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Ms. Hamilton gives Ruth a humble dignity and allows her hope—but it’s not a heavenly hope. It’s a common one, caked with mud and held with gritted teeth. And it’s probably the only kind that’s worth reading about. –
The New York Times Book Review


Jane Hamilton’s novel is authentically Dickensian.... The real achievement of this first novel is not so much the blackness as the suggestion of resilience. At the end, Ruth begins to put together her shattered body, spirit and life. Her words are awkward, as they have been all along, but suddenly and unexpectedly they shine.
Los Angeles Times


In her first novel, Hamilton takes on a challenge too large for her talents. Ruth, the heroine, tells her story in the first person, but her limited point of view cannot do it full justice. Born and raised in small-town Illinois by a mother whose life keeps splintering, Ruth blames herself for her troubles, from the cold-blooded brother who always outsmarts her to the ne'er-do-well husband who nearly destroys her. Considered slow-witted, she has a cussed strength. Like the biblical Ruth, the Midwesterner is loyal to her wounded family, and has a talent for "stepping into other people's skin'' while ignoring her own needs. Ruth's gradual self-discovery is often moving; her sharp-tongued vulnerability and whole-hearted hell-raising win our sympathy and admiration. But her transformation from victim to heroine is less convincing: Ruth's intelligence soars when she sneers, not when she mourns her errors. Another problem is uncertain plotting, with static stretches marked by obvious foreshadowings of events to come. The final violence that erupts seems exotic, not an inevitable product of clashing characters. Hamilton evokes Ruth's character marvelously, but others as seen by her are incompletely rendered.
Publishers Weekly


When a Wall Street Journal writer observed that "simple tales of life and sorrow in the heartland are red hot," he wasn't writing about Hamilton's  novel, but he might as well have been. Ruth, an Illinois farm girl, gives a first-person account of her life in an effort to make sense of what has happened to her and her tragedy-prone family. The language of this novel, by turns naturalistic, romantic, and occasionally humorous, has a freshness and originality of expression, and Mare Winningham's vital and poignant reading makes Ruth come alive. —Jacqueline Seewald, Red Bank Regional High School Library, New Jersey
Library Journal