The Mirror & the Light (Wolf Hall Trilogy, 3)
Hilary Mantel, 2020
Henry Holt & Co.
748 pp.
ISBN-13: 9780805096606
Summary
“If you cannot speak truth at a beheading, when can you speak it?”
With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies.
She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage.
—The story begins in May 1536—
Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner.
As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour.
Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform.
But as fortune’s wheel turns, Cromwell’s enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry’s cruel and capricious gaze?
Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell’s journey from self-made man to one of the most feared, influential figures of his time.
Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age.. (From the publisher.)
Wolf Hall, the first book in Mantel's trilogy was published in 2009; the second volume, Bring Up the Bodies came out in 2012. Both books won the Man Booker Prize.
Author Bio
• Birth—July 6, 1952
• Where—Glossop, Derbyshire, England, UK
• Education—University of Sheffield
• Awards—(See below)
• Currently—lives in England
Hilary Mary Mantel CBE* is an English novelist, short story writer and critic. Her work, ranging in subject from personal memoir to historical fiction, has been short-listed for major literary awards.
Mantel's best known work is her Wolf Hall Trilogy, 2009-2020. She won the 2009 Man Booker Prize for Wolf Hall, the series' first volume, and won the prize a second time in 2012 for the sequel, Bring Up the Bodies. (Mantel thus became the first British writer and the first woman to win the Man Booker Prize more than once.) The Mirror and the Light, the trilogy's final installment, came out in 2020.
Mantel was born in Glossop, Derbyshire, the eldest of three children, and was brought up in the Derbyshire mill village of Hadfield, attending the local Roman Catholic primary school. Her family is of Irish origin but her parents, Margaret and Henry Thompson, were born in England. After losing touch with her father at the age of eleven, she took the name of her stepfather, Jack Mantel. Her family background, the mainspring of much of her fiction, is explained in her memoir, Giving Up the Ghost.
Mantel attended Harrytown Convent in Romiley, Cheshire, and in 1970 went to the London School of Economics to read law. She transferred to the University of Sheffield and graduated as Bachelor of Jurisprudence in 1973. After graduating she worked in the social work department of a geriatric hospital, and then as a saleswoman. In 1974 she began writing a novel about the French Revolution, which was later published as A Place of Greater Safety.
In 1977 she went to live in Botswana with her husband, Gerald McEwen, a geologist, whom she had married in 1972. Later they spent four years in Jeddah in Saudi Arabia—a memoir of this time, Someone to Disturb, has been published in the London Review of Books. During her twenties she suffered from a debilitating and painful illness. This was initially diagnosed as a psychiatric illness for which she was hospitalised and treated with anti-psychotic drugs. These produced a paradoxical reaction of psychotic symptoms and for some years she refrained from seeking help from doctors. Finally, in Africa, and desperate, she consulted a medical text-book and realised she was probably suffering from a severe form of endometriosis, a diagnosis confirmed back in London. The condition and necessary surgery left her unable to have children and continued to disrupt her life, with continued treatment by steroids radically changing her appearance. She is now patron of the Endometriosis SHE Trust.
Novels
Her first novel, Every Day is Mother's Day, was published in 1985, and its sequel, Vacant Possession, a year later. After returning to England, she became the film critic of The Spectator and a reviewer for a number of papers and magazines in Britain and the United States.
Her novel Eight Months on Ghazzah Street (1988), which drew on her first-hand experience in Saudi Arabia, uses a threatening clash of values between the neighbours in a city apartment block to explore the tensions between Muslim culture and the liberal West.
Her Winifred Holtby Memorial Prize-winning novel Fludd is set in 1956 in a fictitious northern village called Fetherhoughton, centring on a Roman Catholic church and a convent. A mysterious stranger brings about transformations in the lives of those around him.
A Place of Greater Safety (1992) won the Sunday Express Book of the Year award, for which her two previous books had been shortlisted. A long and historically accurate novel, it traces the career of three French revolutionaries, Danton, Robespierre and Camille Desmoulins, from childhood to their early deaths during the Reign of Terror of 1794.
A Change of Climate (1994), set in rural Norfolk, explores the lives of Ralph and Anna Eldred, as they raise their four children and devote their lives to charity. It includes chapters about their early married life as missionaries in South Africa, when they were imprisoned and deported to Bechuanaland, and the tragedy that occurred there.
An Experiment in Love (1996), which won the Hawthornden Prize, takes place over two university terms in 1970. It follows the progress of three girls—two friends and one enemy—as they leave home and attend university in London. Margaret Thatcher makes a cameo appearance in this novel, which explores women’s appetites and ambitions, and suggests how they are often thwarted. Though Mantel has used material from her own life, it is not an autobiographical novel.
Her next book, The Giant, O'Brien (1998), is set in the 1780s, and is based on the true story of Charles O'Brien or Byrne. He came to London to earn money by displaying himself as a freak. His bones hang today in the Museum of the Royal College of Surgeons. The novel treats O'Brien and his antagonist, the Scots surgeon John Hunter, less as characters in history than as mythic protagonists in a dark and violent fairytale, necessary casualties of the Age of Enlightenment. She adapted the book for BBC Radio 4, in a play starring Alex Norton (as Hunter) and Frances Tomelty.
In 2003, Mantel published her memoir, Giving Up the Ghost, which won the MIND Book of the Year award. That same year she brought out a collection of short stories, Learning To Talk. All the stories deal with childhood and, taken together, the books show how the events of a life are mediated as fiction. Her 2005 novel, Beyond Black, was shortlisted for the Orange Prize. Set in the years around the second millennium, it features a professional medium, Alison Hart, whose calm and jolly exterior conceals grotesque psychic damage. She trails around with her a troupe of 'fiends', who are invisible but always on the verge of becoming flesh.
The long novel Wolf Hall, about Henry VIII's minister Thomas Cromwell, was published in 2009 to critical acclaim. The book won that year's Man Booker Prize and, upon winning the award, Mantel said, "I can tell you at this moment I am happily flying through the air." Judges voted three to two in favour of Wolf Hall for the prize. Mantel was presented with a trophy and a £50,000 cash prize during an evening ceremony at the London Guildhall. The accounted for 45% of the sales of all the nominated books. On receiving the prize, Mantel said that she would spend the prize money on "sex and drugs and rock' n' roll".
The sequel to Wolf Hall—Bring Up the Bodies—was published in 2012, also to wide acclaim. It won the 2012 Costa Book of the Year and the 2012 Man Booker Prize. Mantel is working on the third novel of the Thomas Cromwell trilogy, called The Mirror and the Light.
She is also working on a short non-fiction book called The Woman Who Died of Robespierre, about the Polish playwright Stanisława Przybyszewska. Mantel also writes reviews and essays, mainly for the Guardian, London Review of Books and New York Review of Books. The Culture Show programme on BBC 2 broadcast a profile of Mantel on 17 September 2011.
In September 2014, in an interview published in the Guardian, Mantel confessed to fantasizing about the murdering of Margaret Thatcher in 1983, and fictionalized the event in a short story called "The Assassination of Margaret Thatcher: 6 August 1983." That story became the title story in her 2014 collection.
Awards
1987 Shiva Naipaul Memorial Prize
1990 Southern Arts Literature Prize for Fludd
1990 Cheltenham Prize for Fludd
1990 Winifred Holtby Memorial Prize for Fludd
1992 Sunday Express Book of the Year for A Place of Greater Safety
1996 Hawthornden Prize for An Experiment in Love
2003 MIND Book of the Year for Giving Up the Ghost (A Memoir)
2009 Man Booker Prize for Wolf Hall
2009 National Book Critics Circle Award for Wolf Hall
2010 Walter Scott Prize for Wolf Hall
2012 Man Booker Prize for Bring Up the Bodies
2012 Costa Book Awards (Novel) for Bring Up the Bodies
2012 Costa Book Awards (Book of the Year) for Bring Up the Bodies
2013 David Cohen Prize
She was appointed Commander of the Order of the British Empire (CBE) in the 2006 Birthday Honours and Dame Commander of the Order of the British Empire (DBE) in the 2014 Birthday Honours for services to literature.(Adapted from Wikipedia. Retrieved 10/13/2014.)
*Commander of the British Empire
Book Reviews
It is impossible not to admit that this final volume… becomes woefully labored. Thomas Cromwell is a marvelous prism and a phenomenally round character, but by the time we’ve had 1,700 pages of him, he is drastically overdetermined.… The Wolf Hall trilogy is probably the greatest historical fiction accomplishment of the past decade; the first two volumes both won Man Booker Prizes. But after Bring Up the Bodies the enterprise, like Henry, has put on weight and self-importance. The final book feels heavier with food and custom and ceremony; catalogs of saints' relics, clothing and wedding presents.… After the vast and painstaking narrative that has preceded them, the book’s final 75 pages may actually feel rushed, but the speed is artistically appropriate to the abruptness of the matter.
Thomas Mallon - New York Times Book Review
Wolf Hall, a decade ago, was a sensational character study that electrified an often-visited slice of history. The Mirror & the Light marks a triumphant end to a spellbinding story.
NPR
Breathtaking…. The plot here is shaped as meticulously as any thriller…. With this trilogy, Mantel has redefined what the historical novel is capable of…. Taken together, her Cromwell novels are, for my money, the greatest English novels of this century. Someone give the Booker Prize judges the rest of the year off. Stephanie Merritt - Guardian (UK)
Majestic and often breathtakingly poetic…. What The Mirror & the Light offers―even more than the two previous volumes―is engulfing, total sensory immersion in a world…. As with the most powerful and enduring historical fictions, the book grips the reader most tightly when, as is often the case, the writing comes as close to poetry as prose ever may.
Simon Schama - Financial Times (UK)
A masterpiece…. A novel of epic proportions [that is] every bit as thrilling, propulsive, darkly comic and stupendously intelligent as its predecessors…. The trilogy is complete and it is magnificent.
Alexandra Harris - Guardian (UK)
This is rich, full-bodied fiction. Indeed, it might well be the best of the trilogy simply because there is more of it, a treasure on every page…. The brisk, present-tense narration makes you feel as though you are watching these long-settled events live, via a shaky camera phone…. Mantel has… elevated historical fiction as an art form…. At a time when the general movement of literature has been towards the margins, she has taken us to the dark heart of history
London Times (UK)
Hilary Mantel has written an epic of English history that does what the Aeneid did for the Romans and War and Peace for the Russians…. As Cromwell approaches his end, cast off by an ungrateful master, Mantel pulls together the strands of his life into a sublime tapestry.
Telegraph (UK)
Cromwell is a character for the ages…. The stunning success of the novels is in large part the result of Ms. Mantel’s skill in fashioning a voice and persona that, while never anachronistic, make Cromwell seem eerily contemporary…. Mantel’s genius is to make his 16th-century instincts, such as a willingness to decapitate anyone standing in his path, seem as plausible as his more familiar qualities.
Economist (UK)
Another masterpiece of historical fiction…. The Mirror & the Light is superb, right to the last crimson drop…. A complex, insightful exploration of power, sex, loyalty, friendship, religion, class and statecraft…. A stunning conclusion to one of the great trilogies of our times.
Independent (UK)
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