Down the River Unto the Sea
Walter Mosley, 2018
Mulholland Books
336 pp.
ISBN-13: 9780316509640
Summary
Joe King Oliver was one of the NYPD's finest investigators, until, dispatched to arrest a well-heeled car thief, he is framed for assault by his enemies within the NYPD, a charge which lands him in solitary at Rikers Island.
A decade later, King is a private detective, running his agency with the help of his teenage daughter, Aja-Denise. Broken by the brutality he suffered and committed in equal measure while behind bars, his work and his daughter are the only light in his solitary life.
When he receives a card in the mail from the woman who admits she was paid to frame him those years ago, King realizes that he has no choice but to take his own case: figuring out who on the force wanted him disposed of—and why.
Running in parallel with King's own quest for justice is the case of a Black radical journalist accused of killing two on-duty police officers who had been abusing their badges to traffic in drugs and women within the city's poorest neighborhoods.
Joined by Melquarth Frost, a brilliant sociopath, our hero must beat dirty cops and dirtier bankers, craven lawyers, and above all keep his daughter far from the underworld in which he works. All the while, two lives hang in the balance: King's client's, and King's own. (From the publisher.)
Author Bio
• Birth—January 12, 1952
• Where—Los Angeles, California, USA
• Education—B.A., Johnson State College
• Awards—Mystery Writers Grand Master; Shamus Award, Private Eye Writers of America; Grammy Award for Best Album Notes
• Currently—lives in New York City
When President Bill Clinton announced that Walter Mosley was one of his favorite writers, Black Betty (1994), Mosley's third detective novel featuring African American P.I. Easy Rawlins, soared up the bestseller lists. It's little wonder Clinton is a fan: Mosley's writing, an edgy, atmospheric blend of literary and pulp fiction, is like nobody else's. Some of his books are detective fiction, some are sci-fi, and all defy easy categorization.
Mosley was born in Los Angeles, traveled east to college, and found his way into writing fiction by way of working as a computer programmer, caterer, and potter. His first "Easy Rawlins" book, Gone Fishin' didn't find a publisher, but the next, Devil in a Blue Dress (1990) most certainly did—and the world was introduced to a startlingly different P.I.
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Part of the success of the Easy Rawlins series is Mosley's gift for character development. Easy, who stumbles into detective work after being laid off by the aircraft industry, ages in real time in the novels, marries, and experiences believable financial troubles and successes. In addition, Mosley's ability to evoke atmosphere—the dangers and complexities of life in the toughest neighborhoods of Los Angeles—truly shines. His treatment of historic detail (the Rawlins books take place in Los Angeles from the 1940s to the mid-1960s) is impeccable, his dialogue fine-tuned and dead-on.
In 2002, Mosley introduced a new series featuring Fearless Jones, an Army vet with a rigid moral compass, and his friend, a used-bookstore owner named Paris Minton. The series is set in the black neighborhoods of 1950s L.A. and captures the racial climate of the times. Mosley himself summed up the first book, 2002's Fearless Jones, as "comic noir with a fringe of social realism."
Despite the success of his bestselling crime series, Mosley is a writer who resolutely resists pigeonholing. He regularly pens literary fiction, short stories, essays, and sci-fi novels, and he has made bold forays into erotica, YA fiction, and political polemic. "I didn't start off being a mystery writer," he said in an interview with NPR. "There's many things that I am." Fans of this talented, genre-bending author could not agree more!
Extras
From a 2004 Barnes & Noble interview:
• Mosley is an avid potter in his spare time.
• He was a computer programmer for 15 years before publishing his first book. He is an avid collector of comic books. And ahe believes that war is rarely the answer, especially not for its innocent victims.
• When asked what book most influenced his career as a writer, here is what he said:
The Stranger by Albert Camus probably had the greatest impact on me. I suppose that's because it was a novel about ideas in a very concrete and sensual world. This to me is the most difficult stretch for a writer—to talk about the mind and spirit while using the most pedestrian props. Also the hero is not an attractive personality. He's just a guy, a little removed, who comes to heroism without anyone really knowing it. This makes him more like an average Joe rather than someone beyond our reach or range.
(Bio and interview from Barnes & Noble .)
Book Reviews
Great stuff.… The vibrant characters and pulsating dialogue are primo Mosley.
Marilyn Stasio - New York Times Book Review
Walter Mosley is back with a whole new character to love.… As gorgeous a novel as anything he's ever written. And with Joe King Oliver I'm betting, and hoping, he's given us a character we haven't see the last of.
Richard Lipez - Washington Post
Gritty.… The plot soars.… Few mystery writers can examine issues of race-how it divides and binds people-as clearly and unflinchingly as Walter Mosley.
Oline Cogdill - Associated Press
A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions.… The darker and uglier the story gets, the more Joe King Oliver comes alive.… The journey is fun and joyful.… A fitting work for a world riddled with dark contradiction."
Steph Cha - Los Angeles Times
Remarkable.… Walter Mosley's latest novel [is] all the more relevant in Black Lives Matter era.
Lloyd Sachs - Chicago Tribune
Down the River Unto the Sea is a well-constructed crime novel, urgent in its plotting and carefully observed in the behaviors and the voices of its supporting cast. Mosley makes it all look simple, creating in Joe King Oliver another fascinatingly flawed detective brimming with potential.
Michael Berry - San Francisco Chronicle
This is one of those books that leaves you a little breathless—not only while you're reading, but once the back cover's closed, too. For anyone who loves hard-bitten PI thrillers, reading Down the River unto the Sea couldn't be more right.
Teri Schlichenmeyer - Miami Times
(Starred review) [An] excellent standalone from MWA Grand Master Mosley…. The novel’s dedication—to Malcolm, Medgar, and Martin—underlines the difference that one man can make in the fight for justice.
Publishers Weekly
In this latest from Mystery Writers Grand Master Mosley, a stand-alone and possible series launch, top NYPD investigator Joe King Oliver is framed by bad guys on the force and ends up at Rikers. Now he runs his own agency with teenage daughter….
Library Journal
(Starred review) [R]emarkable energy…. Mosley writes with great power here about themes that have permeated his work: institutional racism, political corruption, and [how both] affect… society at large [and] individual men and women.
Booklist
[S]o many aspects of this novel are reminiscent of other Mosley books that it tempts one to wonder whether he's stretching his resources a little thin. But ultimately it's Mosley's signature style—rough-hewn, rhythmic, and lyrical—that makes you ready and eager for whatever he's serving up.
Kirkus Reviews
Discussion Questions
We'll add publisher questions if and when they're available; in the meantime, please use our GENERIC MYSTERY QUESTIONS to start a discussion for Down the River Unto the Sea … then take off on your own:
GENERIC DISCUSSION QUESTIONS
Mystery / Crime / Suspense Thrillers
1. Talk about the characters, both good and bad. Describe their personalities and motivations. Are they fully developed and emotionally complex? Or are they flat, one-dimensional heroes and villains?
2. What do you know...and when do you know it? At what point in the book do you begin to piece together what happened?
3. Good crime writers embed hidden clues in plain sight, slipping them in casually, almost in passing. Did you pick them out, or were you...clueless? Once you've finished the book, go back to locate the clues hidden in plain sight. How skillful was the author in burying them?
4. Good crime writers also tease us with red-herrings—false clues—to purposely lead readers astray? Does your author try to throw you off track? If so, were you tripped up?
5. Talk about the twists & turns—those surprising plot developments that throw everything you think you've figured out into disarray.
- Do they enhance the story, add complexity, and build suspense?
- Are they plausible or implausible?
- Do they feel forced and gratuitous—inserted merely to extend the story?
6. Does the author ratchet up the suspense? Did you find yourself anxious—quickly turning pages to learn what happened? A what point does the suspense start to build? Where does it climax...then perhaps start rising again?
7. A good ending is essential in any mystery or crime thriller: it should ease up on tension, answer questions, and tidy up loose ends. Does the ending accomplish those goals?
- Is the conclusion probable or believable?
- Is it organic, growing out of clues previously laid out by the author (see Question 3)?
- Or does the ending come out of the blue, feeling forced or tacked-on?
- Perhaps it's too predictable.
- Can you envision a different or better ending?
8. Are there certain passages in the book—ideas, descriptions, or dialogue—that you found interesting or revealing...or that somehow struck you? What lines, if any, made you stop and think?
9. Overall, does the book satisfy? Does it live up to the standards of a good crime story or suspense thriller? Why or why not?
(Generic Mystery Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)