Home Safe
Elizabeth Berg, 2009
Random House
272 pp.
ISBN-13: 9780345487551
Summary
Beloved author Elizabeth Berg tells the story of the recently widowed Helen Ames and of her twenty-seven-year-old daughter Tessa. Helen is shocked to discover that her mild-mannered and loyal husband had been leading a double life.
The Ames’s had saved money for a happy retirement, planned in minute detail, but that money has disappeared in several big withdrawals—spent by Helen’s husband before he died. What could he possibly have been doing? And what is Helen to do now? Why does Helen’s daughter object to her mother’s applying for a job—and why doesn’t Tessa meet a nice man and get married?
What Helen’s husband did with all their money turns out to be provocative, revelatory—and leads Helen and her daughter to embark on new adventures, and change. (From the publisher.)
Author Bio
• Birth—December 2, 1948
• Where—St. Paul, Minnesota, USA
• Education—A.A.S, St. Mary’s College
• Awards—(see below)
• Currently—lives in Chicago, Illinois
Before she became a writer, Elizabeth Berg spent 10 years as a nurse. It's a field, as she says on her website, that helped her to become a writer:
Taking care of patients taught me a lot about human nature, about hope and fear and love and loss and regret and triumph and especially about relationships—all things that I tend to focus on in my work.
Her sensitivity to humanity is what Berg's writing is noted for. As Publishers Weekly wrote in reviewing The Dream Lover, her 2015 portrayal of George Sand, "Berg offers vivid, sensual detail and a sensitive portrayal of the yearning and vulnerability" behind her main character.
Background
Berg was born in St. Paul Minneapolis. When her father re-enlisted in the Army, she and her family were moved from base to base—in one single year, she went to three different schools. Her peripatetic childhood makes it hard for Berg to answer the usually simple question, "where did you grow up?"
Berg recalls that she loved to write at a young age. She was only nine when she submitted her first poem to American Girl magazine; sadly, it was rejected. It was another 25 years before she submitted anything again—to Parents Magazine—and that time she won.
In addition to nursing, Berg worked as a waitress, another field she claims is "good training for a writer." She also sang in a rock band.
Writing
Berg ended up writing for magazines for 10 years before she finally turned to novels. Since her 1993 debut with Durable Goods, her books have sold in large numbers and been translated into 27 languages. She writes nearly a book a year, a number of which have received awards and honors.
Recognition
Two of Berg's books, Durable Goods and Joy School, were listed as "Best Books of the Year" by the American Library Association. Open House became an Oprah Book Club Selection.
She won the New England Booksellers Award for her body of work, and Boston Public Library made her a "literary light." She has also been honored by the Chicago Public Library. An article on a cooking school in Italy, for National Geographic Traveler magazine, won an award from the North American Travel Journalists Association.
Personal
Now divorced, Berg was married for over twenty years and has two daughters and three grandchildren. She lives with her dogs and a cat in Chicago. (Author bio adapted from the author's website.)
Book Reviews
Love, work and the absence of both figure prominently in Berg's latest, a rumination on loss and replenishment. Since novelist Helen's husband, Dan, died a year ago, she's been unable to write, and though her publisher and agent aren't worried, she is, particularly after a disastrous performance at a public speaking engagement leaves her wondering if her writing career will be another permanent loss. Meanwhile, daughter Tessa is getting impatient as Helen smothers her with awkward motherly affection. Tessa longs for distance and some independence, but Helen is unable to run her suburban Chicago home without continually calling on Tessa to perform the handyman chores that once belonged to Dan. And then Helen discovers Dan had withdrawn a huge chunk of their retirement money, and Helen's quest to find out what happened turns into a journey of self-discovery and hard-won healing. Berg gracefully renders, in tragic and comic detail, the notions that every life-however blessed-has its share of awful loss, and that even crushed, defeated hearts can be revived.
Publishers Weekly
Eleven months after her husband's sudden death, Helen Ames remains helpless about home repair, ignorant of finances, and stymied by writer's block. Lonely and unsuited to any job outside the home, Helen has nothing to do but exasperate her adult daughter, Tessa, by intruding, until the family accountant calls asking about a secret withdrawal of $850,000 her husband made before dying. The mystery is quickly resolved, but in the meantime, Helen reluctantly agrees to lead an adult writing workshop for pay. The story then proceeds comfortably through Helen's coming to terms with her husband's surprise, her daughter's well-meaning withdrawal, and Helen's journey of self-discovery—with the help of her students-outside of her roles as wife, mother, writer. Prolific novelist Berg (The Day I Ate Whatever I Wanted) is an accomplished master of women's fiction. Her warmth, humor, and forgiving eye for human nature, mixing wry observation with heartwarming moments, make this a pleasant read. Recommended for popular fiction collections. —Laurie A. Cavanaugh
Library Journal
Berg is a tender and enchanting storyteller who wisely celebrates the simple, sustaining elements of life, from comfort food to birdsong to a good laugh. A keen and funny observer, she is the poet of kindness. And not only is this an insightful, graceful, and romantic novel of one charmingly contradictory woman’s path through grief, it is also a paean to the profound pleasures and revelations of reading and the adventure and catharsis of writing. Books, Berg affirms in her magical way, are a unifying force for good in the cosmos.
Booklist
Widow discovers an $850,000 crack in her nest egg in Berg's latest (The Day I Ate Whatever I Wanted, 2008, etc.). Helen, a bestselling author living in Chicago, is experiencing writer's block for the first time in her life. And no wonder: Her husband Dan died of a heart attack at the breakfast table. Her elderly father has cancer. Phobic about money matters, she's been dodging increasingly frantic calls from her accountant, Steve, and has toyed with taking holiday employment at Anthropologie, even going so far as to interview. A library program director is hounding her to teach a writer's workshop. Toxic fan mail from wannabe writer Margot attacks Helen's body of work as "insipid," "mawkish" and an insult to literature. When Steve finally reaches Helen it's to ask if she has any idea what her husband did with the 850 large he withdrew from the couple's retirement account before his death. Helen had preferred to let Dan handle all the finances, but she had no reason not to trust him. After some promising setups (At 59, would Helen be Anthropologie's oldest cashier? Was squeaky-clean Dan leading a double life?) Berg seems to fall back on her default worldview: Her characters are simply too nice, too timid or both, to get themselves into any interesting messes. Helen sabotages the job interview, and she learns early on (from well-preserved hunky architect Tom) that Dan siphoned off the funds to surprise Helen with the California retirement house of her dreams. The writing class adds the most spice-Helen's arch-rival, a catty novelist, is a co-instructor, and arch-rival-in training Margot brings a masterpiece to the workshop. Otherwise, stock minor players—Helen's skeptical daughter, Tessa,her wise-cracking best girlfriend, Midge, and Tom, a hot romantic prospect (and he's handy too!)—and a plot that ducks every conflict render this outing listless. Neither insipid nor mawkish but definitely phoned-in.
Kirkus Reviews
Book Club Discussion Questions
1. In the opening pages of Home Safe, we see Helen as a young girl, writing poetry to deal with the grief of losing a classmate: “With this, she was given peace” (page 4). What types of activities calm or fulfill you? How do they resonate emotionally?
2. Helen says that her favorite Christmas gift is the custom-mixed CD her daughter makes for her each year. Do you have a tradition of making homemade gifts? What have been some of your favorite or most memorable holiday gifts? What gift would you be thrilled to get from your child? From your parent?
3. As a diversion, Helen prepares an elaborate meal of “roast pork with cinnamon apple chutney, mashed sweet potatoes, green beans with crispy shallots,” and an apple crisp (page 26). If you were making such a meal just for yourself, what foods would you choose? What roles does food play in our lives? What types of situations and occasions do you associate with special meals? Discuss other creative pursuits that you might have or indeed have tried in a similar situation.
4. One writing exercise Helen uses as a teaching tool is for her students to write short stories using a number of given objects: “an old silver hairbrush, a blackened frying pan, a love letter from the 1930s, a pair of men’s shoes, a floppy-necked teddy bear, one dusty wing of a butterfly” (page 47). What sort of story might you construct about these objects? Who do these things belong to? If you had created this exercise, what objects might you have chosen?
5. Helen relates, on page 89, that Dan used a children’s book to illustrate his dream of sailing. Are there any particular children’s books that resonate with you as an adult? That influence you? Why?
6. The title’s title, Home Safe, appears in an expression Helen recalls on page 86. How did Helen and Dan use this phrase? What people or places in your life give you this feeling?
7. Helen wonders what she and Dan might have discussed in the tree house, recalling that a friend had wisely said,“It’s not the things you have in a tree house, it’s the things you think about there” (page 129). If you could have a special retreat of your own, what and where would it be, and why? What sorts of things would you discuss there, and with whom
8. When Helen considers moving to San Francisco, knowing that Tessa has accepted a job there, she wonders if Tessa will be upset about it, and asks herself if she “is allowed to make a decision that is for and about herself?” (page182). This question of whether an action is for Tessa or for Helen recurs throughout the novel. From where does this question stem? How does this issue affect their relationship? How would you advise each party? Do you know a mother-daughter pair, or a female pair with a different bond, who disagrees on such issues?
9. Helen thinks that “if you leave one home, you can find another” (page 202). Who or what makes a home? What qualities do you associate with home? Have you found Helen’s thought to be true in your own life?
10. The details and features of Helen’s dream house are carefully and delightfully described. What might your dream house look like? What features would it include? Where would it be located?
11. What parts of Helen’s journey are universal? What parts can you relate to your own life? What themes does Elizabeth Berg draw out of the characters?
12. The lush and detailed images in this novel are unique. Can you point out a few effective images that really conveyed the novel’s themes to you? What images did you most relate and respond to?
(Questions issued by publisher.)
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