Stones from the River
Ursula Hegi, 1994
Simon & Schuster
528 pp.
ISBN-13: 9780684844770
Summary
Stones from the River is a daring, dramatic and complex novel of life in Germany. It is set in Burgdorf, a small fictional German town, between 1915 and 1951. The protagonist is Trudi Montag, a Zwerg—the German word for dwarf woman.
As a dwarf she is set apart, the outsider whose physical "otherness" has a corollary in her refusal to be a part of Burgdorf's silent complicity during and after World War II. Trudi establishes her status and power, not through beauty, marriage, or motherhood, but rather as the town's librarian and relentless collector of stories.
Through Trudi's unblinking eyes, we witness the growing impact of Nazism on the ordinary townsfolk of Burgdorf as they are thrust on to a larger moral stage and forced to make choices that will forever mark their lives. Stones from the River is a story of secrets, parceled out masterfully by Trudi—and by Ursula Hegi—as they reveal the truth about living through unspeakable times. (From the publisher.)
Author Bio
• Birth—May 23 1946
• Where—Germany
• Education—B.A., M.A., University of New Hampshire
• Awards—NEA Fellowship; 5 PEN Syndicated Fiction Awards
• Currently—Upstate New York, USA
Multiple award winner Ursul Hegi moved from West Germany to the U.S. in 1964. She has lived on both coasts, in the states of Washington and New York.
Hegi's first two books had American settings; but when she was in her 40s, she began investigating her cultural heritage in stories about life in Germany. Her critically acclaimed 1994 novel Stones from the River gathered further momentum when it was selected in 1999 as an Oprah's Book Club pick.
Among numerous honors and awards, Hegi has received an NEA Fellowship, several PEN Syndicated Fiction Awards, and a book award from the Pacific Northwest Booksellers Association (PNBA) in 1991 for Floating in My Mother's Palm. She has taught creative writing and has written many reviews for acclaimed publications like The New York Times, the Los Angeles Times, and The Washington Post.
Extras
• Hegi immigrated to the U.S. in 1964, at the age of 18.
• After it was rejected by several publishers, Hegi destroyed the manuscript of her first novel. She explains herself in this way:
[The novel] was called Judged, and I wrote it between 1970 and 1972. When Intrusions—my first novel brought into print—was accepted for publication, I was a graduate student at the University of New Hampshire, and one of the other students said it would be interesting to write a thesis on my two unpublished novels. By then I knew that I didn't want to publish Judged. It just wasn't very good, and I knew I didn't want to revise it. But I had learned a lot from writing it -- especially how not to write a novel. I went home, made paper airplanes with my children from the manuscript, and landed them in the wood stove.
My second unpublished manuscript, written in the mid-1970s, was The Woman Who Would Not Speak. It was set in Germany, and I used quite a bit of the material, in very different form, for two later novels, Floating in My Mother's Palm and Stones in the River. I always felt that I wanted go further with those characters. When I began Floating, it helped a lot to have descriptions that I'd written not too long after leaving Germany. Floating contains one chapter, called "The Woman Who Would Not Speak," which gives you an idea of the storyline and characters in the book. I revise my work between 50 and 100 times, going deeper each time. But part of revision is also knowing what to abandon. (Author bio from Barnes & Noble.)
Book Reviews
Rich and lively...This moving, elegiac novel commands our compassion and respect for the wisdom and courage to be found in unlikely places, in unlikely times.
Suzanne Ruta - The New York Times Book Review
What a novel is supposed to be: epic, daring, magnificent, the product of a definging and mesmerizing vision...It is in a word, remarkable.
Michael Dorris - Los Angeles Times
Returning to Burgdorf, the small German community she memorably depicted in Floating in My Mother's Palm , Hegi captures the events and atmosphere in the country prior, during and after WW II. Again she has produced a powerful novel whose chilling candor and resonant moral vision serve a dramatic story. With a sure hand, Hegi evokes the patterns of small-town life, individualized here in dozens of ordinary people who display the German passion for order, obedience and conformity, enforced for centuries by rigid class differences and the strictures of the Catholic church. The protagonist is Trudi Montag, the Zwerg (dwarf) who becomes the town's librarian; (she and most of the other characters figured in the earlier book). A perennial outsider because of her deformity, Trudi exploits her gift for eliciting peoples' secrets--and often maliciously reveals them in suspenseful gossip. But when Hitler ascends to power, she protects those who have been kind to her, including two Jewish families who, despite the efforts of Trudi, her father and a few others, are fated to perish in the Holocaust. Trudi is a complex character, as damaged by her mother's madness and early death as she is by the later circumstances of her life, and she is sometimes cruel, vindictive and vengeful. It is fascinating to watch her mature, as she experiences love and loss and finds wisdom, eventually learning to live with the vast amnesia that grips formerly ardent Nazis after the war. One hopes that Hegi will continue to depict the residents of Burgdorf—Germany in microcosm—thus deepening our understanding of a time and place.
Publishers Weekly
At the beginning of World War I, Trudi Montag, a dwarf, is born to an unstable mother and a gentle father in a small Rheinish town. Through the Weimar Republic and the Third Reich into the era following World War II she first struggles with—and later draws strength and wisdom from—her inability to fit into a conformist and repressive society. As the town's librarian and historian, Trudi keeps track of many secrets, revealing the universality of her experience. While Hegi's (Floating in My Mother's Palm) treatment of history and politics is engaging, her novel's appeal lies in the humanity of its characters. Particularly strong is her portrayal of, and insight into, the community of women and children as they react to changing conditions in the town. A sensitive and rewarding book. —Michael T. O'Pecko, Towson State Univ., MD
Library Journal
Discussion Questions
1. Why did Hegi choose a dwarf as her protagonist? How do the other characters respond to Trudi's "otherness"? How do you?
2. What compels Trudi to unearth people's secrets? She uses these stories as a means of exchange and a tool for bartering, disclosing some secrets while holding back others, enhancing where she sees fit. What drives her to repeat and embellish the stories she hears? What need in her does it fulfill? Why, in contrast, does Trudi keep her own secrets hidden? How does her desire to possess secrets and her urge to tell stories change as the story progresses?
3. Hegi portrays Trudi as a woman capable of both enormous rage and great compassion. The same woman who takes Max Rudnick a note which reads "I have seen you, and I find you too pitiful to consider," risks her life when she hides Jews in her cellar. How does Hegi reconcile these differences in her main character?
4. When Trudi is fourteen years old, four schoolboys drag her into a barn and molest her. Trudi is profoundly affected -- in what ways does this immediately change her? How does it continue to shape her in the coming years? Is Trudi ever able to overcome it? How?
5. During the war, Trudi risks her life and her father's by hiding Jews in their cellar. How does this forever transform her relationship to people? What impact do her actions have on the town, and how does it change her standing in Burgdorf?
6. How does Hegi develop the character of Leo? He is a constant support beam to the townspeople and to Trudi -- how does he tie the story together? How are Leo and Trudi different from each other, and in what ways are they similar?
7. As Nazism encroaches on Burgdorf, Hegi's characters areconfronted with moral dilemmas that go far beyond their ordinary experience. What are the different ways in which the townspeople react? What reasons does Hegi suggest for their varying emotions and actions? What do you think you might have done differently in their place?
8. After Michael Abramowitz is taken away and beaten by Nazis, his wife has a thought that she never voices: "Given a choice, she would rather be the one who was persecuted than the one who did the persecuting." Do you think this is a feeling shared by other Jews during the war? By ordinary Germans? How would you choose?
9. We do not learn until late in the story that Emil Hesping is the unknown benefactor. We discover that all the years he has been giving gifts to the people of Burgdorf, he has been embezzling money from the gymnasium. How do you feel when he is killed for removing Hitler's unwelcome statue from the town square? The unknown benefactor symbolically counteracts some of the pain Hitler's tyranny has caused. What is Hegi saying about the relation of good deeds to justice?
10. After the war, many of Burgdorf's townspeople refuse to speak of the war years, pretending that they took no part in the war's evils. What compels them to participate in this complicity of silence? What do you believe can happen to a people when they collectively bury a memory? What purpose does it serve to bring out the truth and to never forget it?
11. What is the significance of making Trudi and her father the town librarians? Why do you think Hegi uses a library as her novel's principal setting?
12. How are Burgdorf's women affected by their country's history? Think of Renate Eberhardt, who is turned in by her Nazi son; Ingrid, the young woman searching for divinity; Jutta, the strong and beautiful wife of Klaus Malteri Hanna, the—baby Trudi loves too much; Eva Sturm, who was not protected by her husband, Alexander. What pain and atrocities are visited on the women specifically?
13. What vision of human nature does Stones from the River express? Does Hegi perceive human beings as fundamentally good, evil, or indifferent? As immutable or capable of transformation?
14. In Stones from the River, Hegi uses both stones and the river symbolically. What significance does the phrase "stones from the river" acquire in the course of the novel, both for Trudi and the reader? How does Trudi use the stones as a means of self expression? What does the river mean to Trudi, and how does Hegi develop it as a metaphor?
(Questions issued by publisher.)
top of page (summary)