Quichotte
Salman Rushdie, 2019
Random House
416 pp.
ISBN-13: 9780593132982
Summary
A dazzling Don Quixote for the modern age—a tour de force that is as much an homage to an immortal work of literature as it is to the quest for love and family, by Booker Prize–winning, internationally bestselling author Salman Rushdie.
Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television who falls in impossible love with a TV star.
Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where "Anything-Can-Happen."
Meanwhile, his creator, in a midlife crisis, has equally urgent challenges of his own.
Just as Cervantes wrote Don Quixote to satirize the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse.
And with the kind of storytelling magic that is the hallmark of Rushdie’s work, the fully realized lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction. (From the publisher.)
Author Bio
• Birth—June 19, 1947
• Where—Bombay, Maharashtra, India
• Education—M.A., King's College, Cambridge, UK
• Awards—Booker Prize, 1981; Best of the Bookers, 1993 (the best novel to win the Booker
Prize in its first twenty-five years); Whitbread Prize, 1988 and 1995
• Currently—lives in New York, New York
Sir Ahmed Salman Rushdie is a British Indian novelist and essayist. His second novel, Midnight's Children (1981), won the Booker Prize in 1981. Much of his fiction is set on the Indian subcontinent. He is said to combine magical realism with historical fiction; his work is concerned with the many connections, disruptions and migrations between East and West.
His fourth novel, The Satanic Verses (1988), was the centre of a major controversy, provoking protests from Muslims in several countries, some violent. Death threats were made against him, including a fatwa issued by Ayatollah Ruhollah Khomeini, the Supreme Leader of Iran, on February 14, 1989.
Rushdie was appointed Commandeur de l'Ordre des Arts et des Lettres of France in January 1999. In June 2007, Queen Elizabeth II knighted him for his services to literature. In 2008, The Times ranked him thirteenth on its list of the fifty greatest British writers since 1945.
Since 2000, Rushdie has lived in the United States, where he has worked at the Emory University and was elected to the American Academy of Arts and Letters. His most recent book is Joseph Anton: A Memoir, an account of his life in the wake of the Satanic Verses controversy.
Career
Rushdie's first career was as a copywriter, working for the advertising agency Ogilvy & Mather, where he came up with "irresistibubble" for Aero and "Naughty but Nice" for cream cakes, and for the agency Ayer Barker, for whom he wrote the memorable line "That'll do nicely" for American Express. It was while he was at Ogilvy that he wrote Midnight's Children, before becoming a full-time writer. John Hegarty of Bartle Bogle Hegarty has criticised Rushdie for not referring to his copywriting past frequently enough, although conceding: "He did write crap ads...admittedly."
His first novel, Grimus, a part-science fiction tale, was generally ignored by the public and literary critics. His next novel, Midnight's Children, catapulted him to literary notability. This work won the 1981 Booker Prize and, in 1993 and 2008, was awarded the Best of the Bookers as the best novel to have received the prize during its first 25 and 40 years. Midnight's Children follows the life of a child, born at the stroke of midnight as India gained its independence, who is endowed with special powers and a connection to other children born at the dawn of a new and tumultuous age in the history of the Indian sub-continent and the birth of the modern nation of India. The character of Saleem Sinai has been compared to Rushdie. However, the author has refuted the idea of having written any of his characters as autobiographical, stating...
People assume that because certain things in the character are drawn from your own experience, it just becomes you. In that sense, I’ve never felt that I’ve written an autobiographical character.
After Midnight's Children, Rushdie wrote Shame, in which he depicts the political turmoil in Pakistan, basing his characters on Zulfikar Ali Bhutto and General Muhammad Zia-ul-Haq. Shame won France's Prix du Meilleur Livre Étranger (Best Foreign Book) and was a close runner-up for the Booker Prize. Both these works of postcolonial literature are characterised by a style of magic realism and the immigrant outlook that Rushdie is very conscious of as a member of the Indian diaspora.
Rushdie wrote a non-fiction book about Nicaragua in 1987 called The Jaguar Smile. This book has a political focus and is based on his first-hand experiences and research at the scene of Sandinista political experiments.
His most controversial work, The Satanic Verses, was published in 1988 (see below). Rushdie has published many short stories, including those collected in East, West (1994). The Moor's Last Sigh, a family epic ranging over some 100 years of India's history was published in 1995. The Ground Beneath Her Feet presents an alternative history of modern rock music. The song of the same name by U2 is one of many song lyrics included in the book, hence Rushdie is credited as the lyricist. He also wrote Haroun and the Sea of Stories in 1990.
Rushdie has had a string of commercially successful and critically acclaimed novels. His 2005 novel Shalimar the Clown received, in India, the prestigious Hutch Crossword Book Award, and was, in Britain, a finalist for the Whitbread Book Awards. It was shortlisted for the 2007 International IMPAC Dublin Literary Award.
In his 2002 non-fiction collection Step Across This Line, he professes his admiration for the Italian writer Italo Calvino and the American writer Thomas Pynchon, among others. His early influences included James Joyce, Günter Grass, Jorge Luis Borges, Mikhail Bulgakov, and Lewis Carroll. Rushdie was a personal friend of Angela Carter and praised her highly in the foreword for her collection Burning your Boats.
Other Activities
Rushdie has quietly mentored younger Indian (and ethnic-Indian) writers, influenced an entire generation of Indo-Anglian writers, and is an influential writer in postcolonial literature in general. He has received many plaudits for his writings, including the European Union's Aristeion Prize for Literature, the Premio Grinzane Cavour (Italy), and the Writer of the Year Award in Germany and many of literature's highest honours. Rushdie was the President of PEN American Center from 2004 to 2006 and founder of the PEN World Voices Festival.
He opposed the British government's introduction of the Racial and Religious Hatred Act, something he writes about in his contribution to Free Expression Is No Offence, a collection of essays by several writers.
In 2007 he began a five-year term as Distinguished Writer in Residence at Emory University in Atlanta, Georgia, where he has also deposited his archives.
In May 2008 he was elected a Foreign Honorary Member of the American Academy of Arts and Letters.
Though he enjoys writing, Salman Rushdie says that he would have become an actor if his writing career had not been successful. Even from early childhood, he dreamed of appearing in Hollywood movies (which he later realised in his frequent cameo appearances).
Rushdie includes fictional television and movie characters in some of his writings. He had a cameo appearance in the film Bridget Jones's Diary based on the book of the same name, which is itself full of literary in-jokes.
On May 12, 2006, Rushdie was a guest host on The Charlie Rose Show, where he interviewed Indo-Canadian filmmaker Deepa Mehta, whose 2005 film, Water, faced violent protests. He appears in the role of Helen Hunt's obstetrician-gynecologist in the film adaptation of Elinor Lipman's novel Then She Found Me. In September 2008, and again in March 2009, he appeared as a panellist on the HBO program Real Time with Bill Maher.
Rushdie is currently collaborating on the screenplay for the cinematic adaptation of his novel Midnight's Children with director Deepa Mehta. The film will be released in October, 2012.
Rushdie is a member of the advisory board of The Lunchbox Fund, a non-profit organisation which provides daily meals to students of township schools in Soweto of South Africa. He is also a member of the advisory board of the Secular Coalition for America, an advocacy group representing the interests of atheistic and humanistic Americans in Washington, D.C. In November 2010 he became a founding patron of Ralston College, a new liberal arts college that has adopted as its motto a Latin translation of a phrase ("free speech is life itself") from an address he gave at Columbia University in 1991 to mark the two-hundredth anniversary of the first amendment to the U.S. Constitution.
The Satanic Verses and the fatwa
The publication of The Satanic Verses in September 1988 caused immediate controversy in the Islamic world because of what was perceived as an irreverent depiction of the prophet Muhammad. The title refers to a disputed Muslim tradition that is related in the book. According to this tradition, Muhammad (Mahound in the book) added verses (sura) to the Qur'an accepting three goddesses who used to be worshipped in Mecca as divine beings. According to the legend, Muhammad later revoked the verses, saying the devil tempted him to utter these lines to appease the Meccans (hence the "Satanic" verses). However, the narrator reveals to the reader that these disputed verses were actually from the mouth of the Archangel Gibreel. The book was banned in many countries with large Muslim communities.
On February 14, 1989, a fatwa requiring Rushdie's execution was proclaimed on Radio Tehran by Ayatollah Ruhollah Khomeini, the spiritual leader of Iran at the time, calling the book "blasphemous against Islam." A bounty was offered for Rushdie's death, and he was thus forced to live under police protection for several years. On March 7, 1989, the United Kingdom and Iran broke diplomatic relations over the Rushdie controversy.
The publication of the book and the fatwa sparked violence around the world, with bookstores firebombed. Muslim communities in several nations in the West held public rallies, burning copies of the book. Several people associated with translating or publishing the book were attacked and even killed.
On September 24, 1998, as a precondition to the restoration of diplomatic relations with Britain, the Iranian government gave a public commitment that it would "neither support nor hinder assassination operations on Rushdie."
Hardliners in Iran have continued to reaffirm the death sentence. In early 2005, Khomeini's fatwa was reaffirmed by Iran's current spiritual leader, Ayatollah Ali Khamenei, in a message to Muslim pilgrims making the annual pilgrimage to Mecca. Additionally, the Revolutionary Guards have declared that the death sentence on him is still valid. Iran has rejected requests to withdraw the fatwa on the basis that only the person who issued it may withdraw it, and the person who issued it – Ayatollah Khomeini – has been dead since 1989.
Rushdie has reported that he still receives a "sort of Valentine's card" from Iran each year on February 14 letting him know the country has not forgotten the vow to kill him. He said, "It's reached the point where it's a piece of rhetoric rather than a real threat."
A memoir of his years of hiding, Joseph Anton, was published in 2012. Joseph Anton was Rushdie's secret alias.
In 2012, following uprisings over an anonymously posted YouTube video denigrating Muslims, a semi-official religious foundation in Iran increased the reward it had offered for the killing of Rushdie from $2.8 million to $3.3 million dollars. Their stated reason: "If the [1989] fatwa had been carried out, later insults in the form of caricature, articles and films that have continued would have not happened."
Knighthood
Rushdie was knighted for services to literature in the Queen's Birthday Honours on June 16, 2007. He remarked, "I am thrilled and humbled to receive this great honour, and am very grateful that my work has been recognised in this way." In response to his knighthood, many nations with Muslim majorities protested. Several called publicly for his death. Some non-Muslims expressed disappointment at Rushdie's knighthood, claiming that the writer did not merit such an honour and there were several other writers who deserved the knighthood more than Rushdie.
Al-Qaeda has condemned the Rushdie honour. The Al-Qaeda leader Ayman al-Zawahiri is quoted as saying in an audio recording that Britain's award for Indian-born Rushdie was "an insult to Islam", and it was planning "a very precise response."
Religious Beliefs
Rushdie came from a Muslim family though he is an atheist now. In 1990, in the "hope that it would reduce the threat of Muslims acting on the fatwa to kill him," he issued a statement claiming he had renewed his Muslim faith, had repudiated the attacks on Islam in his novel and was committed to working for better understanding of the religion across the world. However, Rushdie later said that he was only "pretending".
Personal Life
Rushdie has been married four times. He was married to his first wife Clarissa Luard from 1976 to 1987 and fathered a son, Zafar (born 1980). His second wife was the American novelist Marianne Wiggins; they were married in 1988 and divorced in 1993. His third wife, from 1997 to 2004, was Elizabeth West; they have a son, Milan (born 1999). In 2004, he married the Indian American actress and model Padma Lakshmi, the host of the American reality-television show Top Chef. The marriage ended on July 2, 2007, with Lakshmi indicating that it was her desire to end the marriage.
In 1999 Rushdie had an operation to correct ptosis, a tendon condition that causes drooping eyelids and that, according to him, was making it increasingly difficult for him to open his eyes. "If I hadn't had an operation, in a couple of years from now I wouldn't have been able to open my eyes at all," he said.
Since 2000, Rushdie has "lived mostly near Union Square" in New York City. (Adapted from Wikipedia. Retrieved 2012.)
Book Reviews
The novels [of Rushdie] are imaginative as ever, but they are also increasingly wobbly, bloated and mannered. He is a writer in free fall…. Rushdie’s narrative impulses… lie in tossing in celebrity cameos and literary allusions, in sending new plots into orbit in the hope they might lend glitter and ballast to a work sorely in need of both.
Parul Sehgal - New York Times
Say his name like this: Key-shot. His quest is a long shot, and there’s a gun involved. (Trigger warning: The gun talks.)…. How we see the world—and how the world sees us—are the big themes of Cervantes’s epic. Rushdie’s version holds true to that tale.… Rushdie has always written as though the impossible and the actual have the same right to exist…. [With a] lovely, unsentimental, heart-affirming ending.
New York Times Book Review
It is a novel of magical realism that bends the notions of "magical" and "realism" so far…. A fantasy missing all the signifiers of fantasy. A comedy where every single joke fails to land completely. It's got so much music in the words it almost demands to be read aloud. Its so inconstant you'd need one of those serial-killer boards made of index cards and string just to unpack the plot.
NPR
Quichotte, Rushdie’s Trump-era reworking of Cervantes’s Don Quixote, is a frantically inventive take on "the Age of Anything-Can-Happen"… a concoction of narratives within narratives that blends the latest news headlines with apocalyptic flights of fancy.… Rushdie doesn’t offer much hope for our dispiriting times. But in a frayed and feverish way, he captures their flavor exactly.
Boston Globe
Salman Rushdie’s Quichotte is a behemoth of a novel, and with reason. A postmodern dystopian tale, it tackles everything from global warming to the rise of white supremacism to the opioid crisis—which is to say, most of the ills of contemporary society… . There’s much that feels absorbing and true in Rushdie’s latest work.
Christian Science Monitor
Rushdie weaves together all of his subjects, sharply observed, with extraordinary elegance and wit…. At least here’s something worth reading as civilization crumbles around us, before we succumb to our fates. Right?
Entertainment Weekly
A fantastical dream within a dream… a brilliant, funny, world-encompassing wonder…. As [Rushdie] weaves the journeys of the two men nearer and nearer, sweeping up a full accounting of all the tragicomic horrors of modern American life in the process, these energies begin to collapse beautifully inward, like a dying star. His readers realize that they would happily follow Rushdie to the end of the world.
Time
[A] modern Don Quixote…. Rushdie has created something that feels wholly original.… Lucky for us, there are true storytellers and Rushdie is near the top of that list. If you haven’t read him before, this is a good book to start with—it’s fabulist and funny while revealing an awful lot about the world we live in today.
Associated Press
Rushdie’s Booker-longlisted fourteenth novel is certainly the work of a frisky imagination.… You can’t help being charmed by Rushdie’s largesse.
Guardian (UK)
(Starred review) [R]ambunctious…. Rushdie’s uproarious comedy, which talks to itself while packing a good deal of historical and political freight, is a brilliant rendition of the cheesy, sleazy, scary pandemonium of life in modern times.
Publishers Weekly
(Starred review) [N]othing but extraordinary.…This incisively outlandish but lyrical meditation on intolerance, TV addiction, and the opioid crisis operates on multiple planes, with razor-sharp topicality and humor. Highly recommended. —Henry Bankhead, San Rafael P.L., CA
Library Journal
(Starred review) [A] splendid mess that, in the end, becomes a meditation on storytelling, memory, truth, and other hallmarks of a disappearing civilization…. Humane and humorous. Rushdie is in top form, serving up a fine piece of literary satire.
Kirkus Reviews
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