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[D]espite all the pleasures Itani is able to deliver, her decision to split the book into Grania's and Jim's chapters ends up causing a fatal falling-off in momentum. It is as if three books—one concerning Grania's childhood, another concerning her life on the home front and the third detailing Jim's army experience—were uneasily trying to coexist within one cover. The conversation Itani is able to create among these three narratives is insufficient to the task of calling them into unity. Though Deafening flows admirably in the early going, it ends up being more memorable for its failures than for this early success. —Mark Baechtel
Washington Post Book World


War and deafness are the twin themes of this psychologically rich, impeccably crafted debut novel set during WWI. Born in the late 19th century, Grania O'Neill comes from solid middle-class stock, her father a hotel owner in Deseronto, Ontario, her mother a God-fearing daughter of an Irish immigrant. When Grania is five, she loses her hearing to scarlet fever. When she is nine, she is sent to the Ontario Institution for the Deaf and Dumb in Belleville and given an education not only in lipreading, signing and speaking but also in emotional self-sufficiency. After graduating, she works as a nurse in the Belleville hospital, where she meets and falls in love with Jim Lloyd. They marry, but Jim is bound for the war as a stretcher bearer. His war is hell on earth: lurid wounds; stinks; sudden, endless slaughter redeemed only by comradeship. Itani's remarkably vivid, unflinching descriptions of his ordeal tend to overshadow Grania's musings on the home front, but Grania's story comes to the fore again when her brother-in-law and childhood friend, Kenan, comes back to Deseronto from the trenches in Europe with a dead arm and a half-smashed face, refusing to speak. Grania, who was educated to configure sounds she couldn't hear into words that "the hearing" could understand, brings Kenan back to life by teaching him sounds again, and then by making portraits of the people in the town whom she, Kenan and her sister Tress know in common. As she talks to Kenan, she reinvigorates him with a sense that his life, having had such a rich past, must have a future, too. This subplot eloquently expresses Itani's evident, pervasive faith in the unexpected power of story to not only represent life but to enact itself within lives. Her wonderfully felt novel is a timely reminder of war's cost, told from an unexpected perspective. Itani's first novel is reminiscent of Pat Barker's Regeneration trilogy and has a good chance of striking a similar popular chord.
Publishers Weekly


Scarlet fever robs Grania O'Neill of her hearing when she is five years old. After learning to sign and read lips, she is sent, at nine, to the Ontario School for the Deaf. Determined to make a life for herself without becoming a burden to her family, Grania works at the school hospital after graduation until she meets and marries Jim Lloyd. Shortly after their wedding, he heads off to the Great War as a stretcher bearer. Award-winning Canadian writer Itani does a good job of presenting her considerable research into education for the hearing-impaired in the early 20th century, small-town Canadian life, and World War I trench warfare, without allowing the details to overshadow what is essentially a character study and romance. Lorraine Hamelin reads with both sensitivity and humor and handles Grania's dialog well, making it sound realistic and intelligible. Sections of Deafening could easily have come across as too sentimental or too grim, but Hamelin keeps the emotional elements under control. Recommended for all collections. —Michael Adams, CUNY Graduate Ctr.
Library Journal


Jim and Grania pine as wartime separated lovers do, but their story's real strength is their separate, if parallel, struggles to deal with their unforgiving surroundings. Her original treatment of classic wartime romance will make Itani's readers want more. —Brendan Driscoll
Booklist


An impressively daring first novel from Canada—storywriter Itani's US debut—immerses us in both the world of the deaf and the world of WWI trench warfare. Grania O'Neill is a lucky little girl. Even though her scarlet fever brings on incurable deafness, she is encircled by her family's love. Yes, she is smart and strong-willed, but it is the love of grandmother Mamo and big sister Tress that pulls her through (Mother's love is obstructed by guilt). It's a new century; this family of Irish immigrants owns a hotel in a small Canadian company town on Lake Ontario. The practical Mamo becomes Grania's mentor, but realizes that Grania must leave the charmed circle to attend a boarding school for the deaf. Institutional life has Grania crying for two weeks until she takes control. We learn along with her: how words can be felt; how to concentrate on whatever moves; how to "look for the information" by developing "an extra eye." Grania stays on after graduation, working in the school hospital, where she meets Jim Lloyd. The attraction between deaf and hearing person is immediate. Even though Jim will soon be headed over there (it's 1915), the two decide on marriage, a wedding blessed by Mamo. At the front in Belgium, Jim is a stretcher-bearer. We tumble into a pit of horrors. The noise is relentless. Some of the boys, though uninjured, will become deaf. They work together with the enemy in No Man's Land, soundlessly, miming their search for the wounded. Artful links, these, to Grania's odyssey, which could have been overwhelmed by the frontline gore. There is grim news on the home front, too, as Grania nearly succumbs to the great influenza epidemic of 1918; Mamo sacrifices her own life to save her. Jim returns home unharmed, but with "old eyes." Husband and wife embody Itani's theme: the power and reach of love—love that falters only in the face of the unknowable. Itani never loses control of her tricky material: the result is an artistic triumph.
Kirkus Reviews