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[A] collection of curiosities, each fascinating in its own right, but haphazardly connected as a whole.... Though [two interconnecting] stories have Hoffman’s trademark magical realism and hold great potential, their connection is tenuous—literally and thematically—and their complexities leave them incompletely explored.
Publishers Weekly


New York, 1911. Coralie Sardie works for her father, the "professor" and impresario of the Museum of Extraordinary Things, a freak show in Coney Island.... Hoffman blends social realism, historical fiction, romance, and mystery in a fast-paced and dramatic novel filled with colorful characters and vivid scenes of life in New York more than a century ago. —Leslie Patterson, Rehoboth, MA
Library Journal