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Discussion Questions
1. When Jane Steele sets out to write her confession, she says she is doing so because she is reading Jane Eyre, and the work inspires her to "imitative acts." Has a book ever directly inspired you to create something yourself? If so, was this when you were you a child or an adult?

2. From the beginning of the novel, Jane is threatened by men who pose a direct danger to her. If you are female, did you find this peril realistic or unrealistic? If you are male, did you think Jane’s vulnerability rang true, or did it seem like melodrama?

3. The sadistic-headmaster trope, here embodied by Vesalius Munt, was very popular in the Victorian era among social justice writers. At the time, children were expected to be silent, obedient, and hardworking. Children are treated very differently today. What do you think a Victorian childhood would have been like? How would it have affected you?

4. Jane is convinced from the day she kills her cousin that she is irredeemably evil. Do you agree with her that she "murdered" her cousin? Why or why not? Do you think Jane’s later murders would have occurred if she had never caused Edwin’s death?

5. When Jane discovers erotica, she is repulsed by Mr. Munt’s letters, but she greatly enjoys the book published by Clarke’s family in which consensual polyamorous relationships are explored. Do men and women experience the erotic differently? If so, in what ways?

6. Jane Steele and Clarke have a passionate friendship, one that eventually puts both their lives on the line. The theme of "best friends" is common in literature, for instance Sherlock Holmes and John Watson, and Aibileen and Minny in The Help. Which friendships in fiction do you most identify with?

7. In London, Jane makes her living writing last confessions of the recently hanged. Many people are fascinated by the macabre; are you? Why or why not? Why are darkness and death such popular subjects when they are actually unpleasant topics?

8. Jane Steele enters the mysterious Gothic mansion thinking herself the owner, while Jane Eyre arrives as a governess. How does the power dynamic change the sorts of actions each of these characters takes after arriving? What are the biggest contrasts between Jane Steele and the character she loves? What are the greatest similarities?

9. Highgate House is full of mysteries—men with a dark past, unexpected and sinister visitors, and a forbidden cellar not unlike the forbidden attic in Jane Eyre. What is it we love about Gothic mansions? Can a house itself have secrets? A major component of the plot is the contested claim to Highgate House. In what ways may the property be considered a character?

10. Charles Thornfield and Edward Fairfax Rochester are both Byronic men plagued by their pasts, and yet they react to trauma in very different ways. In Jane Eyre, which lover is the pursuer, and which the pursued? What about in Jane Steele?

11. Sardar Singh is disgusted by the tragedy that befell his empire, and at one point he asks Jane which is worse, a rapist or a pimp—meaning the East India Company or the Sikh royalty who betrayed their country. How would you answer his question? In what ways has Sardar turned his back on his culture, and in what ways does he still cherish it?

12. There are many types of love in this novel—among others, the romantic love Jane feels for Mr. Thornfield, the unrequited love Clarke feels for Jane, the platonic love the asexual Mr. Singh feels for Mr. Thornfield. What other varieties of love are evident, and how do they drive the characters' actions? Which are the most compelling to you personally? Do you think making choices that are morally wrong is excusable if it is done for the sake of a loved one? Why or why not?
(Questions issued by the publisher.)

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