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Green Island 
Shawna Yang Ryan, 2016
Knopf Doubleday
400 pp.
ISBN-13: 9781101874257



Summary
A stunning story of love, betrayal, and family, set against the backdrop of a changing Taiwan over the course of the 20th century.

February 28, 1947
Trapped inside the family home amid an uprising that has rocked Taipei, Dr. Tsai delivers his youngest daughter, the unnamed narrator of Green Island, just after midnight as the city is plunged into martial law.

In the following weeks, as the Chinese Nationalists act to crush the opposition, Dr. Tsai becomes one of the many thousands of people dragged away from their families and thrown into prison. His return, after more than a decade, is marked by alienation from his loved ones and paranoia among his community—conflicts that loom over the growing bond he forms with his youngest daughter.

Years later, this troubled past follows her to the United States, where, as a mother and a wife, she too is forced to decide between what is right and what might save her family—the same choice she witnessed her father make many years before.  

As the novel sweeps across six decades and two continents, the life of the narrator shadows the course of Taiwan’s history from the end of Japanese colonial rule to the decades under martial law and, finally, to Taiwan’s transformation into a democracy.

But, above all, Green Island is a lush and lyrical story of a family and a nation grappling with the nuances of complicity and survival, raising the question: how far would you be willing to go for the ones you love? (From the publisher.)


Author Bio
Birth—1976
Where—Sacramento, California, USA
Education—B.A., University of California (UCLA), Berkeley; M.A., UCLA, Davis
Awards—Elliot Cades Emerging Writer Award
Currently—lives in Honolulu, Hawaii


Shawna Yang Ryan is a Taiwanese American novelist, short story writer, and creative writing professor, who currently teaches at the University of Hawai'i at Manoa. She is the author of two novels: Water Ghosts (2009) and Green Island (2016).

Ryan was born in Sacramento, California, to parents who met during the Vietnam War: her mother was born in Taiwan and the daughter of Chinese immigrants who fled the mainland in 1949 with Chiang Kai-shek. Her Caucasian father was born in Berlin, Germany, and grew up all around Europe and America, eventually meeting her mother while stationed in Taiwan.

She graduated from the University of California, Berkeley, where she received her B.A., and the University of California, Davis, where she received her M.A. in Creative Writing. She was also a Fulbright Scholar in Taiwan during 2002. Ryan currently lives in Honolulu, Hawaii.

Stories
In addition to two novels, Ryan's short stories have appeared in ZYZZYVA, Swill Magazine, Asian American Literary Review, Kartika Review, and Berkeley Fiction Review. Her short story "Marginalia," published in the Fall 2013 issue of Asian American Literary Review was nominated for a Pushcart Prize that year.

Accolades
In 2015, Ryan received the Elliot Cades Emerging Writer Award from the Hawai'i Literary Arts Council. (From Wikipedia. Retrieved 2/29/2016.)


Book Reviews
Gripping: a triumph of sustained focus on unusually thorny material.... But Green Island is much more than a historical novel. It’s also a family epic.
Claire Hopley - Washington Times


Ryan paints a chilling, convincing picture of Taiwan [that] stands as a tribute to the flawed survivors of [its] history.
Steph Cha - Los Angeles Times


An intricate, gracefully told tale that blends war history, suspense and a woman’s coming-of-age and beyond.... The pages bloom with description, with a photolike sense of place.... And throughout Green Island is an aching sense of the idea of home.
Moira Macdonald - Seattle Times
 

Remarkably compelling.... As much a gripping narrative of an evolving Taiwan as an exquisitely crafted story of one family’s devotion and compromises.
Janine Oshiro - Honolulu Star Advertiser
 

A sweeping story, as epic in scope as the story is intimate.
Barbara VanDenburgh - Arizona Republic


(Starred review.) [An] engrossing epic.... Absorbing and affecting, this powerful tale explores the bond between a father and daughter, the compromises they are forced to make, and the prices they pay in their quest for freedom. —Kristine Huntley
Booklist


An epic political novel focusing on post-World War II dissidents in Taiwan and especially on its repressive government.... The narrative works movingly on many different levels but especially on the personal and the political.
Kirkus Reviews


Discussion Questions
1. Why do you think that the author chose "Green Island" as the title of her book? How might it suggest or otherwise echo some of the major themes of the novel?

2. Who narrates Green Island? Why do you think that the author chose to never name her? How does the narrator become privy to the information and stories that she shares? Do you think that she is a reliable narrator? Why or why not?

3. Why is Dr. Tsai taken away? What is he accused of? How does he react to this charge? How do the other three men with him react to what they are charged with? How does Dr. Tsai’s imprisonment change him? What feelings does his wife have upon his return and in the time after? Is her response to his return surprising?

4. In Chapter 4, what does the narrator say is Baba’s flaw? Are there any other characters who seem to share this same flaw? Explain.

5. Evaluate the role of women in the story. What rights do the women have and what is their place in society? What does it mean to be a wife and mother? What restrictions are placed upon them as a result of their being women? How does the female experience seem to differ for the younger generations of women represented in the book?

6. Consider the themes of ethics and morality. Do you believe that Dr. Tsai and his daughter made the right choices in the major decisions they faced? Did they have any other choice? What motivated their decisions to do what they did? How did their choices ultimately impact their lives and the lives of others? What does this suggest about ethics and morality? Is there always a right and wrong choice?

7. Evaluate the motif of superstition in the book. What are some of the examples of superstitious rituals or beliefs practiced by the characters? Why do the characters seem to maintain these beliefs or perform these rituals?

8. What role does faith play in the novel? In what ways do the characters find faith? What causes their faith to waiver? Why do Ah Zhay and her mother turn to the church? Other than religious faith, what other kinds of faith are depicted in the book?

9. Consider examples of loyalty and betrayal in the book. To whom are the characters loyal? Conversely, what are some examples of betrayal found in the book? Who are some of the perpetrators and what causes them to betray someone else? Do they confess their betrayal or infidelity? If so, are they forgiven? Do they forgive themselves? Does the book ultimately suggest where one’s primary loyalty should lie?

10. How are terms like "family," "citizen," and "home" defined within the novel? What do the three have in common? At the end of the book, what does the narrator say it means to be a citizen? Do you agree with her? Discuss.

11. What kinds of love are depicted in the book? Does one type of love seem to be stronger or more resilient than other kinds? Explain. How does the narrator’s view of marriage and love compare to her mother’s? How does the narrator’s definition of love change or else remain consistent over the course of the story?

12. What does the book suggest about the United States’ reaction to international tragedy? Do you agree? Why or why not? Likewise, how do the people of Taiwan respond to the tragedies happening within their own borders? What influences or else confines their responses and reactions?

13. Consider literature as a motif within in the novel. What examples of literature and literature as propaganda are contained therein? Which of the characters in the story are writers? Why does Jia Bao want to write a book? Why is it considered a danger? What does this suggest about the power of the written word?

14. How does freedom come to be defined within the novel? Would you say that the characters in the novel are free? Why or why not? According to the book, what determines whether or not one is free?

15. Consider some of the secrets kept by the characters in the novel. Why do they keep these secrets and what impact does their secret keeping have on themselves and those around them? Do you agree with their choices to keep secrets? In other words, are there some instances where it is best to keep secrets? Discuss.

16. In Chapter 50, what did the narrator mean when she said "the whole country existed in metaphor" (308)?

17. How does the narrator come to know her parents better over the course of their lives? How do her opinions change from those she held as a young girl living with them and what incites these changes? What do we learn about the parent-child relationship from the narrator’s relationship with her own children and the way that her children perceive her?

18. Some of the characters in the novel question the activism of their family members, as they believe it will threaten their safety. Do you feel that their activism was worthwhile, necessary even? Was their activism successful or futile? Explain.

19. Before the narrator leaves Taipei, she visits a few memorials. How does she seem to feel about these memorials? What does she mean when she says, "We have to remind ourselves to remember" (377)? Are memorials sufficient reminders?

20. At the conclusion of the book the narrator speaks of the experience of her family and says: "It was more than a story. It was like this, wasn’t it?" (381). What do you think she means by this?

21. The leaders of China and Taiwan recently had a formal meeting for the first time in sixty-six years, and it made major international news. Having read Green Island, why do you think this event was so momentous? How do you think the characters of the novel would react to it?
(Questions issued by the publisher.)

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