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Discussion Questions
1. Lookaway, Lookaway is filled with memorable characters: indomitable Jerene, wounded but charismatic Duke, savagely funny Gaston, the adult Johnston children. Who is your favorite and why?

2. Though contemporary, this is definitely a “Southern” novel. Could this take place in another part of the country? What does it mean to be Southern anymore? Is it a nostalgia kept alive by a few old Civil war-enthusiasts and deluded High Society matrons, or is there really such a thing as “Southern”?

3. What is Jerene Johnston doing five years from the end of the novel? She’s a survivor, of course, but what will her life look like?

4. Self-destructive doesn’t even begin to describe the Johnstons. Who do you think is responsible for the family’s dysfunction? Is Duke’s failure to live up to his promise the start of it or does it go back even farther?

5. Bo and Kate once thought they would form a model Christian couple, with Bo emphasizing the institutional church life and Kate always hankering for the mission fields and the active, even radical faith. At the end of the book, have they gone their separate ways for good? How much did their differing views of religion contribute to their break-up?

6. What happens to Jerene’s family art collection? Who inherits it?

7. None of the Johnston children should write a romantic advice column. But who will end up the happiest? Is it improbably possible that Nonso and Joshua will have the best chance of living happily ever after? Despite Duke and Jerene’s solid union, none of the children seems to have figured out how to make a good match or marriage. Is there a reason for that?

8. Gaston adds himself to the pile of badly behaving, flagrantly drunken/unhappy Southern male writers (Faulkner, Wolfe, Dickey, Penn Warren, Capote, Tennessee Williams, et al). Is Norma correct—do these men just play at “Southern writer” or is there something especially destructive that lurks in the Southern literary profession?

9. What will Annie’s relationship with her mother be like after her father passes away? Will they be estranged or make some kind of détente? At the end of the book, Annie is free of the South and the pressures of the family? Will she be happier?

10. Race. Most chapters brush against (or take head-on) the inescapable topic of race in the South. The bad old days of Jim Crow may be gone, but how does the ever-changing mechanics of race-awareness and racism, overt as well as passive, limit and influence the white characters’ lives?

11. Class. Mrs. Johnston swears a couple can hail from different countries, different races or religions, but providing they share their class in common it might work out. Annie insists “class” is dead as a concept in America and that love will overcome all. Is Jerene right?

12. The Civil War—still alive, in some mutated fashion, in the South. (Maybe even still being fought.) Does anyone care about the war anywhere else in the country? Has a defeat for a lost and inglorious cause 150+ years ago truly cast that long and lasting a shadow over the American South?

13. Lookaway, Lookaway pokes a lot of fun at the Old Confederacy’s concepts of honor and the glorious gesture. Is Gaston and Duke’s final such gesture, their “honorable” solution to the inevitable decay and indignity that awaits them, merely ludicrous or is it actually chivalrous, a last romantic gesture and quest for a kind of nobility?

14. Humor is central to Barnhardt’s telling of the story. While the characters are strong and dominant, they are also really funny—intentionally or otherwise. Why is a sense of humor so important when reading this book? Which character do you think is the funniest and why?

15. Dorrie and Kate are the book’s outsiders, the eyes and thoughts of the reader. Are they changed for the better by entangling themselves with the Johnstons, or damaged? Does Kate depart the South for the mission fields mostly to escape the Johnstons and their values? Will Dorrie continue to be a faithful friend to Joshua and to Jerene?

16. Granted, Jerene is adept at fraud and petty criminality (particularly where shaking people down for money is concerned) and could probably kill detractors with her bare hands, but aren’t her sins in the service of her family? Or is she motivated by the false god of Society’s opinion and outward appearances? Is she admirable, or at least likable? Every family has a Jerene to some degree…in your family, is it you?
(Questions issued by publisher.)

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