The Good Girl
Mary Kubica, 2014
Harlequin MIRA
3352 pp.
ISBN-13: 9780778316558
Summary
I've been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don't know the color of her eyes or what they look like when she's scared. But I will.
Born to a prominent Chicago judge and his stifled socialite wife, Mia Dennett moves against the grain as a young inner-city art teacher. One night, Mia enters a bar to meet her on-again, off-again boyfriend.
But when he doesn't show, she unwisely leaves with an enigmatic stranger. With his smooth moves and modest wit, at first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia's life.
Colin's job was to abduct Mia as part of a wild extortion plot and deliver her to his employers. But the plan takes an unexpected turn when Colin suddenly decides to hide Mia in a secluded cabin in rural Minnesota, evading the police and his deadly superiors. Mia's mother, Eve, and detective Gabe Hoffman will stop at nothing to find them, but no one could have predicted the emotional entanglements that eventually cause this family's world to shatter.
An addictively suspenseful and tautly written thriller, The Good Girl is a propulsive debut that reveals how even in the perfect family, nothing is as it seems
. (From the publisher.)
Author Bio
Mary Kubica holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children and enjoys photography, gardening and caring for the animals at a local shelter. The Good Girl is her first novel. (From the publisher.)
Book Reviews
(Starred review.) Almost nothing turns out as expected, which, along with the novel's structure and deep Midwestern roots, will encourage comparisons to Gone Girl. [T]his Girl has heart—which makes it all the more devastating when the author breaks it.
Publishers Weekly
[C]compulsively readable and highly recommended for anyone who loves a mystery, a suspense tale, or a psychological puzzle. This could also be recommended for those who enjoy suspense, but don't care for graphic depictions of violence or sexual intimacy: these elements are mentioned, but not detailed. —Elizabeth Masterson, Mecklenburg Cty. Jail Lib., Charlotte, NC
Library Journal
A high-intensity thriller, a psychological puzzle that will keep readers on their toes.
BookPage
[A] kidnapping gone wrong.... The narrative unfolds in four different perspectives....The organization can prove puzzling, but Kubica’s debut thriller builds suspense steadily and will have readers guessing what’s really going on until the final pages. —Rebecca Vnuk
Booklist
Kubica’s psychological thriller centers on the abduction of a young teacher.... If the novel lacks credibility in any one area, it’s that the Chicago PD...would have the luxury of assigning one detective to a single case for months on end....The proliferation of older characters like Eve will be a pleasant and unexpected find for the many readers who understand that life over 55 can still be interesting.
Kirkus Reviews
Discussion Questions
1. Initially Detective Hoffman wishes that he had not been assigned the case of the missing Mia Dennett, and yet later, finds himself completely preoccupied by it. Are his motives fueled more by professional or personal desire? Do you feel that his character evolved during the course of the novel, or did he remain true to himself throughout?
2. In the early pages of the novel, Colin Thatcher comes across as a hardened criminal carrying out a kidnapping plot for his own financial benefit. What would make a man like Colin decide to save Mia from her assumed fate?
3. Do you think it was admirable for Colin to forsake his own and his mother’s wellbeing for a stranger, or should he have carried out the kidnapping plot as planned? Were his actions entirely selfless, or did his decision to save Mia also serve a selfish purpose?
4. Imagine for a moment that Mia went through with the abortion at her father’s request. How would this have affected her once she learned of Colin’s death? Do you think it would have been easier or harder for her to accept his death if she was not carrying his child?
5. Mia Dennett is portrayed in many different lights: the devoted teacher, the neglected daughter, a kidnapping victim, an underhanded conspirator and more. Which of these do you feel accurately portray the character, or is Mia truly a conglomeration of all personas? Are any of these portrayals merely an act on Mia’s part to fill some self-seeking need and, if so, how does this behavior differ from that of her father?
6. Eve Dennett exhibits a strong emotional attachment towards Detective Gabe Hoffman throughout The Good Girl, and yet, at the end of the novel, she chooses to forsake that relationship for the benefit of her daughter. Do you feel that Eve’s feelings for the detective were genuine, or rather an instance of being caught up in the moment? In your opinion, was Eve appropriate in ending the relationship, or should she have continued on with Detective Hoffman regardless of Mia’s mental state and emotional needs?
7. Dr. Avery Rhodes suggests that Mia’s feelings for Colin Thatcher were an example of Stockholm syndrome: a psychological situation in which a kidnapping victim forms a bond with his or her captor. Do you feel that Mia was suffering from Stockholm syndrome, or that the relationship she developed with Colin was authentic?
8. Mia suffers from amnesia throughout the pages of The Good Girl. It’s only in the last few chapters that her memory comes back and she is able to recall her days inside the Minnesota cabin. Knowing, however, that Mia staged her own kidnapping, is it also possible to imagine that she faked the amnesia throughout the novel? Was Mia truly suffering from Acute Stress Disorder, or was this another act from a capable and conniving performer?
9. At the end of the novel we learn that Mia arranged her own kidnapping to seek vengeance against her father for a neglectful upbringing. Do you feel that Mia was justified in this behavior? What other actions could she have taken to get even with her father? Was his conduct as awful as Mia perceived in her mind for it to be?
10. After reading The Good Girl, who do you feel was the true victim, or victims, and the true conspirator? Have your opinions changed since beginning the novel, and if so, how?
(Questions from the author's website.)