in-chief of the shelter magazine House & Garden (from 1995 to 2007) published by Conde Nast. Currently, she contributes to various newspapers and magazines and writes a monthly column for the Environmental Defense Fund website.
As an author, Browning has written books related to her work: Around the House and In the Garden: a Memoir of Heartbreak, Healing, and Home Improvement and Paths of Desire: the Passion of a Suburban Gardener. Her third book, Slow Love: How I Lost my Job, Put on My Pajamas, and Found Happiness was published in 2010.
Apart from these three books, Browning also wrote books under the House & Garden brand: The House & Garden Book of Style, The Well-Lived Life, Gardens of Paradise and House of Worship. (From Wikipedia.)
Book Reviews
Losing a job without just reason can cause the victim to become very angry. And wrath provides the one ingredient that had previously been absent from Browning’s writing. Fueled by rage, she has become not only an elegant and meditative writer but a pungently witty one, spinning out one-liners with throwaway ease. (“I began to knit him a scarf,” she discloses of a certain recalcitrant man. “Yes, I wanted to strangle him.”)....The most sensitive parts of Slow Love describe the triumph of spirit over circumstance.
Miranda Seymour - New York Times Book Review
Browning's 13-year-job as editor-in-chief of House & Garden fulfillingly defined her days and her identity; when the magazine folded two years ago, she was shaken to the core of her being. Having maintained her Westchester house, family of two grown sons, extensive garden, and frequent dining out, her life and general sense of self was radically shaken over the next year, and in this enchanting, funny, deeply gracious memoir, Browning, many years divorced, recounts how she found enlightenment at the other end. Writing was one way to absorb the panic; she went on a muffin-baking binge and gained 15 pounds; lost track of days, remaining comfortingly in her pjs and yearning perilously to reconnect to a former lover she calls Stroller, who was deemed wrong for her by everyone she knew. A few small decisions had enormous impact, such as when insomnia compelled her to tackle Bach's Goldberg Variations on the piano, and poignantly she refocused on her artistic nature. There is such feeling and care on each page of Browning's well-honed memoir—her rediscovery of nature, her avowal to let love find her rather than seek it, tapping satisfying work at her own keyboard—that the reader is swept along in a pleasant mood of transcendence.
Publishers Weekly
Discussion Questions
1. How does Dominique ultimately define slow love? What does “slow love” mean to you, and how can you maintain it throughout all walks of life, regardless of employment?
2. Have you or a loved one lost a job? How did you get or give support? How did you adapt your lifestyle as a consequence? How does the structure of the work day shape the way you live your life?
3. While at Condé Nast, Dominique often spent more time with her “office family” than her own. How do you reconcile your work life and your home life? Does one role overwhelm the other? How do you shift between the two?
4. After House & Garden folded, Dominique discovers that some friends are much less friendly once she loses her powerful status. How have you dealt with fair-weather friends? How can we cultivate enduring friendships?
5. Dominique calls her house a Museum of Happiest Memories: so much of her family life revolves around the house. How does a family change when the house that unifies it is no longer present? What makes a house a home, and how can you carry your“happiest memories” with you when it’s gone?
6. Dominique often turns to food for comfort, especially eggs, cookies, and the deluge of muffins. What are your comfort foods, and why is food so comforting for us? How does your relationship with food change based on your daily routine?
7. Dr. Pat recommended a strict diet for Dominique, complete with a daily meal schedule. How does the structure of this diet reflect the structure of a work day? How can we balance our need for structure with the idea of slow love?
8. Dominique makes multiple attempts to integrate herself into Stroller’s life, from bringing her clothes into his closet to planting mint in his yard. How do you share a life with someone? When those efforts are thwarted, what keeps you in a relationship past its expiration date?
9. One of Dominique’s preferred ways to slow down is by gardening and communing with nature. Where do you find natural beauty? How do you bring that outdoor serenity into your home?
10. Dominique calls the period of mid-life her “intertidal years.” How are transitional states featured throughout the book? What distinguishes this time of life from that which precedes it?
(Questions issued by publisher.)
top of page