LaRose
Louise Erdrich, 2016
HarperCollins
400 pp.
ISBN-13: 9780062277022
Summary
Winner, 2016 National Book Critics Circle Award
In this literary masterwork, Louise Erdrich wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture.
North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger.
When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.
The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola.
Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.
LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods.
Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.
But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.
Inspiring and affecting, LaRose is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters. (From the publisher.)
Author Bio
• Birth—June 7, 1954
• Where—Little Falls, Minnesota, USA
• Education—A.B., Dartmouth College; M.A., Johns Hopkins
• Awards—National Book Award; National Book Critics Circle Awards (2); Nelson Algren Prize
• Currently—lives in Minnesota
Karen Louise Erdrich is an author of some 20 novels, as well as poetry, short stories, and children's books. She has some Native American ancestry and is widely acclaimed as one of the most significant writers of the second wave of what critic Kenneth Lincoln has called the Native American Renaissance.
In 1984, Erdrich won the National Book Critics Circle Award for her debut novel, Love Medicine. In 2009, her novel The Plague of Doves was named a finalist for the Pulitzer Prize in Fiction, and three years later, in 2012, she won the National Book Award for Round House.
Erdrich is the owner of Birchbark Books, a small independent bookstore in Minneapolis, Minnesota. The eldest of seven children, Erdrich was born to Ralph and Rita Erdrich in Little Falls, Minnesota. Her father was German-American while her mother was French and Anishinaabe (Ojibwa). Her grandfather Patrick Gourneau served as a tribal chairman for the Turtle Mountain Band of Chippewa Indians. Erdrich grew up in Wahpeton, North Dakota where her parents taught at the Bureau of Indian Affairs school.
She attended Dartmouth College in 1972-1976, earning an AB degree and meeting her future husband, the Modoc anthropologist and writer Michael Dorris. He was then director of the college’s Native American Studies program. Subsequently, Erdrich worked in a wide variety of jobs, including as a lifeguard, waitress, poetry teacher at prisons, and construction flag signaler. She also became an editor for The Circle, a newspaper produced by and for the urban Native population in Boston. Erdrich graduated with a Master of Arts degree in creative writing from Johns Hopkins University in 1979.
In the period 1978-1982, Erdrich published many poems and short stories. It was also during this period that she began collaborating with Dorris, initially working through the mail while Dorris was working in New Zealand. The relationship progressed, and the two were married in 1981. During this time, Erdrich assembled the material that would eventually be published as the poetry collection Jacklight.
In 1982, Erdrich's story "The World’s Greatest Fisherman" was awarded the $5,000 Nelson Algren Prize for short fiction. This convinced Erdrich and Dorris, who continued to work collaboratively, that they should embark on writing a novel.
Early Novels
In 1984, Erdrich published the novel Love Medicine. Made up of a disjointed but interconnected series of short narratives, each told from the perspective of a different character, and moving backwards and forward in time through every decade between the 1930s and the present day, the book told the stories of several families living near each other on a North Dakota Ojibwe reservation.
The innovative techniques of the book, which owed a great deal to the works of William Faulkner but have little precedent in Native-authored fiction, allowed Erdrich to build up a picture of a community in a way entirely suited to the reservation setting. She received immediate praise from author/critics such as N. Scott Momaday and Gerald Vizenor, and the book was awarded the 1984 National Book Critics Circle Award. It has never subsequently been out of print.
Erdrich followed Love Medicine with The Beet Queen, which continued her technique of using multiple narrators, but surprised many critics by expanding the fictional reservation universe of Love Medicine to include the nearby town of Argus, North Dakota. Native characters are very much kept in the background in this novel, while Erdrich concentrates on the German-American community. The action of the novel takes place mostly before World War II.
The Beet Queen was subject to a bitter attack from Native novelist Leslie Marmon Silko, who accused Erdrich of being more concerned with postmodern technique than with the political struggles of Native peoples.
Erdrich and Dorris’ collaborations continued through the 1980s and into the 1990s, always occupying the same fictional universe.
Tracks goes back to the early 20th century at the formation of the reservation and introduces the trickster figure of Nanapush, who owes a clear debt to Nanabozho. Erdrich’s novel most rooted in Anishinaabe culture (at least until Four Souls), it shows early clashes between traditional ways and the Roman Catholic Church.
The Bingo Palace updates but does not resolve various conflicts from Love Medicine: set in the 1980s, it shows the effects both good and bad of a casino and a factory being set up among the reservation community. Finally, Tales of Burning Love finishes the story of Sister Leopolda, a recurring character from all the former books, and introduces a new set of white people to the reservation universe.
Erdrich and Dorris wrote The Crown of Columbus, the only novel to which both writers put their names, and A Yellow Raft in Blue Water, credited to Dorris. Both of these were set away from the Argus reservation.
Domestic Life
The couple had six children, three of them adopted. Dorris had adopted the children when he was single. After their marriage, Erdrich also adopted them, and the couple had three daughters together. Some of the children had difficulties.
In 1989 Dorris published The Broken Cord, a book about fetal alcohol syndrome, from which their adopted son Reynold Abel suffered. Dorris had found it was a widespread and until then relatively undiagnosed problem among Native American children because of mothers' alcohol issues. In 1991, Reynold Abel was hit by a car and killed at age 23.
In 1995 their son Jeffrey Sava accused them both of child abuse. Dorris and Erdrich unsuccessfully pursued an extortion case against him. Shortly afterward, Dorris and Erdrich separated and began divorce proceedings. Erdrich claimed that Dorris had been depressed since the second year of their marriage.
On April 11, 1997, Michael Dorris committed suicide in Concord, New Hampshire.
Later Writings
Erdrich’s first novel after divorce, The Antelope Wife, was the first to be set outside the continuity of the previous books. She has subsequently returned to the reservation and nearby towns, and has produced five novels since 1998 dealing with events in that fictional area. Among these are The Master Butchers Singing Club, a macabre mystery which again draws on Erdrich's Native American and German-American heritage, and The Last Report on the Miracles at Little No Horse. Both have geographic and character connections with The Beet Queen.
Together with several of her previous works, these have drawn comparisons with William Faulkner’s Yoknapatawpha novels. The successive novels have created multiple narratives in the same fictional area and combined the tapestry of local history with current themes and modern consciousness.
In The Plague of Doves, Erdrich has continued the multi-ethnic dimension of her writing, weaving together the layered relationships among residents of farms, towns and reservations; their shared histories, secrets, relationships and antipathies; and the complexities for later generations of re-imagining their ancestors' overlapping pasts. The novel was a finalist for the Pulitzer Prize in 2009.
Erdrich's 2010 book, Shadow Tag, was a departure for her, as she focuses on a failed marriage.
Erdrich is an enrolled member of the Anishinaabe nation (also known as Ojibwa and Chippewa). Erdrich also has German, French and American ancestry. One sister, Heidi, publishes under the name Heid E. Erdrich; she is a poet who also resides in Minnesota. Another sister, Lise Erdrich, has written children's books and collections of fiction and essays. For the past few years, the three Erdrich sisters have hosted annual writers workshops on the Turtle Mountain Indian Reservation in North Dakota.
The award-winning photographer Ronald W. Erdrich is one of their cousins. He lives and works in Abilene, Texas. He was named "Star Photojournalist of the Year" in 2004 by the Texas Associated Press Managing Editors association. (Adapted from Wikipedia.)
Book Reviews
The name LaRose is inscribed many times across the cover of this fine novel by Louise Erdrich. And we do meet a boy named LaRose shortly after the book begins. He is but five years old. He is an Ojibwa boy who walks between two worlds, just beginning to sense the spirit world. There have been other LaRoses in his family and their stories are deftly woven into this novel. READ MORE.
Keddy Ann Outlaw - LitLovers
Incandescent…Erdrich has always been fascinated by the relationship between revenge and justice, but…. LaRose comes down firmly on the side of forgiveness. Can a person do the worst possible thing and still be loved? Erdrich’s answer is a resounding yes.
Mary Gordon - New York Times Book Review
[Erdrich] is, like Faulkner, one of the great American regionalists, bearing the dark knowledge of her place, as he did his. She is by now among the very best of American writers.
Philip Roth - New York Times
I’m one of those Erdrich enthusiasts who nonetheless balks at her penchant for embellishing stories with traditional Indian sorcery. In this case, LaRose is the fourth to bear his name, all of whom were women healers able to fly and defy other laws of physics.... [Still, over the years, Erdrich] has presented us with a splendid panorama of Native-American life unprecedented in our literary history, forever changing Americans’ sense of who they are and what they have been.
Dan Cryer - Newsday
Remarkable…As the novel draws to a conclusion, the suspense is ratcheted up, but never at the expense of Erdrich’s reflective power or meditative lyricism…One of Erdrich’s finest achievements.
Boston Globe
A masterly tale of grief and love…Erdrich never missteps…The recurring miracle of Erdrich’s fiction is that nothing feels miraculous in her novels. She gently insists that there are abiding spirits in this land and alternative ways of living and forgiving that have somehow survived the West’s best efforts to snuff them out.
Washington Post
[Erdrich] has laid out one of the most arresting visions of America in one of its most neglected corners, a tableaux on par with Faulkner, a place both perilous and haunted, cursed and blessed.
Chicago Tribune
[A] sad, wise, funny novel, in which [Erdrich] takes the native storytelling tradition that informs her work and remakes it for the modern world, stitching its tattered remnants into a vibrant living fabric.
Minneapolis Star Tribune
The rewards of LaRose lie in the quick unraveling and the slow reconstruction of these lives to a moment when animosities resolve, like shards of glass in a kaleidoscope, into clarity and understanding...Told with constraint and conviction.
Los Angeles Times
You’re going to want to take your time with this book, so lavish in its generational scope, its fierce torrent of wrongs and its luxurious heart. Anyway, you may have no choice, as you fall under the spell of a master… Like Toni Morrison, like Tolstoy, like Steinbeck, Erdrich writes her characters with a helpless love and witnesses them with a supreme absence of judgment…[a] beautiful novel.
San Francisco Chronicle
Erdrich suffuses the book with her particular sort of magic—an ability to treat each character with singular care, weaving their separate journeys flawlessly.... All the while, she adds new depth to timeless concepts of revenge, culture, and family.
Entertainment Weekly
(Starred review.) Erdrich spins a powerful, resonant story with masterly finesse...explor[ing] the quest for justice and the thirst for retribution.... Erdrich introduces [a] mystical element seamlessly...[and those] magical aspects are lightened by scenes of everyday life.... [A] memorable and satisfying ending.
Publishers Weekly
Set in 1999 North Dakota, this new work concludes a trilogy begun with the Anisfield-Wolf Award winner The Plague of Doves and the National Book Award winner The Round House.
Library Journal
(Starred review.) The radiance of this many-faceted novel is generated by Erdrich’s tenderness for her characters…magnificent…a brilliantly imagined and constructed saga of empathy, elegy, spirituality, resilience, wit, wonder, and hope that will stand as a defining master work of American literature for generations to come.
Booklist
(Starred review.) After accidentally shooting his friend and neighbor's young son, a man on a Native American reservation subscribes to "an old form of justice" by giving his own son, LaRose, to the parents of his victim.... [A] meditative, profoundly humane story... this novel is...about the emotions men need, but rarely get, from one another.
Kirkus Reviews
Discussion Questions
1. What are the intended effects of Emmaline and Landreaux’s traditional act of giving LaRose to the Raviches? In what ways does it achieve these or not? What are the costs?
2. What is the nature of the two marriages at the center of the novel, the Irons and the Raviches? How are they similar or different?
3. Consider the first LaRose. What were her particular strengths? What was essential to her ability to survive the neglect and abuse from her mother Mink, Mackinnon, and the mission school?
4. In what ways does Wolfred help and balance LaRose before and throughout their marriage?
5. What common qualities does each LaRose possess?
6. When Nola accepts LaRose from the Irons, she’s not sure if she does so for the profound beauty of the gesture or because it will so deeply punish them. Is she obligated to respond in any particular way to such a gesture?
7. Revenge is sought by various characters throughout the novel: Maggie’s defense of LaRose, LaRose’s fighting the Fearsome Four, Romeo’s longstanding behavior toward Landreaux. What is revenge? What is it intended to accomplish? In what ways does it help or harm? Is it, as Romeo believes, a form of justice?
8. Mrs. Peace, the fourth LaRose and Emmaline’s mother, abstains from any romantic relationships after her “cruel, self-loving, and clever” husband, Billy Peace, dies, saying that, “he had taught her what she needed to know about men.” What does she mean? Where in the novel is a man able to show kindness or selflessness?
9. Consider the girls in both families: The “Iron Maidens,” Snow and Josette, and Maggie Ravich. What is each like? What are their particular strengths? What do they provide for each other?
10. How does each person in the novel respond to such profound grief and loss? Which response seems the healthiest?
11. What’s the relationship between suffering and anger in the novel? What is the value of anger? What’s the healthiest response to it?
12. What does Father Travis provide all involved with the loss of Dusty? What are his own struggles? How do they affect his ability to help his community?
13. What’s the nature of technology as it’s presented in Peter Ravich’s concern about Y2K and Snow and Josette’s obsession with “robot/cyborg” movies?
14. How do the Irons work to balance a connection with their traditional wisdom and rituals with a rapidly changing modern world?
15. At one point Randall explains that the medicine his people did in the past was not magic, but “beyond ordinary understanding now.” What does he mean? Why is it important to not see such healing as magic?
16. Consider the image of cake as it appears throughout the novel. What are its various connotations? How is this complicated by Nola’s obsessive making of cakes or Peter’s concern about the eating of sugar?
17. How does Nola’s deep, suicidal depression affect the members of her family? What aids in her healing?
18. Mrs. Peace, thinking about Frank Baum’s genocidal policy and all the cultural loss and destruction it caused, says the resulting loneliness “sets deep in a person,” and takes four generations to heal. Why might it take this long? What is it about the fourth LaRose that suggests the nature of such healing?
19. To what extent is some kind of disconnection necessary to survive such cultural and personal tragedy? What are the various ways characters disconnect throughout the novel? Where are key moments of reconnection?
20. To what extent is Romeo’s vengeful and self-destructive behavior understandable given his past? In addition to his physical injury, what were important moments of harm or loss? What helps explain his improvement over time?
21. When Landreaux suggests escaping from the boarding school, Romeo sees in his eyes an “opacity of spirit.” What does this mean? Where else do people struggle with such a thing in the novel?
22. Romeo considers the strong painkillers he takes as “the only mercy in this world.” How do other characters use drugs or alcohol? When is it necessary or valuable, when is it unhealthy?
23. Romeo, revealing his often hidden or overlooked intelligence, tries to explain to Hollis about “intergenerational trauma.” What is this? What is necessary for it to be healed?
24. In the kitchen with his mother and sisters, LaRose says “what we used for TV in the olden times was stories.” What is the importance of storytelling in a family or culture? How has modern TV and media changed the nature and content of stories? What are the effects of this?
25. Throwing their dandelion forks into the woods, LaRose says to Maggie, “Let’s stop being grown-ups.” In what ways have the children in each family demonstrated maturity and understanding to compensate for the adults? What might explain such strength and insight in young people?
26. At Hollis’ graduation party, many of the people “spoke in both languages” as they enjoyed cake. In addition to language, what are the best ways to stay connected to valuable traditions?
(Questions issued by the publisher.)