LitBlog

LitFood

The Language of Secrets (Rachel Getty and Esa Khattak Novels, 2)
Ausma Zehanat Khan, 2016
St. Martin's Press
336 pp.
ISBN-13: 9781250055125



Summary
Detective Esa Khattak heads up Canada's Community Policing Section, which handles minority-sensitive cases across all levels of law enforcement.

Khattak is still under scrutiny for his last case, so he's surprised when INSET, Canada's national security team, calls him in on another politically sensitive issue.

For months, INSET has been investigating a local terrorist cell which is planning an attack on New Year's Day. INSET had an informant, Mohsin Dar, undercover inside the cell. But now, just weeks before the attack, Mohsin has been murdered at the group's training camp deep in the woods.

INSET wants Khattak to give the appearance of investigating Mohsin's death, and then to bury the lead. They can't risk exposing their operation, or Mohsin's role in it. But Khattak used to know Mohsin, and he knows he can't just let this murder slide.

So Khattak sends his partner, Detective Rachel Getty, undercover into the unsuspecting mosque which houses the terrorist cell. As Rachel tentatively reaches out into the unfamiliar world of Islam, and begins developing relationships with the people of the mosque and the terrorist cell within it, the potential reasons for Mohsin's murder only seem to multiply, from the political and ideological to the intensely personal.

The Unquiet Dead author Ausma Zehanat Khan once again dazzles in The Language of Secrets, a brilliant mystery woven into a profound and intimate story of humanity. (From the publisher.)


Author Bio
Birth—ca. 1970
Where—UK
Raised—Toronto, Ontario, Canada
Education—B.A., University of Toronto; LL.B., LL. M., University of Ottawa
Currently—lives Denver, Colorado, USA


Ausma Zehanat Khan is the author of the debut novel The Unquiet Dead published in 2014 to widespread critical acclaim, including a Publishers Weekly starred review, and reviews in the Los Angeles Times and New York Times. The Unquiet Dead was also a January 2015 Indie Next pick. Her acclaimed second novel, The Language of Secrets, was published in 2016. She is also at work on a fantasy series, to be published in 2017.

A frequent lecturer and commentator, Ms. Khan holds a Ph.D. in International Human Rights Law with a research specialization in military intervention and war crimes in the Balkans. Ms. Khan completed her LL.B. and LL.M. at the University of Ottawa, and her B.A. in English Literature & Sociology at the University of Toronto.

Formerly, she served as Editor in Chief of Muslim Girl magazine. The first magazine to address a target audience of young Muslim women, Muslim Girl re-shaped the conversation about Muslim women in North America. The magazine was the subject of two documentaries, and hundreds of national and international profiles and interviews, including CNN International, Current TV, and Al Jazeera "Everywoman".

Ms. Khan practiced immigration law in Toronto and has taught international human rights law at Northwestern University, as well as human rights and business law at York University. She is a long-time community activist and writer, and currently lives in Colorado with her husband. (From the author's website.)


Book Reviews
Khan delivers an action-packed police procedural complemented by strong characters with believable motives.
Associated Press


Those prepared to slog through the blizzard of poetry used to convey clues will be rewarded by a gripping climax in the snowy wilderness of Ontario’s Algonquin Park.
Publishers Weekly


(Starred review.) Part of the search hinges on Khattak's knowledge of Arabic poetry, but this isn't a puzzle mystery; rather it is a novel of character and mores, and an exceptionally fine one. Verdict: A heartfelt novel for lovers of crime fiction and anyone interested in the complexities of living as a Muslim in the West today. —David Keymer, Modesto, CA
Library Journal


The cell members are afforded fully dimensional personalities and varied passions, ideals, and justifications for their actions; everyone has their reasons, Khan understands, and her nuanced exploration of those reasons elevates her second novel.... A smart, measured, immersive dive into a poorly understood, terrifyingly relevant subculture of violent extremism.
Kirkus Reviews


Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:

How to Discuss a Book (helpful discussion tips)
Generic Discussion Questions—Fiction and Nonfiction
Read-Think-Talk (a guided reading chart)

(We'll add specific questions if and when they're made available by the publisher. In the meantime, use our generic mystery questions.)



GENERIC DISCUSSION QUESTIONS
Mystery / Crime / Suspense Thrillers

1. Talk about the characters, both good and bad. Describe their personalities and motivations. Are they fully developed and emotionally complex? Or are they flat, one-dimensional heroes and villains?

2. What do you know...and when do you know it? At what point in the book do you begin to piece together what happened?

3. Good crime writers embed hidden clues in plain sight, slipping them in casually, almost in passing. Did you pick them out, or were you...clueless? Once you've finished the book, go back to locate the clues hidden in plain sight. How skillful was the author in burying them?

4. Good crime writers also tease us with red-herrings—false clues—to purposely lead readers astray? Does your author try to throw you off track? If so, were you tripped up?

5. Talk about the twists & turns—those surprising plot developments that throw everything you think you've figured out into disarray.

  1. Do they enhance the story, add complexity, and build suspense?
  2. Are they plausible or implausible?
  3. Do they feel forced and gratuitous—inserted merely to extend the story?

6. Does the author ratchet up the suspense? Did you find yourself anxious—quickly turning pages to learn what happened? A what point does the suspense start to build? Where does it climax...then perhaps start rising again?

7. A good ending is essential in any mystery or crime thriller: it should ease up on tension, answer questions, and tidy up loose ends. Does the ending accomplish those goals?

  1. Is the conclusion probable or believable?
  2. Is it organic, growing out of clues previously laid out by the author (see Question 3)?
  3. Or does the ending come out of the blue, feeling forced or tacked-on?
  4. Perhaps it's too predictable.
  5. Can you envision a different or better ending?

8. Are there certain passages in the book—ideas, descriptions, or dialogue—that you found interesting or revealing...or that somehow struck you? What lines, if any, made you stop and think?

9. Overall, does the book satisfy? Does it live up to the standards of a good crime story or suspense thriller? Why or why not?

(Generic Mystery Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)

top of page (summary)