Book Reviews
[A] stirring new novel...The Glass Room works so effectively because Mawer embeds…provocative aesthetic and moral issues in a war-torn adventure story that's eerily erotic and tremendously exciting.... Mawer, an Englishman living in Italy, has written this novel as though it were a translation, endowing his prose with a patina of Old World formality that sounds all the more romantic. He claims he doesn't know Czech or German, but his characters speak both fluently, and his attention to foreign languages enriches every episode.
Ron Charles - Washington Post
[The Glass Room is] a thing of extraordinary beauty and symmetry... a novel of ideas, yet strongly propelled by plot and characterised by an almost dreamlike simplicity of telling. Comparisons with the work of Michael Frayn would not be misplaced, and there are occasional moments of illuminating brilliance.
The Guardian (UK)
In Mawer's hands [The Glass Room] becomes a means for exploring the way people's hopes for the future become part of their history. This he does beautifully.
Times Literary Supplement (UK)
The Jewish fates of Viktor, Kata and others are lightly handled, which seems just right in this optimistic, joyful but never facile vision of human achievement. Mawer's perfect pacing clinches a wholly enjoyable and moving read.
The Independent (UK)
The Glass Room['s] poetic success is to remind us of two great gilt-edged ironies: that whatever is held to be the height of modernity is already en route to the museum, and that even 'cold' art is the embodiment of its maker's passion—one that can prove contagious.
Financial Times (UK)
Simon Mawer's grasp of period and place achieves what all great novels must: the creation of an utterly absorbing world the reader can scarcely bear to leave. Exciting, profoundly affecting and altogether wonderful.
Daily Mail (UK)
Engrossing.... Mawer explores his themes with a subtle intelligence. A novel of ideas, but one driven by character and story.
Literary Review
The writing, as sensual and sophisticated as its subjects, keeps us firmly within the house's elegant parameters, caught up in the touch and taste and roiling emotions of the characters living through these events. Seeing clearly, Mawer shows us, is never an option, no matter how large and expensive your windows. Every era thinks it has achieved transparency, complete with modern fixtures and sundry decorations. But we can't ever actually see out, because our damned humanity keeps misting up the glass.
Time Out London
The latest from novelist Mawer (The Fall) begins with great promise, as Jewish newlyweds Viktor and Liesel Landauer meet with architect Rainier von Abt, not just an architect but "a poet...of light and space and form," who builds their dream home, a "modern house...adapted to the future rather than the past, to the openness of modern living." World events, however, are about to overtake 1930s Czechoslovakia. Viktor, like most in the community, dismisses rumors of impending pogroms-"The only people who hold the German economy together are the Jews"—but once the signs of Nazi occupation become impossible to ignore, the Landauers must abandon their beloved home. In a bizarre twist of fate, however, Liesel insists on rescuing single mother Katra, unaware that Katra is Viktor's new mistress. As the world spins into chaos, the highly symbolic Landauer house is the only constant; though it shifts identities more than once, the house remains "ageless," a place "that defines the very existence of time." Mawer's writing and characters are rich, but his twisty plot depends too often on unbelievable coincidences, especially in the conclusion.
Publishers Weekly