Certain Girls (Weiner) - Book Reviews

Book Reviews
In the emotional core of the book, Weiner portrays with tear-jerking precision both the long, dark shadows of a painful childhood and the excruciatingly small window of blissful closeness that parents get to enjoy with their kids before they grow up and start to know better. Weiner, who in interviews talks about growing up Jewish in a non-Jewish Connecticut town, dealing with her own parents' divorce and being plus-size herself, is a self-professed outsider, and it's that nose-pressed-up-against-the-glass quality that gives her writing such a punch. It's what makes her wish-fulfillment, happy-ending plots forgivable, and it's what makes Certain Girls the kind of book that gets under your skin, reminding you what it felt like to listen to your friend snap her retainer in the dark during a sleepover when you were 13 and capturing exactly what it feels like now, watching your child grow away from you and praying that someday she comes back.
Laura Zigman - Washington Post


Weiner is a talented and accomplished novelist, with real stylistic flair, excellent and sometimes laugh-out loud wit, and good insight into her characters...Cannie has retained her wit and her sharp takes on the world she lives in, but she has evolved. Weiner's voice is smart and edgy, and her male characters are sharply drawn. She writes about issues, such as the dynamics of family life, that are of interest to all humans.
Philadelphia Inquirer


Weiner displays her signature wry voice and sap-free knack for capturing heartfelt moments; an unexpected plot twist gives her story emotional heft. Fans should find Girls a worthy successor.
People


In this smart-mouthed sequel to Good in Bed (a chick-lit classic), heroine Cannie is older but thinner, and in a terrible tussle with her soon-to-be-bat mitzvahed daughter.
Good Housekeeping


A daughter's journey through teen angst to realizations about family, acceptance, love, and the nature of truth.
Elle


F0llowing the story collection The Guy Not Taken, Weiner turns in a hilarious sequel to her 2001 bestselling first novel, Good in Bed, revisiting the memorable and feisty Candace "Cannie" Shapiro. Flashing forward 13 years, the novel follows Cannie as she navigates the adolescent rebellion of her about-to-be bat mitzvahed daughter, Joy, and juggles her writing career; her relationship with her physician husband, Peter Krushelevansky; her ongoing weight struggles; and the occasional impasse with Joy's biological father, Bruce Guberman. Joy, whose premature birth resulted in her wearing hearing aids, has her own amusing take on her mother's overinvolvement in her life as the novel, with some contrivance, alternates perspectives. As her bat mitzvah approaches, Joy tries to make contact with her long absent maternal grandfather and seeks more time with Bruce. In addition, unbeknownst to Joy, Peter has expressed a desire to have a baby with Cannie, which means looking for a surrogate mother. Throughout, Weiner offers her signature snappy observations: ("good looks function as a get-out-of-everything-free card") and spot-on insights into human nature, with a few twists thrown in for good measure. She expends some energy getting readers up to speed on Good, but readers already involved with Cannie will enjoy this, despite Joy's equally strong voice.
Publishers Weekly


Weiner's sequel to her New York Times bestselling Good in Bed takes place 13 years later and is told from the perspectives of the first book's protagonist, Cannie Shapiro, and Joy, her teenage daughter. Rachel Botchan and Julie Dretzin competently and professionally narrate these motherdaughter roles in alternating chapters, a format that can be confusing at times. As the book and author are both popular with public library patrons, the audio version, too, should be purchased to meet demand.
Mary Knapp - Library Journal


Clear your calendar and prepare to read: Cannie Shapiro (of Good in Bed) is back! Cannie, now 42, has been married to her "Doctor Peter" for more than ten years, and "baby" Joy is turning 13. In alternating chapters covering roughly a year, Cannie and Joy share the emotion-packed experiences of parenting and being a teen. (At some point, Weiner may have planned this as The Bat Mitzvah Diaries.) Added complications are Peter's desire for a baby via surrogate and Joy's classmates' discovery of the sexy novel Cannie published a decade ago, Big Girls Don't Cry(i.e., Good in Bed). Joy vacillates between loving and hating her mother and her complex family structure, while Cannie struggles to let her baby grow up; readers will laugh and cry for them both. Returning in this sequel, among others, is Cannie's best friend, Sam, still looking for the perfect mate (i.e., an unmarried Jewish male under 60). With six best sellers in seven years, Weiner is a talented writer who consistently delivers the goods. (Note: F-kis sprinkled judiciously throughout.) An essential read for fans and an essential buy for public libraries.
Rebecca Kelm - School Library Journal


Weiner's sequel to her debut novel (Good in Bed, 2001) revisits that book's heroine 13 years later. When readers first met Candace "Cannie" Shapiro, she was 28, overweight and single. Still feisty as ever, Candace is now wife to beloved Peter and mother to 13-year-old daughter Joy. The chapters alternate, sometimes jerkily, between Candace's and Joy's points of view. Joy, a typical teenager, is embarrassed by her mother, and Candace worries about her changing relationship with her daughter. Above all, Candace tries to protect Joy and herself from her painful past, very publicly chronicled in her accidental bestseller, Big Girls Don't Cry, a highly sexualized fictional account of Candace's life. After Joy reads the book, she questions who her true family is, and whether her mother ever wanted her. At times Weiner tries too hard to be witty, and Joy sounds too much like Candace. Still, the narrative is often heartfelt and funny, and, while the plot occasionally meanders, there are surprisingly raw emotional elements at play and some nifty plot twists. As the story unfolds, Joy goes looking for her maternal grandfather and Candace and Peter search for a surrogate for a second child—and Weiner proves she isn't afraid to tackle the complexities of love, fear and grief. A touching examination of both the comic and tragic moments that mark the mother-daughter relationship.
Kirkus Reviews