Book Reviews
Although Briscoe lapses into soap opera at times, on the whole, she does a good job of dealing with her characters' sociocultural differences while telling a convincing, passionate contemporary tale. Briscoe knows her D.C. setting well, from her position as managing editor of "American Annals of the Deaf" at Gallaudet University.
Booklist
Set in and around Washington, D.C., Briscoe's earnest debut novel centers on three sisters attempting to balance their needs for love and their self-respect in a male-defined society. Beverly, Charmaine and Evelyn each represent stereotypical "successful" African American women, forced to compromise their desires in order to hold on to their male partners. Charmaine, 35, is a secretary, mother of one and pregnant; she struggles to cope financially and emotionally with her immature, underachieving husband as he weaves bold-faced lies about work, drugs and money. Evelyn, a 37-year-old psychologist and mother of two, resists her lawyer husband's desire to start his own firm, fearing that their standard of living will suffer. Magazine editor Beverly, perhaps the most interesting of the trio, is single, "picky" and reluctantly watching her biological clock tick its way to 30. Determined to move on after her boyfriend takes up with another woman, Beverly finds herself resorting to blind dates, considering artificial insemination and dating white men. Briscoe's writing lacks the energy and sass that Terry McMillan (Waiting to Exhale) brought to the same theme, and her passages of introspection can be awkward and heavy-handed. The audience for this book will find it enjoyable but not memorable.
Publishers Weekly
In this well-paced first novel by journalist Briscoe, three middle-class African American sisters living in the Washington, D.C., area face love, choices, and crises as they journey through life. Beverly, Charmaine, and Evelyn are quite different, yet the bonds of sisterly love remain strong. Briscoe's finely crafted novel is slightly reminiscent of Terri McMillan's Waiting To Exhale and will attract many of the same readers. It is at once humorous, poignant, realistic, and romantic and skillfully uses witty but realistic dialog to keep the story moving along. Because the lives of African Americans are so varied, it is refreshing to read fiction portraying black women in a positive light. Destined to become a keeper , this is recommended for all fiction collections and for libraries supporting African American collections, which far too often simply mirror the interests of "mainstream" America. — Angela Washington-Blair, Dallas
Library Journal
Imagine Terry McMillan's Waiting to Exhale without the sex, the sizzle, and the funky humor and you have a fair idea of Briscoe's first novel about three black sisters and their problems with their menfolk. Evelyn, Charmaine, and Beverly live in and around Washington, DC. Smart, materialistic Evelyn has it all: a super husband (lawyer Kevin), two great kids, an upscale suburban home, and work she enjoys as a psychologist. Charmaine, a secretary, has her own home, a young son by an ex-boyfriend, and a sexy but shiftless husband, Clarence. Magazine editor Beverly, the baby at 29, is still single and lives alone. Briscoe gives each sister a problem to chew on—nothing wrong with that, except the laborious chewing lasts all novel long. Evelyn's Kevin wants to leave his prestigious law firm and start his own: Will Evelyn's resistance endanger their marriage? Clarence's lies and debts are driving Charmaine crazy: Should she throw the bum out? Beverly has just ditched boyfriend Vernon for apparently two-timing her: Can she relax her high standards and forgive him? Beverly's dilemma leads to a more general complaint: "What's the matter with these black men?'' Her two post-Vernon dates are such dogs that she has a fling with a white guy who turns out to be an anal-retentive nut. The sisters support one another to a point, but sibling rivalries ensure that their relationships stay sweet and sour and add to the novel's most lasting impression, that of a peevish calling to account. Smoothly readable, but flat and uninventive.
Kirkus Reviews