Maybe This Time
Jennifer Crusie, 2010
St. Martin's Press
352 pp.
ISBN-13:
Summary
Andie Miller is ready to move on with her life. She wants to marry her fiance and leave behind everything in her past, especially her ex-husband, North Archer. But when Andie tries to gain closure with him, he asks one final favor of her. A distant cousin has died and left North the guardian of two orphans who have driven away three nannies already—and things are getting worse. He needs someone to take care of the situation, and he knows Andie can handle anything.
When Andie meets the two children, she soon realizes it’s much worse than she feared. Carter and Alice aren’t your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. Complicating matters is Andie’s fiancé’s suspicion that this is all a plan by North to get Andie back. He may be right because Andie’s dreams have been haunted by North since she arrived at the old house. And that’s not the only haunting.
Then her ex-brother-in-law arrives with a duplicitous journalist and a self-doubting parapsychologist, closely followed by an annoyed medium, Andie’s tarot card–reading mother, her avenging ex-mother-in-law, and her jealous fiance. Just when Andie’s sure things couldn’t get more complicated, North arrives to make her wonder if maybe this time things could just turn out differently.
Filled with her trademark wit, unforgettable characters, and laugh-out-loud scenarios, Maybe This Time shows why Jennifer Crusie is one of the most beloved storytellers of our time. (From the publisher.)
Author Bio
• Birth—N/A
• Where—Ohio, USA
• Education—B.A., Bowling Green University; M.A,
Wright State; Ph.D., Ohio University
• Awards—
• Currently—lives in Ohio
Don't expect to see Fabio's flowing mane on the cover of any of Jennifer Crusie's romance novels. She completely eschews the tradition of overwrought melodrama and heaving bosoms to toss a comic gauntlet into the romantic arena. Her fun, funny, and frisky books are a refreshing breeze in a genre that could easily grow stale.
Former schoolteacher Jennifer Smith got her Master's degree in Professional Writing and Women's Literature at Wright State University. She wrote her thesis on women's roles in mystery fiction before trying her hand at penning romance novels using her grandmother's family name Crusie. Despite her impressive credentials, she dismisses her debut novel Sizzle as "lousy" even as her fans clamber to gets their hands on this long out-of-print pulp romance. "That damn book is following me around the way early porn films follow actresses," so says Crusie one her web site of Sizzle.
No matter what the author thinks of her first effort, the astounding string of critically lauded bestsellers that followed it have firmly established Crusie as one of the very best writers of contemporary romantic fiction. Much of this is due to her sharp wit and ear for comedic dialogue, humor being an element often sorely missing in romance novels. From the sly private dick tale What the Lady Wants to the frantic Faking It, Crusie's books contain the perfect balance of suspense, snickers, and steamy love scenes.
What's more, the author has raked up a slew of awards, as well as spots on "best romance novels of the year" for Anyone But You, Temptation, Fast Women, and Faking It. Getting Rid of Bradley scored Crusie a RWA Rita award for Best Short Contemporary Fiction, and in 1996, she received a career achievement award for her work in the romantic comedy genre from Romantic Times magazine.
Now, after 13 crowd pleasers and award winners, Crusie is offering up her first-ever collaboration. She teamed up with hard-boiled action writer Bob Mayer (Operation Dragon-Sim) to conjure up Don't Look Down, a wacky escapade that is equal parts comedy, adventure, and playful erotica.
In Don't Look Down, movie director Lucy Armstrong goes toe-to-toe and heart-to-heart with J.T. Wilder, a green beret who serves as an advisor on a movie that is taking an unexpected turn from romantic comedy to blow- em-up action flick. Publisher's Weekly has declared the joint-effort "good fun," and Crusie reveals on her website that more fun with Mayer is on the way. The team is currently working on their second novel together Agnes and the Hitman.
As for future solo ventures by Crusie, there's plenty more in store. She not only has another release slotted for 2006—a sexy yuletide novella titled Hot Toy, which will appear in St. Martin's Press' Santa Baby anthology—but she currently has no less than five additional projects on the burner. Among these upcoming releases are a collection of short stories and a book that Crusie is particularly qualified to create: a guide to writing women's fiction.
Extras
• Crusie and Bob Mayer are making things a little easier for guys who want to check out their new collaborative novel Don't Look Down. All you have to do is remove the cutesy dust jacket to reveal a tough-as-nails camouflage cover design and voila! No one will ever know you're enjoying a romantic comedy.
• Crusie is the proud owner of three dogs, one of which is named Lucy. Oddly, the main character of Don't look Down is also named Lucy—and happens to be a director of dog food commercials. Coincidence?
• Crusie has a few nonfiction works to her credit, including introductions in Totally Charmed, a collection of essays about Alyssa Milano's cult TV series, and Anne Rice: A Critical Companion, which the author wrote under her given name of Jennifer Smith (From Barnes & Noble.)
Book Reviews
Crusie (Bet Me) is back on her own—after a couple of books written with Bob Mayer—with a sweet, offbeat romantic tale of second chances. Thirty-four-year-old Andie, hoping to cut the ties that still bind her to rich ex-hubby North, winds up instead getting drafted to "fix" the troubled orphaned children of North's cousin, who live with a grouchy housekeeper and a crew of ghosts that have an interest in the kids and their gothic mansion home. But there's no ordinary fix for this unruly bunch of living and undead as Andie tries to cajole them all—troubled and lonely kids Alice and Carter, dead aunt May aiming for a do-over, newly dead Dennis, and ancient spooks Miss J and Peter—into moving on. Crusie's created a sharp cast of lonely souls, wacky weirdos, ghosts both good and bad, and unlikely heroes who are brave enough to give life and love one more try. You don't have to believe in the afterlife to relish this fun, bright romp.
Publishers Weekly
Graced with deliciously original characters (including a housekeeper who could give Mrs. Danvers a run for her money), imbued with addictively acerbic wit, driven by a wildly inventive, paranormal-flavored plot that offers a subtle literary nod to Henry James, and featuring two protagonists who just might get their romance right the second time around, Maybe This Time is Crusie at her very best. —John Charles
Booklist
Crusie (Agnes and the Hitman, 2007, etc.) returns with a romantic comedy cum ghost story with facetious nods to Henry James and Daphne du Maurier. Ten years ago Andie met, married and divorced love of her life North because he put his Columbus, Ohio, law career ahead of their marriage. Now that she's engaged to a nice writer, she drops by North's office to return the years of alimony checks she never cashed. North immediately offers a proposition she convinces herself she can't refuse: $10,000 if she will spend a month in the wilds of southern Ohio caring for two orphaned children, distant relatives for whom he's had responsibility since their Aunt May's death two years earlier. North has only met them once, leaving them in the care of a string of nannies in their creepy Victorian mansion imported from England by the children's ancestor. As soon as Andie meets the housekeeper, Mrs. Crumb, with her "reptile smile," she knows she's in for a challenge. Blonde, waiflike Alice has a violent temper when crossed. Her older brother Carter barely speaks. Immediately, Andie begins to succeed with them where the nannies failed. But then there are ghosts that Andie and the kids see. Two came with the house a century ago and are clearly sinister. They killed Aunt May, whose spirit remains and chats up Andie about North, inadvertently reminding Andie how much she still loves him and not poor Will. Then North's brother, Southie, arrives with his TV newswoman, who has sniffed out the ghost story and wants to conduct a seance. Actually she wants to expose North for mistreating his wards. Soon North, his mother, Andie's mother, Andie's purported fiance, a medium and a professional ghost skeptic have assembled as storm clouds gather. Now throw a little Agatha Christie into the mix. Why Andie gets to see the ghosts is never clear; nor frankly, why North shouldn't be charged with neglect. A charmless romance, neither funny nor scary.
Kirkus Reviews
Discussion Questions
1. Layla (Eric Clapton): Andie in 1982 was headstrong and impulsive; after all, she married North after knowing him for only a day. But as the book opens 10 yrs later, she’s changed; as North says, when he fell in love with her in ’82, he heard the original “Layla;” when he sees her in ’92, he hears the acoustic version. How has she changed, and how does a month in the country change her ever more that the previous 10 yrs? Why?
2. Man in Love (Eric Clapton): North is really laid back, so far back he’s in the shadows, and it doesn’t help that MTT is not a romance novel, so North had to work within a romantic subplot. Did you find the romance believable? Satisfying? Did he work for you as a romantic hero or was he just too detached?h
3. Girls Just Want To Have Fun (Cyndi Lauper): Did you feel sympathy for May? Did you feel she was a fully developed character, something beyond the ghost that goes
bump in the night?
4. Somebody’s Baby (Jackson Browne): Alice lost her mother at birth, her father and her grandfather at six, and her aunt at seven. That’s a lot of death and a lot of abandonment. Do you feel she was portrayed realistically given her circumstances? What about her relationship with Miss J? May? Her relationship with Andie is arguably the most important relationship in the story. Did you find it realistic? Compelling? What impact did it have on Andie? On Alice?
5. Any Day Now (Ronnie Milsap): Carter got short shrift for most of this story because he’s so withdrawn mainly because he thinks he’s doomed and he expects people to leave him. Did it bother you that Andie took so long to recognize that he was in trouble, too? Did his relationship with Andie and then later with North change him and them? Did you find those relationships believable? What about his relationship with Alice?
6. Baby Mine (Bonnie Raitt): The ghosts had each chosen a child before Andie gotvthere. What was Miss J’s relationship (if you can call it that) with Alice? What did she need from Alice? What did Peter need from Carter? Did you find them pitiful or frightening? Why? What impact did their choice to haunt children have on your perception?
7. Make A Move On Me (Olivia Newton-John): Andie ends up with two ghost experts on her hands: Isolde, a medium who knows there are ghosts, and Dennis, a parapsychologist who doesn’t believe. What did they add to the story? Were both necessary? What did you think of where they ended in their relationship to the Archers, to each other, and to the world?
8. Lawyers in Love (Jackson Browne): The Archers are not good at marriage. North neglects his for work, Southie avoids the institution like the plague, and Lydia cheats on her husband with his ne’er-do-well brother. What’s wrong with these people?
9. Time After Time (Cyndi Lauper): This book was written as an homage to Henry James’s Turn of the Screw. What echoes from that story are in the book? What things are the same? What things are completely different, so much so as to be the exact opposite of the book?
10. Everything Changes (Kathy Troccoli): This book takes place over one month, but in the course of that month the lives of almost everyone in the story are irrevocably changed. Did you find that believable? Chaotic? Transformative for you as a reader?
11. SheBop (Cyndi Lauper): What question do you want to ask? It’s all about Y-O-U on this one!
(Questions issued by publisher.)