Mrs. Kimble
Jennifer Haigh, 2003
HarperCollins
416 pp.
ISBN-13: 9780060858780
Summary
Deftly exploring the poignant landscape of longing, Mrs. Kimble traces the lives of three women who marry the same opportunistic man, a chameleon named Ken Kimble. He seduces each of them with sensitivity and generosity, and with his obsessively perfected physique. But marriage reveals Ken's true persona—elusive, workaholic, and hungry for extramarital affairs. All three of his wives are sustained by the hope that he will once again become the hero they fell in love with. For Ken's children, the reality of their father's absence is at once devastating and indelible. And for Ken himself, the price of maintaining illusions appears to be negligible.
Spanning four decades in the life of a tantalizingly unknowable man, Mrs. Kimble vividly portrays the pain of unequal affections. In a voice that is neither maudlin nor sentimental, Jennifer Haigh has crafted a debut novel that captures journeys of the heart in a wholly original way. (From the publisher.)
Author Bio
• Birth—October 16, 1968
• Where—Barnesboro, Pennsylvania, USA
• Education—B.A., Dickenson College; M.F.A., Iowa Writers'
Workshop
• Awards—2002 James A. Michener Fellowship; 2003;
PEN/Hemingway Award for Outstanding First Fiction, Mrs.
Kimble; 2006 PEN/L.L. Winship Award for outstanding book
by a New England author, Baker Towers
• Currently—lives in Boston, Massachusetts
The daughter of a librarian and a high school English teacher, Jennifer Haigh was raised with her older brother in the coal-mining town of Barnesboro, Pennsylvania. Although she began writing as a student at Dickinson College, her undergraduate degree was in French. After college, she moved to France on a Fulbright Scholarship, returning to the U.S. in 1991.
Haigh spent most of the decade working in publishing, first for Rodale Press in Pennsylvania, then for Self magazine in New York City. It was not until her 30th birthday that she was bitten by the writing bug. She moved to Baltimore (where it was cheaper to live), supported herself as a yoga instructor, and began to publish short stories in various literary magazines. She was accepted into the prestigious Iowa Writers' Workshop and enrolled in their two-year M.F.A. program. While she was at Iowa, she completed the manuscript for her first novel, Mrs. Kimble. She also caught the attention of a literary agent scouting the grad school for new talent and was signed to a two-book contract. Haigh was astonished at how quickly everything came together.
Mrs. Kimble became a surprise bestseller when it was published in 2003. Readers and critics alike were bowled over by this accomplished portrait of a "serial marrier" and the three wives whose lives he ruins. The Washington Post raved, "It's a clever premise, backed up by three remarkably well-limned Mrs. Kimbles, each of whom comes tantalizingly alive thanks to the author's considerable gift for conjuring up a character with the tiniest of details." The novel went on to win the PEN/Hemingway Award for Outstanding First Fiction.
Skeptics who wondered if Haigh's success had been mere beginner's luck were set straight when Baker Towers appeared in 2005. A multigenerational saga set in a Pennsylvania coal-mining community in the years following WWII, the novel netted Haigh the PEN/L.L. Winship Award for outstanding book by a New England author. (Haigh lives in Massachusetts.) The New York Times called it "captivating," and Kirkus Reviews described it as "[a]lmost mythic in its ambition, somewhere between Oates and Updike country, and thoroughly satisfying." High praise indeed for a sophomore effort.
In fact, Haigh continues to produce dazzling literary fiction in both its short and long forms, much of it centered on the interwoven lives of families. When asked why she returns so often to this theme, she answers, " In fact, every story is a family story: we all come from somewhere, and it's impossible to write well-developed characters without giving a great deal of thought to their childhood environments, their early experiences, and whose genetic material they're carrying around."
Extras
From a 2003 Barnes & Noble interview:
• All my life I've fantasized about being invisible. I love the idea of watching people when they don't know they're being observed. Novelists get to do that all the time!
• When I was a child, I told my mother I wanted to grow up to be a genie, a gas station attendant, or a writer. I hope I made the right choice.
• When asked what book most influenced her life as a writer, here is her response:
Light Years by James Salter. Probably the most honest book ever written about men and women—sad, gorgeous, unflinching.
• Favorite authors: James Salter and Vladimir Nabokov. For a writer, reading them is like taking vitamins. (Author bio and interview from Barnes & Noble.)
Book Reviews
Jennifer Haigh's Mrs. Kimble focuses a laser on that most irrational of decisions—whom to marry.... Though the premise seems overly schematic, the result is an affecting tale of the power of a charismatic predator and the acquiescence of his victims.... Haigh is spare and low-key, masterful at delineating the quiet but revealing moment.... Mrs. Kimble can be enjoyed as a sharply observed study of three women and the same stubborn, misplaced hopes that shape their lives.
Judith Maas - Boston Globe
The three women who successively marry Ken Kimble all believe they've found the perfect partner, and all are proven wrong in Haigh's uneven debut. Birdie is a student at a Southern Bible college in the early 1960s when she meets Kimble, then a handsome young choir director; they marry less than a year later, a day before she turns 19. After seven unfaithful years of marriage, Ken walks out on Birdie and their two young children, leaving the hard-drinking Birdie impoverished. Ken next surfaces in Florida in 1969, engaged to a formerly ambitious coed who dropped out of college to travel the country with him. He summarily dumps her to court 39-year-old Joan Cohen, a strong-willed Newsweek reporter who is recovering from breast cancer surgery. He marries her (after falsely telling her that he's Jewish) and joins her rich uncle in his real estate business. A few years and one miscarriage later, the marriage has quietly soured, and a few years after that Joan has a recurrence of cancer and dies. Ken's third wife is the much-younger Dinah, who used to be his children's baby-sitter. This marriage survives Ken's rise to prominence in Washington, D.C., as the founder of a successful charity. Haigh's women are believable, if a touch cliched, but Ken is a cipher. Haigh leaves us guessing about his motivations, and his irresistible appeal to these women-especially the tough-minded Joan-also remains murky. The novel has sharply incisive passages, but Haigh's thin characterizations don't quite live up to the promise of the clever, intricate premise.
Publishers Weekly
This gripping debut novel examines how easily shrewd lies can be mistaken for acts of love. Spanning twenty-five years, it recounts the stories of three women who marry the same elusive man in succession. Alternately wise, charming and cold blooded, Ken Kimble is as charismatic as Mephistopheles, a sweet liar who promises each woman what she wants most of all in exchange for her complete devotion. To his first wife, Birdie Bell, he offers a way out of her small Southern town. To his second wife, Joan Cohen, a lonely heiress and breast cancer survivor, he offers hope for a final chance at love. His third wife, Dinah Whitacre, is a woman half his age who is disfigured by a birthmark on her face. Before marrying her, Kimble provides an operation that restores her beauty. With each successive marriage, Kimble gains wealth and worldly experience while his wives compromise themselves and fall apart. Haigh renders Kimble's sociopathic behavior in quiet, understated prose, carefully examining the mitigating circumstances that draw each woman to him. Though Kimble's rise to power drives the plot, the sophisticated portraits of his three wives provide the substance and intrigue in this book
Book Magazine
(Starred review.) A beautiful novel with memorable, vibrant characters that will have wide appeal. —Kristine Huntley
Booklist
Haigh's perhaps too-carefully orchestrated debut tells the elusive story of one man from the perspectives of the three women he woos, marries, and disappoints. In 1969, Ken Kimble, chaplain at a Virginia college, deserts his wife Birdie and their two small children. Birdie, a southern magnolia without the steel who'd dropped out of Bible college to marry Ken seven years earlier, is unable to cope and slips into alcoholism. Meanwhile, after a stint of hippie-style wandering, Ken ends up in Florida, where he takes up with Joan. Having recently undergone a mastectomy, the 39-year-old career-driven Jewish journalist from New York feels newly vulnerable and lonely. She never questions the vague nature of Ken's past or his claim to have a Jewish mother. After their marriage, Ken enters the real-estate business under the patronage of Joan's uncle, while Joan tries to have a baby despite her doctor's warning that pregnancy could spur a recurrence of cancer. She suffers a miscarriage, then blames herself for a disastrous visit from Ken's children during which workaholic Ken shows minimal interest in them. Soon Ken finds himself a widower. In 1979, now a real-estate tycoon in Washington, D.C., Ken rediscovers Dinah, his children's babysitter back in his Virginia days. An aspiring chef, Dinah, whose sense of self has been marred by facial disfigurement since birth, remembers a moment of genuine kindness she received from Ken during her painful adolescence. After he pays for an operation to remove her birthmark, the much younger Dinah becomes his suddenly beautiful third wife. Fifteen years later, they have a troubled adolescent son and a loveless marriage. But Dinah is stronger than Ken's previous two wives. She not only survives and prospers after his final disappearing act, but provides solace for all three of his troubled children. The measured prose and care for detail show a promising talent, but the overscripted characters' lives feel more literary than lived.
Kirkus Reviews
Discussion Questions
Introduction
Jennifer Haigh’s Mrs. Kimble is a book about illusions, about the secrets we keep from one another, and the consequences of that secrecy. Through portraits of three women, each married in turn to the same mysterious man, the author explores what happens when a seemingly ordinary person maintains a double life—and the sometimes explosive results when secrets come out. While Haigh’s tale has elements in common with a conventional mystery or thriller, her interest is in the emotional world of those who discover—sometimes too late—that a loved one is not at all what he seems.
Mrs. Kimble is first and foremost about the consequences of deception in marriage, the seductive powers of Ken Kimble’s ever-shifting persona, and the consequences for each wife, as she begins to see beneath the appealing surface he crafts for her. Each story provides opportunity to discuss this portrait of the secretive personality, why it is that Kimble can so easily—and believably—transform himself to meet different women’s ideals.
Haigh’s novel also raises larger questions about how much self-deception can play a part in the making of a relationship. In each of the marriages portrayed in Mrs. Kimble, the wife subtly participates in the maintenance of silence about the husband’s past—and sometimes about much of his present life. Without blaming them for his actions, the author offers us something more complex than mere villainy on the part of a selfish man.
In their pursuit of what is perhaps a false notion of love, these three women choose to look past danger signs, not merely about Ken Kimble but also about themselves. Haigh invites us to talk about how it is that our fears and shame are exacerbated by silence, and how our illusions about ourselves can stand between us and the reality of life, and of love. —Bill Tipper
1. Consider the similarities and differences among Birdie, Joan, and Dinah. Is there a common thread that attracts Ken to each of them?
2. Joan and Dinah have physical traits that cause them to feel self-conscious and prone to rejection. Do you consider Birdie's vulnerabilities to be equally physical in nature, or are they purely emotional?
3. What motivates Ken? In your opinion, what enables him to so suddenly shift from being charming to vapid? To what do you attribute his compulsive dishonesty?
4. The novel's title reflects the tradition of taking a husband's surname after marriage. All of Ken's wives change their last names and become Mrs. Kimble. What does this indicate about the tradition, gender, power, and identity in Ken's marriages?
5. Birdie appears in all three parts of the novel. What were your initial impressions of her? Did your opinion of her shift as her life story unfolded?
6. American society experienced significant changes between the 1960s and the 1990s. Did this appear to affect Ken's various marriages, or was his behavior consistent across the mores of all decades?
7. How might Birdie's life have been different had her father not interfered with her attraction to Curtis Mabry? What is the effect of the Mabry family's presence in the novel?
8. Though the novel's characters are for the most part indifferent to spirituality, religion provides a frequent backdrop in Mrs. Kimble. What is the significance of Ken's Bible school past? How did you react when he convinced Joan of his Jewish heritage?
9. Do you believe that Ken's abandonment of Birdie was the sole cause of her emotional breakdown? How might her life have played out if he hadn't left her?
10. How does Ken's departure affect his children's attitude toward love? Do their relationships reflect or defy their parents' example?
11. Jennifer Haigh builds the storyline of Mrs. Kimble around brief scenes rather than lengthy, uninterrupted chapters. What is the effect of this technique?
12. Ken is not the only predatory man in the novel; Birdie is exploited by the mechanic she meets as a waitress, for example. Do the novel's characterizations of men and women match your own experience with the opposite sex?
13. With which of Ken's wives were you most able to relate? How would you have responded in each of their situations?
14. Though Ken is the most obviously secretive character in the novel, all of his wives possess a certain degree of secrecy and denial. Do you believe that it's possible to lead a completely honest life—including self honesty?
15. Ken is an enigma, yet his character is drawn in rich detail. Discuss the significance of his vanity, his attraction to younger women, and his apparent inability to love or show genuine affection. What is the relevance of his conservative childhood, particularly the death of his brother?
16. Food is mentioned throughout the novel, including Charlie's perpetual hunger as a child; Birdie's botched attempts to buy groceries; Ken's aversion to seafood, which causes Joan to tailor her menus; and Dinah's Thanksgiving reunion and culinary expertise. Discuss some of your most meaningful memories regarding food.
17. What makes Ken's cause of death particularly ironic and fitting?
18. While there are clearly three Mrs. Kimbles, are there also three Mr. Kimbles? Does each wife represent a separate identity for Ken?
19. What variations on love (parental, romantic, erotic) are presented in Mrs. Kimble? Which characters appear to experience the most authentic forms of love?
20. The novel closes with Ken's children brought together by Dinah. Charlie embraces his role as Brendan's big brother and father figure. What do you predict for the family after Ken's death?
(Questions issued by publisher.)