Sister of My Heart
Chitra Banerjee Divakaruni, 2000
Knopf Doubleday
336 pp.
ISBN-13: 9780385489515
Summary
From the award-winning author of Mistress of Spices, the bestselling novel about the extraordinary bond between two women, and the family secrets and romantic jealousies that threaten to tear them apart.
Anju is the daughter of an upper-caste Calcutta family of distinction. Her cousin Sudha is the daughter of the black sheep of that same family. Sudha is startlingly beautiful; Anju is not. Despite those differences, since the day on which the two girls were born, the same day their fathers died—mysteriously and violently—Sudha and Anju have been sisters of the heart. Bonded in ways even their mothers cannot comprehend, the two girls grow into womanhood as if their fates as well as their hearts were merged.
But, when Sudha learns a dark family secret, that connection is shattered. For the first time in their lives, the girls know what it is to feel suspicion and distrust. Urged into arranged marriages, Sudha and Anju's lives take opposite turns. Sudha becomes the dutiful daughter-in-law of a rigid small-town household. Anju goes to America with her new husband and learns to live her own life of secrets. When tragedy strikes each of them, however, they discover that despite distance and marriage, they have only each other to turn to.
Set in the two worlds of San Francisco and India, this exceptionally moving novel tells a story at once familiar and exotic, seducing readers from the first page with the lush prose we have come to expect from Divakaruni. Sister of my Heart is a novel destined to become as widely beloved as it is acclaimed. (From the publisher.)
Author Bio
• Birth—July 29, 1956
• Where—Kolkata, India
• Education—B.A., Kolkata University; Ph.D., University of
California, Berkeley
• Currently—lives in Houston, Texas and San Jose, Calif.
Chitra Banerjee Divakaruni is the author of the bestselling novels Queen of Dreams, Mistress of Spices, Sister of My Heart, and The Vine of Desire, and of the prizewinning story collections Arranged Marriage and The Unknown Errors of Our Lives. Her writings have appeared in more than 50 magazines, including Atlantic Monthly and The New Yorker.
Divakaruni was born in India and came to the United States at 19. She put herself through Berkeley doing odd jobs, from working at an Indian boutique to slicing bread in a bakery. She lives in Houston, Texas, and teaches creative writing at the University of Houston. (Adapted from the publisher.)
Extras
Excerpts from a 2004 Barnes & Noble interview:
• During graduate school, I used to work in the kitchen of the International House at the University of California, Berkeley. My favorite task was slicing Jell-O.
• I love Chinese food, but my family hates it. So when I'm on book tour I always eat Chinese!
• I almost died on a pilgrimage trip to the Himalayas some years back—but I got a good story out of it. The story is in The Unknown Errors of Our Lives—let's see if readers can figure out which one it is!
• Writing is so central to my life that it leaves little time/desire/need for other interests. I do a good amount of work with domestic violence organizations—I'm on the advisory board of Asians Against Domestic Violence in Houston. I feel very strongly about trying to eradicate domestic violence from our society.
• My favorite ways to unwind are to do yoga, read, and spend time with my family.
• When asked what book most influenced her career as a writer, here is her answer:
Maxine Hong Kingston's The Woman Warrior. I read this when I was in grad school, and it really made me examine my own role as a woman of color living in the U.S. It made me want to start writing about my own experiences. It made me think that perhaps I, too, had something worthwhile to write about. ("Extras" from Barnes & Noble.)
Book Reviews
Banerjee's poetically embroidered storytelling powers are in evidence.... [A] bittersweet fairy tale.
Anderson Tepper - New York Times
Ms. Divakaruni emphasizes the cathartic force of storytelling with sumptuous prose...she defies categorization, beautifully blending the chills of reality with rich imaginings.
Wall Street Journal
Her literary voice is a sensual bridge between worlds. India and America. Children and parents. Men and women. Passion and pragmatism.
USA Today
The power of stories and the strength of the women who tell them are lovingly rendered...a novel fragrant in rhythm and language.
San Francisco Chronicle
Like the old tales of India that are filled with emotional filigree and flowery prose, Divakaruni's (The Mistress of Spices) latest work is a masterful allegory of unfulfilled desire and sacrificial love. It is also an intricate modern drama in which generations and castes struggle over old and new mores. Anju and Sudha are cousins, born in the same household in Calcutta on the same day—which is also the day on which their mothers learn that both their husbands have been killed in a reckless quest for a cave full of rubies. Sudha grows up believing her father was a no-good schemer who brought ruin on his cousin, Anju's upper-class father. As they mature, Anju dreams of college, Sudha of children, but arranged marriages divide and thwart them. Anju adjusts to life in California with a man who lusts after Sudha; Sudha grapples with a mother-in-law who turns to the goddess Shasti to fill Sudha's barren womb rather than to a doctor for her sterile son. Ultimately, the tie between Anju and Sudha supersedes all other love, as each sustains painful loss to save the other. When Sudha learns the truth about her father and no longer needs to right his wrongs, she sees that all along her affection for Anju has not been dictated by necessity. An inspired and imaginative raconteur, Divakaruni is sure to engender comparisons with Arundhati Roy (The God of Small Things), but Divakaruni's novel stands in its own right as a compelling read. If her prose sometimes veers toward the purple, her mesmerizing narrative sustains it well.
Publishers Weekly
Divakaruni's debut novel, The Mistress of Spices, was a word-of-mouth hit; its blend of magical realism and culinary sensuality also appealed to fans of Laura Esquivel's Like Water for Chocolate. This second novel is a bit more earth-bound. Born on the same day their fathers die in a mysterious accident, Sudha and Anju are more than just cousins; although Anju is the daughter of an upper-caste Calcutta family and Sudha the daughter of a black-sheep renegade, they are sisters of the heart, bound by a deep love. Narrated by Sudha and Anju in alternate chapters, this is the tale of their relationship over the years, a friendship that is almost destroyed by jealousy and family secrets. Although much of the plot is contrived (the final revelation is no big surprise) and the male characters are stock cliches, this is still an engaging read, filled with tender, moving moments.
Library Journal
Discussion Questions
1. What kind of relationship is there between the older generation in India, who live in a world full of mystical tales and magical occurrences, and Anju and Sudha's generation, which is more drawn to Western ideals? Why are both cousins, especially Anju, skeptical of their own culture and interested in the west, particularly America? How do they incorporate each world into their lives?
2. How are Sudha and Anju different, and how are they similar? Despite their differences, what continues to keep their relationship strong?
3. The mothers tell the girls that loving someone too much is dangerous. What are they trying to achieve with this warning?
4. What does the ruby symbolize? What is the significance of Anju and Sudha being so "unlucky" in the circumstances under which they were born? Why was it significant for Sudha to know the truth about her past and not be able to tell Anju?
5. There is often a great disparity between what is the proper thing to do and what is the fun, exciting thing to do. How does this theme play itself out in the novel?
6. Why does Anju's mother welcome Sudha and her mother into the family even though she knows the truth about Sudha's father? In contrast, why is Sudha's mother so harsh and seemingly ungrateful? Do she and her daughter belong in the house?
7. The mothers often tell stories and gossip. What role do these stories play in their livesand in the lives of Sudha and Anju?
8. According to Bidhata Purush's predictions, Anju is supposed to be brave and clever, fight injustice, marry a fine man and travel the world, while Sudha is supposed to have a life ofsorrow. Do the girls live up to these predictions? If not, how else would you characterize each?
9. How did having a man enter each of their lives affect the girls' friendship? Would the friendship have evolved differently had they not married? Are men portrayed positively or negatively in this book?
10. Why is there jealousy between the two cousins? Is it inevitable despite their mutual love? Do they ever successfully rise above it?
11. How does Anju change after she comes to America? Would she have been as independent and assertive if she had stayed in India?
12. Sudha defies traditional Indian culture by leaving her husband and raising her child on her own. How do her actions affect her deep connection to Indian culture? How does the author portray Sudha's decision?
13. The keeping of secrets and the telling of lies play a huge part in the novel. Why are so many secrets kept? Is it better to keep some secrets and to tell some lies or to always share the truth?
14. Discuss your reaction to finding out Singhji's identity. Was Sudha's response reasonable?
15. Should Sudha have gone with Ashok? Throughout the novel, does Sudha give up too much for Anju? Are sacrifices required of a true friend?
Consider these next four questions if you have read Divakaruni's other novels and short stories.
16. What do the characters in lose and gain as they become more "American"?
17. In the story "Affair, " Abha says, "It's not wrong to be happy, is it? To want more out of life than fulfilling duties you took on before you knew what they truly meant?" How is this idea further developed in The Mistress of Spices? In Sister of my Heart?
18. In Divakaruni's stories, women are wives and mothers, but the men are portrayed primarily as husbands, not fathers. How are the men's roles in the novels similar to or different from those in the stories?
19. How does the Indian immigrant experience compare to that of other immigrants—Spanish, Italian, Chinese?
(Questions issued by publisher.)
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