The Girl in the Green Raincoat (Tess Monaghan series #11)
Laura Lippman, 2010
HarperCollins
192 pp.
ISBN-13: 9780061938566
Summary
In the third trimester of her pregnancy, Baltimore private investigator Tess Monaghan is under doctor's orders to remain immobile. Bored and restless, reduced to watching the world go by outside her window, she takes small comfort in the mundane events she observes...like the young woman in a green raincoat who walks her dog at the same time every day.
Then one day the dog is running free and its owner is nowhere to be seen. Certain that something is terribly wrong, and incapable of leaving well enough alone, Tess is determined to get to the bottom of the dog walker's abrupt disappearance, even if she must do so from her own bedroom. But her inquisitiveness is about to fling open a dangerous Pandora's box of past crimes and troubling deaths...and she's not only putting her own life in jeopardy but also her unborn child's.
Previously serialized in the New York Times, and now published in book form for the very first time, The Girl in the Green Raincoat is a masterful Hitchcockian thriller from one of the very best in the business: multiple award-winner Laura Lippman. (From the publisher.)
Author Bio
• Birth—January 31, 1959
• Where—Atlanta, Georgia, USA
• Education—B.S., Northwestern University
• Awards—(see below)
• Currently—lives in Baltimore, Maryland
Lippman was born in Atlanta, Georgia, and raised in Baltimore, Maryland. She is the daughter of Theo Lippman Jr., a well known and respected writer at the Baltimore Sun, and Madeline Lippman, a retired school librarian for the Baltimore City Public School System. She attended high school in Columbia, Maryland, where she was the captain of the Wilde Lake High School It's Academic team.
Lippman is a former reporter for the (now defunct) San Antonio Light and the Baltimore Sun. She is best known for writing a series of novels set in Baltimore and featuring Tess Monaghan, a reporter (like Lippman herself) turned private investigator.
Lippman's works have won the Agatha, Anthony, Edgar, Nero, Gumshoe and Shamus awards. Her 2007 release, What the Dead Know, was the first of her books to make the New York Times bestseller list, and was shortlisted for the Crime Writer's Association Dagger Award. In addition to the Tess Monaghan novels, Lippman wrote 2003's Every Secret Thing, which has been optioned for the movies by Academy Award–winning actor Frances McDormand.
Lippman lives in the South Baltimore neighborhood of Federal Hill and frequently writes in the neighborhood coffee shop Spoons. In addition to writing, she teaches at Goucher College in Towson, Maryland, just outside of Baltimore. In January, 2007, she taught at the 3rd Annual Writers in Paradise at Eckerd College.
Lippman is married to David Simon, another former Baltimore Sun reporter, and creator and an executive producer of the HBO series The Wire. The character Bunk is shown to be reading one of her books in episode eight of the first season of The Wire. She appeared in a scene of the first episode of the last season of The Wire as a reporter working in the Baltimore Sun newsroom.
Awards
2015 Anthony Award-Best Novel (After I'm Gone)
2008 Anthony Award-Best Novel (What the Dead Know)
2008 Anthony Award-Best Short Story ("Hardly Knew Her")
2008 Barry Award-Best Novel (What the Dead Know)
2008 Macavity Award-Best Mystery (What the Dead Know)
2007 Anthony Award-Best Novel (No Good Deeds)
2007 Quill Award-Mystery (What the Dead Know)
2006 Gumshow Award-Best Novel (To the Power of the Three)
2004 Barry Award-Best Novel (Every Secret Thing)
2001 Nero Award (Sugar House)
2000 Anthony Award-Best Paperback Original (In Big Trouble)
2000 Shamus Award-Best Paperback Original (In Big Trouble)
1999 Anthony Award-Best Paperback Original (Butchers Hill)
1998 Agatha Award-Best Novel (Butchers Hill)
1998 Edgar Award-Best Paperback Original (Charm City)
1998 Shamus Award-Best Paperback Original (Charm City)
(Author bio adapted from Wikipedia.)
Book Reviews
Originally serialized in the New York Times Magazine, Lippman's Tess Monaghan novella turns the intrepid Baltimore PI's at-risk late-pregnancy bed rest into a compellingly edgy riff on Hitchcock's Rear Window. Lovingly tucked up on her winterized sun porch, Tess marshals her forces—doting artist boyfriend Crow, best friend Whitney Talbot, middle-aged assistant gumshoe Mrs. Blossom, and researcher Dorie Starnes—to probe the disappearance of a chic blonde green-raincoated dog walker she'd been watching from her comfy prison. Tess also takes in the missing woman's abandoned green-slickered Italian greyhound from hell, a miniature canine terrorist whose anti-housebreaking vendetta offers comic relief from Tess's threatened pre-eclampsia, her obsessive unraveling of a complex scam, and her last-trimester spats with Crow about their future. Though postpartum Tess turns alternately weepy and shrill, that condition won't last, and this entertaining romp leaves plenty of hints of detective-mother exploits to come.
Publishers Weekly
Confined to bed rest for the last 12 weeks of her pregnancy, an immobilized Tess Monaghan (In Big Trouble) watches the world around her through binoculars, à la Hitchcock's classic Rear Window, admiring the girl in the green raincoat who walks her greyhound daily on a color-coordinated leash. But when she sees the dog scampering loose, Tess's investigative genes kick in, and she's intent on finding out what happened to the dog's walker, who turns out to be Carole Epstein, third wife of Don Epstein, a man with two dead wives and a dead girlfriend behind him. Despite Epstein's claims that Carole emptied their joint accounts and took off, Tess is suspicious enough to ask best friend Whitney Talbot to pose as a lure for the man, with unexpected results all around. Verdict: In this novella that first appeared in serial form in the New York Times Magazine, Lippman provides welcome background for many of her cast members as she advances Tess and her boyfriend Crow to a new stage in their lives. Lippman's trademark crisp prose, smart plotting, and appealing protagonist—whose physical limitations here make her no less feisty and resourceful when faced with danger—make this an essential addition to a winning series. —Michele Leber, Arlington VA
Library Journal
It’s always an event when Laura Lippman, who has won every major crime-fiction award going, delivers a new Tess Monaghan storyng.
Booklist
Discussion Questions
1. The Girl in the Green Raincoat was originally serialized in the New York Times Magazine. How might a serialization—a work read in timed installments—affect the structure of the story? If you have read them, use other books in the Tess Monaghan series for comparison.
2. In the P.S., Laura Lippman reveals that to hold readers' interest in a single serial installment, she layered smaller stories within the larger narrative. Choose a few chapters from The Girl in the Green Raincoat to explore this layering effect. How are these contained stories interwoven into the larger story arc? How do they deepen your understanding of the characters and the plot?
3. How did Tess being bedridden affect her judgment and how she investigated the case? Think about how she set up the plot. Diagram each plot development, and discuss how together, they formed the story. Were you surprised at the outcome?
4. One of Laura Lippman's inspirations for The Girl in the Green Raincoat was the classic movie Rear Window. Have you seen the movie? If so, how do the two plots mirror each other? How are they different? Another influence is the Josephine Tey novel Daughter of Time. If you've read this book, compare and contrast the two stories as well.
5. If you have read previous Tess Monaghan stories, what did you learn about Tess that you didn't know? What about Crow and Tess's friend Whitney?
6. Tess is nervous about her relationship with Crow and having a baby, feelings brought to the surface with the investigation. Meeting the detective who looked into the death of the suspect's first wife, she asks him, "Did you know your wife was the one, the moment you met her? Or did it creep up on you?" If you are in a committed relationship, how would you answer? Do you believe in love at first sight?
7. When Crow's protege, Lloyd, proposes to his girlfriend May, the adults in their lives are upset and claim the young people are "too young to get married." What do you think? What are the benefits of waiting? But as Lloyd asks, why wait if you know you are sure?
8. Tess's life changes in many ways by the end of the book. How do you think these changes will affect her career as a private investigator?
(Questions issued by publisher.)