The Madonnas of Echo Park
Brando Skyhorse, 201o
Simon & Schuster
199 pp.
ISBN-13: 9781439170847
Summary
Winner of the 2011 Hemingway Foundation/PEN Award
We slipped into this country like thieves, onto the land that once was ours. With these words, spoken by an illegal Mexican day laborer, The Madonnas of Echo Park takes us into the unseen world of Los Angeles, following the men and women who cook the meals, clean the homes, and struggle to lose their ethnic identity in the pursuit of the American dream.
When a dozen or so girls and mothers gather on an Echo Park street corner to act out a scene from a Madonna music video, they find themselves caught in the crossfire of a drive-by shooting. In the aftermath, Aurora Esperanza grows distant from her mother, Felicia, who as a housekeeper in the Hollywood Hills establishes a unique relationship with a detached housewife.
The Esperanzas’ shifting lives connect with those of various members of their neighborhood. A day laborer trolls the streets for work with men half his age and witnesses a murder that pits his morality against his illegal status; a religious hypocrite gets her comeuppance when she meets the Virgin Mary at a bus stop on Sunset Boulevard; a typical bus route turns violent when cultures and egos collide in the night, with devastating results; and Aurora goes on a journey through her gentrified childhood neighborhood in a quest to discover her own history and her place in the land that all Mexican Americans dream of, "the land that belongs to us again."
Like the Academy Award–winning film Crash, The Madonnas of Echo Park follows the intersections of its characters and cultures in Los Angeles. In the footsteps of Junot Díaz and Sherman Alexie, Brando Skyhorse in his debut novel gives voice to one neighborhood in Los Angeles with an astonishing— and unforgettable—lyrical power. (From the publisher.)
Author Bio
Brando Skyhorse is the author of The Madonnas of Echo Park. Born and raised in Echo Park, CA, Brando Skyhorse is a graduate of Stanford University and the MFA Writers' Workshop program at UC Irvine. For the past ten years he has worked in New York publishing as a book editor, at Grove Press, Lyons Press, and Skyhorse Books. (From the publisher.)
Book Reviews
A literary glimpse into the often unseen world of Mexican Americans trying to make it as Americans.
USA Today
Skyhorse maps in his vivid debut the spirit of L.A.'s Echo Park, where Mexican-Americans define themselves either in alignment with or in opposition to their barrio. Each story-like chapter tells the tale of a character who has grown up in, moved to, or fled Echo Park, such as an itinerant construction worker hired to dispose of a murder weapon, a woman who converses with the Virgin Mary, and a hustler who swears he's going to stay out of prison this time. These lives coalesce around a random shooting that claims the life of a young girl. Family epics also emerge, notably the story of Aurora Esperanza, whose absent father narrates the opening story and whose mother was at the center of a tragedy. Aurora herself closes out the book, drawing together threads of homecoming that weave throughout the novel. Though a few of the narrators' voices aren't distinct enough, Skyhorse excels at building a vibrant community and presenting several perspectives on what it means to be Mexican in America, from those who wonder “how can you lose something that never belonged to you?” to those who miraculously find it.
Publishers Weekly
Eye-opening and haunting, Skyhorse’s novel will jolt readers out of their complacence. —Deborah Donovan
Booklist
First-time novelist Skyhorse offers a poignant yet unsentimental homage to Echo Park, a working-class neighborhood in east Los Angeles where everyone struggles to blend in with American society but remains tied to the traditions of Mexico. Twenty-five years ago, a teenage Skyhorse tells Aurora Esperanza at a high school dance, "I can't dance with you…you're Mexican." Before he can apologize, she disappears. These eight linked stories—real voices, with details changed—are his apology. Hector, Aurora's father, is 40 years old with no job because the Hollywood restaurant where he worked closed. He picks up a construction job, but it isn't what he bargained for. Felicia, Hector's ex-wife and Aurora's mother, works for wealthy Mrs. Calhoun, to whom she is invisible. Efren Mendoza, a by-the-rules bus driver, is proud that he has escaped his family's gang associations, but after a terrible accident he breaks all the rules. Finally, Aurora's story is a lament to Echo Park. She is the last to move out, carried by force by the L.A. Sheriff's Department so Dodger Stadium can be built. Verdict: Universal appeal for readers who favor in-depth character-centered stories, this is enthusiastically recommended. —Donna Bettencourt, Mesa County P.L., Grand Junction, CO
Library Journal
Discussion Questions
1. The first chapter of The Madonnas of Echo Park is actually a fictional Author's Note, telling the story of the real Aurora Esperanza and the inspiration for the novel. Did you read the Author's Note before starting the novel? Did you realize it was fictional? Do you prefer to know an author's thoughts about their book before you start, or formulate your own thoughts about it first?
2. The reporters that cover the drive-by shooting raise questions about the positioning that saved Aurora and placed Alma Guerrero in the path of the bullet. Felicia seems doubtful herself about what actually happened during the shooting. Was it just a mother-daughter spat, or did survival instincts kick in and shape the incident?
3. "Tall poppy syndrome" or "crab mentality" is often pointed out by observers of minority cultures, when a member of the community achieves, or has goals, outside of the average and is dragged down or derided by others. Do you see this at work in any of the characters' lives?
4. The incident on Efren Mendoza's bus highlights the racial tensions simmering below the surface of everyday L.A. Was the bus driver trying to manage an unmanageable situation, or acting out of his own prejudices?
5. Aurora, speaking of her obsession with Morrissey, says, "You can't help who, or what, you love." Is she speaking solely about music, or is there a broader context for her statement? Do you agree with her?
6. Felicia works for wealthy white people cleaning their homes; Hector and Diego do construction work off the books. Are these genuine opportunities, or examples of immigrants being taken advantage of?
7. Beatriz (Felicia's mother, Aurora's grandmother) believes she has been visited by Our Lady of Guadalupe at a bus stop on Sunset Boulevard. Do you believe in religious visions, or is this simply a hallucination brought on by age and guilt?
8. Juan's father, Manny, is an ex-gangster. What purpose do gangs serve for their neighborhoods? Are they the only option available for many teens, or an actual choice on the part of their members? Can people truly change, after being involved in that kind of violence?
9. Felicia knows her employers as Rick and Mrs. Calhoun, despite the fact that she becomes much closer to Mrs. Calhoun than Rick. Is the way she refers to them indicative of their relationships? Why doesn't it change with the changing circumstances?
10. Are the Calhouns camouflaging their dysfunction with charitable acts, or are they genuinely sympathetic to Felicia? Is this an accurate portrait of their society/demographic? Are the Calhouns' dark secrets the exception or the rule?
11. Which character was your favorite, and which was your least favorite? Which did you identify with the most?
12. The Madonnas of Echo Park has many points of view and many connections that are often revealed slowly. Did the structure of the novel enhance or detract from the reading experience? Would you change it? If so, how?
(Questions issued by publisher.)
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