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One Fifth Avenue is less of a novel than it is an aggregation of characters who periodically bump into one another. Ms. Bushnell’s way of dividing her text into Acts I, II, III, IV and V confirms the not-strictly-literary nature of its ambitions.... Peeping into glamorous lives is Ms. Bushnell’s specialty — and she is less interesting about the blandly affluent than she is about the disgruntled. Thus Mindy Gooch and Lola sound like her most honestly observed creatures. They also come closest to providing humor, which is something that One Fifth Avenue could have used in larger doses. Its funniest sections involve Lola’s flagrant ploys for extorting favors from various men, which turns out to be the second thing she is very good at.... Lola is different from the book’s other characters... [she] is sure of herself. And there’s something else that separates her from Ms. Bushnell’s more seasoned New Yorkers, and from the grim undercurrent running through One Fifth Avenue: She isn’t terrified of growing old.
Janet Maslin - New York Times


One Fifth Avenue is definitely not a book to read for plot…This is a book you read because it takes some of the challenges of modern, middle-age urban life and has the characters try to meet them amid a swirl of heliports and Hamptons visits, and because Bushnell has a track record of channeling the N.Y.C. zeitgeist.
Claudia Deane - Washington Post


Sex in the City goes middle-aged, mordant and slapstick in Bushnell's chronicle of writers, actors and Wall Street whizzes clashing at One Fifth Avenue, a Greenwich Village art deco jewel crammed with regal rich, tarty upstarts and misguided lovers. When a "Queen of Society" dies, a vicious scramble for her penthouse apartment ensues, and it's attorney Annalisa and her hedge-funder husband, Paul Rice, who land the palatial pad, roiling the building's rivalries. There's Billy Litchfield, an art dealer who slobbers over the wealthy; strivers Mindy and James Gooch, and their tech-savvy 13-year-old Sam, the most hilariously bitter (and strangely successful) family in the building; gossip columnist Enid Merle and her screenwriter nephew, Philip Oakland, who struggle to uphold traditions and their souls; actress Schiffer Diamond, who lands a hit TV series, and her old love; and Lola Fabrikant, a cunning Atlanta gold digger whose greatest ambition is to become Carrie Bradshaw. Here are bloggers and bullies, misfits and misanthropes, dear hearts and black-hearts, dogfights and catty squalls spun into a darkly humorous chick-lit saga.
Publishers Weekly


Bushnell most definitely had a good summer. The movie version of Sex and the City was a hit, and the NBC based a drama  on her last novel, Lipstick Jungle. [One Fifth Avenue is her] entertaining new novel. Female friendship is usually Bushnell's uniting theme, but, here, it's a landmark building and a beyond-fashionable address that connects the myriad characters introduced: an aging but still beautiful actress named Schiffer Diamond; Enid, a powerful gossip columnist; Annalisa, a former lawyer and now the hesitant wife of a hedge-fund manager; Lola, an obnoxious young social climber determined to manipulate her way to the top of society; and Mindy, the owner of the building's least glamorous apartment yet head of the building's board. Bushnell is at her best here—frothy and fun but also absolutely sharp. There are even a few sly references to Carrie Bradshaw and Mr. Big thrown in for good measure. Recommended for all public libraries.
Library Journal


The residents of a historic Manhattan building are thrown for a loop when an elderly socialite dies, leaving her spectacular apartment up for grabs. In the glittering world of Bushnell's latest (Lipstick Jungle, 2006, etc.), where you live is easily as important as how (and with whom) you live. So when Louise Houghton passes away a few weeks shy of her 100th birthday, her Greenwich Village neighbors are anxious to have a say in who ends up living in her coveted 7,000 square-foot space. The players include octogenarian gossip columnist Enid Merle, her successful screenwriter nephew Philip Oakland, and the embittered middle-aged head of the co-op board, Mindy Gooch. Long resentful of the fact that her family inhabits One Fifth's "worst" apartment, Mindy pushes through a quickie sale of Louise's place seemingly just to thwart Enid. The new residents, Paul and Annalisa Rice, certainly seem suitable. Annalisa is a down-to-earth beauty who gave up her law practice to accompany her math-genius husband to New York, where he is developing some super-secret financial software. Paul, unlike his wife, is cold and entitled, and as his fortunes grow, a sinister, paranoid side of him emerges that alienates everyone in the building, including Annalisa. But is Paul just a creep, or something worse? Philip's love life, meanwhile, takes a complicated turn when movie star ex-girlfriend Schiffer Diamond moves back after years of living in Los Angeles. The two share a deep connection, but reconciliation seems iffy when Philip starts sleeping with his 22-year-old "researcher" Lola Fabrikant. A pampered schemer who sets her sights on marriage—and Philip's apartment—Lola hedges her bets by dallying with snarky celebrity blogger Thayer Core, who in turn uses her for information. Mindy's hen-pecked novelist husband James also develops a crush on the lissome Lola, who begins paying attention to him when his new book becomes a surprise success. With a breezy pace that brings to mind a Gilded Age comedy of manners, the novel might not have anything new to say about New York society, but there are enough twists to keep it fun.
Kirkus Reviews