Return to Sullivans Island
Dorothea Benton Frank, 2009
HarperCollins
384 pp.
ISBN-13: 9780061891755
Summary
Dorothea Benton Frank returns to the enchanted landscape of South Carolina's Lowcountry made famous in her beloved New York Times bestseller Sullivans Island to tell the story of the next generation of Hamiltons and Hayes.
Newly graduated from college, aspiring writer Beth Hayes is elected by her family to house-sit the Island Gamble. Buoyed by sentimental memories of growing up on this tiny sandbar seemingly untouched by time, Beth vows to give herself over to the Lowcountry force and discover the wisdom it holds. Just as she vows she will never give into the delusional world of white picket fences, minivans, and eternal love, she meets Max Mitchell. All her convictions and plans begin to unravel with lightning speed.
There is so much about life and her family's past that she does not know. Her ignorance and naivete nearly cost her both her inheritance and her family's respect, but Beth finds unexpected friends to help her through the disaster she faces. If everything happens for a reason, then Beth's return to Sullivans Island teaches her that betrayal and tragedy are most easily handled when you surround yourself with loyal family and friends in a magical place that loves you so much it wants to claim you as its own. (From the publisher.)
Author Bio
• Birth—1951
• Where—Sullivan's Island, North Carolina, USA
• Education—Fashion Institute of America
• Currently—lives in New Jersey and on Sullivan Island
An author who has helped to put the South Carolina Lowcountry on the literary map, Dorothea Benton Frank hasn't always lived near the ocean, but the Sullivan's Island native has a powerful sense of connection to her birthplace. Even after marrying a New Yorker and settling in New Jersey, she returned to South Carolina regularly for visits, until her mother died and she and her siblings had to sell their family home. "It was very upsetting," she told the Raleigh News & Observer. "Suddenly, I couldn't come back and walk into my mother's house. I was grieving."
After her mother's death, writing down her memories of home was a private, therapeutic act for Frank. But as her stack of computer printouts grew, she began to try to shape them into a novel. Eventually a friend introduced her to the novelist Fern Michaels, who helped her polish her manuscript and find an agent for it.
Published in 2000, Frank's first "Lowcountry tale," Sullivan's Island made it to the New York Times bestseller list. Its quirky characters and tangled family relationships drew comparisons to the works of fellow southerners Anne Rivers Siddons and Pat Conroy (both of whom have provided blurbs for Frank's books). But while Conroy's novels are heavily angst-ridden, Frank sweetens her dysfunctional family tea with humor and a gabby, just-between-us-girls tone. To her way of thinking, there's a gap between serious literary fiction and standard beach-blanket fare that needs to be filled.
"I don't always want to read serious fiction," Frank explained to The Sun News of Myrtle Beach, South Carolina. "But when I read fiction that's not serious, I don't want to read brain candy. Entertain me, for God's sake." Since her debut, she has faithfully followed her own advice, entertaining thousands of readers with books Pat Conroy calls "hilarious and wise" and characters Booklist describes as "sassy and smart,."
These days, Frank has a house of her own on Sullivan's Island, where she spends part of each year. "The first thing I do when I get there is take a walk on the beach," she admits. Evidently, this transplanted Lowcountry gal is staying in touch with her soul.
Extras
From a Barnes & Noble interview:
• Before she started writing, Frank worked as a fashion buyer in New York City. She is also a nationally recognized volunteer fundraiser for the arts and education, and an advocate of literacy programs and women's issues.
• Her definition of a great beach read—"a fabulous story that sucks me in like a black hole and when it's over, it jettisons my bones across the galaxy with a hair on fire mission to convince everyone I know that they must read that book or they will die."
• When asked about her favorite books, here is what she said:
After working your way through all of F. Scott Fitzgerald, Jane Austen, Eudora Welty, Tennessee Williams, Flannery O'Connor, of course, you have to read Gone with the Wind a billion times, then [tackle these authors].
The Water is Wide by Pat Conroy; To Kill a Mockingbird by Harper Lee; The Handmaid's Tale by Margaret Atwood; A Thousand Acres by Jane Smiley; The Red Tent by Anita Diamant; Ladder of Years by Anne Tyler; Brunelleschi's Dome by Ross King; Making Waves and The Sunday Wife by Cassandra King; Islands by Anne Rivers Siddons; Rich in Love, Fireman's Fair, Dreams of Sleep, and Nowhere Else on Earth (all three) by Josephine Humphrey. (Author bio and interview from Barnes and Noble.)
Book Reviews
Frank brings to vivid life the rich landscape and its unpretentious folks.... A reader need only close her eyes for a moment to feel that thick-sticky heat, smell the wild salt marshes.
Atlanta Journal-Consistution
Frank (Sullivan's Island) creates a world in which aspiring writer Beth Hayes, whose chirpy internal monologues and quiet uncertainties make her easily endearing, is as much a character as the house she lives in. After graduating from college in Boston, Beth returns to the South to spend a year house-sitting her family's home, Island Gamble, while her mother, Susan, visits Paris. Frank's portrayal of a large and complicated family is humorous and precise: there's Susan, adoring and kind; Aunt Maggie, a stickler for manners; twin aunts Sophie and Allison, who run an exercise-and-vitamin empire; and uncles Timmy and Henry, the latter of whom has ties to Beth's trust fund. Frank's lovable characters occasionally stymie her pace; there's almost no room left for Beth's friends or her love affairs with sleazy Max Mitchell and cherubic Woody Morrison, though these become important later on. Frank is frequently funny, and she weaves in a dark undercurrent that incites some surprising late-book developments. Tight storytelling, winsomely oddball characters and touches of Southern magic make this a winner.
Publishers Weekly
Discussion Questions
1. Sullivans Island and the Island Gamble are very special to Dorothea Benton Frank and her characters. What does the island and their beloved home mean to the Hamilton and Hayes families? What does it mean to Beth? Do you have a special place—or a special retreat—of your own? If not, what kind of "Island Gamble" would you want? What would you call it?
2. When she returns from college in Boston, Beth remarks on how Sullivans Island has changed. Has your own hometown changed? If so, how? How do you feel about those changes?
3. When she arrives on Sullivans Island, Beth has some interesting thoughts about the place. "In her heart she felt the island really belonged to her mother's generation and those before her." BY the novel's end, do you think Beth has made her own claim to the island? Why?
4. The Hamilton/Hayes are extraordinarily close. What benefits does such closeness offer? Can there be a downside to being so close? How does this closeness influence Beth as she grows into a woman? How does Beth see her family and her role in it? What factors influence her viewpoint? How does distance affect her perspective: both her own, going to college in Boston, and her mother Susan's when she goes to Paris?
5. Beth also muses about her family: "The last four years had prepared her to live her own life, independent of her tribe. Isn't that why she went to college a thousand miles away in the first place?" Is that the purpose of college? Is Beth more or less independent by the story's end?
6. Describe Beth's relationship with the women in her life: her mother, Susan, her aunts Maggie and Sophie, her friend Cecily, even her editor Barbara Farlie, their importance to her and how they shape her.
7. Determined to do her duty to the family, Beth's "intention was to avoid any and all controversy and every kind of chaos." Why does it seem that the best of intentions often go awry?
8. Beth was long wary of intimacy with men. "In her mind there was nothing more dangerous that what her mother called love." How does this mindset affect her when she meets Max Mitchell? Discuss Beth's affair with him. Why is she attracted to him?
9. What does Beth think about Woody Morrison? How do her relationships with Max and Woody contrast? What does each man offer her?
10. Beth and Susan both lost their fathers at a young age. How does this loss color different aspects of their lives?
11. Susan had always dreamed of living in Paris, but circumstances cut her stay short. Yet Susan isn't disappointed. Why? Is it always better to realize our dreams? Is there a benefit in leaving some unfilled?
12. Dorothea Benton Frank has a gift for bringing the wild beauty and magic of the Lowcountry to life. How do you picture the Lowcountry? Is it a place you'd like to visit? If you have been there, how do your impressions compare to those in the novel?
13. One of the charms of the Island Gamble is that it is haunted. Do you believe in ghosts? Have you had any interesting experiences with the supernatural?
14. The author touches on the subject of race with grace and compassion. As Beth enjoys her close friendship with Cecily she thinks of the strictures placed upon her mother and Cecily's grandmother, Livvie. How else have changing social mores freed us over the years?
15. Family, independence, love, marriage, race, heartbreak, acceptance, trust, and change, are all themes interwoven in the novel. Using examples from the book, explain the role of each and how they evolve in the story's arc.
(Questions issued by publisher.)
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