The Second Home
Christina Clancy, 2020
St. Martin's Press
352 pp.
ISBN-13: 9781250239341
Summary
Some places never leave you...
After a disastrous summer spent at her family’s home on Cape Cod when she is seventeen, Ann Gordon is very happy to never visit Wellfleet again.
If only she’d stayed in Wisconsin, she might never have met Anthony Shaw, and she would have held onto the future she’d so carefully planned for herself.
Instead, Ann ends up harboring a devastating secret that strains her relationship with her parents, sends her sister Poppy to every corner of the world chasing waves (and her next fling), and leaves her adopted brother Michael estranged from the family.
Now, fifteen years later, her parents have died, and Ann and Poppy are left to decide the fate of the beach house that’s been in the Gordon family for generations.
For Ann, the once-beloved house is forever tainted with bad memories. And while Poppy loves the old saltbox on Drummer Cove, owning a house means settling, and she’s not sure she’s ready to stay in one place.
Just when the sisters decide to sell, Michael re-enters their lives with a legitimate claim to a third of the estate. He wants the house. But more than that, he wants to set the record straight about what happened that long-ago summer that changed all of their lives forever.
As the siblings reunite after years apart, their old secrets and lies, longings and losses, are pulled to the surface. Is the house the one thing that can still bring them together––or will it tear them apart, once and for all?
Told through the shifting perspectives of Ann, Poppy, and Michael, this assured and affecting debut captures the ache of nostalgia for summers past and the powerful draw of the places we return to again and again.
It is about second homes, second families, and second chances. Tender and compassionate, incisive and heartbreaking, The Second Home is the story of a family you'll quickly fall in love with, and won't soon forget. (From the publisher.)
Author Bio
• Birth—N/A
• Raised—Milwaukee, Wisconsin
• Education—Ph.D., University of Wisconsin-Milwaukee
• Currently—lives in Madison, Wisconsin
Christina Clancy grew up Milwaukee, Wisconsin, and summered in her grandparents' home in Wellfleet on Cape Cod. She holds a PhD in Creative Writing from the University of Wisconsin-Milwaukee. The Second Home is her first novel; her second is on the way.
Clancy's work has appeared in the New York Times, Washington Post, Chicago Tribune, Sun Magazine and in various literary journals, including Glimmer Train, Pleiades and Hobart. (From the publisher.)
Book Reviews
[A] florid, beach-ready debut…. While the Shaw characters can be disappointingly flat in a way that borders on cartoonish, Clancy’s affectionate descriptions of Wellfleet are transporting. This is sure to be a favorite with book clubs.
Publishers Weekly
(Starred review) A riveting family saga…, Clancy's debut novel is a delight. With nostalgia as thick as the scent of coconut-scented sunscreen, The Second Home explores the consequences of emotional decisions and the strength needed to set things right.
Booklist
Clancy’s novel rests heavily on… a not-entirely-solid structure that raises questions of credibility…. While matters head toward not unexpected resolutions, the immersiveness of this holiday read remains hobbled by cool characters and an implausible plot.
Kirkus Reviews
[A] pitch-perfect summer novel with a scintillating combination of drama, heart and lovely prose that will stay with you long into autumn…. Masterfully plotted…, The Second Home is a riveting and dark family saga.
Bookreporter
Discussion Questions
1. "Cape Cod felt like a hazy dream the rest of the year, a place suspended forever in beach days filled with sunshine and warmth" (1). Do you have a place from your younger years that inhabits your memory in this way? How does the youthful memory compare to the reality?
2. "Upon returning to their home in Wellfleet, Ann felt her parents’ radiant energy in everything she saw as she paced the house to stay warm: the chipped wine glass left in the sink, the sloppily folded beach towels and stained pillowcases, in her mother’s cookbooks, her father’s telescope, even in the bulb digger where they’d always hidden the skeleton key that unlocked the back door" (1). Imagine walking into a house—what would "tell" of your own parents, what would signal that they were the most recent inhabitants? When you are gone, what objects might reflect your presence?
3. "It smelled like rotten eggs at low tide, but that was a smell she loved in the same primal way that she’d loved the smell of Noah’s sweet bald head when he was a baby… every molecule in her body seemed to change" (3). What senses are activated by a special place or person? What powers can smell have?
4. How do each of the Gordon children explore and deal with the loss of their parents? Did you consider any of their reactions healthy or unique?
5. Michael’s background is very different from that of Ann and Poppy. What intense experiences has he already had before joining the Gordon family? What misconceptions did outsiders hold about what Michael might bring into their lives?
6. "She loved Michael, so why did she feel so selfish? She wanted to tell Michael that the house was theirs, and summer was her time with her father." (45) Can you track Poppy’s emotions in this adolescent outburst? What is she wrestling with here? How do Ann’s complicated feelings toward Michael manifest over the course of the novel?
7. What role does family—the ones we’re born into and the ones we create—serve? What are some assumptions w emight make about families like the Shaws?
8. "He signed quickly, before he could change his mind. And just like that, he became a nobody" (138). What does this mean, for Michael to become a "nobody"? Did you feel empathy for Michael’s choice? Which adults could have handled the situation differently?
9. "Just look at us. One of your kids is missing, the other is a burn out, and I’m a teenage mom. Great job, you guys"(153)! What did you make of the Gordon family? Are their secrets and struggles commonplace?
10. The Shaw family is, on its surface, quite different from the Gordons. Do they share any similarities? Did you feel sympathy for Maureen? What about for the Shaw boys?
11. Discuss the role and impact of secrets in this novel. Are they inherently destructive, or are some secrets worth keeping? Why do Ann and Michael hold on to their secrets, and why is Connie’s illness not openly shared with Poppy?
12. How is Anthony able to manipulate both Ann and Michael? What kind of power does he hold over each of them?
13. "She felt like a part of her drowned in that pond" (110). As a reader, what was it like to read Ann’s rape scene and the unraveling that followed? Why does Ann blame herself for what happened that night, and everything that came after?
14. "Poppy was the victim of collateral damage" (267). Discuss Poppy’s trajectory from unsupervised teen with risky behaviors to globe-traveling yoga teacher and commitment phobe, to mother. What makes Poppy resist responsibility and returning home? What changes for her?
15. In what ways do children and grandchildren change the dynamics of a family?
16. How does Ann’s confrontation of Anthony affect her? Discuss the emotion and drama of this scene, and the impact on you as a reader. Did this meeting play out as you expected?
17. Explore what Wellfleet means to each of the main characters in the novel—what did it represent for Connie and Ed, for Michael and, ultimately, for the sisters? Why are they drawn to it? What are they nostalgic for?
18. "We should have figured this out. Should have assumed the best about each other, not the worst." (330) Why is Ann so late to forgive or welcome Michael back into her life? In what specific ways did they each feel betrayed?
19. "Is that what houses really were, containers for families? And once the containers were gone, the people inside were just set loose in the world, particles" (239). A theme throughout the novel is that houses hold our histories. How does this play out on the page, and has it proven true in your life?
20. "It was still theirs, still in the family, still vulnerable to the elements, still requiring upkeep. It was an anchor, yes ,but one that held her in place" (337). How is a house an "anchor" and what does that mean for these characters moving forward?
(Questions issued by the publishers.)