The Magicians (Magicians Trilogy, 1)
Lev Grossman, 2009
Penguin Group USA
402 pp.
ISBN-13: 9780452296299
Summary
Quentin Coldwater is brilliant but miserable. A senior in high school, he's still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.
He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn't bring Quentin the happiness and adventure he dreamed it would. After graduation he and his friends make a stunning discovery: Fillory is real. But the land of Quentin's fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart.
At once psychologically piercing and magnificently absorbing, The Magicians boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren't black and white, love and sex aren't simple or innocent, and power comes at a terrible price.
Exploring universal issues of adolescent angst and alienation through a prism of magic, The Magicians is a brilliantly imagined fantasy adventure that is as mesmerizing as it is intelligent. Using the beloved novels of C. S. Lewis, T. H. White, and J. K. Rowling as a springboard, bestselling author Lev Grossman unspools a riveting coming-of-age tale in which magic is as fallible and mercurial as the humans that wield it. (From the publisher.)
This is the first book of the Magicians Trilogy: the second is The Magician King (2011), and the third is The Magician's Land (2014).
Author Bio
• Birth—June 26, 1969
• Where—Concord, Massachusetts, USA
• Education—B.A., Harvard College; Yale University (graduate studies)
• Awards—Alex Award; John W. Campbell Award
• Currently—lives in Brooklyn, New York City, New York
Lev Grossman is an American novelist and journalist, notably the author of the Magicians Trilogy: The Magicians (2009), The Magician King (2011), The Magician's Land (2014). He is a senior writer and book critic for Time.
Personal life
Grossman is the twin brother of video game designer and novelist Austin Grossman, and brother of sculptor Bathsheba Grossman, and the son of the poet Allen Grossman and the novelist Judith Grossman. He graduated from Harvard in 1991 with a degree in literature. Grossman then attended a Ph.D. program in comparative literature for three years at Yale University, but left before completing his dissertation. He lives in Brooklyn with a daughter named Lily from a previous marriage and his second wife, Sophie Gee, whom he married in early 2010. In 2012, his second child, Benedict, was born.
Journalism
Grossman has written for the New York Times, Wired, Salon.com, Lingua Franca, Entertainment Weekly, Time Out New York, Wall Street Journal, and Village Voice. He has served as a member of the board of directors of the National Book Critics Circle and as the chair of the Fiction Awards Panel.
In writing for Time, he has also covered the consumer electronics industry, reporting on video games, blogs, viral videos and Web comics like Penny Arcade and Achewood. In 2006, he traveled to Japan to cover the unveiling of the Wii console. He has interviewed Bill Gates, Steve Jobs, Salman Rushdie, Neil Gaiman, Joan Didion, Jonathan Franzen, J.K. Rowling, and Johnny Cash. He wrote one of the earliest pieces on Stephenie Meyer's Twilight series. Grossman was also the author of the "Time Person of the Year 2010" feature article on Facebook founder Mark Zuckerberg.
Novels
Lev Grossman's first novel, Warp, was published in 1997 after he moved to New York City. Warp is about "the lyrical misadventures of an aimless 20-something in Boston who has trouble distinguishing between reality and Star Trek." His second novel Codex, published in 2004, became an international bestseller.
In 2009 Grossman published the book that he is best known for, The Magicians. It became a New York Times bestseller. The Washington Post called it “Exuberant and inventive.... Fresh and compelling...a great fairy tale.” The New York Times said the book "could crudely be labeled a Harry Potter for adults," injecting mature themes into fantasy literature.
The Magicians won the 2010 Alex Award, given to ten adult books that appeal to young adults; the book also won the 2011 John W. Campbell Award for Best New Writer.
The book's sequel The Magician King came out in 2011 and returns readers to the magical land of Fillory, where Quentin and his friends are now kings and queens. The Chicago Tribune called it "The Catcher in the Rye for devotees of alternative universes" and "a rare, strange and scintillating novel." It was an Editor's Choice pick of the New York Times, which referred to it as a "serious, heartfelt novel [that] turns the machinery of fantasy inside out." The Boston Globe called the it "a rare achievement, a book that simultaneously criticizes and celebrates our deep desire for fantasy."
The final book of the Magician's Trilogy, The Magician's Land, was published in 2014. Kirkus Reviews referred to it as a " brilliant fantasy filled with memorable characters" and called it "endlessly fascinating."
Grossman confirmed that he has sold the rights for a television adaptation of The Magicians but added that he's not certain the source material would be conducive to a film adaptation. (Adapted from Wikipedia. Retrieved 5/21/14.)
Book Reviews
Grossman clearly has read his Potter and much more. While this story invariably echoes a whole body of romantic coming-of-age tales, Grossman's American variation is fresh and compelling. Like a jazz musician, he riffs on Potter and Narnia, but makes it his own.
Washington Post
This gripping novel draws on the conventions of contemporary and classic fantasy novels (most obviously, those of J. K. Rowling and C. S. Lewis) in order to upend them, and tell a darkly cunning story about the power of imagination itself. Quentin Coldwater is a geeky high-school senior in Brooklyn who is convinced that happiness and “the life he should be living” are elsewhere—for example, in the series of nineteen-thirties British adventure novels that he was obsessed with as a child. When Quentin stumbles on a portal that takes him to a college for magicians in upstate New York, he learns that the world depicted in these novels, known as Fillory, is real, and he is forced to square his youthful ideas with the realities that exist there, too—boredom, regret, shame, and despair. Quentin’s journey becomes an unexpectedly moving coming-of-age story in which he learns that magical worlds are much like the real one, in that they are places “where bad, bitter things happened for no reason, and people paid for things that weren’t their fault.
The New Yorker
An irresistible storytelling momentum makes The Magicians a great summer book, both thoughtful and enchanting.
Salon
Harry Potter discovers Narnia is real in this derivative fantasy thriller from Time book critic Grossman (Codex). Quentin Coldwater, a Brooklyn high school student devoted to a children's series set in the Narnia-like world of Fillory, is leading an aimless existence until he's tapped to enter a mysterious portal that leads to Brakebills College, an exclusive academy where he's taught magic. Coldwater, whose special gifts enable him to skip grades, finds his family's world "mundane and domestic" when he returns home for vacation. He loses his innocence after a prank unintentionally allows a powerful evil force known only as the Beast to enter the college and wreak havoc. Eventually, Coldwater's powers are put to the test when he learns that Fillory is a real place and how he can journey there. Genre fans will easily pick up the many nods to J.K. Rowling and C.S. Lewis, not to mention J.R.R. Tolkien in the climactic battle between the bad guy and a magician.
Publishers Weekly
Most of us secretly believed as children that we were somehow destined for greatness. Someday there would be a letter delivered by owl or a magical wardrobe, and it would turn out we were the long-lost ruler of a land in eternal winter! Time magazine book critic Grossman (Codex) explores what it might be like if this really happened. High school senior Quentin is on his way to a college interview when he wanders off the street and ends up transported to another place...where it's still summer. At first he thinks he must be in the land of Fillory, where his favorite childhood books took place, but no, he is actually at a magical college in upstate New York. He passes the entrance exam and decides to skip the rest of senior year and become a wizard instead—well, wouldn't you? In the course of his adventures, he finds out that studying magic is actually insanely difficult and that fighting a war for the royal succession of an alternate world is much less glamorous than it sounds. But this is not quite a "be careful what you wish for" story. Ultimately, being a magician is, in fact, awesome. This is a book for grown-up fans of children's fantasy and would also appeal to those who loved Donna Tartt's The Secret History. Highly recommended
Jenne Bergstrom - Library Journal
Fantasy fans can't afford to miss the darkly comic and unforgettably queasy experience of reading this book-and be glad for reality.
Booklist
Grossman (Codex, 2004, etc.) imagines a sorcery school whose primary lesson seems to be that bending the world to your will isn't all it's cracked up to be. When Quentin manages to find Brakebills College for Magical Pedagogy and pass its baffling entrance exam, he finally feels at home somewhere. Back in the real world, Quentin and fellow students, like brilliant, crippling shy Alice and debonair, sexually twisted Eliot, were misfits, obsessed with a famous children's series called Fillory and Further (The Chronicles of Narnia, very lightly disguised). Brakebills teaches them how to tap into the universe's flow of energy to cast spells; they're ready to graduate and...then what? "You can do nothing or anything or everything," cautions Alice, who has become Quentin's lover. "You have to find something to really care about to keep from running totally off the rails." Her warning seems apt as he indulges in aimless post-grad drinking and partying, eventually betraying Alice with two other Brakebills alums. The discovery that Fillory actually exists offers Quentin a chance to redeem himself with Alice and find a purpose for his life as well. But Fillory turns out to be an even more dangerous, anarchic place than the books suggested, and it harbors a Beast who's already made a catastrophic appearance at Brakebills. The novel's climax includes some spectacular magical battles to complement the complex emotional entanglements Grossman has deftly sketched in earlier chapters. The bottom line has nothing to do with magic at all: "There's no getting away from yourself," Quentin realizes. After a dreadful loss that he discovers is the result of manipulation by forces that care nothing about him or his friends, Quentin chooses a bleak, circumscribed existence in the nonmagical world. Three of his Brakebills pals return to invite him back to Fillory: Does this promise new hope, or threaten more delusions? Very dark and very scary, with no simple answers provided-fantasy for grown-ups, in other words, and very satisfying indeed.
Kirkus Reviews
Discussion Questions
1. In many ways The Magicians depicts and amplifies the quintessential adolescent experience: depression, ennui, emotional carelessness. Would magic be a gift or a curse for the typical teenager?
2. Would Quentin ultimately have been happier if he had chosen not to attend Brakebills?
3. Which character least typifies your vision of what a true magician would be? Explain.
4. What does Quentin’s encounter with Julia in the cemetery say about him?
5. During their time at Brakebills South, the aspiring magicians take the shape of a number of different animals. If it were a part of every human’s general education to spend some time as a particular animal, what animal should that be and why?
6. After the Brakebillians discover that Martin Chatwin is the beast, Alice tells Quentin, “you actually still believe in magic. You do realize, right, that nobody else does?” (p. 179). How does his faith differentiate him from his friends?
7. What do you make of Emily Greenstreet’s condemnation of magic, asserting “nobody can be touched by that much power without being corrupted?” (p. 399).
8. Jane Chatwin specifically chose Quentin for the task of vanquishing the beast, yet he isn’t the one who winds up killing him. Why?
9. Quentin says, “The problem with growing up is that once you’re grown up, people who aren’t grown up aren’t fun anymore.” (p. 197). Has Quentin grown up at the end of the novel or is he, like Martin and Jane, frozen in a chronological netherland?
10. Quentin seems, at times, to be a more potent magician than most of the Brakebills crew, skipping ahead a year in his studies and successfully making the journey to the South Pole. But his cacodemon is puny and he himself absolutely crumples once in Fillory. How powerful is he, really?
11. Janet is neither “the most assiduous student...nor the most naturally gifted” (p. 121). She’s also a troublemaker and a bit of a coward but it is Janet—and not Alice—who will return to be a queen in Fillory. What does her survival say?
12. Have you reread any of your favorite childhood novels as an adult? How did your understanding of the book change?
(Questions issued by publisher.)