Pretty Things
Janelle Brown, 2020
Random House
496 pp.
ISBN-13: 9780525479123
Summary
Two wildly different women—one a grifter, the other an heiress—are brought together by the scam of a lifetime in this twisty page-turner.
Nina once bought into the idea that her fancy liberal arts degree would lead to a fulfilling career. When that dream crashed, she turned to stealing from rich kids in L.A. alongside her wily Irish boyfriend, Lachlan.
Nina learned from the best: Her mother was the original con artist, hustling to give her daughter a decent childhood despite their wayward life. But when her mom gets sick, Nina puts everything on the line to help her, even if it means running her most audacious, dangerous scam yet.
Vanessa is a privileged young heiress who wanted to make her mark in the world. Instead she becomes an Instagram influencer—traveling the globe, receiving free clothes and products, and posing for pictures in exotic locales.
But behind the covetable façade is a life marked by tragedy. After a broken engagement, Vanessa retreats to her family’s sprawling mountain estate, Stonehaven: a mansion of dark secrets not just from Vanessa’s past, but from that of a lost and troubled girl named Nina.
Nina’s, Vanessa’s, and Lachlan’s paths collide here, on the cold shores of Lake Tahoe, where their intertwined lives give way to a winter of aspiration and desire, duplicity and revenge.
This dazzling, twisty, mesmerizing novel showcases acclaimed author Janelle Brown at her best, as two brilliant, damaged women try to survive the greatest game of deceit and destruction they will ever play. (From the publisher.)
Author Bio
• Birth—September 12, 1973
• Raised—San Francisco, California
• Education—B.A., University of California-Berkley
• Currently—lives in Los Angeles, California
Janelle Brown is an American author and journalist-essayist. She was raised in San Francisco, California, and graduated from University of California-Berkeley in the 1990s. Eventually, she decamped to Los Angeles where she lives with her husband and two children.
Brown began her career as a staff writer for Wired, and then spent five years as senior staff writer for Salon. Early on she helped found and edit Maxi, an irreverent, and now defunct, women’s pop culture magazine. She has also written frequently for the New York Times, Los Angeles Times, Elle, Vogue, along with a number of other publications.
Brown, however, is most widely known for her novels — Pretty Things (2020), Watch Me Disappear (2017), This Is Where We Live (2010), and All We Ever Wanted Was Everything (2008). (Adapted from the publisher .)
Book Reviews
It’s Dynasty meets Patricia Highsmith…. Duplicity abounds when two messed-up clans collide, and Brown’s final multiple twists are doozies.
Washington Post
Despite a catchy opening, the stakes fade and the narrative flags during Nina and Lachlan’s overlong ruse, and long flashbacks and shifts in perspective drag out what quickly becomes a predictable storyline. There’s promise here, but many readers will find their interest waning.
Publishers Weekly
[A] riveting tale of secrets and deception.… With flawless suspense, masterly storytelling, and a plot that hits all the notes of our Instagram world perfectly, this novel is a must-read. —Melanie Kindrachuk, Stratford P.L., Ont.
Library Journal
Brown offers a glittering, high-stakes drama, stacking childhood nostalgia against the power to reinvent oneself in the age of social media.… Packed with plot twists.
Booklist
The daughter of a grifter plans to fund her mother's cancer treatment with a revenge con. Rich people suck, don't they?… Definitely stay to see how it all turns out. Why you double-crossing little double crossers! Fiendishly clever.
Kirkus Reviews
Discussion Questions
(We'll add specific questions if and when they're made available by the publisher. In the meantime, use our Generic Mystery Questions.)
GENERIC DISCUSSION QUESTIONS
Mystery / Crime / Suspense Thrillers
1. Talk about the characters, both good and bad. Describe their personalities and motivations. Are they fully developed and emotionally complex? Or are they flat, one-dimensional heroes and villains?
2. What do you know...and when do you know it? At what point in the book do you begin to piece together what happened?
3. Good crime writers embed hidden clues in plain sight, slipping them in casually, almost in passing. Did you pick them out, or were you...clueless? Once you've finished the book, go back to locate the clues hidden in plain sight. How skillful was the author in burying them?
4. Good crime writers also tease us with red-herrings—false clues—to purposely lead readers astray? Does your author try to throw you off track? If so, were you tripped up?
5. Talk about the twists & turns—those surprising plot developments that throw everything you think you've figured out into disarray.
- Do they enhance the story, add complexity, and build suspense?
- Are they plausible or implausible?
- Do they feel forced and gratuitous—inserted merely to extend the story?
6. Does the author ratchet up the suspense? Did you find yourself anxious—quickly turning pages to learn what happened? A what point does the suspense start to build? Where does it climax...then perhaps start rising again?
7. A good ending is essential in any mystery or crime thriller: it should ease up on tension, answer questions, and tidy up loose ends. Does the ending accomplish those goals?
- Is the conclusion probable or believable?
- Is it organic, growing out of clues previously laid out by the author (see Question 3)?
- Or does the ending come out of the blue, feeling forced or tacked-on?
- Perhaps it's too predictable.
- Can you envision a different or better ending?
8. Are there certain passages in the book—ideas, descriptions, or dialogue—that you found interesting or revealing...or that somehow struck you? What lines, if any, made you stop and think?
9. Overall, does the book satisfy? Does it live up to the standards of a good crime story or suspense thriller? Why or why not?
(Generic Mystery Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)