Catch-22
Peter Heller, 1961
Simon & Schuster
540 pp.
ISBN-13: 9781451626650
Summary
Fifty years after its original publication, Catch-22 remains a cornerstone of American literature and one of the funniest—and most celebrated—books of all time. In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer.
Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him.
But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he’s assigned, he’ll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved.
As revealing today as when it was first published, this brilliant novel expresses the concerns of an entire generation in its black comedy. World War II flier John Yossarian decides that his only mission each time he goes up is to return—alive! (From the publisher.)
More
Yossarian is a paranoid American bombardier stationed off the Italian coast during World War II who believes that everyone is out to kill him. Fearing he will be killed during a bombing run, Yossarian takes desperate measures to avoid flying, such as checking himself into a hospital with a fake liver condition and moving the bomb line on the map of Italy, which postpones the bombing mission to Bologna.
Yossarian and his comrades are in a Catch-22: They can be grounded on the basis of insanity; however, if they ask to be grounded because of insanity, their concern for their safety proves their sanity.
While Yossarian’s desire to get out of the war is the story’s focal point, Heller’s satirical narrative also relays the antics of Yossarian’s comrades—the men of the 256th Squadron—and positions those antics amid such themes as war, hypocrisy, justice, death, government bureaucracy, and greed. Teeming with Catch-22 situations, the ultimate "catch" for Yossarian is a test of his own integrity. Should he stand by truth and face court-martial or should he turn his back on his comrades and become a hero? (From the publisher.)
Author Bio
• Birth—May 1, 1923
• Where—Brooklyn, New York City, New York, USA
• Died—December 12, 1999
• Where—East Hamton, New York
• Education—University of Southern California, New York University;
M.A., Columbia University
Joseph Heller was an American satirical novelist, short story writer, and playwright. The title of one of his works, Catch-22, entered the English language to refer to a vicious circle wherein an absurd, no-win choice, particularly in situations in which the desired outcome of the choice is an impossibility, and regardless of choice, a same negative outcome is a certainty.
Although he is remembered primarily for Catch-22, his other works center on the lives of various members of the middle class and remain examples of modern satire.
Early years
Joseph Heller was born in Coney Island in Brooklyn, New York, the son of poor Jewish parents, Lena and Isaac Donald Heller, from Russia. Even as a child, he loved to write; as a teenager, he wrote a story about the Russian invasion of Finland and sent it to the New York Daily News, which rejected it. At least one scholar suggests that Heller knew that he wanted to become a writer, after recalling that he received a children's version of the Iliad when he was ten.
After graduating from Abraham Lincoln High School in 1941, Heller spent the next year working as a blacksmith's apprentice, a messenger boy, and a filing clerk. In 1942, at age 19, he joined the U.S. Army Air Corps. Two years later he was sent to the Italian Front, where he flew 60 combat missions as a B-25 bombardier. His unit was the 488th Bombardment Squadron, 340th Bomb Group, 12th Air Force. Heller later remembered the war as "fun in the beginning.... You got the feeling that there was something glorious about it."
On his return home he "felt like a hero.... People think it quite remarkable that I was in combat in an airplane and I flew sixty missions even though I tell them that the missions were largely milk runs." ("Milk runs" were combat missions, but mostly uneventful due to a lack of intense opposition from enemy anti-aircraft artillery or fighters).
After the war, Heller studied English at the University of Southern California and NYU on the G.I. Bill. In 1949, he received his M.A. in English from Columbia University. Following his graduation, he spent a year as a Fulbright scholar at St Catherine's College, Oxford (1949–50) and, after returning home, he taught composition at Pennsylvania State University for two years (1950–52). He also taught fiction and dramatic writing at Yale.
He then briefly worked for Time Inc., before taking a job as a copywriter at a small advertising agency where he worked alongside future novelist Mary Higgins Clark. He was first published in 1948, when The Atlantic ran one of his short stories. The story nearly won the "Atlantic First."
He was married to Shirley Held from 1945 to 1981. They had two children.
Catch-22
While sitting at home one morning in 1953, Heller thought of the lines
It was love at first sight. The first time he saw the chaplain, [Yossarian] fell madly in love with him.
Within the next day, he began to envision the story that could result from this beginning, and invented the characters, the plot, and the tone that the story would eventually take. Within a week, he had finished the first chapter and sent it to his agent. He did not do any more writing for the next year, as he planned the rest of the story. The initial chapter was published in 1955 as "Catch-18" in Issue 7 of New World Writing.
Although he originally did not intend the story to be longer than a novelette, Heller was able to add enough substance to the plot that he felt it could become his first novel. When he was one-third done with the work, his agent whose assistant, Candida Donadio, liked it and sent it to publishers. Heller was not particularly attached to the work, and decided that he would not finish it if publishers were not interested. The work was soon purchased by Simon and Schuster, who gave him US $750 and promised him an additional $750 when the full manuscript was delivered. Heller missed his deadline by four to five years but, after eight years of thought, delivered the novel to his publisher.
The finished novel describes the wartime experiences of Army Air Corps Captain John Yossarian. Yossarian devises multiple strategies to avoid combat missions, but the military bureaucracy is always able to find a way to make him stay. As Heller observed,
Everyone in my book accuses everyone else of being crazy. Frankly, I think the whole society is nuts—and the question is: What does a sane man do in an insane society?
Heller has also commented that "peace on earth would mean the end of civilization as we know it."
Just before publication, the novel's title was changed to Catch-22 to avoid confusion with Leon Uris' new novel, Mila 18. The novel was published in hardback in 1961 to mixed reviews, with the Chicago Sun-Times calling it "the best American novel in years" while other critics derided it as "disorganized, unreadable, and crass." It sold only 30,000 copies in the US hardback in its first year of publication. Reaction was very different in the UK, where, within one week of its publication, the novel was number one on the bestseller lists.
Once it was released in paperback in October 1962, however, Catch-22 caught the imaginations of many baby boomers, who identified with the novel's anti-war sentiments. The book went on to sell 10 million copies in the United States. The novel's title became a buzzword for a dilemma with no easy way out. Now considered a classic, the book was listed at number 7 on Modern Library's list of the top 100 novels of the century.
The movie rights to the novel were purchased in 1962, and, combined with his royalties, made Heller a millionaire. The film, directed by Mike Nichols and starring Alan Arkin, Jon Voight, Bob Newhart, Paula Prentiss, and Orson Welles, was released in 1970.
Other works
Shortly after Catch-22 was published, Heller thought of an idea for his next novel, which would become Something Happened, but did not act on it for two years. In the meantime he focused on scripts, completing the final screenplay for the movie adaptation of Helen Gurley Brown's Sex and the Single Girl, as well as a television comedy script that eventually aired as part of McHale's Navy.
In 1969, Heller wrote a play called We Bombed in New Haven. It delivered an anti-war message while discussing the Vietnam War. It was originally produced by the Repertory Company of the Yale Drama School, with Stacy Keach in the starring role. After a slight revision, it was published by Alfred A. Knopf and then debuted on Broadway, starring Jason Robards.
Something Happened, was finally published in 1974. Critics were enthusiastic about the book, and both its hardcover and paperback editions reached number one on the New York Times bestseller list.
Heller wrote another five novels, each of which took him several years to complete. One of them, Closing Time, revisited many of the characters from Catch-22 as they adjusted to post-war New York. All of the novels sold respectably well, but could not duplicate the success of his debut. Told by an interviewer that he had never produced anything else as good as Catch-22, Heller famously responded, "Who has?"
Heller maintained that he did not "have a philosophy of life, or a need to organize its progression. My books are not constructed to "say anything." Only when he was almost one-third finished with the novel would he gain a clear vision of what it should be about. At that point, with the idea solidified, he would rewrite all that he had finished and then continue to the end of the story. The finished version of the novel would often not begin or end with the sentences he had originally envisioned, although he usually tried to include the original opening sentence somewhere in the text.
Teaching
In the 1970s Heller taught creative writing at the City College of New York. After the publication of Catch-22, Heller resumed a part-time academic career as a teacher of creative writing at Yale University and at the University of Pennsylvania.
Illness
In December, 1981, Heller was diagnosed with Guillain–Barré syndrome, a debilitating syndrome that was to leave him temporarily paralyzed. He was admitted to the Intensive Care Unit of Mount Sinai Medical Hospital for a month and was transferred in January (1982 to the Rusk Institute of Rehabilitation Medicine. His illness and recovery are recounted at great length in the autobiographical No Laughing Matter, which contains alternating chapters by Heller and his good friend Speed Vogel. The book reveals the assistance and companionship Heller received from a number of his good friends—Mel Brooks, Mario Puzo, Dustin Hoffman and George Mandel among them.
Heller eventually made a substantial recovery. He later married Valerie Humphries, one of the nurses who helped him become well again.
Later years
In 1991 Heller returned to St. Catherine's at Oxford as a visiting Fellow for a term and was appointed an Honorary Fellow of the college. In 1998, he released a memoir, Now and Then: From Coney Island to Here, in which he relived his childhood as the son of a deliveryman and offered some details about the inspirations for Catch-22.
He died of a heart attack at his home in East Hampton, on Long Island, in December, 1999, shortly after the completion of his final novel, Portrait of an Artist, as an Old Man. On hearing of Heller's death, his friend Kurt Vonnegut said, "Oh, God, how terrible. This is a calamity for American literature."
Catch-22 controversy
In April 1998, Lewis Pollock wrote to The Sunday Times regarding "the amazing similarity of characters, personality traits, eccentricities, physical descriptions, personnel injuries and incidents" in Catch-22 and The Sky is a Lonely Place (Face of a Hero in the U.S.), published in 1951 by Louis Falstein. Falstein's novel was available two years before Heller wrote the first chapter of Catch-22 (1953) while he was a student at Oxford. The Times stated:
Both have central characters who are using their wits to escape the aerial carnage; both are haunted by an omnipresent injured airman, invisible inside a white body cast.
Stating he had never read Falstein's novel, or heard of him, Heller said: "My book came out in 1961.... I find it funny that nobody else has noticed any similarities, including Falstein himself, who died just last year." (Adapted from Wikipedia. Retrieved 1/4/2014.)
Book Reviews
Catch-22 is the only war novel I've ever read that makes any sense.
Harper Lee
One of the most bitterly funny works in the language.... Explosive, bitter, subversive, brilliant.
New Republic
To my mind, there have been two great American novels in the past fifty years. Catch-22 is one.
Stephen King - Entertainment Weekly
Below its hilarity, so wild that it hurts, Catch-22 is the strongest repudiation of our civilization, in fiction, to come out of World War II.... [T]his novel is not merely the best American novel to come out of World War II; it is the best American novel that has come out of anywhere in years.
Nelson Algren - Nation
It’s the rock and roll of novels.... There’s no book like it.... Surprisingly powerful
Norman Mailer - Esquire
One of the greatest anti-war books ever written.
Vanity Fair
Discussion Questions
1. A complex, chaotic structure makes the novel difficult to follow. How might this structure parallel, represent, and/or elevate themes in the story? How does Heller piece together the chronology of events?
3. Chapters tend to be named for individuals in the story; however, titles are deceptive because they tend to be about other characters. Why might Heller have named chapters after one character but have written them about another?
4. Yossarian shares a tent with a “dead man.” What role does this mysterious character play?
5. Chief White Halfoat is illiterate, yet he is assigned to military intelligence. Identify and discuss other examples of Heller’s cynicism toward the government and/or other institutions.
6. Choose a poignant passage/scene. How does Heller make this passage/scene work (e.g., how does he evoke emotion in the reader)?
7. Of the multiple characters in the story, which are you drawn to the most? Why? Are there any completely moral characters in the story? Explain.
8. Major Major is described as “the most mediocre of men.” What do the events in his past and present life tell us about humanity and destiny?
9. Both Captain Wren and Captain Piltchard are described as “mild” and “soft-spoken” officers, and they love the war. Why might their personalities be fitting for someone who loves the war?
10. Yossarian returns to the hospital several times. What role do the hospital settings play in the story? In what way might the hospital settings foil the bombing/war scenes? In what way might they be reflective times for Yossarian? For other characters?
11. Compare and contrast Colonel Cathcart and Colonel Korn. Are they both hypocrites? Why or why not?
12. Circumstances surrounding Snowden’s death are revealed slowly. What does his death mean to Yossarian? To others?
13. Discuss the significance of déjà vu in the story and how it relates to religious faith.
14. While much of the novel is military satire, the story does delve into the private sector. How might Mrs. Daneeka be a satirical character?
15. One of the ironies of the story occurs at the end in which Yossarian has an opportunity to go home a hero. In essence, he has the system in a Catch-22. Explain.
16. Discuss whether the ending of Catch-22 is uplifting or downbeat. Is it a victory or a defeat?
17. Most of the characters in Catch-22 are over-the-top in the sense that, in many ways, they are caricatures of themselves. What must Heller have known about humanity to make them all so recognizable?
18. What do you believe is Heller’s view of a capitalistic society?
19. Is Catch-22 a comic novel or a story of morality? Explain.
20. What does Catch-22 say about war?
21. Discuss the literary significance of Catch-22 and its relevance in the twenty-first century.
22. How does Catch-22 compare to other war stories you have read? How does it compare to other satires
23. How might Catch-22 be described as an allegory?
24. Discuss how the novel can be described as a struggle between the individual and an institution.
25. Discuss the meaning of sanity as it applies to the story.
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