The Russian Debutante's Handbook
Gary Shteyngart, 2002
Penguin Group USA
496 pp.
ISBN-13: 9781573229883
Summary
Vladimir Girshkin—twenty-five-year-old Russian immigrant, "Little Failure" according to his high-achieving mother, unhappy lover to fat dungeon mistress Challah (his "little Challah bread"), and lowly clerk at the bureaucratic Emma Lazarus Immigrant Absorption Society—is about to have his first break.
When the unlikely figure of a wealthy but psychotic old Russian war hero appears and introduces Vladimir to his best friend, who just happens to be a small electric fan, Vladimir has little inkling that he is about to embark on an adventure of unrelenting lunacy—one that overturns his assumptions about what it means to be an immigrant in America."
The Russian Debutante's Handbook takes us from New York City's Lower East Side to the hip frontier wilderness of Prava—the Eastern European Paris of the '90s—whose grand and glorious beauty is marred only by the shadow of the looming statue of Stalin's foot. There, with the encouragement of the Groundhog, a murderous (but fun-loving) Russian mafioso, Vladimir infiltrates the American ex-pat community with the hope of defrauding his young middle-class compatriots by launching a pyramid scheme that's as stupid as it is brilliant.
Things go swimmingly at first, but nothing is quite as it seems in Prava, and Vladimir learns that in order to reinvent himself, he must first discover who he really is. (From the publisher.)
Author Bio
• Birth—July 5, 1972
• Where—Leningrad, USSR
• Education—B.A., Oberlin College (Ohio); M.F.A.,
Hunter College (NYC)
• Awards—Stephen Crane Award; National Jewish
Book Award
• Currently—lives in New York, New York
Gary Shteyngart (born Igor Semyonovich Shteyngart) is an American writer born in Leningrad, USSR. Much of his work is satirical and relies on the invention of elaborately fictitious yet somehow familiar places and times.
Background
Shteyngart spent the first seven years of his childhood living in a square dominated by a huge statue of Vladimir Lenin in what is now St. Petersburg, Russia; (he alternately calls it "St. Leningrad" or "St. Leninsburg"). He comes from a Jewish family and describes his family as typically Soviet. His father worked as an engineer in a LOMO camera factory; his mother was a pianist.
In 1979 when Gary was 7, the Shteyngart family immigrated to the United States, where he was brought up with no television in his family's New York City apartment and where English was not the household language. He did not shed his thick Russian accent until the age of 14.
Later Shteyngart traveled to Prague, an experience that inspired his first novel, set in the fictitious European city of Prava. He is a graduate of Stuyvesant High School in New York City; Oberlin College in Ohio, where he earned a degree in politics; and Hunter College of the City University of New York, where he earned an MFA in Creative Writing.
Writing career
Shteyngart took a trip to Prague which inspired his first novel, The Russian Debutante's Handbook (2002), which is set in the fictitious European city of Prava. He has published two more novels: Absurdistan (2006) and Super Sad True Love Story (2010). His fourth book, Little Failure (2014), is a memoir recounting his family's emigration to the U.S. in 1979.
His other writing has appeared in The New Yorker, Slate, Granta, Travel and Leisure, and The New York Times.
Shteyngart's work has received numerous awards. The Russian Debutante's Handbook won the Stephen Crane Award for First Fiction, the Book-of-the-Month Club First Fiction Award and the National Jewish Book Award for Fiction. It was named a New York Times Notable Book and one of the best debuts of the year by The Guardian. In 2002, he was named one of the five best new writers by Shout NY Magazine. Absurdistan was chosen as one of the ten best books of the year by the New York Times Book Revieww and Time magazine, as well as a book of the year by the Washington Post, Chicago Tribune, San Francisco Chronicle and many other publications. In June 2010, Shteyngart was named as one of The New Yorker magazine's "20 under 40" luminary fiction writers. Super Sad True Love Story won the 2011 Bollinger Everyman Wodehouse Prize for comic literature.
Personal
Shteyngart now lives in New York City. He has taught writing at Hunter College, and currently teaches writing at Columbia University. During the Fall of 2007, he also had a fellowship at the American Academy in Berlin, Germany.
Shteyngart is married to Esther Won who is of Korean descent. In October 2013, they became parents to Johnny Won Shteyngart. (Adapted from Wikipedia. Retrieved 2/14/2014.)
Book Reviews
The "Russian debutante" in Gary Shteyngart's very funny, very deft first novel is one Vladimir Girshkin, a feckless 25-year-old Russian-American who...[is] trying to cope with the confusions of life in America of the 1990's and the incessant demands of an ambitious and endlessly aggrieved mother.... Mr. Shteyngart tells the uproarious and highly entertaining story of how Vladimir journeys from St. Petersburg to Scarsdale and back to Eastern Europe.... And the people Vladimir meets along the way are sketched with an equally wicked and comic hand.... [helping] the very talented Mr. Shteyngart expose the absurdities that exist on either side of the former iron curtain.
Michikio Kakutani - New York Times
Gary Shteyngart ... has produced a sardonic,moving and ingeniously crafted update of earlier sagas of upward-struggling American newcomers.
Washington Post
[A] terrifically charming tale of a young Russian immigrant's capitalist and carnal aspirations.
Vanity Fair
This picaresque debut...transcends its personal genesis to become an all-around great American story.
New York Time Out
The rampaging narrative is festooned on every page with glitering one-liners,improbably apt similes and other miniature pleasures.
Elle
Orwell once remarked that the narrator of Tropic of Cancer was so far from endeavoring to influence the future, he simply lies down and lets things happen to him. Shteyngart, whose sensibility is allied with Miller's, takes a passive character, Vladimir Girshkin, and makes him briefly proactivewith disastrous resultsin his smart debut novel. Vladimir is the son of immigrants who came to the U.S. via a Carter administration swap (American wheat for Russian Jews); his father, a doctor prone to dreams of suicide and complicated medical schemes, and his mother, an entrepreneur who makes fun of her son's gait, give him the inestimable gift of alienation. In true slacker fashion, Vladimir, at 25, is wasting his expensive education clerking at the Emma Lazarus Immigration Absorption Society. A client, Rybakov, bribes Vladimir to get him American citizenship, confiding that his son, the Groundhog, is a leading businessman (in prostitutes and drugs) in Pravathe Paris of the nineties in the fictional Republika Stolovaya. Vladimir fakes a citizenship ceremony for Rybakov in order to curry favor with the Groundhog. Then, because he has unwisely repelled the sexual advances of crime boss Jordi while trying to make some illicit bucks to keep his girlfriend, Francesca, in squid and sake dinners in Manhattan, Vladimir leaves abruptly for Prava. Once there, and backed by the Groundhog, Vladimir embarks on a scheme to fleece the American students who have flocked to Prava's legendary scene. Although the satire on the expatriate American community is a little too easy, Shteyngart's Vladimir remains an impressive piece of work, an amoral buffoon who energizes this remarkably mature work.
Publishers Weekly
Failurchka Mother's Little Failure is what Vladimir Girshkin's overweening Russian immigrant mother calls her 25-year-old son at the beginning of this picaresque, episodic, and somewhat sprawling first novel. Vladimir is stuck in a dead-end job and saddled with girlfriend Challah, "queen of everything musky and mammal-like." Then through a series of chance encounters, he is catapulted to the eastern European city of "Prava" to find himself welcomed into the fold of powerful Mafiosi. Shteyngart introduces a large cast of exotic characters, mainly twentysomethings meandering from adventure to adventure. Yet this distinctive new voice, which is both richly ironic and often side-splittingly funny, still seems to be seeking the right register. The relentless humor and satire obscure the development of character that is necessary to make readers believe the cast is real and not just being staged. Moreover, one wonders why the author felt the need to (thinly) disguise Prague (Prava) with its river Tavlata (Vltava) and the 1969 (1968) Soviet invasion. Thus, his highly imaginative but at times maddening panorama comes to resemble a dazzling Potemkin village. Though this is not an experimental novel, it is difficult to escape the conclusion that the author is still experimenting with a very large talent he's not entirely sure what to do with. But having gotten a taste, we will eagerly await his next offering, in which less just might be more. Recommended for all literary collections and larger public libraries. —Edward Cone
Library Journal
This moving and funny debut novel offers a fresh take on the oft-told story of the immigrant longing for an authentic sense of place.... This is a complex and impressive work, full of humanistic touches and worldly humor.
Book Magazine
First-novelist Shteyngart casts a cold eye alike on Clinton-era aimlessness and free-enterprise excess in Eastern Europe. It's Vladimir Girshkin's 25th birthday in 1993, and his mother wastes no time reminding him that he's a disappointment. Since the family arrived in New York from the USSR 13 years before, she's become a successful businesswoman, while Dr. Girshkin adds to their coffers by defrauding Medicare. But Vladimir has dropped out of a progressive midwestern college to take a job at the Emma Lazarus Society helping new immigrants. One of them, the decidedly crazy Mr. Rybakov, wants to get Vladimir in touch with his son Groundhog, a mafioso operating in Prava, "the Paris of the '90s," an imaginary Eastern European city transformed by the collapse of communism into a mecca for criminals and novelty-seeking Americans. At first, Vladimir prefers to hang around the trendier sections of Manhattan, exchanging grad-student babble with the crowd gathered around girlfriend Francesca. But a misadventure in Miami with an amorous drug-dealer makes it advisable for him to get out of town, so Vladimir heads for Prava, where he persuades Groundhog to fund a Ponzi scheme based on getting American expatriates to invest in a literary magazine. Heavy drinking, observations about the void after communism, and a new girlfriend await Vladimir before his bamboozling comes to light and he must once again flee vengeful mafiosi. A sardonic but surprisingly moving epilogue finds him five years later in Cleveland, working at his father-in-law's insurance company, thinking wistfully of the days when he lived "foolishly, imperially, ecstatically" in the Wild West of Eastern Europe. Himself a Leningrad-bornAmerican citizen, Shteyngart mercilessly exposes the moral ambiguities of late-20th-century life under whatever form of government. Though slightly chilly toward its large cast of characters, the novel is redeemed by its thematic sweep and Vladimir's engaging brio. Ambitious, funny, intelligent, in love with irony and literary allusions, as if by a lighter Nabokov.
Kirkus Reviews
Discussion Questions
1. Assimilation is a major theme in The Russian Debutante's Handbook. Discuss Vladimir's various attempts to assimilate. Which one is most successful and why?
2. Vladimir retains a distinct self-identification as a poor Russian Jew, despite his mother's success in America and the many opportunities available to him as an American citizen. Discuss his ennui as a manifestation of successful Americanization.
3. Rybakov is also attempting to assimilate in his way. Discuss the humor inherant in the Fan Man's chief impetus toward citizenship being the legitimization of his opinions.
4. How does Vladimir's mother's intense desire for her son's success backfire? Why does her pressure on him to assimilate also backfire?
5. Vladimir doesn't seem to care much about money in his days at the Emma Lazarus Society. How does his affair with Frannie change that? What is the newfound appeal of material success?
6. Vladimir shows himself to be remarkably adaptable. What is the crucial difference between adaptation and assimilation?
7. History is an important character in this novel. How does it differently effect the lives of Rybakov? Kostya? Perry Cohen?
8. How is the destruction of the Foot symbolic of both Prava's escape from history and Vladimir's?
9. What does Vladimir learn about appearances from Morgan? Discuss the irony of this All-American girl's desire to immerse herself in Prava and its politics, and flee the bland, affluent normalcy so many immigrants seek.
10. Do you believe that Vladimir has assimilated at the end—that his life in Cleveland as an accountant with a wife and baby on the way has finally Americanized him? Or does Vladimir's nostalgia for his past status as an outcast reveal something more complex about the makeup of our souls.
(Questions issued by publishers.)