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Young's youthful characters—especially her heroine, Cyrla—are utterly believable, their longings, fears and hopes etched with an authenticity and sense of urgency that make this story vibrate on the page.... Intensely romantic in a way that only wartime fiction can be. And it invokes, with a bit of an ache, Anne Frank's optimistic belief in happy endings.
USA Today


Children's-book author Young (who, as Sara Pennypacker, penned the celebrated "Stuart" series) makes a stunning adult debut with this beautifully told and heart-wrenching novel set in WWII Europe. Cyrla, half-Jewish, is no longer safe hiding in the home of her Dutch relatives under the increasingly harsh Nazi occupation. When cousin Annika, whom Cyrla closely resembles, becomes pregnant by a German soldier, Annika's father enrolls her in a Lebensborn, a birthing center for Aryan children, where the slogan is "Have one baby for the Führer." In a tragic turn of events, Cyrla discovers her only chance of survival is to hide in plain sight: she must assume Annika's identity and live in the German Lebensborn until rescued. Within the Lebensborn's walls, mothers-to-be receive proper nutrition and medical care until their children are taken from them for adoption into Aryan families The horrors Cyrla witnesses are softened only by her resounding optimism and strength.
Publishers Weekly


One of the lesser-known aspects of the Nazi regime was the Lebensborn program, which promoted the expansion of the "master race" by encouraging German women and those who were racially "pure" in its occupied countries to bear as many children as possible. Young explores the experiences of these women in her fictional story of Cyrla, a young Polish/Dutch woman who enters a Lebensborn maternity home in place of her cousin Annika, who died tragically. Unbeknown to the officials, Cyrla is half Jewish and must walk a tightrope as she plots her escape. Despite a few too many far-fetched plot contrivances, the subject matter is of immediate interest and sympathy. At the book's outset, Cyrla is strident, idealistic, and foolishly outspoken, but as she matures she begins to understand the complexity of the world around her and the people she has known. An unexpected development midway through the novel helps make this a real page-turner. Recommended for most public libraries.
Christine DeZelar-Tiedman - Library Journal


Secrets of betrayal, love, and honor drive the plot in this riveting historical novel about a young woman caught up in the Nazi Lebensborn program.... Cyrla's intimate, first-person narrative reveals the horrific history through unforgettable individual experience of guilt and sacrifice. Readers will be haunted by the intricacies of friends and enemies in a story that has been seldom told.
Booklist


In children's author Young's first novel for adults, a Polish Jew in World War II Holland finds temporary safety in the Lebensborn, a maternity home the Nazis set up to breed Aryan babies. Cyrla's deceased mother was a Dutch Christian, and in the late 1930s Cyrla's Jewish father sends her from Poland to live in Holland with her Christian aunt's family. When the novel opens in 1941, Cyrla's cousin and best friend, Annika, has fallen in love with a handsome young German officer, Karl, and become pregnant. To avoid disgrace she agrees to enter a nearby Lebensborn, but she commits suicide before she can go because Karl has refused to take responsibility for the pregnancy. By now Germans have begun rounding up Jews. Although distraught, Annika's mother plots to save Cyrla by having her take Annika's place at the Lebensborn. Cyrla goes to Isaac, the Jewish activist she's been in love with for years. He claims he's incapable of love but agrees to impregnate her, then arrange for her safe exodus. Eleven days later, a pregnant Cyrla-her easy fecundity is the novel's first but not last credibility stretch-leaves for the Lebensborn though not before she is savagely (and gratuitously) raped by an SS soldier. In the Lebensborn, Cyrla carries on her charade as Annika while waiting to hear from Isaac. Then Karl shows up. It seems Annika never told him she was pregnant; he broke up with her first because he was already in love with Cyrla. Karl, who hates the Nazis, takes great risks to help Cyrla. Despite her initial distrust, she eventually acknowledges she loves him. Their far-fetched romance is at odds with the well-researched description of the Nazi maternity program, and although Young tries toavoid stereotyping, many of the supporting characters are two-dimensional at best. Earnest but ultimately sentimental rather than profound.
Kirkus Reviews