Book Reviews
One of this year's most inviting summer novels. It tells of four Smith College dorm mates who reunite for a wedding four years after graduation, and it manages to be so entertaining that this setup never feels schematic.... Ms. Sullivan introduces strong, warmly believable three-dimensional characters who have fun, have fights and fall into intense love affairs.
Janet Maslin - New York Times
Sullivan…excels at close-up portraits. She alternates among the four friends' points of view chapter by chapter, giving each a believable particular personality and background…Sullivan's gifts are substantial.
Maria Russo - New York Times Book Review
Sullivan writes fiction you might expect from a journalist: Her clean, precise prose stays carefully neutral and balanced, even as she shifts points of view from chapter to chapter… skillfully blending their stories…. Their struggles, reactions and decisions feel real. How they pull through–and pull together–proves inspiring.
Philadelphia City Paper
It isn't quite love at first sight when Celia, Sally, Bree and April meet as first-year hall mates at Smith College in the late 1990s. Sally, whose mother has just died, is too steeped in grief to think about making new friends, and April's radical politics rub against Celia and Bree's more conventional leanings. But as the girls try out their first days of independence together, the group forms an intense bond that grows stronger throughout their college years and is put to the test after graduation. Even as the young women try to support each other through the trials of their early twenties, various milestones-Sally's engagement, Bree's anomalous girlfriend, April's activist career-only seem to breed disagreement. Things come to a head the night before Sally's wedding, when an argument leaves the friends seething and silent; but before long, the women begin to suspect that life without one another might be harder than they thought. Sullivan's novel quickly endears the reader to her cast, though the book never achieves the heft Sullivan seems to be striving for.
Publishers Weekly
Graduating from college and moving into the "real world" is a rite of passage for many people. For Celia, Bree, April, and Sally, it's bittersweet to leave the confines of Smith College, where they all met. As first years, they bonded not only because they were new but because they lived together in the worst rooms in King House, third-floor maids' quarters. Celia's a Catholic schoolgirl, April an angry young feminist, and Bree the Southern belle who is already engaged, while Sally has just lost her mother to cancer. Despite these differences, they become best friends, and what they share at Smith carries them into their later lives-even as they go on to very different realities. Sullivan's first novel is a coming-of-age tale of young women in contemporary society where some of the battles of the women's movement have been won-but not all. The characters still face issues about sexuality, equality, and cultural expectations, and Sullivan's intriguing treatment partly refreshes the novel's familiar concept. For fans of contemporary women's fiction.
Robin Nesbitt - Library Journal
Introducing feminist chick lit in the form of first-time novelist Sullivan’s diverting parody of life at Smith College.... Sullivan’s debut crackles with intelligent observations about the inner sanctum of the all-women’s elite (yet scholarship-laden) college life. —Emily Cook
Booklist
Four women meet at an all-female college and predictably remain constant allies as their lives unfold. Sullivan's unswervingly formulaic debut introduces Celia, April, Bree and Sally, united by their rooms on a shared hallway in King House at Smith. They instantly strike up enduring relationships despite their disparities. April, daughter of a radical single mother and the most overtly political, will later fall under the spell of a manipulative filmmaker. Bree, the Southern belle who arrives wearing an engagement ring, ends up an ambivalent lesbian with a lover named Lara. Celia, the most colorless, has a Catholic upbringing, aspires to write and gets a job at a minor Manhattan publisher. Neat-freak Sally, still grieving her mother's death, becomes the lover of a promiscuous professor of poetry but later marries happily, the ceremony reuniting the women four years after graduation. In among the boyfriends, confessions and aspirations, Sullivan tosses descriptions of Smith culture (lesbianism, food disorders), meditations on mothers and a strong dose of feminism. But the narrative is a monotone, rising to a few late peaks with Sally's pregnancy, Bree and Lara's break-up and an implausible development surrounding April, who disappears and is feared murdered during an investigation of child prostitution. Readable, but dated and lackluster.
Kirkus Reviews