Lush Life
Richard Price, 2008
Macmillan Picador
480 pp.
ISBN-13: 9780312428228
Summary
So, what do you do?” Whenever people asked him, Eric Cash used to have a dozen answers. Artist, actor, screenwriter.... But now he’s thirty-five years old and he’s still living on the Lower East Side, still in the restaurant business, still serving the people he wanted to be.
What does Eric do? He manages. Not like Ike Marcus. Ike was young, good-looking, people liked him. Ask him what he did, he wouldn’t say tending bar. He was going places—until two street kids stepped up to him and Eric one night and pulled a gun. At least, that’s Eric’s version. (From the publisher.)
Author Bio
• Birth—1949
• Where—New York, New York, USA
• Education—B.A., Cornell University; M.F.A., Columbia University
• Awards—Gotham Award, 1991
• Currently—lives in New York, New York
Richard Price is an American novelist and screenwriter, known for the books The Wanderers (1974), Clockers (1992), Lush Life (2008), and The Whites (2015, writing under the pen name of Harry Brandt).
Early life
A self-described "middle class Jewish kid," Price was born in the Bronx, New York City and grew up in a housing project in the northeast Bronx. He graduated from the Bronx High School of Science in 1967 and obtained a B.A. from Cornell University and an MFA from Columbia University. He also did graduate work at Stanford University.
He has taught writing at Columbia, Yale University, and New York University. He was one of the first people interviewed on the NPR show Fresh Air when it began airing nationally in 1987. In 1999, he was inducted into the American Academy of Arts and Letters, receiving the academy's Award in Literature that year.
Novels
Price's novels explore late 20th century urban America in a gritty, realistic manner that has brought him considerable literary acclaim. Several of his novels are set in a fictional northern New Jersey city called Dempsy. In his review of Lush Life (2008), Walter Kirn compared Price to Raymond Chandler and Saul Bellow.
Price's first novel was The Wanderers (1974), a coming-of-age story set in the Bronx in 1962, written when Price was 24 years old. It was adapted into a film in 1979, with a screenplay by Rose and Philip Kaufman and directed by the latter.
Clockers (1992), nominated for the National Book Critics Circle Award, was praised for its humor, suspense, dialogue, and character development. In 1995, it was made into a film directed by Spike Lee; Price and Lee shared writing credits for the screenplay.
Screen plays
Price has written numerous screenplays including The Color of Money (1986), for which he was nominated for an Oscar, Life Lessons (the Martin Scorsese segment of New York Stories) (1989), Sea of Love (1989), Mad Dog and Glory (1993), Ransom (1996), and Shaft (2000).
He also wrote for the HBO series The Wire. Price won the Writers Guild of America Award award for Best Dramatic Series at the February 2008 ceremony for his work on the fifth season of that series. He wrote the screenplay for the 2015 film Child 44. He is often cast in cameo roles in the films he writes. His eight part HBO mini series CRIME began filming in Sept. 2014
Price did uncredited work on the film American Gangster, wrote and conceptualized the 18-minute film surrounding Michael Jackson's "Bad" video.
Other
He has published articles in the New York Times, Esquire, The New Yorker, Village Voice, Rolling Stone and others.
In July 2010, a group art show inspired by Lush Life was held in nine galleries in New York City.
Personal life
Price lives in Harlem in New York City, and is married to the journalist Lorraine Adams. (Adapted from Wikipedia. Retrieved 2/22/2015.)
Book Reviews
The hard, daily slog of police work, made up not of highlight-reel discoveries and arrests, but of the grinding, old-school, shoe-leather following of leads; the glitter, aspirational energy and spiritual emptiness of the "Bohèmers'" world of swank bars and trendy restaurants; the narrow, unforgiving routine of life in the projects, where drug dealing seems like one of the few ways out of a future of small-time "mouse plays"—all these disparate worlds are captured by Mr. Price here with a pitch-perfect blend of swagger and compassion. He knows how these tectonic plates slide and crash up against one another, and he also knows how the six degrees of separation between his characters can instantly collapse into one, when a random act of violence or kindness brings players from these worlds together. He depicts his characters' daily lives with such energy, such nuance and such keen psychological radar that he makes it all come alive to the reader—a visceral, heart-thumping portrait of New York City and some of its residents, complete with soundtrack, immortalized in this dazzling prose movie of a novel.
Michiko Kakutani - New York Times
Raymond Chandler is peeping out from Price's skull, as well he should be, given such gloomy doings…one detects Saul Bellow's vision, too. Price is a builder, a drafter of vast blueprints, and though the Masonic keystone of his novel is a box-shaped N.Y.P.D. office, he stacks whole slabs of city on top of it and excavates colossal spaces beneath it. He doesn't just present a slice of life, he piles life high and deep. Time too.
Walter Kirn - New York Times Book Review
A vivid study of contemporary urban landscape. Price's knowledge of his Lower East Side locale is positively synoptic, from his take on its tenements, haunted by the ghosts of the Jewish dead and now crammed with poor Asian laborers, to the posh clubs and restaurants, where those inclined can drink "a bottle of $250 Johnnie Walker Blue Label" or catch "a midnight puppet porno show." In this "Candyland of a neighborhood," where kids from all over the nation come to "walk around starring in the movie of their lives," it is hardly surprising that an ambitious suburban boy believes he can front up to armed muggers and live to write a treatment about it. Price's ear for dialogue is equally sharp.... In the end, Lush Life is most effective as a study of sudden crime and its lingering aftermath.
Stephen Amidon - Washington Post
(Audio version.) With a perfect ear for dialogue, Bobby Cannavale sounds like he grew up on the same patch of New York's Lower East Side that Price so effectively captures. It's a neighborhood in the midst of gentrification.... He adds dimension and surprisingly subtle touches to all of Price's already rich characters.
Publishers Weekly
(Audio version.) The whodunit part of the book contains enough twists and turns to hold listeners' interest. More powerful are Price's descriptions of the different neighborhoods of Manhattan, making the city as much a character as any human in the story.
Stephen L. Hupp - Library Journal
Price tells [his characters'] stories in a complex structure of juxtaposed scenes that ratchets up the tension. The only thing even close to a flaw in this book is its plot's surface resemblance to that of Clockers. But this time Price digs deeper, and the pain is sharper. There oughta be a law requiring Richard Price to publish more frequently. Because nobody does it better. Really. No time, no way.
Kirkus Reviews
Discussion Questions
Use our LitLovers Book Club Resources; they can help with discussions for any book:
• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)
Also consider these LitLovers talking points to help get a discussion started for Lush Life:
1. How sympathetic a character is Eric Cash? How would you describe him? Why does he dislike Ike?
2. Once exonerated, why does Cash refuse to help Matty Clark identify the killers? Given his treatment at the hands of the police, is his refusal justified, self-indulgent, cowardly, self-pitying... or what?
3. Talk about the community itself. The book opens with Cash feeling a sense of connectedness to the previous denizens, the Jewish immigrants who settled the neighborhood at the turn of the 20th century and then moved on. There are also under-ground cellars which contain relics of previous lives. Talk about the kind people who populate the neighborhood now— the Bohemer's, the project kids, the drug dealers, and the police. Is there even a "community" or simply disconnected people who walk the same sidewalks?
4. Cash says he feels like everyone he knows on the lower East side "went to the same...art camp or something." What does he mean?
5. What about the memorial service Steven Boulware puts on? Is it an appropriate mourning, a brilliant celebration of Ike's life...or self-dramatization of the part of the participants? How did it affect Ike's family?
6. Talk about Billy, Ike's father. Do you find him sympathetic or irritating or a brave survivor? And what's going on between Matty Clark and Billy's wife?
7. How do you feel about Matty Clark. Is he the book's hero? What about his two sons?
8. Do you find the ending satisfying? Is anything resolved? Should it be?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
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