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Some people seem fated to live in untenable situations. In this beautiful first novel, Alice Winston, 12 years old, has grown up in one. She lives in a town in the Western American desert, which — although it can be exquisite — doesn't always take kindly to the existence of humans. Her mother has been a victim of something like postpartum depression for as long as Alice can remember, and stays in a back bedroom for weeks on end. Her father, Joe, whom some would call a dreamer, maintains a stable for show horses, except that not many customers want to share in the show horse dream. Joe dwells in an imagined world where he gets to do exactly what he wants to do: purchase horses, breed them, break them, train them, then wait for a steady stream of wealthy little girls to ride them in shows. It should make him rich. It worked, more or less, for his father and grandfather.
Carolyn See - Washington Post


Horses and lost love propel this confident debut novel about Alice Winston, a 12-year-old loner with family troubles in Desert Valley, Colo. Her mother hasn't left her bed since Alice was a baby; her father struggles to keep their horse ranch solvent; and her beautiful older sister, Nona, has eloped with a rodeo cowboy. Alice resists befriending the rich girl who takes riding lessons from her father, becomes obsessed with a classmate who drowns in a nearby canal and entangles herself with adults whose motives are suspect. Kyle imbues her protagonist with a genuine adolescent voice, but for all its fluidity, her prose lacks punch, and too often, somber descriptions of Colorado's weather and landscape are called upon to underscore themes of human isolation, jealousy and pain ("Tomorrow, the sun would rise and deaden the land beneath its indifference"). The coupling of female adolescence with the stark West produces its share of harsh truths, though Kyle overstates the moral: love hurts, it's a dangerous world and the truth is hard to swallow.
Publishers Weekly


Kyle's novel begins as adolescent narrator Alice Winston recounts the almost simultaneous departure of her sister, Nona, who elopes with a rodeo cowboy, and the drowning of Polly Cain, one of Alice's classmates. These events loom like specters over the rest of the novel, which brims with a confidence and assuredness atypical of a debut. In light of Nona's exodus, Alice becomes her father's primary assistant in tending the family's barn and her bedridden mother's intermediary to the outside world. Alice's penchant for prevarication-she makes a pretense of having been Polly Cain's best friend-helps her repel this harsh reality. In Alice, Kyle has created an adolescent voice that is charming and authentic but that also has its irksome tics: surprising events always inspire such hyperbolic responses as "the air around me sucked to the rims of the earth" and "Everything was coming undone the entire world breaking into pieces beneath me." In the long run, though, this is a carp, as the voice exerts an irresistible pull. The prospect of other people leaving—Alice's father with a woman he trains—and the revelation of characters' secrets keep the reader glued to the story. Highly recommended for all public libraries. — David Doerrer, Library Journal
Library Journal


Growing pains and the loss of innocence on a desert ranch. Kyle's debut tracks the complicated, often punitive business of love from the preternaturally mature perspective of 12-year-old Alice Winston, whose father, Jody, knows more about horses than he does about running a successful business. After Alice's older sister Nona—a brilliant rider and useful advertisement for the ranch—runs off to marry a cowboy, Jody is reduced to stabling boarders (the fine horses of bored, rich women) and trying to teach untalented but wealthy Sheila Altman to win at horse shows. Alice's mother Marian is a bed-ridden depressive; Alice herself is preoccupied by the drowning of her schoolmate Polly Cain, who was in the habit of making phone calls to her English teacher, Mr. Delmar. Alice, lonely as well as sensitive to her father's financial problems and her mother's emotional ones, starts to make secret calls to Delmar herself. Kyle delivers the story in graceful, translucent prose, while the mood of the book is overwhelmingly bleak and steadily focused on the gathering storm. Fearful expectations are eventually realized as a sequence of disasters unfolds, starting with a horrific riding accident that leaves Jody's possible lover Patty Jo badly damaged. Next, Delmar leaves and Alice, in distress, reveals to Sheila her father's infidelities. Patty Jo's accident precipitates the ranch's ruin and a family argument brings about further cruelty, this time leading to the agonizing destruction of a horse. Although an unlikely gift leaves Alice with enough money to go to college, and Kyle wraps up by offering some perspective, it's not exactly a happy ending. A talented writer's lyrical but oppressive first work.
Kirkus Reviews