Someone Knows My Name (The Book of Negroes)
Lawrence Hill, 2007
W.W. Norton & Co.
512 pp.
ISBN-13: 9780393333091
Summary
Kidnapped as a child from Africa, Aminata Diallo is enslaved in South Carolina but escapes during the chaos of the Revolutionary War. In Manhattan she becomes a scribe for the British, recording the names of blacks who have served the King and earned freedom in Nova Scotia.
But the hardship and prejudice there prompt her to follow her heart back to Africa, then on to London, where she bears witness to the injustices of slavery and its toll on her life and a whole people. It is a story that no listener, and no reader, will ever forget. (From the publisher.)
Author Bio
• Birth—N/A
• Reared—Toronto, Canada
• Education—B.A., Laval University (Quebec); M.A., Johns
Hopkins University (USA)
• Awards—Rogers Writers' Trust Prize; Commonwealth
Writers' Prize (both Canadian).
• Currently—lives in Burlington, Ontario, Canada
Lawrence Hill is the author of the novels, Someone Knows My Name (published as The Book of Negroes in Cabada), Any Known Blood and Some Great Thing and of the nonfiction work The Deserter's Tale (with Joshua Key). He lives in Ontario, Canada. (From the publisher.)
More
Lawrence Hill is an award-winning Canadian novelist and memoirist. He is best known for the 2001 memoir Black Berry, Sweet Juice: On Being Black and White in Canada and the 2007 novel Someone Knows My Name (The Book of Negroes in Canada).
Hill, the son of social scientist and public servant Daniel G. Hill and social activist Donna Hill and the brother of singer-songwriter Dan Hill, grew up in the Don Mills neighbourhood of Toronto. He currently lives in Burlington, Ontario, with his wife and five children.
In 2007, Hill collaborated with former US-Army Soldier (now deserter) Joshua Key to write Key's account of the Iraq War. His book The Deserter's Tale, the story of an ordinary soldier who walked away from the war in Iraq is the result of their interviews and meetings.
Someone Knows / Book of Negroes was longlisted for the Giller Prize and won the 2007 Rogers Writers' Trust Fiction Prize, the 2008 Commonwealth Writers' Prize and the 2009 edition of Canada Reads.
Hill also won the 2005 National Magazine Award for best essay for his work entitled "Is Africa's Pain Black America's Burden?", published in The Walrus. He also wrote the screenplay for Seeking Salvation, a documentary film about the Black church in Canada. Seeking Salvation won the American Wilbur Award for best national television documentary in 2005. (From Wikipedia.)
Book Reviews
In Lawrence Hill’s wonderfully written fictional slave narrative, the protagonist exhibits similar “proof on my flesh” of slavery’s barbarity.... In Someone Knows My Name, as in the slave narratives that inspired it, language is power. The slave owner marks the bodies of those he owns, but when the enslaved take possession of words, spoken and—especially—written, they move toward freedom. The young Frederick Douglass’s master knew this, admonishing his wife that if she taught Douglass how to read, “there would be no keeping him. It would forever unfit him to be a slave.”
Nancy Kline - New York times Book Review
Lawrence Hill's historical intelligence was already manifest in his 1997 novel, Any Known Blood, in which he used racial and geographic borders to explore and transform a Canadian story. In his new novel, Someone Knows My Name, Hill has extended his range and refined his craft to produce a compelling narrative that moves from mid-18th-century West Africa to South Carolina, Manhattan, Nova Scotia, Sierra Leone and London…Hill's hugely impressive historical work is completely engrossing and deserves a wide, international readership.
Delia Jarrett-Macauley - Washington Post
Stunning, wrenching and inspiring, the fourth novel by Canadian novelist Hill (Any Known Blood) spans the life of Aminata Diallo, born in Bayo, West Africa, in 1745. The novel opens in 1802, as Aminata is wooed in London to the cause of British abolitionists, and begins reflecting on her life. Kidnapped at the age of 11 by British slavers, Aminata survives the Middle Passage and is reunited in South Carolina with Chekura, a boy from a village near hers. Her story gets entwined with his, and with those of her owners: nasty indigo producer Robinson Appleby and, later, Jewish duty inspector Solomon Lindo. During her long life of struggle, she does what she can to free herself and others from slavery, including learning to read and teaching others to, and befriending anyone who can help her, black or white. Hill handles the pacing and tension masterfully, particularly during the beginnings of the American revolution, when the British promise to free Blacks who fight for the British: Aminata's related, eventful travels to Nova Scotia and Sierra Leone follow. In depicting a woman who survives history's most trying conditions through force of intelligence and personality, Hill's book is a harrowing, breathtaking tour de force.
Publishers Weekly
Around 1745, young Aminata Diallo is abducted from her West African home and sold into slavery in South Carolina. An observant and highly intelligent child, she quickly learns not only how to speak English but also how to read and write. On a trip to New York City with her master, Aminata escapes during chaotic anti-British demonstrations. She helps the embattled British compile "The Book of Negroes," a list of thousands of black Loyalists, and these slaves are transported to Nova Scotia and granted their freedom. Later some of them are sent to Sierra Leone as part of an abolitionist social experiment, and Aminata finally realizes her long-held dream of returning home. By setting the book early in the Revolutionary period, Canadian novelist Hill (Any Known Blood) finds something new in the familiar slave narrative. Unfortunately, his didactic purpose gets the upper hand and overwhelms the story. Aminata is simply too noble to be believable, and other major characters are mainly symbolic. Nevertheless, Hill's fascinating source material makes this a good choice for book clubs and discussion groups.
Edward St. John - Library Journal
(Adult/High School.) During the 18th century, Aminata Diallo is kidnapped from her village, survives the ocean voyage on a slave ship, is purchased by an indigo producer from South Carolina, and gets caught in the Revolutionary War. Later, she is traded to a Jewish duty inspector. She marries Chekura, a boy from a neighboring village, and gives birth to two children. Aminata's trials continue as she and her husband take part in Britain's promise of freedom for Loyalists by traveling to Nova Scotia, where she continues to long to return to Africa, but ends up in London instead. Throughout the story, her major assets are her ability to read and write and to serve as a midwife, which help in her quest for freedom. With mature themes (e.g., a rape scene on the ship, descriptive killings, and sexual situations), this book is suited for older teens. Hill clearly researched multiple people and sources to provide an accurate account of Aminata's heroic journey and brings to life crucial world history. Teens who enjoyed Sharon Draper's Copper Sun (2006) will appreciate this page-turning novel. —Gregory Lum, Jesuit High School, Portland, OR
School Library Journal
Discussion Questions
Introduction: Years before I began writing Someone Knows My Name, I came across two startling discoveries in a scholarly work. I read that thousands of African Americans fled slavery to serve the British, who promised to liberate them in return for service during the American Revolution. When the British lost the war, they sent those African Americans who could show that they had served the British for at least one year to Canada. Three thousand names were entered into a 150-page military ledger known as the "Book of Negroes," and, in the last half of 1783, the former slaves set sail to Nova Scotia.
Ten years later, many of these same former slaves were so disgruntled with the hardships they encountered in Canada—slavery, indentured servitude, anti-black race riots, and segregation—that in 1792 they accepted an offer from the British government and sailed to Africa in a flotilla of fifteen ships, to form the colony of Freetown in Sierra Leone. This was the first back-to-Africa exodus in the history of the Americas, and it turns out that a number of the adults swept up in this migration had actually been born in Africa.
As I began to write Someone Knows My Name, I imagined the life of an old woman on one of those vessels carrying liberated African Americans from Halifax to Freetown. What would she look like? Where had she been born in Africa? How had she been stolen into slavery, where had she lived in South Carolina, and how on earth did she find herself, in late life, sailing back to Africa from Canada? Someone Knows My Name is my attempt to give this fascinating but little-known story a human face. I gave the protagonist, Aminata Diallo, my eldest daughter's middle name. It is the story of a heroic woman in the eighteenth century, and I felt that the best way to lift her off the page was to love her like I love my own daughter. And indeed I loved Aminata from the moment I first started imagining her face, hearing her voice, seeing the way she walked with a platter balanced on her head.
My daughter, Genevieve Aminata Hill, was eleven years old when I started to write this story. The same age as my character when she is kidnapped by slave traders. What if this had happened to my own child? Aminata, the character, grew up under my tutelage. She learned to walk and then to read and to navigate her way in the world, and now this fictional creation of mine is all grown up and gone from the house. She belongs to the world of readers now, and I hope she will be well loved.
1. What is the significance of the title Someone Knows My Name?
2. What is your opinion about Hill's suggestion that Aminata's very youthfulness at the time of her abduction enables her emotional survival, even as some of the adults in her world show signs of crumbling?
3. The section of the book set in the sea islands of South Carolina depicts eighteenth-century indigo plantations where African American slaves and overseers are left largely to their own devices during the "sick season"—a good half of the year. To what degree does this cultural and social isolation allow for an interesting development and interaction of African American characters in the novel?
4. Aminata suffers some horrifying cruelties at the hands of her captors, but her relationships with her masters aren't always what you'd expect. How does Aminata's story reveal the complex ways that people react to unnatural, unequal relationships?
5. During the course of the story, Aminata marries and has a family. Although she is separated from them, she is reunited from time to time with her husband and one of her children. What does the work tell us about the nature of love and loyalty?
6. Aminata struggles to learn and master all sorts of systems of communicating in the new world: black English, white English, and Gullah, as well as understanding the uses of European money and maps. How do her various coping mechanisms shed light on her character?
7. Aminata longs for her home. What is the meaning of home in the novel, and how does the meaning change as the novel progresses?
8. What does the novel tell us about survival? Which characters fare best and why?
9. As Aminata moves from slavery to freedom, she finds that freedom is sometimes an empty promise. At what points in the novel did you feel this was true? Did it change how you thought about the meaning of freedom?
10. Aminata is a woman of extraordinary abilities—she is skillful with languages, literate, a speedy learner, a born negotiator. Why did Hill choose this story to be told by such a remarkable woman? What effect do her abilities have on the shaping of the story?
11. What do you think would be the challenges involved in writing a realistically painful novel that still offers enough light and hope to maintain the reader's interest and spirit?
12. What lessons does Aminata's tale hold for us in today's world?
(Questions issued by publisher.)
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