Up Island
Anne Rivers Siddons, 1997
HarperCollins
448 pp.
ISBN-13: 9780061715716
Summary
If there was ever one woman who knew what was important, that woman was Molly Bell Redwine. From childhood, Molly was taught by her charismatic, demanding mother that "family is everything." But in what seems like an instant, Molly discovers that family can change without warning. Her husband of more than twenty years leaves her for a younger woman, her domineering mother dies, and her Atlanta clan scatters to the four winds. In a heartbeat Molly is set adrift.
Devasting by her crumbling world, Molly takes refuge with a friend on Martha's Vineyard where she tries to come to terms with who she really is. After the summer season, Molly decides to stay on in this very different world, renting a small cottage on a remote up-island pond.
As Molly's stay up island widens the distance between her and her old life in Atlanta, she lets go of her outworn notions of family and begins to become part of a strange—and very real—new family. As the long Vineyard winter closes in, she braces herself for the search for renewal, identity, and strength, until the healing spring finally comes. (From the publisher.)
Author Bio
• Birth—January 9, 1936
• Where—Atlanta, Georgia, USA
• Education—B.A., Auburn University; Atlanta School of Art
• Currently—lives in Charleston, South Carolina and Maine
Born in 1936 in a small town near Atlanta, Anne Rivers Siddons was raised to be a dutiful daughter of the South — popular, well-mannered, studious, and observant of all the cultural mores of time and place. She attended Alabama's Auburn University in the mid-1950s, just as the Civil Rights Movement was gathering steam. Siddons worked on the staff of Auburn's student newspaper and wrote an editorial in favor of integration. When the administration asked her to pull the piece, she refused. The column ran with an official disclaimer from the university, attracting national attention and giving young Siddons her first taste of the power of the written word.
After a brief stint in the advertising department of a bank, Siddons took a position with the up and coming regional magazine Atlanta, where she worked her way up to senior editor. Impressed by her writing ability, an editor at Doubleday offered her a two-book contract. She debuted in 1975 with a collection of nonfiction essays; the following year, she published Heartbreak Hotel, a semi-autobiographical novel about a privileged Southern coed who comes of age during the summer of 1956.
With the notable exception of 1978's The House Next Door, a chilling contemporary gothic compared by Stephen King to Shirley Jackson's classic horror novel The Haunting of Hill House, Siddons has produced a string of well-written, imaginative, and emotionally resonant stories of love and loss —all firmly rooted in the culture of the modern South. Her books are consistent bestsellers, with 1988's Peachtree Road (1988) arguably her biggest commercial success. Described by her friend and peer, Pat Conroy, as "the Southern novel for our generation," the book sheds illuminating light on the changing landscape of mid-20th-century Atlanta society.
Although her status as a "regional" writer accounts partially for Siddons' appeal, ultimately fans love her books because they portray with compassion and truth the real lives of women who transcend the difficulties of love and marriage, family, friendship, and growing up.
Extras
• Although she is often compared with another Atlanta author, Margaret Mitchel, Siddons insists that the South she writes about is not the romanticized version found in Gone With the Wind. Instead, her relationship with the region is loving, but realistic. "It's like an old marriage or a long marriage. The commitment is absolute, but the romance has long since worn off...I want to write about it as it really is: I don't want to romanticize it."
• Siddons' debut novel Heartberak Hotel was turned into the 1989 movie Heart of Dixie, starry Ally Sheedy, Virginia Madsen, and Phoebe Cates. (From Barnes & Noble.)
Book Reviews
[T]he story gets frustrating because the reader wants everything to be right for Molly, and that certainly doesn't always happen. Sure there is some sort of resolution at the end, but it is a disjointed and odd conclusion. However...this novel is sure to find its fans. —Mary Frances Wilkens
Booklist
(YA) For Molly Redwine, maintaining her family is the essence of her existence. When her husband announces he is leaving her for another woman, her world collapses. The "other woman" quickly takes over Molly's social position, her house, and even the affection of her son. With the sudden death of her domineering mother, Molly is truly set adrift. Escaping with friends to Martha's Vineyard, she starts the search for her own identity. When her friends depart, she stays on in a small cottage. As a renter, she must also assume the duties of caretaker of two cantankerous old women who share a haunting secret, a gravely ill and estranged son of one of those women, and two territorial swans. Through the winter, Molly struggles to nurture them as she searches for a future for herself. As with most of Siddons's heroines, Molly is an engaging woman who battles successfully with adversity and remains unsinkable. The author's fans will be delighted with her latest novel and its setting. —Katherine Fitch, Lake Braddock Middle School, Burke, VA
School Library Journal
Siddons has her formula down to a science (Fault Lines, 1995, etc.), as this latest once again demonstrates. Molly Bell Redwine is a woman who's never had a chance to discover herself. As a child, she lived under the shadow of her glamorous mother. As a young adult, she met and married Tee, a Coca-Cola executive who fathered her two children, Teddy and Caroline, and kept her comfortable in the manner to which she'd become accustomed. When Tee announces out of the blue that he's met a younger woman, a Coke attorney, and wants a divorce, and Molly's mother up and dies without any notice, Molly's stable if painfully dull Atlanta existence is thrown into disarray. On the advice of her transplanted northern friend Liv, she heads to Liv's house in Martha's Vineyard for the rest of the summer, and to everyone's surprise decides to stay once Liv heads back south at the end of the season. On the island, Molly finds herself in an unusual position as house-sitter, nurse, and friend to two elderly, ill women, and as part-time caretaker to one of the women's sons, who's suffering from cancer and has recently had his leg amputated. On top of it all, Molly's depressed, mourning father joins her, hoping to find solace in this place where he and his daughter are anonymous. But as is often the case—at least in a good Siddons novel—alone doesn't last for long, and love comes when it's least expected. What has seemed at first an unbearable burden transforms Molly in ways she couldn't have imagined. Far-fetched but oddly compelling, this beaten-down housewife's journey to self-reliance and happiness has surprising quirks, lively characters, and actual feeling.
Kirkus Reviews
Discussion Questions
1. What role do the swans, Charles and Di, play in the lives of each of their human caretakers? What do they represent for Luzia, Bella, Tim and Molly, respectively? And what do they give back to the humans in return for food? Why do you think Tim and Luzia are able to communicate with the swans better than anyone else? What is the significance of the fact that they are a rare breed of mute swans?
2. When Molly's mother dies, her ghost begins visiting, first Molly, and then Tim, in their dreams. What is Belle's ghost trying to say to them? What does she want? And does she get it? What does Belle's hat mean to Molly when she first arrives on Martha's Vineyard? What does the hat come to mean for Molly?
3. What kind of understanding of "family" did Molly inherit from her Mother? Did it change when Molly had a family of her own? How does her up island experience change her notions of family, and in what ways? How might her new understanding help her cope with loss and her husband's betrayal?
4. Livvy says to Molly, "that's what middle age is, one loss after another . . . Didn't anybody ever tell you?" All of the people in Molly's Vineyard "family," her father, Dennis, Bella, Luzia, and herself, suffer from one or more devastating losses. How do they each cope differently with their losses? What enables each of them to ultimately find renewal and hope?
5. Molly muses that her son Teddy was not losing his father from the divorce, "only I was losing. From the perfect skin of The Family, only I was being ejected. How could that be?" How does her separation and potential divorce from Tee irrevocably alter her relationships with her children, friends, and parents as well? How is it that only she "was losing?" And does that still hold true by the end of the novel?
6. Molly agrees to stay in the small up island cottage on the condition that she is not required to become emotionally involved with the Ponders and their mysterious quarrels and struggles. What is it that draws her into the lives of her wards? When does Dennis Ponder cease being an abstract cancer patient and become "real" in her eyes? What kind of relationship do Dennis and Molly arrive at by the end of the novel? How would you characterize it?
7. "I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived." What is the significance of Thoreau's passage for Tim, Dennis and Molly?
(Questions issued by publisher.)
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