The Cupboard Full of Life (No. 1 Ladies Detective Agency series #5)
Alexander McCall Smith, 2003
Knopf Doubleday
224 pp.
ISBN-13: 9781400031818
Summary
In the fifth book in the prodigiously successful series, traditionally built, eminently sensible Mma Precious Ramotswe continues her enterprise at the No. 1 Ladies’ Detective Agency in Gaborone, Botswana, a country that is indeed fortunate.
Still engaged to the estimable Mr J.L.B. Matekoni, Mma Ramotswe understands that she should not put too much pressure on him, as he has other concerns, especially a hair-raising request from the ever persuasive Mma Potokwane, matron of the orphan farm. Besides Mma Ramotswe herself has weighty matters on her mind.
She has been approached by a wealthy lady to check up on several suitors. Are these men interested in the lady or just her money? This may be a difficult case, but it's just the kind of problem Mma Ramotswe likes and she is, as we know, a very intuitive lady. (From the publisher.)
Author Bio
• Birth—August 24, 1948
• Where—Bulawayo, Rhodesia (now Zimbabwe)
• Education—Christian Brothers College; Ph.D., University
Edinburgh
• Honors—Commandre of the Order of the British Empire
(CBE); Fellow of the Royal Society of Edinburgh (FRSE)
• Currently—lives in Edinburgh, Scotland, UK
Alexander (R.A.A.) "Sandy" McCall Smith, CBE, FRSE, is a Rhodesian-born Scottish writer and Emeritus Professor of Medical Law at the University of Edinburgh. In the late 20th century, McCall Smith became a respected expert on medical law and bioethics and served on British and international committees concerned with these issues. He has since become internationally known as a writer of fiction. He is most widely known as the creator of the The No. 1 Ladies' Detective Agency series.
Alexander McCall Smith was born in Bulawayo, in what was then Southern Rhodesia and is now Zimbabwe. His father worked as a public prosecutor in what was then a British colony. He was educated at the Christian Brothers College before moving to Scotland to study law at the University of Edinburgh, where he received his Ph.D. in law.
He soon taught at Queen's University Belfast, and while teaching there he entered a literary competition: one a children's book and the other a novel for adults. He won in the children's category, and published thirty books in the 1980s and 1990s.
He returned to southern Africa in 1981 to help co-found and teach law at the University of Botswana. While there, he cowrote what remains the only book on the country's legal system, The Criminal Law of Botswana (1992).
He returned in 1984 to Edinburgh, Scotland, where he lives today with his wife, Elizabeth, a physician, and their two daughters Lucy and Emily. He was Professor of Medical Law at the University of Edinburgh at one time and is now Emeritus Professor at its School of Law. He retains a further involvement with the University in relation to the James Tait Black Memorial Prize.
He is the former chairman of the British Medical Journal Ethics Committee (until 2002), the former vice-chairman of the Human Genetics Commission of the United Kingdom, and a former member of the International Bioethics Commission of UNESCO. After achieving success as a writer, he gave up these commitments.
He was appointed a CBE in the December 2006 New Year's Honours List for services to literature. In June 2007, he was awarded the Honorary Degree of Doctor of Laws at a ceremony celebrating the tercentenary of the University of Edinburgh School of Law.
He is an amateur bassoonist, and co-founder of The Really Terrible Orchestra. He has helped to found Botswana's first centre for opera training, the Number 1 Ladies' Opera House, for whom he wrote the libretto of their first production, a version of Macbeth set among a troop of baboons in the Okavango Delta.
In 2009, he donated the short story "Still Life" to Oxfam's 'Ox-Tales' project—four collections of UK stories written by 38 authors. McCall Smith's story was published in the Air collection. (From Wikipedia.)
Book Reviews
The Full Cupboard of Life is by no means oppressively sweet, but it is committed to looking on life's sunny side. And its characters, like the one who watches a special mango ripen on a tree, have a primitivism that is as reductive as it is warm. At one point, someone suggests that "How to Get 97 Percent" would be an appealing title for a book. It's one that could easily be applied to Mr. Smith's big-hearted Botswanan stories.
Janet Maslin - New York Times
Precious Ramotswe is on the case again in this delightful fifth installment in the bestselling No. 1 Ladies' Detective Agency series, this time assisting the self-made founder of a chain of hairdressing salons who wants to unearth the real intentions of her four suitors, each possibly more interested in her money than her heart. As fans know, though, sleuthing takes second place to folksy storytelling in McCall Smith's wry novels. This time around, Mma Ramotswe is distracted by her long-prolonged engagement to Mr. J.L.B. Matekoni, Gaborone's best mechanic; it seems she will never be married, despite her fianc 's honorable intentions. He installs an extra large seatbelt in her car to keep her safe (she is quite comfortable with her "traditional build," despite the new, slender fashion of modern woman), but an altercation with another mechanic and the prospect of a charity parachute jump keep his mind off matrimony. A drive for decency motivates Mma Ramotswe and her friends-among them Mma Potokwani, the imperious matron of the local orphan farm, and Mma Makutsi, assistant at the Ladies' Detective Agency and founder of the Kalahari Typing School for Men-and Smith's talent is in portraying this moral code in a manner that is always engaging. As readers will appreciate, Mma Ramotswe solves her cases-more questions of character, really, than of criminal behavior-in good time. Traditionally built ladies living in the African heat don't tend to hurry, and, at the No. 1 Ladies Detective Agency, there's always time for another cup of tea.
Publishers Weekly
Thankfully, Mma Precious Ramotswe is back in another delightful adventure. The fifth book in Smith's popular "No. 1 Ladies' Detective Agency" series finds Precious humorously and intuitively pondering her status as the longtime fianc e of Mr. J.L.B. Matekoni, as the primary guardian of two children from the orphan farm, and, of course, as the proprietress of Botswana's No. 1 Ladies' Detective Agency. In addition to her personal life, Mma Precious has taken on the professional tasks of screening suitors for a wealthy salon owner and getting Mr. Matekoni out of a precarious situation. Returning with Mma Ramotswe are the usual cast of memorable supporting characters, and Smith introduces several new and well-drawn personalities. With the charm and visual detail so characteristic of this series, readers are treated to another enchanting slice of Mma Ramotswe's world. Sure to please both enduring fans and new readers, this is highly recommended for all fiction and mystery collections. —Nicole A. Cooke, Montclair State Univ. Lib., Upper Montclair, NJ
Library Journal
The tremendous appeal of this delightful series comes from the unique manner in which Smith mixes the charm of both traditional and contemporary village cozies (from Miss Marple to the Maggody novels) with a comical Runyonesque formality of language and a grasp of human relations that is very like Jane Austen (Mma Ramotswe, in fact, has a lot of Emma in her). You can bet that one day soon this series will turn up on public television. —Bill Ott
Booklist
Another charmingly gossamer mystery for Botswana's premier detective. Mma Precious Ramotswe, of the No. 1 Ladies' Detective Agency, often takes on clients whose problems are reflections of her own (The Kalahari Typing School for Men, 2003, etc.). The problems this time involve marriage. Mma Holonga, founder of a chain of hairdressing salons and inventor of the wondrous Special Girl Hair Braiding Preparation, having narrowed the field of men applying for the position of husband to a wealthy woman to four, wants Mma Ramotswe to investigate the finalists and report whether they are more interested in Mma Holonga or in her money. The "traditionally built" Mma Ramotswe takes an especially keen interest in the case because her own engagement to Mr J.L.B. Matekoni, the gentlemanly mechanic who shares her Gaborone office building, seems becalmed in an endlessly premarital state; although she can't imagine marrying anyone else, it's becoming difficult to imagine actually marrying Mr J.L.B. Matekoni either. As for her fiance, he's distracted by troubles of his own, from his need to confront his ignoble competitors at First Class Motors to his having been pressured into aiding Mma Silvia Potokwani's orphan farm by signing up subscribers to sponsor a parachute jump she wants him to make. As usual in this enchanting series, Mma Ramotswe provides less detection than advice, and wise advice it turns out to be, even when her clients decline to take it.
Kirkus Reviews
Discussion Questions
1. There are many references in The Full Cupboard of Life to “the old Botswana morality.” Outline these virtues. In what ways is Mma Ramotswe a traditional, old-fashioned Botswanan woman? In what ways is she modern? According to Mma Ramotswe, what is “the right sort of woman?” How does she and Mr. J.T.B. Matekoni embody the “old Botswana morality?”
2. What is Mma Ramotswe’s general opinion of men? Is it a stereotypical view? Do you agree with her assessment? Is her fiancé, Mr. J.L.B. Matekoni, a “typical” male? What does she think are the characteristic differences between the sexes? And how does she interact and deal with males and females differently?
3. For Mma Ramotswe’s clients, how is visiting with her like talking with a therapist? What psychological tactics does she employ with her clients and in solving their cases? What is Mma Ramotswe’s approach to being a detective?
4. Describe the importance of tea in The Full Cupboard of Life. Note that there’s even a chapter called “Tea is always the solution.”
5. What do you learn about Mr. J.L.B. Matekoni in The Full Cupboard of Life that adds to your picture of him portrayed in the first four No. 1 Ladies’ Detective Agency books? How about Mma Ramotswe? Is she fairly consistent throughout the series? How about the other principal characters in the books—Mma Makutsi, Mma Potokwani, the apprentices? Have they grown fuller as characters, and matured over the course of the series?
6. More so than in the first four novels, Mma Ramotswe comments on love in The Full Cupboard of Life. What are her views on love and romantic relationships and marriage? Do you agree with her? How is forgiveness connected to love in Mma Ramotwe’s view? How is timing tied to love in her opinion? What determines her love for Mr. J.T.B. Matekoni? What threatens to undermine their relationship and their engagement?
7. What is the significance of the title? What are some other suitable titles for this book? Discuss the importance of the chapter headings to the novel as a whole. Why does Alexander McCall Smith give the chapters title-like headings?
8. Mma Potokwani and Mma Makutsi both think of titles for books they may someday write—How to Run an Orphan Farm; How to Get 97%. What are some titles for books you or other members of your book group could write?
9. Discuss the abundant imagery of the Botswanan landscape in this novel. Compare Mochudi village life with the busier world of Gaborone. Compare both with your hometown. Could these books have taken place anywhere other than in southern Africa? How has the landscape influenced Mma Ramotswe? Do you think the landscape has influenced the author as well? Through his descriptions, has it influenced you?
10. Describe the advice of Clovis Andersen’s The Principles of Private Detection. What sort of advice is it? Why does Mma Ramotswe admire Andersen so much?
11. Does Mma Ramotswe actually solve any mysteries in The Full Cupboard of Life? What does she do in this book? Compare and contrast the No. 1 Ladies’ Detective Agency books to other mystery series you’ve read and enjoyed. Are these books mysteries in the traditional sense? Do you think they are mysteries at all? How would you classify them?
12. How does the author refer to Mma Ramotswe’s history and past from the other novels? Why does he do this? Do you think you can read The Full Cupboard of Life without having read the first four books?
13. Describe the author’s writing style. What is so compelling about the voice and description in the novel? How do you think Alexander McCall Smith’s background as a Scottish medical law professor who grew up in southern Africa has affected these books?
(Questions issued by publisher.)
top of page (summary)