The Ashford Affair
Lauren Willig, 2013
St. Martin's Press
400 pp.
ISBN-13: 9781250027863
Summary
The Ashford Affair, a page-turning novel about two women in different eras, and on different continents, who are connected by one deeply buried secret.
As a lawyer in a large Manhattan firm, just shy of making partner, Clementine Evans has finally achieved almost everything she’s been working towards—but now she’s not sure it’s enough. Her long hours have led to a broken engagement and, suddenly single at thirty-four, she feels her messy life crumbling around her. But when the family gathers for her grandmother Addie’s ninety-ninth birthday, a relative lets slip hints about a long-buried family secret, leading Clemmie on a journey into the past that could change everything. . . .
Growing up at Ashford Park in the early twentieth century, Addie has never quite belonged. When her parents passed away, she was taken into the grand English house by her aristocratic aunt and uncle, and raised side-by-side with her beautiful and outgoing cousin, Bea. Though they are as different as night and day, Addie and Bea are closer than sisters, through relationships and challenges, and a war that changes the face of Europe irrevocably. But what happens when something finally comes along that can’t be shared? When the love of sisterhood is tested by a bond that’s even stronger?
From the inner circles of British society to the skyscrapers of Manhattan and the red-dirt hills of Kenya, the never-told secrets of a woman and a family unfurl. Kirkus Reviews predictred that "Willig's crossover into mainstream fiction heralds riches to come." (From the publisher.)
Author Bio
• Birth—March 28, 1977
• Where—Philadelphia, Pennsylvania, USA
• Education—B.A., Yale University; J.D., Harvard University
• Awards—RITA Award: Gold Leaf Award
• Currently—lives in New York City, New York
A native of New York City, Willig discovered historical romance fiction when she was only six years old, while she was attempting to find books about her idol, Eleanor of Aquitaine.
After graduating from the Chapin School, Willig attended Yale University, where she majored in Renaissance Studies and Political Science, and was Chairman of the Tory Party of the Yale Political Union. Ms. Willig then studied graduate level early modern European history at Harvard University before entering and graduating from Harvard Law School. Willig briefly worked for Cravath, Swaine & Moore, a law firm in New York, while authoring her "Pink Carnation" series of books, until she gave up law in order to focus full time on the series.
What makes her books unique is that the historical romance novel structure of each novel is framed by a modern chick lit-style story—following Eloise Kelly, an American grad student, as she attempts to write her dissertation and uncover the identity of the Pink Carnation (the leader of the ring of spies and Willig's Pimpernel). Along the way, Eloise finds love with an attractive Englishman (descended from a family of spies), Colin. The books also feature several different romantic adventures detailing the exploits of the fictional Purple Gentian, the Pink Carnation, the Black Tulip, and a host of other characters from early 19th century England and France.
Lauren's books have been named a Romantic Times Top Pick! and Lauren has been nominated for a Quill Award in 2006. She has won the RITA Award for Best Regency Historical Romance, the Booksellers Best Award for Long Historical Romance, and the Golden Leaf Award.
In Spring of 2010, Willig taught Reading the Historical Romance at her alma mater, Yale University, along with fellow alumna and romance novelist Andrea DaRif, penname: Cara Elliott. The course received a great deal of attention for helping to bring the romance novel academic notice.
In 2013, Willig published her first book outside the Pink Carnation series: The Ashford Affair. (From Wikipedia.)
Book Reviews
Willig takes us from the twilight of the British aristocracy to colonial Kenya to modern-day New York City in her first historical romance.... In 1906, five-year-old Addie Gillecote leaves Kenya after her parents’ death to live in London with...the Lord and Lady of Ashford...[and treated as a charity case.... Well-researched details of life in the 1920s lends texture to this solid historical novel.
Publishers Weekly
With this standalone, new readers will have the opportunity to enjoy Willig's talent for balancing multiple, connected storylines without the added pressure of a long-standing series, while returning fans will enjoy hidden "Pink Carnation" references and the pleasure of another novel well done. —Stacey Hayman, Rocky River P.L. , OH
Library Journal
Willig veers away from her Pink Carnation Regency spy series in this stand-alone.... Though it lacks the swashbuckling charm of her long-running series, Willig’s new outing takes readers from WWI-era London to Kenya of the 1920s to New York in the 1990s, offering plenty of twists and intrigue to keep them entertained. —Kristine Huntley
Booklist
Multigenerational tale, from an author of popular Regency/historicals, takes a family from estates in England and Kenya to a Manhattan law firm..... The panoramic canvas Willig chooses to cover is a bit overambitious—the law firm minutia, although entertaining, is essentially a digression—but she makes up for the unwieldiness with sharp, scintillating dialogue and expert scene-craft. Willig's crossover into mainstream fiction heralds riches to come.
Kirkus Reviews
Discussion Questions
1. Addie wants “her” girls to have the chances their mother didn’t; Marjorie, in turn, pushes Clemmie to focus on work, rather than marrying young like she did. How do their ambitions impact their children? What role does the weight of familial expectations play in shaping the major characters in this novel? Have there been times in your life when you’ve felt constrained or propelled by your parents’ wishes?
2. Addie and Bea love each other dearly, in their own way, but neither really understands what makes the other tick. Do you think their friendship is an unhealthy one? Do you have legacy friends from your childhood with whom you have a similar dynamic?
3. In The Ashford Affair, we see Bea and Addie on either side of World War I, a moment of huge social and cultural change. How does that changing landscape affect the lives of these two characters? What do you think would have happened to them both if World War I hadn’t intervened?
4. Ashford Park has a powerful hold on both Addie and Bea, so much so that Bea names her home in exile “Ashford Redux”. What do you think Ashford represents to each of them?
5. In the case of both Addie and Frederick, and Clemmie and Jon, it takes two tries for true love to conquer all; Clemmie comments at one point that if she and Jon had gotten together the first time, they would probably have broken up, that they were too young. What do you think might have happened if Clemmie and Jon had dated after Rome, or if Addie and Frederick hadn’t been derailed by Bea? Would those relationships have been very different from the ones they eventually achieve? Why or why not?
6. Both in England and in Kenya, Bea feels betrayed by the difference between what she’s led to expect from life and what she receives. She complains that she wasn’t trained for this new world. Do you have sympathy for her? Have there been times when you’ve felt the same way, or known people who have?
7. In the 1920s, large numbers of Europeans moved to Africa, seeing it as a place of hope and opportunity, a place to make one’s fortune or to get away from the memories of the Great War. Frederick, Bea and Addie all find very different things in Kenya. What does Kenya mean to each of them? Does it matter that it’s Kenya, or would the same story have played out anywhere?
8. The world of Bea, Frederick and Addie in Kenya is essentially the English aristocracy transplanted to the African landscape. None of them questions his or her right to make a home there or to use native labor. Does the colonial aspect of this bother you or make you think less of them? Or is it simply a reflection of the times?
9. Addie makes some choices in the novel that ripple down through history to deeply impact her loved ones. She decides not to tell Marjorie and Anna that Bea was still alive. Do you think this was the right or wrong thing to do? Why? Do you sympathize with Addie and Marjorie’s decision not to tell Clemmie about her real relationship with Addie? How might the story have been different if these two decisions had gone the other way?
10. After finishing the novel, what do you think of Bea? Do you find her sympathetic? Unlikeable? What did you think happened to her—and were you surprised when you learned that she was still alive?
11. Clemmie comments at the end of the novel that her grandmothers—both of them—lived through so much, while her generation has been ridiculously sheltered. Do you think that’s true in general or just true of her? Were the World War I and II generations really tougher and more daring or do we just perceive it that way?
12. Clemmie’s sense of self is shaken by learning the truth about her family. Do you think she overreacts? How would you respond to a similar revelation? Have you ever learned something about your family that has shaken you?
(Questions issued by the publisher.)