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[A] powerfully nostalgic novel steeped in innocence and idleness…Slouka's storytelling is sure and patient, deceptively steady and devastatingly agile. Like Ray, the profoundly lovable hero, Brewster is full of secrets, and they are tragic ones: there is no sadder fate than being hated by someone who should love you. Yet the story manages to transcend its hopeless circumstances. All the tender feelings these kids' parents should feel for them are transferred to us. We love them. They are our children, and in loving them, they are saved, and so are we.
Eleanor Henderson - New York Times


A masterpiece of winter sorrow… Slouka’s real triumph here is capturing the amber of grief, the way love and time have crystallized these memories into something just as gorgeous as it is devastating.
Ron Charles - Washington Post


Terrific…. [W]here Slouka distinguishes himself as an author of particular sensitivity and significance is in how accurately and memorably he is able to conjure up a particular mood that has no doubt been felt in every era, not just the late '60s and early '70s. There is a timeless sense of yearning here.
Adam Langer - Boston Globe


Evocative… gorgeously written… both spare and highly dramatic. Slouka has an exceptional ear for the way kids talk, an eye for the detail of a not-so-recent past …. In Brewster, Slouka creates a messy miniature. It's a tight, little world where …the subjects—human frailty, friendship, yearning, heart and love—don't make for easy poses. And you can't take your eyes from it.
John Barron - Chicago Tribune


[A] novel of stark and brutal truths…[Brewster] culminates in a scene of such visceral power and narrative force that this reader was left breathless. But perhaps Slouka's greatest accomplishment is his ability to blend his own authorial voice with the dialogue of his characters. It's as if the conversations that pass between Jon and Ray and Karen - about music, their plans for the future, their love and devotion to each other—are the lyrics to Slouka's melody. And what a beautiful and redemptive song it is.
Peter Geye - Minneapolis Star Tribune


(Starred review.) A simmering rage coupled with world-weary angst grip the four teenagers growing up as friends in Slouka’s hardscrabble novel.... Jon Mosher—once a scholarship-winning high school track star, now a wistful, glum adult—narrates the group’s tragic experiences during the winter of 1968.... [A] masterful coming-of-age novel.
Publishers Weekly


The setup is familiar: bright Jewish track star Jon is befriended by long-coat, wrong-side-of-the-tracks loner Ray as they both fall for smart, empathetic beauty Karen, but she loves only one of them (guess which?). What separates Slouka's coming-of-age story from most others are dead-on characters, the small-town setting in downstate New York, and the 1968–71 time frame.... The consequences for each character are both surprising and inevitable. —Robert E. Brown, Oswego, NY
Library Journal


(Starred review.) [P]oignant coming-of-age story.... What Slouka captures so well here is the burning desire of the four teens to leave their hardscrabble town behind and the restricted circumstances that seem to make tragedy an inevitable outcome.... Slouka gives them a voice here, one filled with equal parts humor and pain. —Joanne Wilkinson
Booklist


The book moves at a rapid and accelerating pace, and with ruthless precision, toward a surprising conclusion. But it takes shortcuts, indulging in a kind of sepia hokeyness at times and at others in a darkness that is too schematic and easy, that relies on a villainy that's not quite believable. Flawed, but unmistakably the work of an accomplished writer.
Kirkus Reviews