Book Review
It's daring when a writer undertakes a story with intentionally unlikable main characters; Anthony Trollope was one of the very few to pull it off, in The Eustace Diamonds. Fortunately, Gutcheon has strong narrative skills, so while Leeway Cottage doesn't approach the breathless, involving hurtle of Trollope, it's absorbing, mostly because of the subplot about the Danes' remarkable efforts to save the country's Jews (almost all of whom survived the war, despite the German occupation).
Liesl Schillinger - New York Times
In this sprawling family epic, Gutcheon (More Than You Know) chronicles how an unlikely marriage endures over the course of the 20th century. The novel is anchored in the idyllic, fictional summer colony of Dundee, Maine, which will always feel like home to Annabelle Sydney Brant, but turns on the story of the Danish resistance against the Nazis in WWII, a revolt Annabelle's Danish-born, half-Jewish husband, Laurus Moss, leaves the U.S. to join. Annabelle matures from the young, cosseted Annabee (coming-out parties in Cleveland, sailing in Maine) to the bohemian Sydney (voice lessons and a flat in New York City), clashing with her chilly, socialite mother, Candace, along the way. In New York, she meets Laurus, a pianist, and as they court, Hitler marches on Europe. When the Nazis invade Denmark in 1940, Laurus cannot rest idly with his homeland and family endangered, so joins the London-based Danish Resistance. During their separation, Sydney gives birth to the first of three children and Laurus's family escapes from Denmark to Sweden. The war and time apart change but don't estrange Laurus and Sydney, whose lasting union despite glaring differences puzzles observers: "Sydney and Laurus Moss were like a tiger and a zebra married to each other. What were those two doing together?" Charting a marriage against the backdrop of a tumultuous century, Gutcheon writes evocatively of love and war.
Publishers Weekly
In Gutcheon's latest (after More Than You Know), Annabelle Sydney Brant grows up adored by her father and largely criticized by her mother. The best times of her life are spent in the family summer home, Leeway Cottage, in Dundee, ME. After her father's death, a miserable Sydney moves to New York City to study music in an act of rebellion against her mother's superficial lifestyle. There, she falls in love with Laurus Moss, a Danish pianist whom she eventually marries. When World War II breaks out, Laurus moves to London to help build the Danish Resistance and save Denmark's Jews from Nazi extermination. Meanwhile, Sydney gives birth to a daughter who, sadly, will not meet her father until the war is over. Though Sydney turns into a woman not unlike the mother she despises, her marriage endures. Gutcheon tells brave stories of the Danish people, including grim scenes set in concentration camps. A curious combination of a World War II historical/ summer house novel, this is a good old-fashioned, all-encompassing read, with tears and smiles guaranteed. Recommended for all public libraries. —Keddy Ann Outlaw, Harris Cty. P.L.
Library Journal
The wounds inflicted by bad parenting, the complexities of a flawed but enduring marriage, and Denmark's resistance to the Nazis: three compelling themes awkwardly yoked together in this ambitious latest from Gutcheon (More Than You Know, 2000, etc.). The author's gift for plunging readers directly into her story is evident on the first page, as three siblings sort through the belongings of their parents, who have died together in the family's summer home. Gutcheon then moves back to trace the history of Leeway Cottage in Maine and the miserable childhood of Sydney Brant, anxious daughter of cold, disapproving Candace. In 1938, Sydney falls in love with expatriate Danish pianist Laurus Moss, drawn to his warmth and delighted to shock her snobbish mother by marrying the grandson of a baker. The newlyweds spend a happy summer at Leeway in 1941, but when Laurus leaves a pregnant Sydney that fall to aid the European war effort, the narrative takes a sharp, startling turn. Sydney drops out almost completely for a hundred pages devoted to Laurus's family, particularly his sister Nina, one of the many Danes who risk their lives and save nearly all of the nation's Jews. By the time Nina is liberated from Ravensbruck concentration camp and Laurus returns to America, the grim Danish section has laid the groundwork for an entirely different perspective on Sydney. The unloved girl who seemed so appealing is revealed as a damaged, angry and selfish woman, though Gutcheon deftly drops in a few admirable acts to remind us no one is entirely good or all bad. Laurus remains steadfastly loyal, to the bewilderment of their three children as the narrative moves with increasing speed and selectiveness through the subsequent half-century. A harrowing account of Nina's ordeal at Ravensbruck makes an odd precursor to the final chapter at Leeway. Yet Gutcheon's insights are so keen, her sympathy for all her characters so contagious, that the story's imperfect structure can almost be forgiven. There's more going on here than the narrative can comfortably contain, but Gutcheon gets an A for effort and a solid B for achievement.
Kirkus Reviews