Author Bio
• Birth—July, 1952
• Education—N/A
• Awards—Guggenheim Fellowship; two National Endowment
for the Arts Fellowships; Bunting Fellowship; Howard
Foundation Fellowship; Academy Award in Literature
from the American Academy of Arts and Letters
• Currently—Professor of English and Director of the MFA
Program at Rutgers-Newark, the State University of New
Jersey
Jayne Anne Phillips was born and raised in West Virginia. Her first book of stories, Black Tickets, published in 1979 when she was 26, won the prestigious Sue Kaufman Prize for First Fiction, awarded by the American Academy and Institute of Arts and Letters. Featured in Newsweek, Black Tickets was pronounced "stories unlike any in our literature...a crooked beauty" by Raymond Carver and established Phillips as an writer "in love with the American language." She was praised by Nadine Gordimer as "the best short story writer since Eudora Welty" and Black Tickets has since become a classic of the short story genre.
Machine Dreams, Phillips' first novel, published in 1984, elegantly and astutely observes one American family from the turn of the century through the Vietnam War. A New York Times best seller, Machine Dreams was nominated for the National Book Critics Circle Award and chosen by the New York Times Book Review as one of twelve "Best Books of the Year."
Her next book of stories, Fast Lanes, (1987), praised in the LA times as "stories that hover on the edge of poetry," is being re-issued by Vintage in April and includes three previously uncollected stories.
Shelter, her 1994 novel, a haunting, suspenseful evocation of childhood rite-of-passage, was awarded an Academy Award in Literature by the American Academy and Institute of Arts and Letters and chosen one of the "Best Books of the Year" by Publishers Weekly.
Her novel, MotherKind, published in 2000, examines timeless questions of birth and death.
Jayne Anne Phillips' works have been translated and published in twelve foreign languages. She is the recipient of a Guggenheim Fellowship, two National Endowment for the Arts Fellowships, and a Bunting Fellowship from the Bunting Institute of Radcliffe College.
Her work has appeared most recently in Harper's, Granta, Doubletake, and the Norton Anthology of Contemporary Fiction. She has taught at Harvard University, Williams College, and Boston University, and is currently Professor of English and Director of a new MFA Program at Rutgers-Newark, the State University of New Jersey. (From the author's website and Wikipedia)