Eight Perfect Murders
Peter Swanson, 2008
HarperCollins
288 pp.
ISBN-13: 9780062838209
Summary
A chilling tale of psychological suspense and an homage to the thriller genre tailor-made for fans: the story of a bookseller who finds himself at the center of an FBI investigation because a very clever killer has started using his list of fiction’s most ingenious murders.
Years ago, bookseller and mystery aficionado Malcolm Kershaw compiled a list of the genre’s most unsolvable murders, those that are almost impossible to crack—which he titled “Eight Perfect Murders,”
The titles were chosen from among the best of the best—including Agatha Christie’s A. B. C. Murders, Patricia Highsmith’s Strangers on a Train, Ira Levin’s Death Trap, A. A. Milne's Red House Mystery, Anthony Berkeley Cox's Malice Aforethought, James M. Cain's Double Indemnity, John D. Macdonald's The Drowner, and Donna Tartt's A Secret History.
But no one is more surprised than Mal, now the owner of the Old Devils Bookstore in Boston, when an FBI agent comes knocking on his door one snowy day in February. She’s looking for information about a series of unsolved murders that look eerily similar to the killings on Mal’s old list.
And the FBI agent isn’t the only one interested in this bookseller who spends almost every night at home reading. There is killer is out there, watching his every move—a diabolical threat who knows way too much about Mal’s personal history, especially the secrets he’s never told anyone, even his recently deceased wife.
To protect himself, Mal begins looking into possible suspects … and sees a killer in everyone around him. But Mal doesn’t count on the investigation leaving a trail of death in its wake.
Suddenly, a series of shocking twists leaves more victims dead—and the noose around Mal’s neck grows so tight he might never escape. (From the publisher.)
Author Bio
• Birth—January 11, 1964
• Where—Carlisle, Massachusetts, USA
• Education—B.A., Trinity College; M.A., University of Massachusetts-Amherst; M.F.A., Emerson College
• Currently—lives in Somerville, Massachusetts
Peter Swanson is the author of several novels: The Girl with a Clock for a Heart (2014) The Kind Worth Killing (2015), Her Every Fear (2016), and Before She Knew Him (2019). Eight Perfect Murders (2020) is his most recent.
Swanson's poems, stories and reviews have appeared in such journals as The Atlantic, Asimov’s Science Fiction, Epoch, Measure, Notre Dame Review, Soundings East, and The Vocabula Review. He has won awards in poetry from The Lyric and Yankee Magazine, and is currently completing a sonnet sequence on all 53 of Alfred Hitchcock’s films.
Swanson has degrees in creative writing, education, and literature from Trinity College, the University of Massachusetts at Amherst, and Emerson College. He lives with his wife and cat in Somerville, Massachusetts. (From the publisher and the author's website.)
Book Reviews
[E]ngagingly original.… [A] multilayered mystery that brims with duplicity, betrayal and revenge—all bubbling slowly to the surface in increasingly bloody pages.… Fans won’t be disappointed.… Swanson plants clues and misdirections throughout. Not only does he make many literary references, he analyzes the perfect murders’ storylines. While he’s spinning this compelling murder story that will keep you on edge and guessing, he’s also spoiling those eight classics for anyone who hasn’t read them. Swanson warns readers up front.… Some mystery lovers will savor how slow the suspense builds with Mal’s no-hurry, low-adrenaline narrative. Others, not so much. This is a cerebral mystery, more dialogue than action. Although the twisted finale isn’t all that unexpected or climactic, when it comes to perfect murders, it’s the process that matters, not so much the end, right?
USA Today
(Starred review) [O]utstanding.… The stakes rise when Kershaw admits he knew one of the victims but chose not to share that with Mulvey. Swanson will keep most readers guessing until the end. Classic whodunit fans will be in heaven.
Publishers Weekly
The wintry New England setting and eerily cool narration, together with trust-no-one twists and garish murders, will satisfy thriller readers…. While you may not warm to Malcolm, you'll stay to the finish of this one. —Liz French
Library Journal
(Starred review) A devilish premise combined with jaw-dropping execution.… Mystery fans will be salivating as the plot unfolds, trying to outsmart the confoundingly unreliable narrative…. Swanson hits every note in this homage to the old-school crime novel, and the turnabout ending will leave readers reeling in delight.
Booklist
(Starred review) [While] a triple helping of cleverness… might seem like a fatal overdose, the pleasures of following, and trying to anticipate, [the] narrator… intense. If the final revelations are anticlimactic, that's only because you wish the mounting complications… could go on forever.
Kirkus Reviews
Discussion Questions
(We'll add questions if and when they're made available by the publisher. In the meantime, use our generic mystery questions to help start a discussion for EIGHT PERFECT MURDERS … then take off on your own:
GENERIC DISCUSSION QUESTIONS
Mystery / Crime / Suspense Thrillers
1. Talk about the characters, both good and bad. Describe their personalities and motivations. Are they fully developed and emotionally complex? Or are they flat, one-dimensional heroes and villains?
a. In this book, Eight Perfect Murders, you'll especially want to spend time discussing Malcolm's unreliable narration, his confounding second, even third, guessing, his eerie detachment. How does Malcolm affect you, as reader?
2. What do you know...and when do you know it? At what point in the book do you begin to piece together what happened?
3. Good crime writers embed hidden clues in plain sight, slipping them in casually, almost in passing. Did you pick them out, or were you...clueless? Once you've finished the book, go back to locate the clues hidden in plain sight. How skillful was the author in burying them?
4. Good crime writers also tease us with red-herrings—false clues—to purposely lead readers astray? Does your author try to throw you off track? If so, were you tripped up?
5. Talk about the twists & turns—those surprising plot developments that throw everything you think you've figured out into disarray.
- Do they enhance the story, add complexity, and build suspense?
- Are they plausible or implausible?
- Do they feel forced and gratuitous—inserted merely to extend the story?
6. Does the author ratchet up the suspense? Did you find yourself anxious—quickly turning pages to learn what happened? A what point does the suspense start to build? Where does it climax...then perhaps start rising again?
7. A good ending is essential in any mystery or crime thriller: it should ease up on tension, answer questions, and tidy up loose ends. Does the ending accomplish those goals?
- Is the conclusion probable or believable?
- Is it organic, growing out of clues previously laid out by the author (see Question 3)?
- Or does the ending come out of the blue, feeling forced or tacked-on?
- Perhaps it's too predictable.
- Can you envision a different or better ending?
8. Are there certain passages in the book—ideas, descriptions, or dialogue—that you found interesting or revealing...or that somehow struck you? What lines, if any, made you stop and think?
9. Overall, does the book satisfy? Does it live up to the standards of a good crime story or suspense thriller? Why or why not?
(Generic Mystery Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)