Laughing Monsters (Johnson) - Book Reviews

Book Reviews
[S]ingle catastrophe is what fuels the demands and mysteries of literature. The wreckage is what essential writers particularize, and Denis Johnson's interests have always been in wreckage, both individual and universal. If Train Dreams (a Pulitizer finalist) dealt with the dignified tragedy of a past American antonym, The Laughing Monsters addresses the vanishing present, a giddy trickle-down of global exploitation and hubris—the farcical exploits of cold dudes in a hard land.
Joy Williams - New York Times Book Review


[A] stunner: the story of Roland Nair, a rogue intelligence agent looking to make a big score in Sierra Leone amid the detritus and chaos of the post-war-on-terrorism world. Johnson's sentences are always brilliant, but it is in the interstices, the gray areas of the story, that he really excels.
David Ulin - Los Angeles Times


National Book Award winner Denis Johnson has brilliantly plumbed the mystical and the macabre in such works as Tree of Smoke and his instant classic Jesus’ Son. The Laughing Monsters delivers a more commercial, post-9/11 tale of intrigue, deception, romance, and misadventure set in West Africa without losing Johnson’s essentially poetic drive.... With each twist, Johnson deftly ups the stakes while adding to the cavalcade of entrepreneurs, assassins, seers, and smugglers that populate the book, tuning us in to the roiling political realities and cultural complexities of Africa today.... This visionary novel is always falling together, never apart. That’s Johnson.
Lisa Shea - Elle


Much of the novel follows the shifting military and political loyalties in a post-9/11 world, and there is plenty of subterfuge and secrecy, but Johnson’s at his best when describing the pervasive, threatening strangeness of Roland’s life in Africa.... [S]ome effective nods to Heart of Darkness all help to make the book’s setting its strongest character.
Publishers Weekly


(Starred review.) In a work that's part spy novel and part buddy tale, Johnson aptly locates his portrayal of a shadowy world of complicated relationships and ever-shifting alliances in one of the more broken places on the planet. This is what you might get if you combined Casablanca's cynicism and sense of intrigue with a touch of Heart of Darkness post-9/11. —Lawrence Rungren, Andover, MA
Library Journal


[A] taut, Conrad-by-way-of-Chandler tale about a spy who gets too close to the man he's shadowing in Africa.... As in any good double-agent story, Johnson obscures whose side Roland is really on, and Roland himself hardly knows the answer either.... Johnson expertly maintains the heart-of-darkness mood.... [A]n intriguing metaphor for [post-9/11 lawlessness].
Kirkus Reviews